Partitions Numériques de BASS pour Trompette, Euphonium (duo)

BASS

Buffalo Soldier
Buffalo Soldier #Trompette, Euphonium (duo) #DÉBUTANT #Bob Marley #Tim Curd #Buffalo Soldier #Tim Curd #SheetMusicPlus

Euphonium,Instrumental Duet,Trombone - Level 1 - SKU: A0.716849 By Bob Marley. By Bob Marley and Noel Williams. Arranged by Tim Curd. Pop,Reggae. 7 page...(+)

Euphonium,Instrumental Duet,Trombone - Level 1 - SKU: A0.716849 By Bob Marley. By Bob Marley and Noel Williams. Arranged by Tim Curd. Pop,Reggae. 7 pages. Tim Curd #4571937. Published by Tim Curd (A0.716849). Buffalo Soldier by Bob Marley. Trombone/Euphonium Duet.Parts in bass clef in C and treble clef in Bb are included.This easy to play, fun arrangement will bring some classic reggae to your school concert or performance.Score and Parts included.Part 1 Trombone/Euphonium Bass Clef in CPart 2 Trombone/Euphonium Bass Clef in CPart 1 Trombone/Euphonium Treble Clef in BbPart 2 Trombone/Euphonium Treble Clef in Bb.

Three Little Birds
Three Little Birds #Trompette, Euphonium (duo) #INTERMÉDIAIRE #Bob Marley #Tim Curd #Three Little Birds #Tim Curd #SheetMusicPlus

Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.716813 By Bob Marley. By Bob Marley. Arranged by Tim Curd. Pop,Reggae. 6 pages. Tim Curd #43026...(+)

Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.716813 By Bob Marley. By Bob Marley. Arranged by Tim Curd. Pop,Reggae. 6 pages. Tim Curd #4302693. Published by Tim Curd (A0.716813). Three Little Birds by Bob Marley. Trombone or Euphonium DuetThis classic reggae tune will make make an excellent piece for a summer concert or occasion.Score and parts included.Part 1 Trombone in C (Bass Clef)Part 1 Trombone in Bb (Treble Clef)Part 2 Trombone in C (Bass Clef)Part 2 Trombone in Bb (Treble Clef).

Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.