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+ 11 instrumentations
Retracter
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+ 9 instrumentations
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98
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Harpe
11
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9
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2 Violons (duo)
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4 Violoncelles
5
2 Altos (duo)
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Harpe, Flûte (duo)
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Alto (partie séparée)
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Violon (partie séparée)
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Alto, Violoncelle (duo)
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2 Violons, Piano
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Alto seul
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Quatuor à cordes: 4 violons
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Ensemble de Violons
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56
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26
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Fanfare
22
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8
Jazz combo
7
Orchestre de chambre
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Cloches
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Ensemble de Percussions
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Percussion (partie séparée)
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Xylophone, Piano
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Crtitères actifs :
GREAT SONG WRITTEN
Saxophone Tenor et Piano
Partitions à imprimer
10 partitions trouvées
<
1
Sorry Seems To Be The Hardest Word
#
Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Elton John
#
Keith Terrett
#
Sorry Seems To Be The Hardest
#
Keith Terrett
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.747035 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 ...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.747035 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902613. Published by Keith Terrett (A0.747035). Arranged for Bb Tenor Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99 ≈
9.48€
Hallelujah
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Lee DeWyze
#
Raymond Fenech
#
Piano and Optional Drum Set)
#
Hallelujah
#
Raymond Fenech
#
SheetMusicPlus
Small Ensemble Piano,Tenor Saxophone - Level 3 - SKU: A0.760291 By Lee DeWyze. By Leonard Cohen. Arranged by Raymond Fenech. Contest,Festival,Pop,Rock,S...
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Small Ensemble Piano,Tenor Saxophone - Level 3 - SKU: A0.760291 By Lee DeWyze. By Leonard Cohen. Arranged by Raymond Fenech. Contest,Festival,Pop,Rock,Standards,Wedding. Score and part. 19 pages. Raymond Fenech #3555345. Published by Raymond Fenech (A0.760291). Hallelujah is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, the song found greater popular acclaim through a recording by John Cale, which inspired a recording by Jeff Buckley. It is considered as the baseline of secular hymns. Following its increased popularity after being featured in the film Shrek (2001), many other arrangements have been performed by many and various singers, both in recordings and in concert, with over 300 versions known. The song has been used in film and television soundtracks and televised talent contests. Hallelujah experienced renewed interest following Cohen's death in November 2016. This popular song is arranged for (Tenor Saxophone; Piano and Optional Drum Set). It is ideal for school concerts and activities The Duration is approx. 6.04 minutes and the level is Intermediate.
$4.99 ≈
4.73€
Endless Love
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Saxophone Tenor et Piano
#
Diana Ross & Lionel Richie, Li
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Vitor Melo
#
Endless Love
#
Melo Music
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SheetMusicPlus
B-Flat Saxophone,B-Flat instrument,B-Flat trombone,Instrumental Solo,Piano,Tenor Saxophone - SKU: A0.506034 By Diana Ross & Lionel Richie, Lionel Richie...
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B-Flat Saxophone,B-Flat instrument,B-Flat trombone,Instrumental Solo,Piano,Tenor Saxophone - SKU: A0.506034 By Diana Ross & Lionel Richie, Lionel Richie Feat. Shania Twain, and Luther Vandross & Mariah Carey. By Lionel Richie. Arranged by Vitor Melo. 20th Century,Pop,Wedding. Score and individual part. 3 pages. Published by Melo Music (A0.506034). Written for Bb instruments and piano. Key: Bb Endless Love is a song written by Lionel Richie and originally recorded as a duet between Richie and fellow R&B singer Diana Ross. In this ballad, the singers declare their endless love for one another. Since its release in 1981, it has been covered by several artists. Billboard has named the original version as the greatest song duet of all-time.
$5.95 ≈
5.64€
Endless Love
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Saxophone Tenor et Piano
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Diana Ross & Lionel Richie, Li
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Vitor Melo
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Endless Love
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Melo Music
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SheetMusicPlus
Piano,Tenor Saxophone - SKU: A0.505974 By Diana Ross & Lionel Richie, Lionel Richie Feat. Shania Twain, and Luther Vandross & Mariah Carey. By Lionel Ri...
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Piano,Tenor Saxophone - SKU: A0.505974 By Diana Ross & Lionel Richie, Lionel Richie Feat. Shania Twain, and Luther Vandross & Mariah Carey. By Lionel Richie. Arranged by Vitor Melo. 20th Century,Pop,Wedding. Score and part. 3 pages. Published by Melo Music (A0.505974). Endless Love is a song written by Lionel Richie and originally recorded as a duet between Richie and fellow R&B singer Diana Ross. In this ballad, the singers declare their endless love for one another. Since its release in 1981, it has been covered by several artists. Billboard has named the original version as the greatest song duet of all-time. Key: Bb.
$5.95 ≈
5.64€
Don't Let The Sun Go Down On Me
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Piano
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Don't Let The Sun Go Down On M
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.547812 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score an...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.547812 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053423. Published by jmsgu3 (A0.547812). Elton John: Don't Let The Sun Go Down On Me for Tenor Sax & Piano. Duration: 5'27 Â Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage. Â
$53.95 ≈
51.18€
A Night In Tunisia
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99 ≈
8.53€
My Saxophone and Me (B flat version)
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Saxophone Tenor et Piano
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DÉBUTANT
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Ki...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95 ≈
5.64€
8 Jazzy Xmas Carols for Bb Tenor Saxophone & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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patrick paul
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Keith Terrett
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Piano
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8 Jazzy Xmas Carols for Bb Ten
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1314541 By patrick paul. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Tradit...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1314541 By patrick paul. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Traditional. Score and part. 31 pages. Keith Terrett #903294. Published by Keith Terrett (A0.1314541). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Tenor Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs. Contact Publisher.
$15.99 ≈
15.17€
Pachelbel: Canon for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedd...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95 ≈
31.26€
A Mighty Fortress is Our God by Luther for Tenor Sax and Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Martin Luther
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Ander
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A Mighty Fortress is Our God b
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1076836 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1076836 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680951. Published by Woods Only, Arrangements (A0.1076836). This easy arrangement for tenor sax and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99 ≈
1.89€
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