Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Great Light
Non classifié
576
Piano & claviers
Piano seul
261
Piano, Voix
67
Piano Facile
62
Piano, Voix et Guitare
47
Orgue
18
1 Piano, 4 mains
11
Instruments en Do
9
Accompagnement Piano
6
Piano (partie séparée)
5
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
2 Accordéons
1
Accordéon
1
1 Piano, 6 mains
1
+ 12 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
27
Guitare (partie séparée)
10
Basse electrique
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Paroles et Accords
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare, Violon, Violoncelle (trio)
1
Ukulele
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
206
Chorale 3 parties
62
Chorale 2 parties
46
Chorale Unison
32
Chorale TTBB
21
Chorale SSAA
18
Voix Alto, Piano
15
Voix Soprano, Piano
10
Voix duo, Piano
3
Voix haute
3
Voix duo
3
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Voix Soprano
1
Voix Tenor
1
Voix basse, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
48
Quatuor de Saxophones: 4 saxophones
46
Clarinette et Piano
40
Hautbois, Piano (duo)
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Flûte, Hautbois, Clarinette, Basson
34
Saxophone Alto et Piano
33
Saxophone (partie séparée)
25
Saxophone Tenor et Piano
23
Quintette de Saxophone: 5 saxophones
23
2 Saxophones (duo)
19
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Soprano et Piano
14
2 Clarinettes (duo)
14
Ensemble de Flûtes
14
2 Flûtes traversières (duo)
14
Clarinette
12
Saxophone Baryton, Piano
11
Flûte traversière
11
Ensemble de saxophones
11
Ensemble de Clarinettes
9
Flute (partie séparée)
9
3 Saxophones (trio)
8
Quatuor de Flûtes : 4 flûtes
7
Saxophone Tenor
7
Saxophone Alto
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone, Clarinette (duo)
6
Hautbois
5
Flûte, Clarinette (duo)
5
Clarinette, Violon (duo)
5
Quatuor de Flûtes à bec
5
3 Clarinettes (trio)
5
2 Hautbois (duo)
5
Hautbois (partie séparée)
5
Saxophone Baryton
4
Saxophone Soprano
4
Hautbois, Basson (duo)
4
Hautbois, Flûte
3
Clarinette Basse, Piano
3
Clarinette, Trompette (duo)
3
Clarinette et Alto
3
5 Flûtes à bec
3
Flûte à bec Soprano
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Cor Anglais
2
Hautbois, Violoncelle
2
2 Flûte à bec (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Clarinette (duo)
2
Flûte à Bec
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto
1
Hautbois, violon (duo)
1
Flûte, Clarinette et Basson
1
Piccolo
1
Cor anglais, Piano
1
2 Flûtes traversières, Piano
1
Clarinette (partie séparée)
1
Flûte, Trompette (duo)
1
Flûte, Violoncelle
1
Hautbois et alto (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais et Harpe (duo)
1
Flûte et Guitare
1
+ 67 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette, Piano
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone et Piano
24
Trombone (partie séparée)
23
Cor et Piano
18
Trompette (partie séparée)
16
Quatuor de Cuivres
13
Trombone
13
Trompette
12
Tuba et Piano
11
Tuba
11
Euphonium, Piano (duo)
11
Cor
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Quatuor de cuivres: 4 trombones
9
2 Trombones (duo)
6
Cor (partie séparée)
6
2 Trompettes (duo)
5
2 Cors (duo)
4
Trompette, Saxophone (duo)
4
Trompette, Trombone (duo)
4
Tuba (partie séparée)
3
Ensemble de Trombones
3
Cor Anglais
2
Ensemble de Trompettes
2
Trio de Cuivres
2
4 Tubas
2
3 Trombones (trio)
1
Cor anglais, Piano
1
Trompette, violon (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
2 Tubas (duo)
1
Trompette et Guitare
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
89
Violon et Piano
45
Harpe
32
Alto, Piano
28
Violoncelle, Piano
26
Violon
17
2 Violoncelles (duo)
15
Trio à Cordes: violon, alto, violoncelle
15
Violoncelle
13
Alto seul
11
Contrebasse (partie séparée)
10
2 Violons (duo)
10
Violon, Violoncelle (duo)
10
Contrebasse, Piano (duo)
10
Violon (partie séparée)
9
2 Altos (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contre Basse
6
Harpe, Voix
4
Violon, Guitare (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 violins
3
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Harpes (duo)
2
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
3 Harpes
1
4 Harpes
1
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
309
Orchestre à Cordes
61
Orchestre
46
Ensemble Jazz
42
Jazz combo
31
Ensemble de cuivres
26
Cloches
11
Orchestre de chambre
11
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Batterie
3
Ensemble de Percussions
3
Fanfare
3
Marimba
2
Piano et Orchestre
1
Xylophone, Piano
1
Orchestre, Violon
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
10
Librairie Musicale
2
Matériel de Musique
464
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
A Great Light
Voix Soprano, Piano
Partitions à imprimer
10 partitions trouvées
<
1
Eternal Source of Light Divine
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Robert B
#
Eternal Source of Light Divine
#
Robert Oldroyd Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.941802 Composed by George Frideric Handel. Arranged by Robert B. Oldroyd. Baroque,Christian,Concert,Sacred....
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.941802 Composed by George Frideric Handel. Arranged by Robert B. Oldroyd. Baroque,Christian,Concert,Sacred. 3 pages. Robert Oldroyd Music #6662941. Published by Robert Oldroyd Music (A0.941802). This arrangement for Soprano and Organ is in the key of C. The solo trumpet part has been written as a Swell solo in the organ part. This is a great piece for a church service or recital.
$4.99 ≈
4.72€
Return to Our Original Home, a Pure Land Buddhist Song for Soprano and Piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Richard St
#
Return to Our Original Home, a
#
Richard St. Clair
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939830 Composed by Richard St. Clair. 20th Century,Contemporary,Sacred. 11 pages. Richard St. Clair #519613...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939830 Composed by Richard St. Clair. 20th Century,Contemporary,Sacred. 11 pages. Richard St. Clair #5196133. Published by Richard St. Clair (A0.939830). This joyful and expressive song (duration: 4:15) is a setting of a Pure Land Buddhist poem by the great Jodo Shinshu Patriarch Shandao (Chinese, 613-681 CE). The poem is a call to the faithful of Pure Land Buddhism to return to the Pure Land of Amida Buddha and in that land to become Enlightened as Buddhas.
$15.00 ≈
14.17€
All I Have to Bring from Emily!
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Gwyneth W
#
All I Have to Bring from Emily
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-7E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital...
(+)
Soprano voice and piano - Medium - SKU: MQ.8317-7E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8317-7E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-7E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00 ≈
4.72€
The Moon and the Sea from Emily!
#
Voix Soprano, Piano
#
Gwyneth W
#
The Moon and the Sea from Emil
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-2E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital...
(+)
Soprano voice and piano - Medium - SKU: MQ.8317-2E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-2E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the shimmering moonlight (The Moon and the Sea). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00 ≈
4.72€
My Letter to the World from Emily!
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Gwyneth W
#
My Letter to the World from Em
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-1E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital...
(+)
Soprano voice and piano - Medium - SKU: MQ.8317-1E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-1E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00 ≈
4.72€
Hope (with Feathers) from Emily!
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Gwyneth W
#
Hope
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-4E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital...
(+)
Soprano voice and piano - Medium - SKU: MQ.8317-4E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-4E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: hopeful birds hopping about (Hope with Feathers). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00 ≈
4.72€
Passion from Emily!
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Gwyneth W
#
Passion from Emily!
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital...
(+)
Soprano voice and piano - Medium - SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-5E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the boat of passion riding the waves and then settling into its mooring (Passion). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00 ≈
4.72€
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lass&ug
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.46€
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
#
Voix Soprano, Piano
#
AVANCÉ
#
Opera
#
Classique
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réch
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.46€
<
1
A Great Light
