Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Guy Wood
Non classifié
41
Piano & claviers
Piano seul
17
Piano, Voix et Guitare
7
Piano Facile
3
Piano, Voix
2
Instruments en Do
2
Piano grosses notes
1
+ 1 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
9
Guitare notes et tablatures
6
Guitare
3
Ukulele
2
Piano, Guitare (duo)
1
Paroles et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale TTBB
11
Chorale SATB
4
Chorale SSAA
2
Vents
Quatuor de Saxophones: 4 saxophones
58
Flûte, Hautbois, Clarinette, Basson
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
3 Saxophones (trio)
37
Quintette de Saxophone: 5 saxophones
26
Flûte, Hautbois, Clarinette (trio)
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Quatuor de Clarinettes: 4 clarinettes
11
3 Clarinettes (trio)
9
Saxophone
7
Trio de Flûtes: 3 flûtes
7
Clarinette
6
Saxophone Alto
5
3 Hautbois
4
Ensemble de Clarinettes
4
Flûte traversière et Piano
3
Flûte traversière
3
Flûte, Hautbois, Basson
3
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de saxophones
2
Flûte, Clarinette et Basson
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Piano (duo)
1
Instruments en Mib
1
Saxophone Alto et Piano
1
Clarinette Basse, Piano
1
Saxophone Tenor
1
Saxophone Tenor et Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte et Guitare
1
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Clarinette et Piano
1
+ 28 instrumentations
Retracter
Cuivres
Trompette
3
Trombone
2
Cor
1
Instruments en Sib
1
Bass Clef Instruments
1
Cordes
Violon et Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto, Piano
1
Violon
1
Violon, Guitare (duo)
1
Violoncelle
1
2 Violoncelles (duo)
1
Alto seul
1
Ensemble de Violoncelles
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
6
Orchestre
5
Orchestre d'harmonie
2
Quintette à Vent
2
Fanfare
1
Orchestre à Cordes
1
Ensemble de cuivres
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
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A propos de free-scores.com
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English
Partitions Gratuites
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Partitions Numériques
11
Librairie Musicale
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Matériel de Musique
10
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Guy Wood
Chorale TTBB
Partitions à imprimer
11 partitions trouvées
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1
French Foreign Legion
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Chorale TTBB
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INTERMÉDIAIRE
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Jazz
#
Frank Sinatra
#
Walter Latzko
#
French Foreign Legion
#
Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.871849 By Frank Sinatra. By Aaron Schroeder and Guy Wood. Arranged by Walter Latzko. Jazz. Octavo. 4 pages. Latz...
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Choral Choir (TTBB) - Level 3 - SKU: A0.871849 By Frank Sinatra. By Aaron Schroeder and Guy Wood. Arranged by Walter Latzko. Jazz. Octavo. 4 pages. Latzko Muzic #5373131. Published by Latzko Muzic (A0.871849). WONDERFUL ARRANGEMENT OF AN ENTERTAINING COMEDY SONG.
$7.99 ≈
7.55€
Till Then
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Chorale TTBB
#
INTERMÉDIAIRE
#
Contemporain
#
The Classics
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Walter Latzko
#
Till Then
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Latzko Muzic
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.872067 By The Classics. By Eddie Seiler, Guy Wood, and Sol Marcus. Arranged by Walter Latzko. Contemporary. Octa...
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Choral Choir (TTBB) - Level 3 - SKU: A0.872067 By The Classics. By Eddie Seiler, Guy Wood, and Sol Marcus. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5744119. Published by Latzko Muzic (A0.872067).
$4.99 ≈
4.72€
My One And Only Love
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Chorale TTBB
#
INTERMÉDIAIRE
#
Guy Wood and Robert Mellin
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Mark Jennings
#
My One And Only Love
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Mark Jennings
#
SheetMusicPlus
Voice (TTBB) - Level 3 - SKU: A0.1101747 Composed by Guy Wood and Robert Mellin. Arranged by Mark Jennings. A Cappella,Barbershop,Broadway,Jazz,Musical/...
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Voice (TTBB) - Level 3 - SKU: A0.1101747 Composed by Guy Wood and Robert Mellin. Arranged by Mark Jennings. A Cappella,Barbershop,Broadway,Jazz,Musical/Show,Standards. Barbershop Quartet. 3 pages. Mark Jennings #705129. Published by Mark Jennings (A0.1101747). Haunting ballad, easy to intermediate, ideal for a barbershop quartet with with broad range in the lead and bass voice.
$12.99 ≈
12.27€
Till Then
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Chorale TTBB
#
INTERMÉDIAIRE
#
Contemporain
#
The Classics
#
Mark Goodney
#
Till Then
#
Mark Goodney
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.836341 By The Classics. By Eddie Seiler, Guy Wood, and Sol Marcus. Arranged by Mark Goodney. Contemporary. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.836341 By The Classics. By Eddie Seiler, Guy Wood, and Sol Marcus. Arranged by Mark Goodney. Contemporary. Octavo. 4 pages. Mark Goodney #6131451. Published by Mark Goodney (A0.836341). Barbershop Men, TTBB, Chorus, Quartet
$4.51 ≈
4.26€
My One And Only Love
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Chorale TTBB
#
INTERMÉDIAIRE
#
Guy Wood
#
Mark Jennings
#
My One And Only Love
#
Mark Jennings
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.927323 Composed by Guy Wood. Arranged by Mark Jennings. A Cappella,Barbershop,Standards. Octavo. 3 pages. Mark J...
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Choral Choir (TTBB) - Level 3 - SKU: A0.927323 Composed by Guy Wood. Arranged by Mark Jennings. A Cappella,Barbershop,Standards. Octavo. 3 pages. Mark Jennings #6853729. Published by Mark Jennings (A0.927323). Haunting ballad, easy to intermediate, ideal for a barbershop quartet with with broad range in the lead and bass voice.
$2.99 ≈
2.83€
Till Then
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Chorale TTBB
#
FACILE
#
Contemporain
#
The Classics
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Jay Althof
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Till Then
#
Lake Avenue Studios
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.808910 By The Classics. By Eddie Seiler, Guy Wood, and Sol Marcus. Arranged by Jay Althof. Contemporary. Octavo....
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Choral Choir (TTBB) - Level 2 - SKU: A0.808910 By The Classics. By Eddie Seiler, Guy Wood, and Sol Marcus. Arranged by Jay Althof. Contemporary. Octavo. 6 pages. Lake Avenue Studios #6198959. Published by Lake Avenue Studios (A0.808910). A fresh 4 part arrangement of this classic tune - with a rarely heard introduction.
$4.75 ≈
4.49€
The Little Boy (arr. Tom Gentry)
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Chorale TTBB
#
Rock
#
Interstate Rivals
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Tom Gentry
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The Little Boy
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Barbershop Harmony Society
#
SheetMusicPlus
(TTBB) - By Interstate Rivals. By Guy Wood and Al Stillman. Arranged by Tom Gentry. 145, A Cappella. Choral. 4 pages. Published by Barbershop Harmon...
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(TTBB) - By Interstate Rivals. By Guy Wood and Al Stillman. Arranged by Tom Gentry. 145, A Cappella. Choral. 4 pages. Published by Barbershop Harmony Society
$3.20 ≈
3.02€
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.77€
Landslide
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Chorale TTBB
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INTERMÉDIAIRE
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Fleetwood Mac
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Daniel Nguyen
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Landslide
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SynMo
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.555348 By Fleetwood Mac. By Stevie Nicks. Arranged by Daniel Nguyen. Contemporary,Country,Folk,Pop. Octavo. 9 pa...
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Choral Choir (TTBB) - Level 3 - SKU: A0.555348 By Fleetwood Mac. By Stevie Nicks. Arranged by Daniel Nguyen. Contemporary,Country,Folk,Pop. Octavo. 9 pages. SynMo #164959. Published by SynMo (A0.555348). TTBB arrangement of Landslide by Fleetwood Mac in the key of Aâ™ (one tone lower than original key). For special request, transpose, other voicings, discount, contact danielnguyenartist@gmail.com.
$1.99 ≈
1.88€
Happy Joyous Hanuka
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
#
Lorin Sklamberg and Woody Guth
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Jake Bavarsky
#
Happy Joyous Hanuka
#
Jake Bavarsky
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1255049 Composed by Lorin Sklamberg and Woody Guthrie. Arranged by Jake Bavarsky. 20th Century,A Cappella...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.1255049 Composed by Lorin Sklamberg and Woody Guthrie. Arranged by Jake Bavarsky. 20th Century,A Cappella,Barbershop,Hanukkah,Holiday. 6 pages. Jake Bavarsky #848642. Published by Jake Bavarsky (A0.1255049). Tired of all the dull Hanukkah songs in the Choral Catalog? Look no further! Here is a fresh take on a classic American songwriter Woody Guthrie! This guy wrote so much Hanukkah music and now you get to share it with your ensemble in the Barbershop style! Written in TTBB voicing, but other voicings are available for Mixed Voices and Treble Voices! Contact Jake Bavarsky at jbavarsky@gmail.com for more details!
$2.99 ≈
2.83€
Viva La Vida
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Chorale TTBB
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INTERMÉDIAIRE
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Coldplay
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Timothy Allen
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Viva La Vida
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Timothy Allen Music Ltd
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.518141 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Timothy Allen. C...
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Choral Choir (TTBB) - Level 3 - SKU: A0.518141 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Timothy Allen. Contemporary,Pop. Octavo. 15 pages. Timothy Allen Music Ltd #128857. Published by Timothy Allen Music Ltd (A0.518141). This arrangement of Viva La Vida for male voice choir was commissioned by Bestwood MVC, and rapidly became a staple of their repertoire. Its driving rhythm and anthemic chorus make it a crowd favourite too.
$2.49 ≈
2.35€
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1
Guy Wood