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11
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Non classifié
1145
PIANO & CLAVIERS
Piano, Voix
310
Piano seul
303
Piano Facile
115
Orgue
104
Piano Trio: piano, violon, violoncelle
19
Accompagnement Piano
17
Piano, Voix et Guitare
16
Instruments en Do
12
1 Piano, 4 mains
9
Orgue, Trompette (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Piano grosses notes
2
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon, Voix
1
Clavier
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
24
Guitare
18
2 Guitares (duo)
9
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
4
Paroles et Accords
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Guitare (partie séparée)
1
Mandoline
1
Instrumentations suivantes
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VOIX
Chorale SATB
236
Chorale 3 parties
150
Voix seule
72
Chorale 2 parties
68
Chorale
47
Chorale Unison
18
Chorale TTBB
16
Voix Soprano, Piano
12
Voix Tenor, Piano
9
Chorale SSAA
8
Voix Baryton, Piano
6
Voix haute
2
Voix Soprano, Orchestre
2
Voix basse, Piano
1
Voix haute, Piano
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
Clarinette (partie séparée)
363
Saxophone (partie séparée)
333
Ensemble de Clarinettes
187
Flûte, Hautbois, Clarinette, Basson
171
Quatuor de Saxophones: 4 saxophones
165
Flute (partie séparée)
132
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
115
Hautbois (partie séparée)
109
Ensemble de saxophones
95
Quatuor de Clarinettes: 4 clarinettes
90
Quintette de Saxophone: 5 saxophones
84
Ensemble de Flûtes
84
Flûte traversière et Piano
73
Clarinette et Piano
48
Hautbois, Piano (duo)
39
Clarinette
37
Quatuor de Flûtes : 4 flûtes
36
Saxophone Alto et Piano
30
Flûte traversière
28
Saxophone Soprano et Piano
28
Saxophone Tenor et Piano
26
2 Saxophones (duo)
21
Quintette de Clarinettes: 5 clarinettes
19
Saxophone Alto
18
Saxophone
15
Hautbois
15
2 Flûtes traversières (duo)
14
2 Flûte à bec (duo)
13
Saxophone Baryton, Piano
13
Flûte, Clarinette, Cor, Basson (Quartet)
12
Clarinette Basse, Piano
11
Cor anglais, Piano
11
Piccolo
10
2 Clarinettes (duo)
8
Flûte, Clarinette (duo)
8
Quatuor de Flûtes à bec
6
Trio de Flûtes: 3 flûtes
6
Flûte à Bec
6
Saxophone Tenor
5
3 Clarinettes (trio)
5
5 Flûtes à bec
4
Flûte et Guitare
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violoncelle, Piano (trio)
4
Clarinette, Basson (duo)
3
Harmonica
3
Flûte, Violon
3
2 Saxophones, Piano
3
Flûte, Violon, Piano
3
Saxophone et Guitare
3
Flûte à bec Soprano, Piano
3
3 Saxophones (trio)
3
Flûte, Hautbois, Piano (trio)
2
Flûte à bec, Guitare (duo)
2
Flûte à bec Tenor
2
Flûte, Violon, Guitare
2
Hautbois, Clarinette (duo)
2
Flûte, Violoncelle
2
Flûte à Bec, Piano
2
Cor Anglais
2
Flûte à bec Alto, Piano
2
Flûte à bec Alto
2
Flûte, Clarinette et Basson
2
Clarinette, Guitare (duo)
2
Flûte, Basson et Piano
2
Saxophone, Clarinette (duo)
2
2 Hautbois (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Soprano
2
Hautbois, Basson (duo)
1
Clarinette, Violon (duo)
1
Flûte, Hautbois, Violon
1
3 Flûtes à bec (trio)
1
Ocarina
1
Flûte, Hautbois (duo)
1
3 Hautbois
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Trompette (duo)
1
2 Flûtes à bec, Guitare
1
Ensemble à vent
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Trombone (duo)
1
Flûte, Saxophone (duo)
1
Saxophone, Basson (duo)
1
Clarinette, Trombone (duo)
1
Clarinette Basse
1
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
326
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
253
Trompette (partie séparée)
174
Cor (partie séparée)
163
Tuba (partie séparée)
149
Trombone et Piano
37
Trompette, Piano
37
Trompette
33
Cor et Piano
29
Cor
28
Quatuor de cuivres: 4 cors
27
Tuba
26
Trombone
25
Ensemble de Cors
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Quatuor de Cuivres
22
Euphonium, Piano (duo)
20
Quatuor de cuivres: 4 trombones
20
Ensemble de Trombones
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Tuba et Piano
12
Cor anglais, Piano
11
Quatuor de cuivres: 4 trompettes
10
2 Euphoniums et 2 Tubas
9
Ensemble de Trompettes
8
2 Trompettes (duo)
8
4 Tubas
7
Cornet A Pistons
6
Trompette, Trombone (duo)
6
Trio de Cuivres
5
Euphonium
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Trombones (duo)
4
Euphonium, Tuba (duo)
3
3 Trombones (trio)
3
2 Cors (duo)
3
3 Trompettes (trio)
3
Trompette, Saxophone (duo)
2
Cor Anglais
2
Cor, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, violon (duo)
1
Tuba et Orgue
1
Trombone, Cor (duo)
1
Trombone, Violon (duo)
1
2 Tubas (duo)
1
3 Cors (trio)
1
4 Euphoniums
1
Trompette, Basson (duo)
1
Trombone, Orgue
1
Trombone basse et Piano
1
Cor, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
276
Violon (partie séparée)
188
Violon et Piano
83
Contrebasse (partie séparée)
59
Violoncelle, Piano
58
Violoncelle (partie séparée)
51
Alto seul
47
Alto, Piano
46
Violon
41
Alto (partie séparée)
30
Violoncelle
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violon, Violoncelle (duo)
25
Harpe
19
2 Violons (duo)
17
Trio à Cordes: violon, alto, violoncelle
9
Violon, Guitare (duo)
8
Contre Basse
8
Quatuor à cordes : 4 altos
7
2 Violoncelles (duo)
7
Contrebasse, Piano (duo)
7
Violon, Alto (duo)
7
4 Violoncelles
7
2 Altos (duo)
6
Violoncelle, Contrebasse (duo)
4
Quatuor à cordes: 4 violons
4
Violoncelle , Guitare (duo)
4
Alto, Violoncelle (duo)
4
2 Violons, Piano
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Guitare (duo)
2
3 Contrebasses
2
Harpe et Piano
1
Piano Trio: Violon, Alto, Piano
1
Violon, Orgue
1
Trio à Cordes: 3 violoncelles
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Trio à cordes: 3 violins
1
2 Contrebasses (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1699
Percussion (partie séparée)
218
Cloches
183
Orchestre
175
Orchestre à Cordes
174
Timbales (partie séparée)
90
Percussion
58
Ensemble de cuivres
46
Quintette à Vent
30
Orchestre de chambre
13
Quatuor à Vent : 4 instruments à vents
3
Batterie (partie séparée)
3
Timbales
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Fanfare
2
Jazz combo
1
Marimba
1
Batterie
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Wagner
Guitare
Partitions à imprimer
18 partitions trouvées
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1
Short wedding motif for guitar solo (based on Mendelssohn and Wagner)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.578128 Composed by Felix Mendelsso…
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Solo Guitar - Level 2 - Digital Download SKU: A0.578128 Composed by Felix Mendelssohn, Richard Wagner. Arranged by David Warin Solomons. 20th Century,Classical,Romantic Period,Wedding. Individual part. 1 pages. David Warin Solomons #3541615. Published by David Warin Solomons (A0.578128). This little solo was originally used as an introduction for a song for my parents' 40th wedding anniversary,
3.64 €
$4.00
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Guitare
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Felix Mendelssohn, Richard Wagner
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David Warin Solomons
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Short wedding motif for guitar solo
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David Warin Solomons
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SheetMusicPlus
J.F. Wagner: Under The Double Eagle for guitar solo
Guitare
Instantly printable sheet music by Josef Franz Wagner for guitar solo of MEDIUM skill leve…
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Instantly printable sheet music by Josef Franz Wagner for guitar solo of MEDIUM skill level. / classical,patriotic,standards,festival
5.43 €
$5.97
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Guitare
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J.F. Wagner
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Virtualsheetmusic
Bridal Chorus from Lohengrin by Richard Wagner - Guitar Solo
Guitare
Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, down…
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Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Wedding, Traditional~~Wedding~~Classical~~Romantic~~Special Use
2.72 €
$2.99
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Guitare
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Guitar Solo
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Musicnotes
Dick Wagner: Only Women Bleed for guitar
Guitare
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
2.72 €
$2.99
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Guitare
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Dick Wagner
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Virtualsheetmusic
Dick Wagner: Only Women Bleed for guitar
Guitare
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
2.72 €
$2.99
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Guitare
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Dick Wagner
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Virtualsheetmusic
"Bridal Chorus (Here Comes the Bride) from Lohengrin" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1416125 Composed by Richard Wagner…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1416125 Composed by Richard Wagner. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part. 2 pages. Keith Gehle #997811. Published by Keith Gehle (A0.1416125). Love it or hate it, “Bridal Chorus†(also known as “here comes the brideâ€) is a time tested classic for wedding ceremonies and this version is sure to please players and listeners alike. Easy and straight forward, this arrangement includes detailed fingerings and interpretation in standard notation. There's also a version with TAB available on this site. Classical and acoustic wedding guitarists will get many miles out of this useful piece of music.
1.81 €
$1.99
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Guitare
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Richard Wagner
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Keith W
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"Bridal Chorus
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Keith Gehle
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SheetMusicPlus
Wedding March
Guitare
Guitar - easy - Digital Download SKU: S9.Q44865 From: Lohengrin. Composed by…
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Guitar - easy - Digital Download SKU: S9.Q44865 From: Lohengrin. Composed by Richard Wagner. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44865. Published by Schott Music - Digital (S9.Q44865). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
2.72 €
$2.99
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Guitare
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Richard Wagner
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Martin Hegel
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Wedding March
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Schott Music - Digital
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SheetMusicPlus
Prelude to Lohengrin
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899125 Composed by Richard Wagner.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #32829. Published by Maggie Creek Music (A0.899125). Arrangement for solo classical guitar; 5 pages; includes chords and notes on the form of the piece; published by Maggie Creek Music.
8.19 €
$9.00
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Guitare
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Richard Wagner
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Rod Whittle
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5 pages
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Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Klassische Loog Gitarre
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beet…
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Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period. Individual part. 28 pages. Javier Marco #6357209. Published by Javier Marco (A0.842801). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).In Tabulatur und Noten.Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Chorfantasie, Op. 80Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147La Donna è MobileMenuett, BWV Anh 114Ode an die Freude, Op. 125la Primavera, RV. 269Pomp and Circumstance March Nº1, Op. 39Tannhäuser OvertureTreulich geführtWater Music, HWV 349
9.09 €
$9.99
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Guitare
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Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart
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Javier Marcó
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Klassische Loog Gitarre
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Javier Marco
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SheetMusicPlus
Prelude to Parsifal
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899130 Composed by Richard Wagner.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #3141147. Published by Maggie Creek Music (A0.899130). Solo classical guitar transcription 4 pp.
6.37 €
$7.00
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Guitare
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Richard Wagner
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Rod Whittle
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Prelude to Parsifal
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Maggie Creek Music
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SheetMusicPlus
Prelude to Lohengrin
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899128 Composed by Richard Wagner.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899128 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #3037171. Published by Maggie Creek Music (A0.899128). Transcription for solo classical guitar. 5 pages. Study arrangement.
8.19 €
$9.00
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Guitare
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Richard Wagner
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Rod Whittle
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Prelude to Lohengrin
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Maggie Creek Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
6.37 €
$7.00
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
6.37 €
$7.00
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
6.37 €
$7.00
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
9.09 €
$9.99
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Guitare
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
Deux élégies
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-2324 Composed by Claude Debussy and…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-2324 Composed by Claude Debussy and Richard Wagner. Arranged by Tristan Manoukian. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2324. Published by Les Productions d'OZ - Digital (ZZ.DZ-2324). ISBN 9782897372415.
3.59 €
$3.95
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Guitare
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Claude Debussy and Richard Wagner
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Tristan Manoukian
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Deux élégies
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Les Productions d'OZ - Digital
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
6.37 €
$7.00
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Bridal Chorus / Here Comes the Bride! for easy guitar solo
Guitare
Composed by R. Wagner (1813-1883). Arranged by K. Krantz. For Guitar. Romantic Period,Wedd…
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Composed by R. Wagner (1813-1883). Arranged by K. Krantz. For Guitar. Romantic Period,Wedding. Early Intermediate. Score. Published by Amadeus Music
3.18 €
$3.50
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Guitare
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R
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K
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Bridal Chorus / Here Comes the Bride! for easy guitar solo
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Amadeus Music
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SheetMusicPlus
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