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1 Piano, 4 mains
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4
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3
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1
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1
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236
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Clarinette
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45
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41
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
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52
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44
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Cor
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26
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21
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17
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16
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14
2 Trompettes (duo)
13
2 Trombones (duo)
10
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9
Cor anglais, Piano
9
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8
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8
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7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Tubas (duo)
6
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Cor (partie séparée)
4
Trompette, Cor (duo)
4
Cor Anglais
3
Trompette, Trombone (duo)
3
Euphonium
3
Trompette, Saxophone (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Tuba et Orgue
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Cor, Violoncelle (duo)
2
Quatuor de cuivres: 4 cors
2
3 Trombones (trio)
2
Trombone, Tuba (duo)
2
Bass Clef Instruments
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2 Euphoniums et 2 Tubas
2
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1
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Harpe
655
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160
Violon et Piano
88
Violon
73
Violoncelle
69
Alto, Piano
69
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67
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45
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41
Alto seul
37
Trio à Cordes: 2 violons, violoncelle
34
2 Violons (duo)
30
2 Violoncelles (duo)
25
Alto (partie séparée)
22
Contre Basse
20
Trio à Cordes: violon, alto, violoncelle
20
Violon, Alto (duo)
17
2 Altos (duo)
14
Contrebasse (partie séparée)
13
Contrebasse, Piano (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violoncelle (partie séparée)
10
Alto, Violoncelle (duo)
8
2 Harpes (duo)
5
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5
Piano Trio: Violon, Alto, Piano
3
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3
Harpe, Voix
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2 Contrebasses (duo)
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Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
1
Violon, Basson (duo)
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4 Violoncelles
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Trio à cordes
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Trio à Cordes: 3 violoncelles
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Violon, Clarinette, Piano (trio)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
345
Ensemble Jazz
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Batterie
93
Orchestre
83
Orchestre à Cordes
64
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38
Ensemble de cuivres
36
Jazz combo
30
Fanfare
21
Orchestre de chambre
18
Cloches
17
Ensemble de Percussions
11
Marimba
6
Timbales (partie séparée)
4
Xylophone, Piano
4
Percussion
4
Timbales
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Xylophone
3
Batterie (partie séparée)
3
Bodhran
1
Caisse Claire
1
Piano et Orchestre
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Formation musicale - Solfège
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It's Been a Long Journey
Orchestre
Full Orchestra - Digital Download SKU: A0.768572 Composed by Amphibia Cultural Lega…
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Full Orchestra - Digital Download SKU: A0.768572 Composed by Amphibia Cultural Legacy. 20th Century,Broadway,Classical,Film/TV,Multicultural,Musical/Show,World. Score and parts. 4 pages. Amphibia Cultural Legacy #370650. Published by Amphibia Cultural Legacy (A0.768572). It's Been a Long Journey is an instrumental cover that takes you on a nostalgic trip down memory lane. The track, remastered and remixed by the Amphibia Cultural Legacy, features music from Hello Kitty's Paradise, a popular animated series from the 1990s. The cover perfectly captures the essence of the show and its iconic tunes.The Amphibia Cultural Legacy is renowned for its ability to breathe new life into classic tracks while staying true to its original sound. With It's Been a Long Journey, they have done just that. The cover offers listeners a fresh take on familiar melodies that will transport them back in time with every note played.Hello Kitty's Paradise fans will be amazed at how well this interpretation captures the show's spirit.This cover is based on the music about Hello Kitty and Mimmy White happily enjoying enough adventure. At the same time, they float away in their Hot-Air Balloon from some episodes of Hello Kitty's Paradise.
36.59 €
$40.00
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Orchestre
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Amphibia Cultural Legacy
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It's Been a Long Journey
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Amphibia Cultural Legacy
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SheetMusicPlus
How Firm a Foundation - 8 Core Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.742692 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742692 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 74 pages. AnderKamp Music #3637263. Published by AnderKamp Music (A0.742692). This arrangement has a ‘little’ bit of the feel of a Bruce Hornsby type song for the piano and rhythm section. Though it has some life and energy to it, there are no tricky rhythms in this arrangement. This should be a pretty easy arrangement to pull together with limited rehearsal time that sounds GREAT! This arrangement begins in the Key of Eb and changes keys to F. You don’t have to have a rhythm section to play this piece. It’s great if you do, but it’s not critical. As long as you have a piano player, they can play the written out piano part and you are good to go. As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
45.73 €
$49.99
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Orchestre
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Public Domain
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Jeff D
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How Firm a Foundation - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
As Long As You're Mine
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1473366 Composed by Stephen Sch…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1473366 Composed by Stephen Schwartz. Arranged by John Langley (Studio Orchestrations). Broadway,Contemporary,Film/TV,Musical/Show. 110 pages. Www.studio-orchestrations.com #1051181. Published by www.studio-orchestrations.com (A0.1473366). This fabulous contemporary duet is taken from the multi award winning Broadway and West End musical WICKED by legendary composer Stephen Schwartz, in an imaginative prequel to the 1939 film classic The Wizard of Oz. This orchestration follows the key and structure of the original show duet for a female and male vocal solo duet.INSTRUMENTATION:FlutePiccoloOboe2 ClarinetsBassoon4 Horns3 Trumpets3 TrombonesTimpani1 Percussion [Suspended Cym.]HarpPianoKeyboard (Symth)1-2 Electric Guitar(s)Bass GuitarDrums Vocal duo [Girl / Boy]StringsLook out for other similar arrangements and orchestrations available for sale from John Langley and Paul Campbell at www.studio-orchestrations.com.
109.77 €
$120.00
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Orchestre
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Stephen Schwartz
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As Long As You're Mine
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www.studio-orchestrations.com
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SheetMusicPlus
Showtime!
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1270415 By Danny Elfman. By Dan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1270415 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV,Holiday. Score and Parts. 67 pages. Patrick Sheehan #862812. Published by Patrick Sheehan (A0.1270415). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Piccolo, Flute I, Flute II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Contrabass Clarinet (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba I, Tuba II, Snare Drum, Bass Drum, Crash Cymbals, Triangle, Claves, Xylophone, Calliope I, Calliope II, Celesta, Piano, Organ, Violin I, Violin II, Viola, Cello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
45.74 €
$50.00
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Orchestre
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Danny Elfman
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Patrick Sheehan
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rock selections
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Showtime!
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Patrick Sheehan
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SheetMusicPlus
Chevalier De Sangreal
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
137.21 €
$150.00
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Orchestre
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Themes from How to Train Your Dragon - Conductor Score (Full Score)
Orchestre
By John Powell. Arranged by Robert Longfield. Children; Film/TV. Concert Band. 11 pages. P…
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By John Powell. Arranged by Robert Longfield. Children; Film/TV. Concert Band. 11 pages. Published by Hal Leonard - Digital Sheet Music (HX.321701). - Concert Band - Children; Film/TV - Hal Leonard - Digital Sheet Music
6.86 €
$7.50
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Orchestre
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John Powell
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Robert Longfield
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Film/TV
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Themes from How to Train Your Dragon - Conductor Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Richard Rodgers: So Long, Farewell (from The Sound Of Music) (complete set of parts) - orchestra/band (Strings)
Orchestre
Instantly printable sheet music by Richard Rodgers for orchestra/band (Strings) of MEDIUM …
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Instantly printable sheet music by Richard Rodgers for orchestra/band (Strings) of MEDIUM skill level. / musical/show,broadway,concert,light concert
10.05 €
$10.99
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Orchestre
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Richard Rodgers
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Virtualsheetmusic
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
9.14 €
$9.99
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
68.61 €
$75.00
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Stephen Sondheim: Send in the Clowns (from A Little Night Music) (arr. Robert Longfield) (COMPLETE) - orchestra
Orchestre
Instantly printable sheet music by Stephen Sondheim for orchestra of MEDIUM skill level. /…
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Instantly printable sheet music by Stephen Sondheim for orchestra of MEDIUM skill level. / musical/show,broadway
40.24 €
$43.99
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Orchestre
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Stephen Sondheim
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Virtualsheetmusic
Stephen Sondheim: Send in the Clowns (from A Little Night Music) (arr Robert Longfield) - orchestra (full score)
Orchestre
Instantly printable sheet music by Stephen Sondheim for orchestra (full score) of MEDIUM s…
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Instantly printable sheet music by Stephen Sondheim for orchestra (full score) of MEDIUM skill level. / musical/show,broadway
9.14 €
$9.99
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Orchestre
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Stephen Sondheim
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Virtualsheetmusic
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
36.59 €
$40.00
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Festival
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
50.31 €
$55.00
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
62.2 €
$68.00
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Ocean Voyage - (Full Orchestra) Full Set
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published by NJR Music (A0.753997). When I began this piece, I was thinking about my father and my grandparents and how they left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century. Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience visiting a place you have never been before.  The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip. The piece starts with the sounding of the horn and the ship embarks.  This leads to a beautiful lyrical section and later there is a spritely gigue.  Through these various sections I attempted to capture the various moods of the passengers during various stages of this long journey. Forces: 2222 4221 timp,glock,mar, perc,str</b  Click on the YouTube link to hear the entire piece.  ASCAP>.
49.4 €
$54.00
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Nick Raspa
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Ocean Voyage -
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NJR Music
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SheetMusicPlus
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Jo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And you get to hear its third movement now. Â As with the tradition of Beethoven, the 3rd movement is a scherzo. Â You can think of it (at least in the beginning, and end), as the waltz of the gargoyles. Â Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
43.88 €
$47.97
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Orchestre
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Aere R Greenway
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SheetMusicPlus
Brahms Sonata in F-minor, Opus 5, 2nd movement, as a Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1267868 By Aere Greenway, via M…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1267868 By Aere Greenway, via MuseScore. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 65 pages. Aere R Greenway #860416. Published by Aere R Greenway (A0.1267868). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And your orchestra can perform it for your audiences to enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
43.88 €
$47.97
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Orchestre
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Aere Greenway, via MuseScore
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Aere Greenway
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Brahms Sonata in F-minor, Opus 5, 2nd movement, as a Symphony
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Aere R Greenway
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SheetMusicPlus
Symphony No. 5 ... Utopia Parkway (2003) full score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
9.14 €
$9.99
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Orchestre
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Parkway
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Thomas Oboe Lee
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SheetMusicPlus
Rosary Sonatas: The Descent of the Holy Spirit
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 78 pages. JMJ Arrangements #685832. Published by JMJ Arrangements (A0.1081709). When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. Now there were dwelling in Jerusalem Jews, devout men from every nation under heaven. And at this sound the multitude came together, and they were bewildered, because each one heard them speaking in his own language. And they were amazed and wondered, saying, 'Are not all these who are speaking Galileans? And how is it that we hear, each of us in his own native language? Par′thians and Medes and E′lamites and residents of Mesopota′mia, Judea and Cappado′cia, Pontus and Asia, Phryg′ia and Pamphyl′ia, Egypt and the parts of Libya belonging to Cyre′ne, and visitors from Rome, both Jews and proselytes, Cretans and Arabians, we hear them telling in our own tongues the mighty works of God.'†--Acts 2:1-11 (RSV-CE).
18.29 €
$19.99
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Descent of the Holy Spirit
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JMJ Arrangements
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SheetMusicPlus
Gulf Coast Symphony
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.965587 Composed by Kevin Price.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Price (A0.965587). I am really excited to present my first symphony; Gulf Coast Symphony. As far as symphonies go this is slightly shorter than most with a runtime of approx. 20 mins. This composition consists of four movements: The Sonata, which is written at an Allegro includes a french horn and oboe solo. Andante, which is obviously written at an Andante displays a very beautiful harp part, a section with the violins playing a lovely pizzicato part, and includes a trumpet duet. The percussion is also showcased in the first 8 bars of the movement. Next is the Minuet, which highlights the flutes briefly in the intro, and also includes a violin as well as a trombone solo. The last movement is a Rondo, which consists of a bassoon solo and is the longest of the 4 movements. I am looking for feedback on my composition, so please leave comments in the review section on what you liked, and what you might like to see in future compositions. Enjoy!
18.29 €
$19.99
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Orchestre
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Kevin Price
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Gulf Coast Symphony
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Kevin Price
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SheetMusicPlus
Legacy
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
45.69 €
$49.95
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Sinfonietta No.1 (Transformations) for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1021047 Composed by Scott Markl…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1021047 Composed by Scott Markle. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 122 pages. MarcoPolo Press #5755357. Published by MarcoPolo Press (A0.1021047). Sinfonietta No.1 (Transformations) is an intermediate orchestral pieces in four movements that is almost 10 minutes (9:53) long. It is called a sinfonietta because, while it has the elements of a full symphony, it is shorter. The entire piece is based on the motif in the first bar of the first movement, and that motif get transformed (hence the subtitle Transformations) in many different ways. It is like how a person changes in various situations and in various stages of their life. The first movement (Allegretto) is in sonata form, the second (Andante Adagio) is in a quasi ABA form, the third (Scherzoish) is a Baroque-like quasi scherzo and trio with a modified scherzo at the end, and the fourth (Theme & Variations) is a theme with 3 variations, but elements of the first 3 movements are repeated at the end. .
36.59 €
$40.00
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Orchestre
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Scott Markle
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Sinfonietta No.1
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MarcoPolo Press
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
35.63 €
$38.95
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
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