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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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Non classifié
751
PIANO & CLAVIERS
Piano seul
392
Piano, Voix
84
Piano, Voix et Guitare
74
Piano Facile
58
Instruments en Do
41
Orgue
35
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
13
Accompagnement Piano
10
Piano (partie séparée)
6
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
Orgue, Piano (duo)
2
Piano grosses notes
2
Clavier
1
Accordéon
1
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GUITARES
Guitare notes et tablatures
132
Guitare
44
Ukulele
17
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
15
Guitare (partie séparée)
12
2 Guitares (duo)
8
Paroles et Accords
7
Banjo
4
Mandoline
3
4 Guitares (Quatuor)
3
Dulcimer
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
241
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53
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34
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21
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16
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13
Voix duo, Piano
4
Voix seule
4
Voix Soprano, Piano
4
Voix duo
3
Voix haute
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix basse
1
Soli, choeur mixte et accompagnement
1
Voix Baryton, Piano
1
Chorale
1
Voix Baryton
1
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1
Voix basse, Piano
1
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VENTS
Clarinette et Piano
81
Flûte traversière et Piano
76
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
71
Quatuor de Saxophones: 4 saxophones
66
2 Saxophones (duo)
59
Clarinette
57
Hautbois, Piano (duo)
56
Saxophone Alto et Piano
56
Quintette de Saxophone: 5 saxophones
54
Flûte traversière
47
Saxophone Soprano et Piano
47
Saxophone (partie séparée)
45
Flûte, Hautbois, Clarinette, Basson
42
Saxophone Tenor et Piano
40
Ensemble de saxophones
35
2 Flûtes traversières (duo)
35
Saxophone Alto
34
Saxophone Baryton, Piano
33
2 Clarinettes (duo)
30
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27
Saxophone Tenor
27
Saxophone, Clarinette (duo)
24
Saxophone
24
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18
Cor anglais, Piano
18
Hautbois
18
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15
Clarinette, Trompette (duo)
15
Ensemble de Clarinettes
15
Hautbois (partie séparée)
15
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15
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12
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12
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10
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10
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10
Saxophone Soprano
10
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10
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10
3 Clarinettes (trio)
9
2 Flûte à bec (duo)
8
Hautbois, Basson (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Saxophone (duo)
7
Saxophone Baryton
7
Flûte, Trompette (duo)
7
Clarinette, Guitare (duo)
6
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6
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6
Hautbois, Clarinette, Basson (trio d'anches)
6
5 Flûtes à bec
6
Flûte, Alto (duo)
6
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6
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6
Flûte et Guitare
5
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5
Flûte à bec Soprano
5
Flûte à bec Alto
4
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4
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4
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3
Harmonica
3
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2
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2
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2
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2
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1
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1
2 Saxophones, Piano
1
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1
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1
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1
Clarinette, Violoncelle (duo)
1
Clarinette, Harpe (duo)
1
2 Clarinettes, Basson
1
Flûte à bec Tenor
1
Piccolo
1
Flûte à bec, Guitare (duo)
1
Ensemble de Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Flûte irlandaise
1
Flûte à bec Soprano, Piano
1
3 Hautbois
1
Cor Anglais
1
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1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
77
Trompette
60
Trompette, Piano
60
Trombone et Piano
59
Cor et Piano
45
Trombone
42
Cor
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Tuba et Piano
27
Quatuor de Cuivres
27
Tuba
26
Trombone (partie séparée)
25
Trompette (partie séparée)
24
Euphonium, Piano (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Cor anglais, Piano
18
2 Trombones (duo)
18
2 Trompettes (duo)
17
Trompette, Trombone (duo)
13
Trompette, Saxophone (duo)
12
Ensemble de Trompettes
10
Ensemble de Trombones
10
2 Cors (duo)
9
Ensemble de Cors
7
2 Tubas (duo)
7
Tuba (partie séparée)
5
Cor (partie séparée)
5
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
3
4 Tubas
3
Tuba et Orgue
3
3 Tubas (trio)
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
2
Trombone, Cor (duo)
2
Bass Clef Instruments
2
Instruments en Sib
2
Trompette, Tuba (duo)
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Euphonium
1
3 Trompettes (trio)
1
3 Cors (trio)
1
2 Cors, Piano
1
3 Euphoniums
1
Instruments en Fa
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
153
Violon et Piano
79
Alto, Piano
67
Violoncelle, Piano
64
Violon
62
Violoncelle
52
Trio à Cordes: violon, alto, violoncelle
44
2 Violoncelles (duo)
43
Violon, Violoncelle (duo)
43
Alto seul
35
Contre Basse
27
2 Violons (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Contrebasse, Piano (duo)
20
Violon, Alto (duo)
18
2 Altos (duo)
15
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse (partie séparée)
7
Harpe
7
Alto (partie séparée)
5
Violoncelle , Guitare (duo)
5
Ensemble de Violons
4
Violon (partie séparée)
3
Trio à cordes: 3 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle (partie séparée)
3
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Alto, Violoncelle (duo)
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
156
Orchestre à Cordes
78
Orchestre
67
Ensemble Jazz
35
Ensemble de cuivres
22
Cloches
17
Ensemble de Percussions
11
Batterie
9
Orchestre de chambre
8
Batterie (partie séparée)
7
Fanfare
4
Jazz combo
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
2
Xylophone
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
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Now And Then
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
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Don't Stop Me Now
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1389316 By Queen. By Freddie Mercury. Arranged by Ander. 20th Century,Chamber,Rock. 23 pages. Woods Only, Arrangements #972898. Published by Woods Only, Arrangements (A0.1389316). We present our unique and meticulously crafted arrangement of the iconic song Don’t Stop Me Now, originally composed by the legendary Freddie Mercury of the band Queen. This arrangement has been carefully adapted for a Clarinet Quintet, staying true to the original version. This arrangement captures the essence and energy of the original song, allowing the chamber group to recreate the magic of Queen. The complexity and beauty of Freddie Mercury’s composition are preserved, providing an authentic and engaging musical experience. This arrangement is an excellent addition to the teaching repertoire of any music teacher. It offers a unique opportunity for students to delve into Queen’s music while exploring the nuances of playing it. In addition, it is perfect for performances at recitals or concerts, ensuring a memorable performance. Don’t Stop Me Now is a celebration of freedom and joy, a message that resonates through this arrangement. The song, with its inspiring lyrics and captivating melody, is a testament to the talent and enduring legacy of the band Queen. Don’t miss the chance to own this exclusive arrangement of Don’t Stop Me Now. It will not only enrich your musical repertoire but also provide unforgettable moments of musical pleasure. Acquire it now and let it inspire your performances.
13.73 €
$14.99
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Quintette de Clarinettes: 5 clarinettes
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Queen
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Ander
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Don't Stop Me Now
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Woods Only, Arrangements
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SheetMusicPlus
Don't Stop Me Now
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1389527 By Queen. By Freddie Mercury. Arranged by Ander. 20th Century,Chamber,Rock. 23 pages. Woods Only, Arrangements #973115. Published by Woods Only, Arrangements (A0.1389527). We present our unique and meticulously crafted arrangement of the iconic song Don’t Stop Me Now, originally composed by the legendary Freddie Mercury of the band Queen. This arrangement has been carefully adapted for a Clarinet Quintet, staying true to the original version. This arrangement captures the essence and energy of the original song, allowing the chamber group to recreate the magic of Queen. The complexity and beauty of Freddie Mercury’s composition are preserved, providing an authentic and engaging musical experience. This arrangement is an excellent addition to the teaching repertoire of any music teacher. It offers a unique opportunity for students to delve into Queen’s music while exploring the nuances of playing it. In addition, it is perfect for performances at recitals or concerts, ensuring a memorable performance. Don’t Stop Me Now is a celebration of freedom and joy, a message that resonates through this arrangement. The song, with its inspiring lyrics and captivating melody, is a testament to the talent and enduring legacy of the band Queen. Don’t miss the chance to own this exclusive arrangement of Don’t Stop Me Now. It will not only enrich your musical repertoire but also provide unforgettable moments of musical pleasure. Acquire it now and let it inspire your performances.
13.73 €
$14.99
#
Quintette de Clarinettes: 5 clarinettes
#
Queen
#
Ander
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Don't Stop Me Now
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Woods Only, Arrangements
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SheetMusicPlus
Clarinet Quintet - A Great and Mighty Wonder
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767535…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767535 Composed by Michael Praetorius. Arranged by Mike Lyons. Baroque,Christian,Christmas. 22 pages. Lyons Music Services #5044855. Published by Lyons Music Services (A0.767535). A brand new arrangement for clarinet quintet of this well-known tune by Praetorius. It begins with an introduction of long notes, with the final voices coalescing into one phrase of the melody before the setting begins in earnest. The first section is repeated but in the third verse, a fanfare idea is introduced which then permeates the final verse, leading into a grand plagal cadence Amen.
10.07 €
$10.99
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Quintette de Clarinettes: 5 clarinettes
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Michael Praetorius
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Mike Lyons
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Clarinet Quintet - A Great and Mighty Wonder
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Lyons Music Services
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SheetMusicPlus
5 Famous Songs by Bach for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748235. Published by Woods Only, Arrangements (A0.957291). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897532: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899733: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900234: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901475: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190363Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism;.
36.64 €
$39.99
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Quintette de Clarinettes: 5 clarinettes
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Violin Concerto - Rondo for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 5 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 5 - Digital Download SKU: A0.1207604 Composed by Ludwig van Beethoven. Arranged by James Haynor. Romantic Period. 44 pages. James Haynor #803684. Published by James Haynor (A0.1207604). The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844. Since then it has become one of the best-known and regularly performed violin concertos.This arrangement is scored for Clarinets Quintet and makes a lively and exciting addition to any concert or recital. Plenty to play for everyone.( Duration - 8:10 ).
9.16 €
$10.00
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Quintette de Clarinettes: 5 clarinettes
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Ludwig van Beethoven
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James Haynor
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Violin Concerto - Rondo for Clarinet Quintet
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James Haynor
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SheetMusicPlus
Joy to the World by for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1317760 Com…
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Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1317760 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas. 14 pages. Woods Only, Arrangements #906442. Published by Woods Only, Arrangements (A0.1317760). If you are looking for a sheet music of an arrangement of Joy to the World for Clarinet Quintet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
9.15 €
$9.99
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Quintette de Clarinettes: 5 clarinettes
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Isaac Watts and Lowell Mason
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Ander
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Joy to the World by for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.112814…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.1128140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728755. Published by Woods Only, Arrangements (A0.1128140). This arrangement adapted for clarinet quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
9.15 €
$9.99
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Quintette de Clarinettes: 5 clarinettes
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
13.73 €
$14.99
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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