Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sebastian Lee
Non classifié
28
Piano & claviers
Piano seul
33
Piano Facile
20
Accordéon
6
Orgue
3
1 Piano, 4 mains
3
Piano, Voix
2
Instruments en Do
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
19
Guitare
5
Ukulele
5
Dulcimer
1
Banjo
1
Ensemble de guitares
1
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
3
Chorale 2 parties
2
Chorale 3 parties
2
Voix Baryton, Piano
1
Chorale TTBB
1
Vents
Quatuor de Saxophones: 4 saxophones
13
Clarinette (partie séparée)
10
Flûte traversière et Piano
9
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette et Piano
8
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Tenor et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
5
Flute (partie séparée)
5
Saxophone (partie séparée)
4
Hautbois (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano et Piano
3
Flûte et Guitare
3
3 Clarinettes (trio)
2
Ensemble de Flûtes
2
3 Saxophones (trio)
2
Clarinette
2
2 Saxophones (duo)
1
Saxophone Alto
1
Ensemble de Clarinettes
1
Hautbois, Harpe
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Flûte traversière
1
Saxophone Tenor
1
Quintette de Saxophone: 5 saxophones
1
2 Clarinettes (duo)
1
Cor anglais, Piano
1
2 Flûtes traversières (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Harpe (duo)
1
+ 30 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette, Piano
6
Trombone et Piano
5
Cor (partie séparée)
5
Trompette (partie séparée)
4
Tuba (partie séparée)
3
Quatuor de Cuivres
3
Cor et Piano
3
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium, Piano (duo)
2
Trompette
2
2 Trompettes (duo)
2
Cor
1
3 Trombones (trio)
1
Trombone
1
3 Tubas (trio)
1
Cor anglais, Piano
1
+ 15 instrumentations
Retracter
Cordes
Violoncelle
129
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violoncelle, Piano
14
Violon et Piano
9
Violon (partie séparée)
6
2 Violoncelles (duo)
5
Violon
4
Alto seul
4
Alto, Piano
4
Contrebasse (partie séparée)
3
Trio à cordes
2
Violoncelle (partie séparée)
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe
1
Harpe, Violon (duo)
1
Harpe, Violon, Violoncelle
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre
9
Orchestre d'harmonie
4
Orchestre à Cordes
3
Ensemble de cuivres
3
Percussion
3
Timbales (partie séparée)
3
Percussion (partie séparée)
2
Orchestre de chambre
2
Cloches
1
Batterie
1
Jazz combo
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
13
Librairie Musicale
0
Matériel de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Sebastian Lee
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
13 partitions trouvées
<
1
Johann Sebastian Bach: Sleepers Awake (COMPLETE) instantly for saxophone quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Virtualsheetmusic
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / clas...
(+)
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
$7.99 ≈
7.42€
Johann Sebastian Bach: Sleepers Awake (f.score) instantly for saxophone quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Virtualsheetmusic
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / clas...
(+)
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
$3.99 ≈
3.70€
Johann Sebastian Bach: Sleepers Awake (parts) instantly for saxophone quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Virtualsheetmusic
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / clas...
(+)
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
$5.99 ≈
5.56€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.74€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.74€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.74€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.74€
Wachet Auf - "Sleepers Wake" (for Saxophone Quartet SATB)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Kenneth Abeling
#
Wachet Auf - "Sleepers Wa
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.514059 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,...
(+)
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.514059 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 13 pages. LINCOLN MUSIC PUBLICATIONS #3022405. Published by LINCOLN MUSIC PUBLICATIONS (A0.514059). This is Johann Sebastian Bach’s very popular Wachet Auf or Sleepers Wake for Saxophone Quartet. Audiences will recognize this very popular melody and this transcription has a variety of playing applications.
$9.99 ≈
9.27€
Chorale from Sleepers, Wake! (BWV 140) for Saxophone Quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
G L Harvey
#
Chorale from Sleepers, Wake!
#
G L Harvey
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.805876 Composed by Johann Sebastian Bach. Arran...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - SKU: A0.805876 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Sacred,Standards,Wedding. 14 pages. G L Harvey #5215799. Published by G L Harvey (A0.805876). The fourth movement from the cantata Wachet auf, ruft uns die Stimme, also known as Sleepers, Wake! has been arranged for Saxophone Quartet. The Tenor Saxophone part takes the tenor voice solo where appropriate, singing over the rest of the ensemble. All players have occasional rest-bites and plenty of opportunity to shine, with the general range and technical demands for a convincing performance aimed at intermediate to advanced players (ABRSM grade 5 and upwards). This popular baroque classic would be a perfect addition to concerts, recitals and wedding programmes, for both audiences and performers alike. The PDF is 14 pages in length (portrait A4) and includes a full score and parts for 2 Alto Saxophones, Tenor Saxophone and Baritione Saxophone. The duration of the Chorale is about 3.30 minutes.
$12.99 ≈
12.06€
Sleepers Awake by Bach for Saxophone Quartet in Schools
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Joseph Judge
#
Sleepers Awake by Bach for Sax
#
School Ensemble Music
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1145623 Composed by Johann S...
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1145623 Composed by Johann Sebastian Bach. Arranged by Joseph Judge. Baroque,Chamber. 19 pages. School Ensemble Music #745866. Published by School Ensemble Music (A0.1145623). Sleepers Awake by Bach, 4:30, for saxophone quartet. Alto, Alto, Tenor, Baritone, with alternate top part for Soprano Sax. This recognizable song was arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$8.99 ≈
8.35€
Sleepers Awake (Wachet Auf) for Saxophone Quartet AATB
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Johann Sebastian Bach
#
Ralph Raymond Hays
#
Worship, Sacred, Wedding
#
Sleepers Awake
#
Ralph Raymond Hays
#
SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Ralph Raymond Hays. Baroque, Easter, Praise & Worship, Sacred, Wedding. 18 pages. Ralph...
(+)
Composed by Johann Sebastian Bach (1685-1750). Arranged by Ralph Raymond Hays. Baroque, Easter, Praise & Worship, Sacred, Wedding. 18 pages. Ralph Raymond Hays #3469240. Published by Ralph Raymond Hays
$12.99 ≈
12.06€
Bach: Wachet auf for Sax Quartet
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Sax Quart
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
(+)
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95 ≈
37.09€
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Sebastian Lee 
