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--INSTRUMENTS--
ACCORDEON
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Concerto No. 5 for Piano and Orchestra
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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GUITARE
GUITARE LAP ST…
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PERCUSSION
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Concerto No. 5 for Piano and Orchestra
Partitions à imprimer
106 partitions trouvées
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Concerto No. 5 for Piano and Orchestra (Second Edition)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Alexander Peskanov
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Alexander Peskanov
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Concerto No. 5 for Piano and O
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Classical Video Concepts, Inc.
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SheetMusicPlus
Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.864662 Composed by Alexander Peskanov. Contemporary,Romantic Period. Score. 43 pages. Cla...
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Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.864662 Composed by Alexander Peskanov. Contemporary,Romantic Period. Score. 43 pages. Classical Video Concepts, Inc. #6865397. Published by Classical Video Concepts, Inc. (A0.864662). (Arranged for Two Pianos). By Alexander Peskanov. For Piano, 2 Pianos, 4 Hands. Concerto No. 5 for Piano and Orchestra (Second Edition) is written in post romantic style of 20th century. It has been influenced by music of Rachmaninov and Shostakovich. It has many colors, long, melodic lines, as well as some dark and somewhat sarcastic characters.
$20.00 ≈
19.21€
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concerto No. 4 for Piano and O
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #619885...
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Full Orchestra - Level 5 - SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #6198859. Published by James Nathaniel Holland (A0.730521). Full Score (in concert pitch) and individual parts including the solo piano part. American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire. YouTube video demo: https://youtu.be/WbK8Mc7N-sc.
$25.95 ≈
24.92€
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95 ≈
31.65€
Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Two Pianos/Four Hands
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 5, for Full
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages. James Nathaniel...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1287203 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score. 72 pages. James Nathaniel Holland #878214. Published by James Nathaniel Holland (A0.1287203). TWO PIANOS/FOUR HANDS (Piano 2 is Orchestral Reduction)  The fifth of 21st century, Moonlight on the Seas, American composer James Nathaniel Holland’s Piano Concertos.  This colorful piece evokes moonlight and the sea. Movement one evokes a tempestuous storm with crashing and churning waves against the rocky coast.  Movement is maritime serenity and three returns to tempestuous emotions. (License or permission to perform may apply.)Instrumentation:  Fl 1.2., Ob, EH, Cl Bb 1.2., Bsn 1.2., Hrn 1.2.3., Tpt 1.2.3., Trom 1.2., Tba, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal,Snare, Bass Drum, Glockenspiel ) PIANO SOLOIST, Hrp., StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.99 ≈
13.44€
Piano Concerto No. 5
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2 Pianos, 4 mains
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AVANCÉ
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Rodion Shchedrin
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II: Gong [h
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Piano Concerto No. 5
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction....
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Piano and orchestra - difficult - SKU: S9.Q3160 Composed by Rodion Shchedrin. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 32 minutes. Schott Music - Digital #Q3160. Published by Schott Music - Digital (S9.Q3160). Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · 2 – 4 · 3 · 3 · 1 – 4 P. S. (I: hg. Crot. [chrom.] · Tr. [h.] · Choclo · Glass-chimes; II: Gong [h.] · Tamt. [t.] · Tr. [m.] · Choclo · Guiro [m.]; III: Sonagli [Troika] · gr. Tr. · Bambusi [oder Guiro h.]) (3 Spieler) – Str. (16 · 14 · 12 · 10 · 8).
$43.99 ≈
42.25€
Theme from Piano Concerto - Level 1 piano arrangement
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Piano seul
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DÉBUTANT
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Amy Beach
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Cameron Smith
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Theme from Piano Concerto - Le
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Cameron E Smith
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Sc...
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Easy Piano - Level 1 - SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996573. Published by Cameron E Smith (A0.902458). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 1 Early ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner.This is an early elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand is in a 5-finger, middle C position. Left hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, half-notes and dotted half-notes.Technique: 5th finger stretch in the right hand is introduced. 5-finger scales. No accidentals. There are also level 2-4 arrangements of this piece available.History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99 ≈
1.91€
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00 ≈
33.62€
Concerto No.1 for Piano and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Jazz
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David Chesky
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Concerto No.1 for Piano and Or
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Pamaluc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.882385 Composed by David Chesky. Contemporary,Jazz. Score and parts. 396 pages. Pamaluc Music #18585. Published by Pa...
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Full Orchestra - Level 5 - SKU: A0.882385 Composed by David Chesky. Contemporary,Jazz. Score and parts. 396 pages. Pamaluc Music #18585. Published by Pamaluc Music (A0.882385).
$34.98 ≈
33.60€
Piano Concerto No. 5, for Full Orchestra and Piano Soloist, Full Score - Score Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 5, for Full
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1287200 Composed by James Nathaniel Holland. 21st Century,Contemporary. 108 pages. James Nathaniel Holland #878210. P...
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Full Orchestra - Level 5 - SKU: A0.1287200 Composed by James Nathaniel Holland. 21st Century,Contemporary. 108 pages. James Nathaniel Holland #878210. Published by James Nathaniel Holland (A0.1287200). FULL SCORE (in Concert Pictch) Only. The fifth of 21st century, American composer James Nathaniel Holland’s Piano Concertos.  This colorful piece evokes moonlight and the sea. Movement one evokes a tempestuous storm with crashing and churning waves against the rocky coast.  Movement is maritime serenity and three returns to tempestuous emotions. (License or permission to perform may apply.)Instrumentation:  Fl 1.2., Ob, EH, Cl Bb 1.2., Bsn 1.2., Hrn 1.2.3., Tpt 1.2.3., Trom 1.2., Tba, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal,Snare, Bass Drum, Glockenspiel ) PIANO SOLOIST, Hrp., StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$15.23 ≈
14.63€
Andante
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Wolfgang Birtel
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Andante
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - intermediate - SKU: S9.Q49450 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Birtel. This edition: piano reduction with...
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Flute and orchestra - intermediate - SKU: S9.Q49450 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Birtel. This edition: piano reduction with solo part. Flute - Orchestra - teaching repertoire - Wolfgang Amadeus Mozart. Schott Student Edition - Repertoire. Dieser hübsche Einzelsatz wird hier in einer sorgfältig edierten Neuausgabe, mit einer Kadenz des Herausgebers, vorgelegt – ein serenadenhafter Satz, der dem Solisten alle Möglichkeiten für kantables Spiel bietet. Downloadable, Piano reduction with solo part. Duration 5 minutes. Schott Music - Digital #Q49450. Published by Schott Music - Digital (S9.Q49450). Key: C major. German • English • French.Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client – with regard to the playing technique and/or music – the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor – a serenade-like setting that offers the soloist many possibilities for cantabile playing. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$9.99 ≈
9.59€
Piano Concerto No 3 2 Pianos 4 Hands Arrangement by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No 3 2 Pianos 4
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730283 Composed by James Nathaniel Holland. Contemporary,Romantic Period. Score. 64 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730283 Composed by James Nathaniel Holland. Contemporary,Romantic Period. Score. 64 pages. James Nathaniel Holland #2112277. Published by James Nathaniel Holland (A0.730283). Piano Concerto No. 3 Arranged for 2 Pianos 4 Hands Music by James Nathaniel Holland Website: https://www.facebook.com/jamesnathanielholland/ Duration: 22 minutes The third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. YouTube Video Presentation of Piano with Orchestra: https://www.youtube.com/watch?v=juYohREyCBY
$10.95 ≈
10.52€
Concerto No. 1 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Angelo Piazzini
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Concerto No. 1 for Trombone an
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1518274 Composed by Franz Joseph Haydn. Arranged by Angelo Piazzini. Classical. Score and part. 26 pages. Gordo...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1518274 Composed by Franz Joseph Haydn. Arranged by Angelo Piazzini. Classical. Score and part. 26 pages. Gordon Cherry #1092373. Published by Gordon Cherry (A0.1518274). Franz Joseph Haydn's Concerto No. 1 was originally written for Horn and orchestra in the key of D major. The work was completed in 1762 when Haydn was new to the court of Count Esterhazy. Concerto No. 1 is a great work, performed often by horn soloists around the world.This wonderful arrangement by Angelo Piazzini for Tenor Trombone with Piano accompaniment is in the key of B-flat...a perfect range for the instrument and a great example of a Classical concerto that works so well for advanced performers on the Trombone.
$30.00 ≈
28.81€
The Mansion - for Guitar and Orchestra - reduction
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Piano, Guitare (duo)
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AVANCÉ
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Britt Andrew Burns
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The Mansion - for Guitar and O
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Indie Classical Publications
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #...
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Solo Guitar - Level 5 - SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #41347. Published by Indie Classical Publications (A0.971794). THE MANSION was composed in 2011. The inspiration for the work came from a reoccurring dream (or nightmare) I would have about being lost in a large, haunted mansion. The mansion would be abandoned, yet would be full of unexpected noises and surprises around every corner. Because of this, the music is intended to sound a little haunting, yet adventurous at the same time, because both of these emotions were strong in the dreams. I no longer have this reoccurring dream, and I have never come to understand why I used to have this dream. I have been a student of the guitar for over 18 years, and I wanted to write a concerto-like work for the nylon string guitar and orchestra. Because an orchestra can be overpowering to the acoustic guitar, I have suggested that the guitarist use an acoustic guitar amplifier. The volume can be adjusted to the performers discretion, but the guitar needs to always be heard. Although the work is also technically challenging, I tried to write something that would still be accessible for the audience. Almost all of the thematic material comes from a simple 5-note motive that can be heard at the beginning of the piece in the piano and guitar. This work does not follow a specific form, although many of the sections do repeat. Originally for guitar and orchestra, this arrangement is for guitar and piano.Difficulty: grade 5Duration: 7:45
$12.00 ≈
11.53€
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95 ≈
47.97€
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Piano Concerto No. 4 "The
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25 ≈
7.92€
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99 ≈
9.59€
Piano Concerto No. 3 James Nathaniel Holland, Individual Instrument Parts ONLY
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Piano Concerto No. 3 James Nat
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730446 Composed by James Nathaniel Holland. Contemporary. Score and parts. 146 pages. James Nathaniel Holland #352548...
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Full Orchestra - Level 5 - SKU: A0.730446 Composed by James Nathaniel Holland. Contemporary. Score and parts. 146 pages. James Nathaniel Holland #3525483. Published by James Nathaniel Holland (A0.730446). Concerto No. 3 for Piano and Orchestra, Original Music by James Nathaniel Holland Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Duration: 22 minutes INDIVIDUAL INSTRUMENT PARTS ONLY, INCLUDING SOLO PIANO PART The beautiful and mystical third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. Instrumentation: fl/picc, fl2, ob12, clbb12, bsn 12, hrn123, tpt 123, trm12, tba, tim, 2 perc (hand cym, ride cym w/sft mall/ tri/high hat), bsdrm/glk/gong, pno solo, hrp, strings YouTube Video Presentation of Piano with Orchestra: https://youtu.be/juYohREyCBY Full Score only, full score with individual parts, 2 pianos/4 hands score sold separately.
$34.95 ≈
33.57€
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
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Flûte, Violon, Piano
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AVANCÉ
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Geraldine
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Minuet For Margaret.
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Geraldine
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Class...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Classical. 32 pages. Geraldine (Denny) Green at Oakmountmusic #888475. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298596). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.Â
$21.00 ≈
20.17€
Cello Concerto No. 1, Cello Solo and Piano Reduced Score with Individual Solo Parts
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Violoncelle, Piano
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AVANCÉ
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James Nathaniel Holland
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Cello Concerto No. 1, Cello So
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James Nathaniel Holland
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1323800 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score and part. 80 pages. James Nathaniel Hollan...
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Cello,Piano - Level 5 - SKU: A0.1323800 Composed by James Nathaniel Holland. 21st Century,Contemporary. Score and part. 80 pages. James Nathaniel Holland #911995. Published by James Nathaniel Holland (A0.1323800). CELLO AND PIANO SCORE (Including Individual Solo Cello and Piano Parts) The first cello concerto of 21st century, American composer James Nathaniel Holland for smaller orchestra and cello soloist. Â Adapted from Piano Concerto No. 6, this lively piece contains three distinct movements. Â Movement one giggles and bubbles with triumphant glee; Â movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities. (License or permission to perform may apply.)Instrumentation: Â Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) CELLO SOLOIST, StringsReduced Piano Score with individual solo and Piano Parts, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration: Â Approximately 30 minutes.
$10.99 ≈
10.56€
Piano Concerto No. 5, Moonlight on the Seas, Full Score and Individual Parts
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 5, Moonligh
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1287206 Composed by James Nathaniel Holland. 21st Century,Contemporary. 276 pages. James Nathaniel Holland #878217. P...
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Full Orchestra - Level 5 - SKU: A0.1287206 Composed by James Nathaniel Holland. 21st Century,Contemporary. 276 pages. James Nathaniel Holland #878217. Published by James Nathaniel Holland (A0.1287206). FULL SCORE AND INDIVIDUAL PARTS (Including Solo Piano Parts)  The fifth of 21st century, American composer James Nathaniel Holland’s Piano Concertos.  This colorful piece evokes moonlight and the sea. Movement one evokes a tempestuous storm with crashing and churning waves against the rocky coast.  Movement is maritime serenity and three returns to tempestuous emotions. (License or permission to perform may apply.)Instrumentation:  Fl 1.2., Ob, EH, Cl Bb 1.2., Bsn 1.2., Hrn 1.2.3., Tpt 1.2.3., Trom 1.2., Tba, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal,Snare, Bass Drum, Glockenspiel ) PIANO SOLOIST, Hrp., StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$45.66 ≈
43.85€
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic ...
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Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50 ≈
9.12€
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
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Piano seul
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FACILE
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic ...
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Piano Solo - Level 2 - SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$5.75 ≈
5.52€
Concerto No. 5 for Piano and Orchestra
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Piano et Orchestre
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INTERMÉDIAIRE
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Classique
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Alexander Peskanov
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Concerto No. 5 for Piano and O
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Classical Video Concepts, Inc
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SheetMusicPlus
By Alexander Peskanov. For Piano, Orchestra. Romantic Period, 20th Century. Intermediate. Piano Reduction. Classical Video Concepts, Inc #M-YC5. Published by Cl...
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By Alexander Peskanov. For Piano, Orchestra. Romantic Period, 20th Century. Intermediate. Piano Reduction. Classical Video Concepts, Inc #M-YC5. Published by Classical Video Concepts, Inc
$20.00 ≈
19.21€
Concerto No. 1 for French Horn "Return to Valhalla" - Tenor Saxophone (Piano Reduction)
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Saxophone Tenor et Piano
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Concerto No. 1 for French Horn
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James Nathaniel Holland
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.730479 Composed by James Nathaniel Holland. Contemporary. Score and part. 60 pages. James Nathaniel Holland #4...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.730479 Composed by James Nathaniel Holland. Contemporary. Score and part. 60 pages. James Nathaniel Holland #4111569. Published by James Nathaniel Holland (A0.730479). 21st century, American composer James Nathaniel Holland brings you a mystical concerto led by one of the orchestra's most beautiful instrument, the French Horn. But here arranged for Bb Tenor Saxophone (Arrangement available for solo trombone and of course, the original for french horn.)
$10.95 ≈
10.52€
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Concerto No. 5 for Piano and Orchestra
