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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Drive Safe
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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Vous avez sélectionné:
Drive Safe
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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Drive Safe
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Soul/R&B
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Rich Brian
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Nisa Addina Mohamad Taufik
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Drive Safe
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Nisa Addina Mohamad Taufik
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1199532 By Rich Brian. By August Grant, Barney Bones, Brian Imanuel, Brian Soewarno...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1199532 By Rich Brian. By August Grant, Barney Bones, Brian Imanuel, Brian Soewarno, Christian Dold, Craig Balmoris, Daniel Krieger, Daniel Tannenbaum, Maurice Powell, Ray Jacobs, Sergiu German, Sergiu Gherman, Tyler Mehlenbacher, and Tyler Reese Melenbacher. Arranged by Nisa Addina Mohamad Taufik. Hip-Hop,Pop,R & B. Score and parts. 15 pages. Nisa Addina Mohamad Taufik #798601. Published by Nisa Addina Mohamad Taufik (A0.1199532).
$12.99 ≈
11.93€
He Will Lead Me Home
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99 ≈
1.83€
Lost and Found
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Daniel Bouknight
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Lost and Found
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Daniel Bouknight
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1219650 Composed by Daniel Bouknight. Classical. Score and Parts. 52 pages. Daniel Bouknight #816008. Published by Dani...
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Concert Band - Level 4 - SKU: A0.1219650 Composed by Daniel Bouknight. Classical. Score and Parts. 52 pages. Daniel Bouknight #816008. Published by Daniel Bouknight (A0.1219650). The idea behind the piece is supposed to potray the process of overcoming obstacles in life, in this case, its the obstacle of losing people. When somesone in our life is lost suddenly, we're left a mess, everything seems discombobulated, nothing seems to quite make sense anymore. The beginning of the piece gets that across with the drone coming in on its own and the different chord changes through out helps drive that message along. Then the whole band joins in to really set in the confussion and disorientate you. The two soloists, Trombone and Trumpet, will be offstatge solos. These are playing the roles of Gods angels coming to your rescure trying to guide you through it all. But, you do not listen and the confussion continues on. Soon enough, you give in, listening to the angels you find yourself and you realize...its all okay. The ensemble is playing this emotional and warm hit with the solosits singing over the top giving the sense that we've made it. Then to close out the piece, the soloists chime in one last time to bring in the resolution of the piece, that you are home, you are safe, you can rest.
$34.99 ≈
32.15€
Thoughts of Home
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Chorale 3 parties
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Victor C Johnson
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Thoughts of Home
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Heritage Music Press
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SheetMusicPlus
SAB choir, Piano (With Optional Accompaniment MP3) - SKU: LX.15-3806H Composed by Victor C Johnson. Educational. Octavo. 12 pages. Heritage Music Press ...
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SAB choir, Piano (With Optional Accompaniment MP3) - SKU: LX.15-3806H Composed by Victor C Johnson. Educational. Octavo. 12 pages. Heritage Music Press #e15/3806H. Published by Heritage Music Press (LX.15-3806H). ISBN 9780787772086.Home, a place where memories are made. Home, where I don't have to be afraid. Home, where laughter never ends, I feel the love of family and friends, my hiding place, my safe space, is my home. Touching lyrics generated from the thoughts of young people are set in a stunning melodically-driven musical work that would be at home on any concert. For Middle School or smaller High School ensembles.
$2.50 ≈
2.30€
You Can Close Your Eyes
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Pu...
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Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99 ≈
5.50€
You Can Close Your Eyes
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Guitare notes et tablatures
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Rock
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James Taylor
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John Murphy C
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#
You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by...
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Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99 ≈
6.42€
You Can Close Your Eyes
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Guitare notes et tablatures
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FACILE
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Pu...
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Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99 ≈
5.50€
Wandering Among Stars
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Piano seul
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INTERMÉDIAIRE
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Stephanie Webster-Cheng
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Wandering Among Stars
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Stephanie Webster-Cheng
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1163461 Composed by Stephanie Webster-Cheng. Contemporary,Romantic Period. Score. 5 pages. Stephanie Webster-Cheng #76379...
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Piano Solo - Level 3 - SKU: A0.1163461 Composed by Stephanie Webster-Cheng. Contemporary,Romantic Period. Score. 5 pages. Stephanie Webster-Cheng #763799. Published by Stephanie Webster-Cheng (A0.1163461). Have you ever gone on a walk in nature and allowed your senses to guide you…toward a beautiful lake, a field of wildflowers, a quiet grove of trees? Before you know it, you are far from your starting place, lost The wanderlust that you began your journey with is quickly replaced with a drive to return home. When you finally safely return to your starting point, you marvel for having experienced the many wonders of your adventure.This piece is an experiment in harmonic wanderings away from D Major by way of a Major third. Prepare to be surprised! A simple right hand melody and steady arpeggiated left hand guide the pianist through beautiful, yet unexpected harmonies. A foreboding middle section explores the parallel minor key before a return to tranquility in the home key.
$4.99 ≈
4.58€
American West Folk Suite
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Orchestre d'harmonie
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INTERMÉDIAIRE
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David Ahrens
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American West Folk Suite
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Baseline Music Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1294499 Composed by David Ahrens. 21st Century,Classical,Contest,Festival,Folk,Historic. 119 pages. Baseline Music Publ...
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Concert Band - Level 3 - SKU: A0.1294499 Composed by David Ahrens. 21st Century,Classical,Contest,Festival,Folk,Historic. 119 pages. Baseline Music Publishing #884874. Published by Baseline Music Publishing (A0.1294499). A setting of three classic American folk songs for Wind Band. Transport your audience back to the “Old West†as you cross the nation by covered wagon to join the California Gold Rush, move a herd of cattle over the plains to new grasing lands, and be a part of the adventure of early rail commerce.Price discounted on my website “Sweet Betsy from Pike†is a comic folk ballad chronicling the trials and successes of Betsy, a mid-19th century pioneer woman, as she migrates from (perhaps) Pike County, Missouri (or Illinois) to the California Gold Rush town of Placerville (known colloquially as ‘Hangtown’). The journey across the Wild West was full of hardship, peril, and loss This song battles the very real struggles with levity and humor. It was first published in 1858.“Git Along, Little Dogies†is a cowboy ballad, also known as “Whoopie Ti Yi Yoâ€. While likely older, the first mention of the song was in author Owen Wister’s 1893 journal. It was first published in 1910. “Dogies†is a reference to small or orphaned calves. The narrative of the song quotes a cowboy singing to the slow or stray dogies as they move along the cattle drive to Wyoming.“Rock Island Line†refers the Rock Island and La Salle Railroad company (established 1947) which soon after became the Chicago and Rock Island Railroad. When construction of the railroad arrived at Rock Island in 1854, it became the first to connect Chicago with the Mississippi River. This folk song references an encounter between an operator of a toll gate and a train engineer who is let through without paying by lying about his payload. Once safely through, he yells back his confession as the train speeds onward. The earliest known version of the song was published in 1929.Grade 3.5 Performance time: 10:00.
$95.00 ≈
87.28€
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Drive Safe
