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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ivan Christian
Non classifié
70
Piano & claviers
Piano seul
89
Piano Facile
23
Accompagnement Piano
21
Piano, Voix et Guitare
13
Orgue
12
Piano, Voix
11
1 Piano, 4 mains
3
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
Piano grosses notes
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
2
Voix
Chorale SATB
47
Chorale 3 parties
20
Chorale 2 parties
13
Chorale SSAA
4
Chorale TTBB
3
Chorale Unison
2
Voix haute
1
Voix Soprano, Piano
1
Voix moyenne, Piano
1
+ 4 instrumentations
Retracter
Vents
Clarinette et Piano
21
Hautbois, Piano (duo)
17
Flûte traversière et Piano
17
2 Saxophones (duo)
12
Saxophone Alto et Piano
11
Cor anglais, Piano
9
2 Flûtes traversières (duo)
6
2 Clarinettes (duo)
5
Clarinette, Violon (duo)
5
Saxophone Tenor et Piano
5
Saxophone Baryton, Piano
5
Clarinette, Trompette (duo)
4
Saxophone, Clarinette (duo)
4
Saxophone Soprano et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte, Clarinette (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Clarinette et Alto
2
Quintette de Saxophone: 5 saxophones
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Alto (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Trompette (duo)
2
3 Saxophones (trio)
2
Flûte, Saxophone (duo)
2
Flûte traversière
2
Clarinette Basse, Piano
2
Hautbois, Basson (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Violon
2
Clarinette
2
Saxophone Alto
2
Flûte et Guitare
1
Flûte à bec Soprano, Piano
1
Ensemble de saxophones
1
Flûte, Violon, Piano
1
3 Clarinettes (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
Piccolo, Piano
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
+ 38 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Cor anglais, Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Piano
8
Trompette
7
Euphonium, Piano (duo)
6
2 Trompettes (duo)
5
2 Trombones (duo)
4
Trompette, Saxophone (duo)
4
Cor et Piano
4
Trompette, Trombone (duo)
3
Trombone
2
Tuba et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres
1
2 Cors (duo)
1
+ 11 instrumentations
Retracter
Cordes
Violon et Piano
18
Violoncelle, Piano
13
Violon
11
Quatuor à cordes: 2 violons, alto, violoncelle
10
Alto, Piano
10
2 Violons (duo)
9
Violon, Violoncelle (duo)
7
2 Violoncelles (duo)
5
2 Altos (duo)
5
Violon, Alto (duo)
4
Harpe
3
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle
1
Alto, Guitare (duo)
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto seul
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
8
Orchestre d'harmonie
8
Orchestre
3
Cloches
3
Ensemble de cuivres
3
Orchestre à Cordes
2
Orchestre de chambre
1
Fanfare
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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BLUEGRASS
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CELTIQUE - IRISH - S…
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LATIN - BOSSA - WORL…
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METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Ivan Christian
Partitions à imprimer
736 partitions trouvées
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ONWARD, CHRISTIAN SOLDIERS - Jazz Saxophone Quintet (unaccompanied)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jazz
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Sir Arthur Seymour Sullivan
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ONWARD, CHRISTIAN SOLDIERS - J
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arrangements by GPoehlmann
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SheetMusicPlus
Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Glen Poehlmann. Jazz, Sacred. 10 pages. Arrangements by GPoehlmann #685095. Published...
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Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Glen Poehlmann. Jazz, Sacred. 10 pages. Arrangements by GPoehlmann #685095. Published by arrangements by GPoehlmann
ONWARD, CHRISTIAN SOLDIERS - Jazz Saxophone Quintet AATTB - unaccompaniedHymn Tune: ST. GERTRUDEMedium in Difficulty (Grade 3+)55 measures. Performance Time approx. 1:30Key: Db. Meter: 3/4 (swing)Instrument Ranges (C4=middle C):Alto Saxophone 1 F4 - F6 (written)Alto Saxophone 2 F4 - C6 (written)Tenor Saxophone 1 Eb4 - C6 (written)Tenor Saxophone 2 Bb3 - G5 (written)Baritone Saxophone A3 - F5 (written)Parts included (PDF): Score, Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax.
$5.00 ≈
4.68€
Ivan Zajc: Ave maris stella for SSA a cappella
Voice,Soprano Voice,Alto Voice,Choir,SSA
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Classique
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Ivan Zajc
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Ivana Tuškan
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Ivan Zajc: Ave maris stella fo
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Ivana Tuskan
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SheetMusicPlus
Composed by Ivan Zajc. Arranged by Ivana Tuškan. Romantic Period, Christian, Sacred. Score. 3 pages. Published by Ivana Tuskan (S0.399919). - Score - Romantic ...
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Composed by Ivan Zajc. Arranged by Ivana Tuškan. Romantic Period, Christian, Sacred. Score. 3 pages. Published by Ivana Tuskan (S0.399919). - Score - Romantic Period,Christian,Sacred - Ivana Tuskan
$1.99 ≈
1.86€
Gloire Alléluia, Il Est Vivant!
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Piano, Voix et Guitare
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DÉBUTANT
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CHOIR
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Dan Bradley
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Gloire Alléluia, Il Est
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Mare Dan Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1399094 By CHOIR. By Dan Bradley. Arranged by Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spir...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1399094 By CHOIR. By Dan Bradley. Arranged by Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 3 pages. Mare Dan Music #982388. Published by Mare Dan Music (A0.1399094). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish Gloria Aleluya, ¡Está Vivo! and in english Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49 ≈
2.33€
Gloire Alléluia, Il Est Vivant!
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Chorale 2 parties
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FACILE
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French
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Gloire Alléluia, Il Est
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Mare Dan Music
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1399600 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Sacred. 6 pages. Mare Da...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1399600 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Sacred. 6 pages. Mare Dan Music #982892. Published by Mare Dan Music (A0.1399600). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish: Gloria Aleluya, ¡Está Vivo! and in English: Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. They all come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49 ≈
2.33€
Gloire Alléluia, Il Est Vivant!
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Chorale 3 parties
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DÉBUTANT
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French
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Gloire Alléluia, Il Est
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Mare Dan Music
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 1 - SKU: A0.1399651 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 7 pages. Mare Da...
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Choral Choir,Choral (SAB) - Level 1 - SKU: A0.1399651 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 7 pages. Mare Dan Music #982926. Published by Mare Dan Music (A0.1399651). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish Gloria Aleluya, ¡Está Vivo! and in english Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49 ≈
2.33€
Gloire Alléluia, Il Est Vivant!
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Chorale SATB
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DÉBUTANT
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French
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Gloire Alléluia, Il Est
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Mare Dan Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - SKU: A0.1399734 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 8 pages. Mare D...
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Choral Choir,Choral (SATB) - Level 1 - SKU: A0.1399734 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 8 pages. Mare Dan Music #983007. Published by Mare Dan Music (A0.1399734). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish: Gloria Aleluya, ¡Está Vivo! and in English: Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. They all come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49 ≈
2.33€
Onward Christian Soldiers (for Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Arthur S
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Joseph Pugh
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Onward Christian Soldiers
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Joseph Pugh
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.855131 Composed by Arthur S. Sullivan (1842-1900)- St. Gertrude. Arranged by Joseph Pugh. Christian,Romantic Period,Sac...
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Concert Band - Level 4 - SKU: A0.855131 Composed by Arthur S. Sullivan (1842-1900)- St. Gertrude. Arranged by Joseph Pugh. Christian,Romantic Period,Sacred,Standards. Score and parts. 64 pages. Joseph Pugh #6246599. Published by Joseph Pugh (A0.855131). Onward, Christian Soldiers is a 19th-century English hymn. The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871. Sullivan named the tune St Gertrude, after the wife of his friend Ernest Clay Ker Seymer, at whose country home he composed the tune. The Salvation Army adopted the hymn as its favored processional. The piece became Sullivan's most popular hymn. The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example II Timothy 2:3: Thou therefore endure hardness, as a good soldier of Jesus Christ. This is Joseph Pugh's stirring arrangement of the Hymn. Download it TODAY.!
$19.99 ≈
18.69€
Onward Christian Soldiers Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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Arthur Sullivan 1871
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Brendan Elliget MAGA 537
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Duration = 2
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Onward Christian Soldiers Conc
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750892 Composed by Arthur Sullivan 1871. Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 45 ...
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Full Orchestra - Level 3 - SKU: A0.750892 Composed by Arthur Sullivan 1871. Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 45 pages. BJE Music #4366402. Published by BJE Music (A0.750892). Onward, Christian Soldiers is a 19th-century English hymn. The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871. Sullivan named the tune St. Gertrude, after the wife of his friend Ernest Clay Ker Seymer, at whose country home he composed the tune. The Salvation Army adopted the hymn as its favored processional. The piece became Sullivan's most popular hymn. The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example, II Timothy 2:3 (KJV): Thou, therefore, endure hardness, as a good soldier of Jesus Christ. [Wikipedia] This arrangement is for full concert band with optional string and piano parts. There are descant parts for Flute/Piccolo, Clarinet and Trumpet. Parts include parts for Eb and F Horns, Bb, Eb and C Tubas. Suitable for use on ANZAC Day. Grade = 3 Duration = 2.00 mins. (2 Verses only) The MP3 was recorded with NotePerformer 3.
$15.00 ≈
14.03€
Onward, Christian Soldiers - for Beginner Orchestra. (with chords)
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Sir Arthur Seymour Sullivan
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L
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Onward, Christian Soldiers - f
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477472 Composed by ...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477472 Composed by Sir Arthur Seymour Sullivan. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 22 pages. Müller Publishing company #1054866. Published by Müller Publishing company (A0.1477472). Arrangement of the Traditional Hymn Onward, Christian Soldiers by Arthur Sullivan - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Onward, Christian Soldiers, composed by Arthur Sullivan. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Onward, Christian Soldiers will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Onward, Christian Soldiers. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99 ≈
1.86€
Onward, Christian Soldiers - for Beginner Orchestra.
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Sir Arthur Seymour Sullivan
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L
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Onward, Christian Soldiers - f
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Müller Publishing company
#
SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477474 Composed by ...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477474 Composed by Sir Arthur Seymour Sullivan. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 22 pages. Müller Publishing company #1054868. Published by Müller Publishing company (A0.1477474). Arrangement of the Traditional Hymn Onward, Christian Soldiers by Arthur Sullivan - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Onward, Christian Soldiers, composed by Arthur Sullivan. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Onward, Christian Soldiers will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Onward, Christian Soldiers. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99 ≈
1.86€
Onward Christian Soldiers (for Band and Choir)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Arthur S
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Joseph Pugh
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Onward Christian Soldiers
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Joseph Pugh
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.855132 Composed by Arthur S. Sullivan (1842-1900). Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts...
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Concert Band - Level 3 - SKU: A0.855132 Composed by Arthur S. Sullivan (1842-1900). Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 49 pages. Joseph Pugh #6247751. Published by Joseph Pugh (A0.855132). The popularity of this hymn is partly due to ST. GERTRUDE, the marching tune that Arthur S. Sullivan composed for this text. The tune was published in the Musical Times of December 1871 in an advertisement for Joseph Barnby's forthcoming Hymnary, which published both text and tune in 1872. ST. GERTRUDE is named for Gertrude Clay-Ker-Seymer, at whose home in Hanford, Dorsetshire, England, Sullivan composed the tune.This is a lively Concert and, or Marching Band arrangement , by Joseph Pugh, of that well known beloved Hymn.
$19.99 ≈
18.69€
Sullivan: The Lost Chord for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for F
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for A
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 4 - SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.549455 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497229. Published by jmsgu3 (A0.549455). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Baritone Horn & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,...
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Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
25.20€
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
25.20€
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