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Op. 47
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4 Hymni Mariani, Op.47 (for Clarinet Trio)
3 Clarinettes (trio)
Clarinet Trio,Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.1270743
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Clarinet Trio,Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.1270743 Composed by Franciszek Walczyński. Arranged by Andrew Lamb. 19th Century,Praise & Worship. 15 pages. Andrew Lamb #863118. Published by Andrew Lamb (A0.1270743). Introducing 4 Hymni Mariani, Op.47 – a captivating arrangement for Clarinet Trio, exquisitely composed by Franciszek Walczyński. This sacred hymn, consisting of four movements, has been skillfully adapted for three clarinets, with the added convenience of alternative parts for Eb Clarinet and Eb Alto Clarinet.The arrangement strikes a harmonious balance between beauty and accessibility, making it an ideal choice for intermediate-level clarinet ensembles. Whether you're performing in concerts, recitals, educational settings, or religious ceremonies, 4 Hymni Mariani, Op.47 will enrapture audiences with its spiritual depth and melodic charm.Walczyński's profound composition comes to life through the expressive voices of the clarinet trio, creating an unforgettable musical experience. Each movement weaves a tapestry of emotions, guiding listeners on a journey of reflection and spiritual contemplation.Enrich your clarinet ensemble's repertoire with this versatile arrangement, embracing the power of sacred hymns in a new and captivating form. Elevate your performances with the timeless beauty of 4 Hymni Mariani, Op.47.
3.66 €
$4.00
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3 Clarinettes (trio)
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Franciszek Walczyński
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Andrew Lamb
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4 Hymni Mariani, Op.47
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Andrew Lamb
#
SheetMusicPlus
"Whether Day Reigns" Op.47 N6 Lower key. DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1214660 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1214660 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #811647. Published by Natalia Melnik (A0.1214660). P.Tchaikovsky. День ли царит ... / Den' li tsarit... / Whether Day Reigns... Op. 47 No 6. Lower keyRange:C#4 - G5 (Mezzo-Soprano)C#3 - G4 (Baritone)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-whether-day-reigns-op-47-n6-lower-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/zUlrH4dt68o
7.77 €
$8.50
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
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"Whether Day Reigns" Op.47 N6 Lower key. DICTION SCORE with IPA and translation
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Natalia Melnik
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SheetMusicPlus
"Whether Day Reigns" Op.47 N6 Original key. DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1214661 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1214661 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #811648. Published by Natalia Melnik (A0.1214661). P.Tchaikovsky. День ли царит ... / Den' li tsarit... / Whether Day Reigns... Op. 47 No 6. Original keyRange:D#4 - A5 (Soprano)D#3 - A4 (Tenor)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-whether-day-reigns-op-47-n6-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/zUlrH4dt68o
7.77 €
$8.50
#
Piano, Voix
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"Whether Day Reigns" Op.47 N6 Original key. DICTION SCORE with IPA and translation
#
Natalia Melnik
#
SheetMusicPlus
Franciszek Walczyński | 4 Hymni Mariani, Op.47 (for Bassoon Trio)
3 Bassons
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1357025
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1357025 By Franciszek Walczyński. By Franciszek Walczyński. Arranged by Andrew Lamb. 19th Century,Praise & Worship,Sacred. 10 pages. Andrew Lamb #941652. Published by Andrew Lamb (A0.1357025). 🎵 Immerse yourself in the exquisite sounds of Franciszek Walczyński's 4 Hymni Mariani, Op. 47 with this captivating Bassoon Trio adaptation! 🎶 Originally composed for three equal voices, this arrangement is thoughtfully crafted for 3 Bassoons, bringing a new dimension to the timeless melodies. 🎼🌟 Level of Difficulty: Easy 🌟Ideal for both beginners and seasoned musicians, this arrangement promises an effortless yet enchanting performance. 🎻 Whether for a concert or recital, this adaptation adds a touch of classical elegance to any musical setting. 🎹Dive into the musical legacy of Franciszek Walczyński, a Polish composer, Catholic priest, and educator. 🌈 His influence on sacred music is gracefully manifested in this arrangement, showcasing the depth of his creative spirit. 🎺🎉 Elevate your trio performance with the harmonious blend of three Bassoons, creating a rich and resonant experience for both performers and audiences. 🎶👉 This adaptation is more than just notes on paper; it's a journey into the soul of the composer's sacred melodies. 👈🔗 Discover the beauty of 4 Hymni Mariani, Op. 47 through this Bassoon Trio adaptation – a musical experience like no other. 🔗Please like and subscribe for more videos and music arrangements. 🌟.
3.66 €
$4.00
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3 Bassons
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Franciszek Walczyński
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Andrew Lamb
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Franciszek Walczyński | 4 Hymni Mariani, Op.47
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Andrew Lamb
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SheetMusicPlus
4 Hymni Mariani, Op.47 (for Oboe Trio)
Woodwind Ensemble English Horn,Oboe Trio - Level 2 - Digital Download SKU: A0.1337440
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Woodwind Ensemble English Horn,Oboe Trio - Level 2 - Digital Download SKU: A0.1337440 By Franciszek Walczyński. By Franciszek Walczyński. Arranged by Andrew Lamb. Praise & Worship,Sacred. 11 pages. Andrew Lamb #923266. Published by Andrew Lamb (A0.1337440). 🎶 Immerse yourself in the timeless beauty of Franciszek Walczyński's 4 Hymni Mariani, Op. 47 with this enchanting Oboe/English Horn Trio adaptation! 🎶 Originally composed for three equal voices, this arrangement skillfully weaves the harmonies into a delightful tapestry for 2 Oboes and 1 English Horn. 🎼🌟 Level of Difficulty: Easy 🌟Perfect for both seasoned musicians and those looking to add a touch of classical elegance to their repertoire, this arrangement offers a captivating musical journey. 🎵 Its gentle melodies and harmonious interplay make it an ideal choice for concerts, recitals, or any occasion where the magic of sacred music is appreciated. 🎹🌈 Dive into the rich legacy of Franciszek Walczyński, a Polish composer, Catholic priest, and educator. His profound influence on sacred music in Galicia is beautifully encapsulated in this arrangement. 🎻🎉 Elevate your performance with this arrangement, transporting your audience to a realm of divine melodies and harmonies. 🎺👉 This arrangement is not just about the music; it's about experiencing the spiritual resonance that Franciszek Walczyński envisioned. 👈🔗 Discover the sacred beauty of 4 Hymni Mariani, Op. 47 – an arrangement crafted for the soul. 🔗Please like and subscribe for more videos and music arrangements. 🌟.
3.66 €
$4.00
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Franciszek Walczyński
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Andrew Lamb
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4 Hymni Mariani, Op.47
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Andrew Lamb
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SheetMusicPlus
Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-40E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-40E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-40E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
2.74 €
$3.00
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
2.74 €
$3.00
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
2.74 €
$3.00
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 47, No. 4: Bonjour from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-37E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-37E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-37E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
2.74 €
$3.00
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 4: Bonjour from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 6: Le doux Sommeil from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-39E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-39E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-39E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
2.74 €
$3.00
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 47, No. 6: Le doux Sommeil from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 47, No. 5: Adieu from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-38E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-38E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-38E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
2.74 €
$3.00
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 5: Adieu from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 47, No. 2: Que vous ai-je fait? from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-35E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
2.74 €
$3.00
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 2: Que vous ai-je fait? from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau difficile)
Piano seul
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur,…
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Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau difficile) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99 €
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Piano seul
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau intermédiaire)
Piano seul
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur,…
(+)
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau intermédiaire) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99 €
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Piano seul
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau très facile)
Piano seul
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur,…
(+)
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau très facile) de Schumann (Robert). Partition pour Piano seul -- Classique
4.99 €
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Piano seul
#
Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau intermédiaire/difficile)
Piano seul
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur,…
(+)
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau intermédiaire/difficile) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99 €
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Piano seul
#
Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau facile)
Piano seul
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur,…
(+)
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau facile) de Schumann (Robert). Partition pour Piano seul -- Classique
4.99 €
#
Piano seul
#
Schumann
#
Quatuor avec piano en mi bémo
#
Tomplay
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau facile/intermédiaire)
Piano seul
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur,…
(+)
Téléchargez la partition Piano Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau facile/intermédiaire) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99 €
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Piano seul
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Tchaikovsky: Bride's Lament Op. 47 No 7 Lower key (E min). DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1409086 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1409086 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #991692. Published by Natalia Melnik (A0.1409086). Tchaikovsky: Bride's Lament / Ya li v pole da ne travushka byla / Я ли в поле да не травушка была... Op. 47 No 7 Lower key (E min)Range:D4 - A5FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 We are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to the Russian for Singers YouTube Channel and watch the free video diction tutorials for this and many other Russian songs and ariashttps://www.youtube.com/watch?v=N3pEC-6mp7g&t=33s
7.77 €
$8.50
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Piano, Voix
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Peter Ilyich Tchaikovsky
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Russian for Singers
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Tchaikovsky: Bride's Lament Op. 47 No 7 Lower key
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Natalia Melnik
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SheetMusicPlus
Bagatelle 1 from 5 Bagatelles for Harmonium and Sting Trio, Op. 47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1398604 By …
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1398604 By EnsembleSheetMusic. By Antonin Dvorak. Arranged by Sjoerd van der Veen. 19th Century,Chamber,Romantic Period,Wedding. 16 pages. Sjoerd van der Veen #981880. Published by Sjoerd van der Veen (A0.1398604). The first bagatelle from 5 Bagatelles for harmonium and string trio, Op. 47 by Antonin Dvorak, in a colorful arrangement for woodwind quintet. This music fits surprisingly well with a wind quintet. The melody lines sound beautifully varied in all voices.The main theme of the set is the opening of the folk song “Hrály dudy†(The bagpipes played). Dvorak really enjoyed writing the Bagatelles, and you can hear that in this lyrical music... and it's a joy to play!
15.45 €
$16.90
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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EnsembleSheetMusic
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Sjoerd van der Veen
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Bagatelle 1 from 5 Bagatelles for Harmonium and Sting Trio, Op. 47
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Sjoerd van der Veen
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SheetMusicPlus
Bagatelle 1 from 5 Bagatelles for Harmonium and Sting Trio, Op. 47
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1394768 By EnsembleSheetMusic. By Antonin Dvorak. Arranged by Sjoerd van der Veen. Classical,Romantic Period. 13 pages. Sjoerd van der Veen #978243. Published by Sjoerd van der Veen (A0.1394768). The first bagatelle from 5 Bagatelles for harmonium and string trio, Op. 47 by Antonin Dvorak, arranged for saxophone quartet.The main theme of the set is the opening of the folk song “Hrály dudy†(The bagpipes played). Dvorak really enjoyed writing the Bagatelles, and you can hear that in this lyrical music... and it's a joy to play!
12.75 €
$13.95
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Quatuor de Saxophones: 4 saxophones
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EnsembleSheetMusic
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Sjoerd van der Veen
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Bagatelle 1 from 5 Bagatelles for Harmonium and Sting Trio, Op. 47
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Sjoerd van der Veen
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SheetMusicPlus
Chopin - Ballade No. 3 in Aâ™ major, Op. 47 - Original For Piano Solo With Fingered
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1388697 Composed by Frédéric …
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Piano Solo - Level 5 - Digital Download SKU: A0.1388697 Composed by Frédéric François Chopin. Arranged by poon. Classical. Score. 13 pages. Poon #972202. Published by poon (A0.1388697). Chopin - Ballade No. 3 in A♠major, Op. 47 - Original For Piano Solo With Fingered.
1.82 €
$1.99
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Piano seul
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Frédéric François Chopin
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poon
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Chopin - Ballade No. 3 in Aâ™ major, Op. 47 - Original For Piano Solo With Fingered
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poon
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SheetMusicPlus
Tchaikovsky: Bride's Lament Op. 47 No 7 Original key. DICTION SCORE with IPA and translation
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1314138 By Peter Ilyich Tcha…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1314138 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #902873. Published by Natalia Melnik (A0.1314138). Tchaikovsky: Bride's Lament / Ya li v pole da ne travushka byla / Я ли в поле да не травушка была... Op. 47 No 7 Original key (F-sharp minor)Range:E4 - B5FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-bride-s-lament-diction-guideWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the freehttps://www.youtube.com/watch?v=Mkeqo3HNWtk
7.77 €
$8.50
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Piano, Voix
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Peter Ilyich Tchaikovsky
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Russian for Singers
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Tchaikovsky: Bride's Lament Op. 47 No 7 Original key. DICTION SCORE with IPA and translation
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Natalia Melnik
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SheetMusicPlus
Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro for Clarinet in Bb
Clarinette
A Clarinet Solo,B-Flat Clarinet Solo,Bass Clarinet Solo,E-Flat Clarinet Solo - Level 4 - D…
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A Clarinet Solo,B-Flat Clarinet Solo,Bass Clarinet Solo,E-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.902092 By Rainer's Rainbow. By Issac Albeniz. Arranged by Rainer Grant Roth. Romantic Period. Individual part. 2 pages. Rainer's Rainbow #6333397. Published by Rainer's Rainbow (A0.902092). The original piece by Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro, was written for Piano. It is offered here for the first time for a solo Clarinet in Bb.
5.48 €
$5.99
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Clarinette
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Rainer's Rainbow
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Rainer Grant Roth
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Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro for Clarinet in Bb
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Rainer's Rainbow
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SheetMusicPlus
Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro in G minor for Flute
Flûte traversière
Flute Solo - Level 4 - Digital Download SKU: A0.902095 By Rainer's Rainbow. By Isaa…
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Flute Solo - Level 4 - Digital Download SKU: A0.902095 By Rainer's Rainbow. By Isaac Albeniz. Arranged by Rainer Grant Roth. Latin,Romantic Period. Individual part. 2 pages. Rainer's Rainbow #6333405. Published by Rainer's Rainbow (A0.902095). The original piece by Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro, was written for Piano. It is offered here for the first time for a solo Flute in the key of G minor. This arrangement is for advanced players. (unaccompanied).
4.56 €
$4.99
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Flûte traversière
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Rainer's Rainbow
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Rainer Grant Roth
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Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro in G minor for Flute
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Rainer's Rainbow
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