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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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2147
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1898
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1080
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617
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594
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412
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232
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128
1 Piano, 4 mains
86
Piano grosses notes
85
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79
Piano Quatuor: piano, violon, alto, violoncelle
58
1 Piano, 6 mains
58
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29
Orgue, Piano (duo)
13
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11
Orgue, Trompette (duo)
8
Ligne De Mélodie, Piano
6
Piano (partie séparée)
6
2 Pianos, 8 mains
6
Instrument seul et Orgue
6
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2
3 Pianos
2
2 Accordéons
2
Accordéon, Voix
1
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1
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1
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Guitare notes et tablatures
211
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152
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123
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100
Ukulele
72
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33
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23
Basse electrique
19
Banjo
12
Paroles et Accords
12
Piano, Guitare (duo)
10
Mandoline
8
Dulcimer
7
3 Dulcimers (trio)
4
4 Guitares (Quatuor)
4
Ensemble de guitares
3
Guitare (partie séparée)
3
Guitare, Flûte, Clarinette
2
Basse électrique (partie séparée)
2
2 Ukuleles
2
Ukulele Baryton
2
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2
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1
2 Mandolines (duo)
1
2 Dulcimers (duo)
1
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VOIX
Chorale SATB
755
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662
Pack Instrumental pour Chorale
241
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237
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176
Chorale Unison
89
Voix duo, Piano
62
Chorale SSAA
57
Voix duo
48
Chorale
23
Voix seule
19
Voix Soprano, Piano
17
Voix Baryton, Piano
8
Voix haute
6
Voix Tenor, Piano
5
Voix Alto, Piano
4
Voix basse, Piano
3
Voix moyenne, Piano
2
Chorale SSATB
2
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
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1
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1
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3 Saxophones (trio)
1688
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1605
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1081
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467
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403
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348
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
316
Flûte, Hautbois, Basson
303
Hautbois, Piano (duo)
299
Hautbois, Clarinette, Basson (trio d'anches)
272
Quatuor de Saxophones: 4 saxophones
254
Saxophone Alto et Piano
250
Flûte, Hautbois, Clarinette, Basson
236
2 Flûtes traversières (duo)
232
Flûte traversière
206
Flûte, Violoncelle, Piano (trio)
202
Flûte, Clarinette, Piano (trio)
201
Clarinette et Piano
198
2 Clarinettes (duo)
177
Saxophone Tenor et Piano
171
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167
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164
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160
2 Saxophones (duo)
151
Clarinette
147
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127
3 Hautbois
125
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119
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109
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103
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102
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96
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94
Saxophone Alto
91
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83
Hautbois (partie séparée)
82
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81
Flute (partie séparée)
80
2 Flûtes traversières, Piano
78
Saxophone Tenor
76
Flûte, Violon et Violoncelle
68
Ensemble de Clarinettes
65
2 Clarinettes, Basson
65
Flûte, Basson et Piano
51
Flûte, Alto et Piano
40
2 Clarinettes, Piano
38
2 Hautbois (duo)
38
Quintette de Clarinettes: 5 clarinettes
37
Clarinette, Basson, Piano (trio)
34
Flûte, Violon
30
Flûte, trombone et piano
30
Ensemble de saxophones
28
Ensemble de Flûtes
28
Clarinette, Violon (duo)
25
Clarinette, Alto et Piano (trio)
25
Ensemble De Flûte à bec
24
Hautbois, Basson (duo)
23
Hautbois
22
Clarinette, Basson (duo)
19
Saxophone Baryton, Piano
19
Clarinette, trompette et piano
18
Hautbois, Clarinette (duo)
17
Hautbois, Clarinette et Piano (Trio)
15
Saxophone Soprano
15
Flûte, Violoncelle
14
Flûte et Guitare
14
Clarinette Basse, Piano
12
Clarinette, Guitare (duo)
12
Quintette de Flûte : 5 flûtes
11
Hautbois, Flûte
11
Ocarina
10
Cor anglais, Piano
10
Hautbois, Violoncelle et Piano
9
Quatuor de Flûtes à bec
9
Flûte, Trombone (duo)
8
Saxophone
8
Flûte, Hautbois, Violon
8
Flûte et Trio à cordes
8
2 Flûte à bec (duo)
7
Hautbois, Basson et Piano
7
Flûte, Violoncelle, Guitare
7
Flûte à Bec
6
Instruments en Mib
6
Flute, harpe et violon
6
Hautbois, Violon, Piano
6
Flûte, Violon, Guitare
6
Cor Anglais
6
Clarinette, Violoncelle (duo)
5
Flûte, Hautbois (duo)
5
Flûte, Violon, Violoncelle et Piano
5
2 Saxophones, Piano
4
Saxophone Baryton
4
4 Hautbois
4
Clarinette, Harpe (duo)
4
Clarinette Basse
4
Flûte, alto et harpe
4
Flûte irlandaise
4
2 Hautbois et Basson
3
Hautbois, Violoncelle
3
Hautbois et alto (duo)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
5 Flûtes à bec
3
Flûte à bec Soprano, Piano
3
2 Hautbois et Cor anglais
3
Harmonica
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Saxophone et Guitare
2
Piccolo, Piano
2
Flûte traversière, Basse continue
2
Hautbois, Harpe
2
Flûte, Alto et Violoncelle
2
Clarinette, Trompette (duo)
2
Flûte, Alto (duo)
2
2 Flûtes à bec, Piano
2
Saxophone et Harpe
2
Flûte à bec Soprano
2
Saxophone, Clarinette (duo)
2
Clarinette et Alto
2
Flute, Cor (duo)
1
Flûte de Pan
1
Clarinette, Contrebasse (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Guitare (duo)
1
Hautbois, Trompette (duo)
1
Flûte, Tuba (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Hautbois, violon (duo)
1
Flûte, Trompette (duo)
1
Harmonica, Piano
1
Ensemble de Hautbois
1
Piccolo
1
2 Flûtes, Basse continue
1
Clarinette, Tuba
1
Clarinette, Orgue
1
Cornemuse
1
Clarinette, Saxophone, Piano
1
Flûte à bec Tenor
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Basse continue
1
Clarinette, Trombone (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
830
3 Trombones (trio)
294
Quatuor de Cuivres: 2 trompettes, Cor, trombone
293
Trio de Cuivres
274
Trompette
251
Trombone et Piano
233
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226
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226
3 Trompettes (trio)
171
Trompette (partie séparée)
117
Trombone
100
Cor et Piano
87
Cor
83
Trombone (partie séparée)
74
2 Trompettes (duo)
67
Quatuor de Cuivres
60
Trompette, Trombone (duo)
57
3 Cors (trio)
47
2 Trombones (duo)
46
Cor (partie séparée)
42
Quatuor de cuivres: 4 trombones
41
Ensemble de Trompettes
39
Quatuor de cuivres: 4 cors
34
2 Cors (duo)
31
Trompette, Violoncelle et Piano
29
Tuba
28
Tuba et Piano
25
Bass Clef Instruments
23
Tuba (partie séparée)
22
3 Tubas (trio)
22
2 Trompettes, Clavier (piano ou orgue)
17
Ensemble de Trombones
16
Trompette, Cor (duo)
16
Cor, Trompette, Trombone (trio)
13
2 Euphoniums et 2 Tubas
12
Euphonium
11
Cor anglais, Piano
10
Euphonium, Piano (duo)
10
Ensemble de Cors
9
Instruments en Sib
9
Quatuor de cuivres: 4 trompettes
7
Instruments en Fa
6
Trompette, Trombone, Piano
6
Cor Anglais
6
4 Tubas
6
Trompette, Saxophone (duo)
5
Trombone basse
5
2 Tubas (duo)
5
Trombone, Cor (duo)
5
Tuba ou Euphonium ou Saxhorn
4
Tuba et Orgue
4
Euphonium, Tuba (duo)
4
3 Euphoniums
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Tuba (duo)
3
Cor, Violoncelle et Piano
2
Cor, Violoncelle (duo)
2
2 Euphoniums (duo)
2
Trombone, Violon (duo)
2
Cornet A Pistons
2
Trombone, violoncelle (duo)
2
Trombone basse et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Cor et Harpe
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, Tuba (duo)
1
2 Trombones, Piano
1
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
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CORDES
Trio à Cordes: violon, alto, violoncelle
2970
Trio à Cordes: 2 violons, violoncelle
1103
Quatuor à cordes: 2 violons, alto, violoncelle
894
Trio à cordes: 3 violins
607
Piano Trio: Violon, Alto, Piano
546
Violon et Piano
501
Trio à Cordes: 3 violoncelles
347
Alto, Piano
285
Violon
258
Violoncelle, Piano
253
Trio à cordes
233
Trio à cordes: 3 altos
221
Trio à Cordes: 2 violons, alto
202
Violoncelle
173
2 Violons (duo)
139
Violon, Violoncelle (duo)
139
Alto seul
126
Harpe
113
2 Violoncelles (duo)
84
Violon (partie séparée)
81
Violon, Clarinette, Piano (trio)
71
Violon, Alto (duo)
63
Quintette à cordes: 2 violons, alto, violoncelle, basse
57
Alto (partie séparée)
56
2 Violons, Piano
54
2 Altos (duo)
49
Contre Basse
43
Harpe, Flûte (duo)
40
Contrebasse, Piano (duo)
29
Alto, Violoncelle (duo)
28
Violoncelle (partie séparée)
28
2 Harpes (duo)
25
4 Violoncelles
25
2 Violoncelles, Piano
24
Contrebasse (partie séparée)
24
3 Contrebasses
16
Harpe, Violon, Violoncelle
13
2 Altos, Piano
11
Violon, Guitare (duo)
8
3 Harpes
8
Violon, Violoncelle, Clarinette
8
Alto, Guitare (duo)
7
Violon, Trompette et Piano
6
Harpe, Violon (duo)
6
Quatuor à cordes: 4 violons
6
Ensemble de Violons
4
Violoncelle, Contrebasse (duo)
4
Alto et Basson
4
Ensemble d'Altos
4
Violoncelle , Guitare (duo)
4
2 Contrebasses (duo)
4
Violon, Basson (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
2
Harpe, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Voix
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1109
Ensemble de cuivres
441
Orchestre à Cordes
374
Orchestre
369
Ensemble Jazz
128
Cloches
100
Orchestre de chambre
86
Jazz combo
83
Fanfare
71
Ensemble de Percussions
48
Percussion (partie séparée)
47
Percussion
15
Batterie
11
Timbales (partie séparée)
11
Vibraphone (partie séparée)
8
Trio à Vent: 3 instruments à vents
5
Marimba
5
Timbales
5
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
3 Percussions
3
Quatuor à Vent : 4 instruments à vents
3
Quintette de Cuivres: autres combinaisons
3
Quintette à Vent
3
Batterie (partie séparée)
2
Instrumentation Flexible
2
Vibraphone et Marimba
1
Caisse Claire
1
Ensemble d'École
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
4
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9976
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
13.75 €
$14.99
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Violon, Clarinette, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
John Stafford Smith: The Star Spangled Banner - USA Anthem instantly for string trio
Trio à cordes
This is an exclusive arrangement for string trio of MEDIUM skill level from the original c…
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This is an exclusive arrangement for string trio of MEDIUM skill level from the original composition by John Stafford Smith. This title is available as instant sheet music download. Contents: USA Anthem, american flag,U.S.A.,patriotic, national anthem / patriotic,traditional,hymn,multicultural,world,american,olympics,festival
5.49 €
$5.99
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Trio à cordes
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John Stafford Smith
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Virtualsheetmusic
America The Beautiful - String Trio (+CHORDS)
Trio à Cordes: 2 violons, violoncelle
String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.1390773 Composed by K…
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String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.1390773 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 4 pages. Valdir Maia #974311. Published by Valdir Maia (A0.1390773). Title: America The Beautiful String Ensemble Sheet MusicDescription:Embark on a soul-stirring journey through the melodic tapestry of America The Beautiful with our meticulously crafted String Ensemble sheet music arrangement. Tailored for players of all levels, this rendition offers a poignant interpretation of the patriotic anthem, perfect for solo performances, duets, quartets, or quintets.**String Trio Version (with or without Piano Accompaniment and Chords):**Delve into the emotive depths of America The Beautiful with our String Trio arrangement. Experience the full spectrum of this cherished classic as Violin, Viola, and Cello intertwine to create a harmonious rendition, whether with the rich support of piano accompaniment and chords or in a standalone format.**String Quartet Version (with or without Piano Accompaniment and Chords):**Elevate your performance with our String Quartet arrangement. Experience the rich textures and expressive nuances as two Violins, Viola, and Cello blend together to capture the essence of America's spirit and legacy, with the option of piano accompaniment and chords or as a standalone ensemble.**String Quintet Version (with or without Piano Accompaniment and Chords):**Immerse yourself in the resonant harmonies of our String Quintet arrangement. Experience the depth and breadth of this beloved classic as two Violins, Viola, Cello, and Double Bass unite to convey the stirring melodies and poignant harmonies with confidence and expression, with or without the added support of piano accompaniment and chords.Each note is thoughtfully arranged to ensure comfortable playing ranges for all instruments, enabling players to convey the beauty and depth of America The Beautiful with confidence and nuance, regardless of accompaniment preference.For those eager to expand their repertoire or refine their ensemble-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical journey.Experience the timeless beauty and spirit of America The Beautiful through the expressive voices of the String Ensemble, and join in celebrating the enduring spirit of the United States through music.
9.16 €
$9.99
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Trio à Cordes: 2 violons, violoncelle
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Katherine Lee Bates and Samuel A Ward
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Valdir Maia
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America The Beautiful - String Trio
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Valdir Maia
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SheetMusicPlus
America The Beautiful - String Trio (with piano accompaniment)
Trio à Cordes: 2 violons, violoncelle
String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.1390775 Composed by K…
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String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.1390775 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 5 pages. Valdir Maia #974313. Published by Valdir Maia (A0.1390775). Title: America The Beautiful String Ensemble Sheet MusicDescription:Embark on a soul-stirring journey through the melodic tapestry of America The Beautiful with our meticulously crafted String Ensemble sheet music arrangement. Tailored for players of all levels, this rendition offers a poignant interpretation of the patriotic anthem, perfect for solo performances, duets, quartets, or quintets.**String Trio Version (with or without Piano Accompaniment and Chords):**Delve into the emotive depths of America The Beautiful with our String Trio arrangement. Experience the full spectrum of this cherished classic as Violin, Viola, and Cello intertwine to create a harmonious rendition, whether with the rich support of piano accompaniment and chords or in a standalone format.**String Quartet Version (with or without Piano Accompaniment and Chords):**Elevate your performance with our String Quartet arrangement. Experience the rich textures and expressive nuances as two Violins, Viola, and Cello blend together to capture the essence of America's spirit and legacy, with the option of piano accompaniment and chords or as a standalone ensemble.**String Quintet Version (with or without Piano Accompaniment and Chords):**Immerse yourself in the resonant harmonies of our String Quintet arrangement. Experience the depth and breadth of this beloved classic as two Violins, Viola, Cello, and Double Bass unite to convey the stirring melodies and poignant harmonies with confidence and expression, with or without the added support of piano accompaniment and chords.Each note is thoughtfully arranged to ensure comfortable playing ranges for all instruments, enabling players to convey the beauty and depth of America The Beautiful with confidence and nuance, regardless of accompaniment preference.For those eager to expand their repertoire or refine their ensemble-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical journey.Experience the timeless beauty and spirit of America The Beautiful through the expressive voices of the String Ensemble, and join in celebrating the enduring spirit of the United States through music.
12.83 €
$13.99
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Trio à Cordes: 2 violons, violoncelle
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Katherine Lee Bates and Samuel A Ward
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Valdir Maia
#
America The Beautiful - String Trio
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Valdir Maia
#
SheetMusicPlus
America The Beautiful - String Trio (with piano accompaniment +CHORDS)
Trio à Cordes: 2 violons, violoncelle
String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.1390776 Composed by K…
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String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.1390776 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 5 pages. Valdir Maia #974314. Published by Valdir Maia (A0.1390776). Title: America The Beautiful String Ensemble Sheet MusicDescription:Embark on a soul-stirring journey through the melodic tapestry of America The Beautiful with our meticulously crafted String Ensemble sheet music arrangement. Tailored for players of all levels, this rendition offers a poignant interpretation of the patriotic anthem, perfect for solo performances, duets, quartets, or quintets.**String Trio Version (with or without Piano Accompaniment and Chords):**Delve into the emotive depths of America The Beautiful with our String Trio arrangement. Experience the full spectrum of this cherished classic as Violin, Viola, and Cello intertwine to create a harmonious rendition, whether with the rich support of piano accompaniment and chords or in a standalone format.**String Quartet Version (with or without Piano Accompaniment and Chords):**Elevate your performance with our String Quartet arrangement. Experience the rich textures and expressive nuances as two Violins, Viola, and Cello blend together to capture the essence of America's spirit and legacy, with the option of piano accompaniment and chords or as a standalone ensemble.**String Quintet Version (with or without Piano Accompaniment and Chords):**Immerse yourself in the resonant harmonies of our String Quintet arrangement. Experience the depth and breadth of this beloved classic as two Violins, Viola, Cello, and Double Bass unite to convey the stirring melodies and poignant harmonies with confidence and expression, with or without the added support of piano accompaniment and chords.Each note is thoughtfully arranged to ensure comfortable playing ranges for all instruments, enabling players to convey the beauty and depth of America The Beautiful with confidence and nuance, regardless of accompaniment preference.For those eager to expand their repertoire or refine their ensemble-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical journey.Experience the timeless beauty and spirit of America The Beautiful through the expressive voices of the String Ensemble, and join in celebrating the enduring spirit of the United States through music.
12.83 €
$13.99
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Trio à Cordes: 2 violons, violoncelle
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Katherine Lee Bates and Samuel A Ward
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Valdir Maia
#
America The Beautiful - String Trio
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Valdir Maia
#
SheetMusicPlus
America The Beautiful - String Trio
Trio à Cordes: 2 violons, violoncelle
String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.1390772 Composed by K…
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String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.1390772 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 4 pages. Valdir Maia #974310. Published by Valdir Maia (A0.1390772). Title: America The Beautiful String Ensemble Sheet MusicDescription:Embark on a soul-stirring journey through the melodic tapestry of America The Beautiful with our meticulously crafted String Ensemble sheet music arrangement. Tailored for players of all levels, this rendition offers a poignant interpretation of the patriotic anthem, perfect for solo performances, duets, quartets, or quintets.**String Trio Version (with or without Piano Accompaniment and Chords):**Delve into the emotive depths of America The Beautiful with our String Trio arrangement. Experience the full spectrum of this cherished classic as Violin, Viola, and Cello intertwine to create a harmonious rendition, whether with the rich support of piano accompaniment and chords or in a standalone format.**String Quartet Version (with or without Piano Accompaniment and Chords):**Elevate your performance with our String Quartet arrangement. Experience the rich textures and expressive nuances as two Violins, Viola, and Cello blend together to capture the essence of America's spirit and legacy, with the option of piano accompaniment and chords or as a standalone ensemble.**String Quintet Version (with or without Piano Accompaniment and Chords):**Immerse yourself in the resonant harmonies of our String Quintet arrangement. Experience the depth and breadth of this beloved classic as two Violins, Viola, Cello, and Double Bass unite to convey the stirring melodies and poignant harmonies with confidence and expression, with or without the added support of piano accompaniment and chords.Each note is thoughtfully arranged to ensure comfortable playing ranges for all instruments, enabling players to convey the beauty and depth of America The Beautiful with confidence and nuance, regardless of accompaniment preference.For those eager to expand their repertoire or refine their ensemble-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical journey.Experience the timeless beauty and spirit of America The Beautiful through the expressive voices of the String Ensemble, and join in celebrating the enduring spirit of the United States through music.
9.16 €
$9.99
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Trio à Cordes: 2 violons, violoncelle
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Katherine Lee Bates and Samuel A Ward
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Valdir Maia
#
America The Beautiful - String Trio
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Valdir Maia
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SheetMusicPlus
Piano Trio in C minor, Op. 143
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
33.94 €
$37.00
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Piano Trio: piano, violon, violoncelle
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
8.25 €
$8.99
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Glacier Bay - String Trio (vn-vn-vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.) *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com
18.34 €
$20.00
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Trio à Cordes: violon, alto, violoncelle
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Arthur Breur
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Glacier Bay - String Trio
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Floating Home Music
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SheetMusicPlus
Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.9384…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.
11.01 €
$12.00
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Piano Trio: piano, violon, violoncelle
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Colin Bayliss
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Piano Trio
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Colin Bayliss
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SheetMusicPlus
Easy String Trios: Thanksgiving Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello)
Trio à Cordes: violon, alto, violoncelle
Violin, Viola, Cello, String Trio - Early Intermediate - Digital Download Composed by…
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Violin, Viola, Cello, String Trio - Early Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Romantic Period, Christian, Sacred, Folk, Thanksgiving. Score, Set of Parts. 64 pages. Published by Sharon Wilson
This collection of “Easy String Trios” contains 10 hymns arranged for VIOLIN, VIOLA, and CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for recitals and worship services. The theme of each hymn centers around giving thanks and is equally suited for the Thanksgiving season as well as other times of year to encourage a spirit of gratitude.<br> <br> All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO.<br> <br> Each song is also available separately with accompanying preview pages and audio samples.<br> <br> Song titles included in this collection:<br> All Creatures of Our God and King<br> Come, Thou Fount of Every Blessing<br> Come, Ye Thankful People, Come<br> Count Your Blessings<br> Joyful, Joyful, We Adore Thee (Ode to Joy)<br> Now Thank We All Our God<br> Praise God, from Whom All Blessings Flow (Doxology)<br> Praise to the Lord<br> Rejoice, the Lord Is King<br> We Gather togetherThis collection of “Easy String Trios” contains 10 hymns arranged for VIOLIN, VIOLA, and CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for recitals and worship services. The theme of each hymn centers around giving thanks and is equally suited for the Thanksgiving season as well as other times of year to encourage a spirit of gratitude.<br> <br> All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO.<br> <br> Each song is also available separately with accompanying preview pages and audio samples.<br> <br> Song titles included in this collection:<br> All Creatures of Our God and King<br> Come, Thou Fount of Every Blessing<br> Come, Ye Thankful People, Come<br> Count Your Blessings<br> Joyful, Joyful, We Adore Thee (Ode to Joy)<br> Now Thank We All Our God<br> Praise God, from Whom All Blessings Flow (Doxology)<br> Praise to the Lord<br> Rejoice, the Lord Is King<br> We Gather together
18.34 €
$20.00
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Trio à Cordes: violon, alto, violoncelle
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Various
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Easy String Trios: Thanksgiving Hymns
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Sharon Wilson
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SheetMusicPlus
O Come All Ye Faithful for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged b…
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Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
22.88 €
$24.95
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Piano Trio: piano, violon, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Trio
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jmsgu3
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SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
44.94 €
$49.00
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
44.94 €
$49.00
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
44.94 €
$49.00
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
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Robert Hoskins
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String Trio No. 6 in B flat major
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Artaria Editions
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SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
44.94 €
$49.00
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Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
44.94 €
$49.00
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
#
Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
Bull: In Nomine for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
22.88 €
$24.95
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: In Nomine for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Galliard for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
22.88 €
$24.95
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Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
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Bull: Galliard for String Trio
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jmsgu3
#
SheetMusicPlus
Bull: Fantasia upon a Plainsong for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
22.88 €
$24.95
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Trio à Cordes: violon, alto, violoncelle
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John Bull
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James M
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Bull: Fantasia upon a Plainsong for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Christe Redemptor for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
22.88 €
$24.95
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Christe Redemptor for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Fantasia CXIII for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
22.88 €
$24.95
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Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
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Bull: Fantasia CXIII for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Gloria tibi trinitas for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
22.88 €
$24.95
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Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
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Bull: Gloria tibi trinitas for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Dr. Bull's Juell for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
22.88 €
$24.95
#
Trio à Cordes: violon, alto, violoncelle
#
Dr
#
James M
#
Bull: Dr. Bull's Juell for String Trio
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jmsgu3
#
SheetMusicPlus
Miscellaneous: Mother's Day Collection, sweet and amusing compositions (parts) instantly for string trio
Trio à cordes
This is an exclusive arrangements for string trio of MEDIUM skill level from the original …
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This is an exclusive arrangements for string trio of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's dayThe Happy Farmer, / classical
13.75 €
$14.99
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Trio à cordes
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Miscellaneous
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Virtualsheetmusic
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