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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Motet: Oboe
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45
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
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Hautbois, Basson (duo)
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Vous avez sélectionné:
Motet: Oboe
Partitions à imprimer
45 partitions trouvées
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26
Fürchte dich nicht (motette) by J.S. Bach (Double Double-Reed Choir)
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Fürchte dich nicht
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - SKU: A0.830804 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque...
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Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - SKU: A0.830804 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 60 pages. Richard Byrnes #5802437. Published by Richard Byrnes (A0.830804). The motet, Fürchte dich nicht (Fear not) is structured in two sections.  The first offers the chorale. The second section is a fugue in the lower 3 voices juxtaposed by the chorale in part 1.  This is an arrangement by Richard Byrnes for two antiphonal choirs (Choir 1 – 2 Oboes, English Horn, Bassoon, & Choir 2 - 2 Oboes, English Horn, Bassoon).  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99 ≈
£23.16
Josquin: 22 Duets for Oboe d'Amore & Bassoon
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Josquin des Prez
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James M
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Josquin: 22 Duets for Oboe d'A
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instruct...
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Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678267. Published by jmsgu3 (A0.1073999). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
£25.45
Fürchte dich nicht (motette) by J.S. Bach (Double Woodwind Choir)
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Vierne.
Â
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Fürchte dich nicht
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - SKU: A0.830806 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 60 pages. Richard...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - SKU: A0.830806 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 60 pages. Richard Byrnes #5820995. Published by Richard Byrnes (A0.830806). The motet, Fürchte dich nicht (Fear not) is structured in two sections. The first offers the chorale. The second section is a fugue in the lower 3 voices juxtaposed by the chorale in part 1.  This double woodwind choir arrangement is for: Flute, Oboe, Clarinet, Bassoon/Flute, Oboe, Clarinet, Bassoon.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99 ≈
£23.16
Komm, Jesu, komm (motette) by J.S. Bach (Double Double-Reed Choir)
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Vierne.
Â
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Komm, Jesu, komm
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - SKU: A0.830810 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 69 pages. Richard B...
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Woodwind Ensemble Bassoon,English Horn,Oboe - SKU: A0.830810 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 69 pages. Richard Byrnes #5869943. Published by Richard Byrnes (A0.830810). The motet, Komm, Jesu, komm is structured in four sections.  The first is in the Venetian polychoral style. The second section is a light and detached section alternating between voices and choirs.  The third section is in a dance rhythm (menuet). The final section, rather than being a chorale, is a chorale setting of an aria.  This double-reed arrangement is for (Oboe, English Horn, 2 Bassoons/Oboe, English Horn, 2 Bassoons).  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99 ≈
£23.16
Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach (Double Double-reed Choir)
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Singet dem Herrn ein neues Lie
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - SKU: A0.830767 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 80 pages. Richard B...
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Woodwind Ensemble Bassoon,English Horn,Oboe - SKU: A0.830767 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 80 pages. Richard Byrnes #5313575. Published by Richard Byrnes (A0.830767). Among Bach’s vocal music, none is performed as much as his motets. All are antiphonal. Singet dem Herrn ein neues Lied is the first of these and displays among his most glorious compositions. This is the second part, including the Alleluia.The arrangement is for (2Ob,EH,Bn/2Ob,EH,Bn).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$29.99 ≈
£23.16
Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach (Double Woodwind Choir)
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Singet dem Herrn ein neues Lie
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - SKU: A0.830770 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 51 pages. Richard...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - SKU: A0.830770 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 51 pages. Richard Byrnes #5320769. Published by Richard Byrnes (A0.830770). Among Bach’s vocal music, none is performed as much as his motets. All are antiphonal. Singet dem Herrn ein neues Lied is the first of these and displays among his most glorious compositions. This is the second part, including the Alleluia.The arrangement is for (Fl,Ob,Cl,Bn/Fl,Ob,Cl,Bn).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$29.99 ≈
£23.16
Ave, Verum Corpus-Oboe and Bassoon Quartet
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Classique
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Wolfgang Amadeus Mozart
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John May
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Ave, Verum Corpus-Oboe and Bas
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Lost Key Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.829792 Composed by Wolfgang Amadeus Mozart. Arranged by John May. Christian,Christma...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.829792 Composed by Wolfgang Amadeus Mozart. Arranged by John May. Christian,Christmas,Contest,Easter,Festival,Sacred. 11 pages. Lost Key Music #3395163. Published by Lost Key Music (A0.829792). Ave Verum Corpus is a motet in D major composed by Mozart in 1791 to celebrate the feast of Corpus Christi. Arranged for woodwind quartet-two oboes and two bassoons-double reed quartet.https://www.youtube.com/watch?v=McjmMY4MLSMwww.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/
$15.00 ≈
£11.58
Hodie Christus Natus Est (2 Oboe Quintets)
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Jan P
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Regis Bookshar
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Hodie Christus Natus Est
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Oboe - Level 3 - SKU: A0.813014 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultural,Renaissance,Standard...
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Woodwind Ensemble Oboe - Level 3 - SKU: A0.813014 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultural,Renaissance,Standards,World. 44 pages. Regis Bookshar #6027595. Published by Regis Bookshar (A0.813014). 2 Oboe Quintets - Intermediate - . This selection, Hodie Christus Natus Est (Today Christ is Born) was originally a vocal motet written by Jan P. Sweelinck and has been arranged for 2 Oboe Quintets by Regis Bookshar. I envision this arrangement to be performed antiphonally. It is perfect for Christmas concerts or church services but could be performed for other festive occasions as well. It is suitable for high school and college students. Included is a score and a complete set of parts (44 pages). Also available are other settings of this motet for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you. I'm certain that students will enjoy playing this arrangement.
$30.00 ≈
£23.17
Hodie Christus Natus Est (Oboe Quintet)
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Jan P
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Regis Bookshar
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Hodie Christus Natus Est
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Oboe - Level 3 - SKU: A0.813000 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultural,Renaissance,Standard...
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Woodwind Ensemble Oboe - Level 3 - SKU: A0.813000 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultural,Renaissance,Standards,World. 27 pages. Regis Bookshar #6011847. Published by Regis Bookshar (A0.813000). Oboe Quintet - Intermediate - . This selection, Hodie Christus Natus Est (Today Christ is Born) was originally a vocal motet written by Jan P. Sweelinck and has been arranged for an Oboe Quintet by Regis Bookshar. It is perfect for Christmas concerts or church services but could be performed for other festive occasions as well, It is suitable for high school and college students. Included is a score and a complete set of parts (27 pages). Also available are other settings of this motet for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for arrangements by Regis Bookshar. You may find something else which might interest you. I'm certain that students will enjoy playing this arrangement.
$24.00 ≈
£18.53
Christmas Motet (Hodie apparuit in Israel) for double-reed trio
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Noël
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Orlande De Lassus
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David Warin Solomons
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Christmas Motet
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 2 - SKU: A0.580227 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Ch...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 2 - SKU: A0.580227 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Christmas,Renaissance. 5 pages. David Warin Solomons #3632427. Published by David Warin Solomons (A0.580227). Instrumental arrangement of a Christmas motet by Lassus (Orlando di Lasso).
$6.00 ≈
£4.63
Mozart: Motet "Ave Verum Corpus" K618 - wind dectet
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Motet "Ave Verum
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RayThompsonMusic
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SheetMusicPlus
Bass Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 2 - SKU: A0.1110981 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,R...
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Bass Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 2 - SKU: A0.1110981 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713249. Published by RayThompsonMusic (A0.1110981). Arranged wind dectet and bass. Optional tiba/double bass, and 2 bass clts for bsns Ave verum corpus (Hail, true body) is a motet in D major (K. 618), composed by Wolfgang Amadeus Mozart. It is a setting of the 14th century Eucharistic hymn in Latin Ave verum corpus in 1791. Mozart wrote it for Anton Stoll, a friend of Mozart and Joseph Haydn. Stoll was the musical coordinator in the parish of Baden bei Wien, near Vienna. This setting of the Ave verum corpus text was composed to celebrate the feast of Corpus Christi; the autograph is dated 17 June 1791. It is only forty-six bars long and is scored for SATB choir, string instruments, and organ. Mozart's manuscript contains minimal directions, with only a single sotto voce at the beginning. Check out my arrangements of movements from Mozart’s Requiem K626.
$9.95 ≈
£7.68
Mouton: Christmas Motet for Double Reed Choir
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Noël
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Jean Mouton
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James M
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Mouton: Christmas Motet for Do
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jmsgu3
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.550377 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. Score a...
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Small Ensemble - Level 2 - SKU: A0.550377 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. Score and parts. 25 pages. Jmsgu3 #4616351. Published by jmsgu3 (A0.550377). Quadruple canon: Nesciens mater virgo virum. Score: 7 pages. Duration: ca. 3:00. Instrumentation: 1 English Horn, 3 Oboes, 2 Oboes d'Amore, 2 Bassoons, 1 Contrabassoon (optional).
$49.95 ≈
£38.57
Instrumental Motet in E Minor
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Mitch Boucher
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Instrumental Motet in E Minor
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Mitch Boucher
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Viola,Violin - Level 4 - SKU: A0.990455 Composed by Mitch Boucher. Baroque,Con...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Viola,Violin - Level 4 - SKU: A0.990455 Composed by Mitch Boucher. Baroque,Contemporary,Sacred,Spiritual. Score and parts. 6 pages. Mitch Boucher #5765157. Published by Mitch Boucher (A0.990455). This work features two well-known German chorale tunes: 'Ich ruf zu Dir' and 'O Mensch Bewein.' This was one of my first attempts at working on variations of melodies.
$15.00 ≈
£11.58
Ave Maria
Flute|Bassoon|Oboe|B-Flat Clarinet
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Classique
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Anton Bruckner
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Bill Schuetter
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Ave Maria
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Imagine Music - Digital
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SheetMusicPlus
(Motet). By Anton Bruckner (1824-1896). Arranged by Bill Schuetter. For woodwind octet (flute, 2 oboes, 3 Bb clarinets, 2 bassoons). Level 3. Score and parts. D...
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(Motet). By Anton Bruckner (1824-1896). Arranged by Bill Schuetter. For woodwind octet (flute, 2 oboes, 3 Bb clarinets, 2 bassoons). Level 3. Score and parts. Duration 2 minutes 30 seconds. Published by Imagine Music - Digital
$16.00 ≈
£12.36
In Pace
Horn|Clarinet|Bassoon|Oboe
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Thomas Tallis
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Bill Schuetter
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In Pace
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Imagine Music - Digital
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SheetMusicPlus
(Motet In Peace). By Thomas Tallis (1505-1585). Arranged by Bill Schuetter. For woodwind quartet (oboe, clarinet, horn, bassoon). Level 3. Score and parts. Dura...
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(Motet In Peace). By Thomas Tallis (1505-1585). Arranged by Bill Schuetter. For woodwind quartet (oboe, clarinet, horn, bassoon). Level 3. Score and parts. Duration 3 minutes 50 seconds. Published by Imagine Music - Digital
$10.00 ≈
£7.72
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95 ≈
£37.03
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
£37.03
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
£37.03
"Unter deinen Shirmen" for Double Reed Quintet
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Johann Sebastian Bach
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Cristiano Vecchi
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"Unter deinen Shirmen&quo
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 1 - SKU: A0.1508389 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi...
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Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 1 - SKU: A0.1508389 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Classical,Praise & Worship,Sacred. 7 pages. Cristiano Vecchi #1083667. Published by Cristiano Vecchi (A0.1508389). The severe chorale Unter deinen Shirmen (Under your protection), third part of the Motet Jesu, meine Freude (BWV 227), here arranged for 2 Oboes, English Horn and 2 Bassoons; the phrasing follows the original score, while dynamics are an interpretation of mine.SCORE and PARTS. Duration: 1'26.MP3 also available on this website.
$4.99 ≈
£3.85
"Unter deinen Shirmen" for Double Reed Quintet MP3
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Johann Sebastian Bach
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Cristiano Vecchi
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"Unter deinen Shirmen&quo
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Cristiano Vecchi
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SheetMusicPlus
Bassoon,English Horn,Oboe - Level 1 - SKU: A0.1508395 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Classical,Praise ...
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Bassoon,English Horn,Oboe - Level 1 - SKU: A0.1508395 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Classical,Praise & Worship,Sacred. Full Performance. Duration 86. Cristiano Vecchi #1083673. Published by Cristiano Vecchi (A0.1508395). The severe chorale Unter deinen Shirmen (Under your protection), third part of the Motet Jesu, meine Freude (BWV 227), here arranged for 2 Oboes, English Horn and 2 Bassoons; the phrasing follows the original score, while dynamics are an interpretation of mine.Duration: 1'26.Score and parts also available on this website.
$1.99 ≈
£1.54
"So nun der Geist" for Double Reed Quintet MP3
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Johann Sebastian Bach
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Cristiano Vecchi
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"So nun der Geist" f
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Cristiano Vecchi
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SheetMusicPlus
Bassoon,English Horn,Oboe - Level 3 - SKU: A0.1507783 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Barbershop,Chamber,Classical,Prai...
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Bassoon,English Horn,Oboe - Level 3 - SKU: A0.1507783 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Barbershop,Chamber,Classical,Praise & Worship,Sacred. Full Performance. Duration 83. Cristiano Vecchi #1083084. Published by Cristiano Vecchi (A0.1507783). The motet So nun der Geist (If now the spirit), dramatic, intense and full of contrasts, from the Cantata BWV 227, here arranged for 2 Oboes, English Horn and 2 Bassoons; the phrasing follows the original score, while dynamics are an interpretation of mine.Duration: 1'23.Score and parts also available on this website.Also available for Clarinet in Bb and String Quartet.
$1.99 ≈
£1.54
"So nun der Geist" for Double Reed Quintet
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Johann Sebastian Bach
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Cristiano Vecchi
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"So nun der Geist" f
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Cristiano Vecchi
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SheetMusicPlus
Small Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.1507782 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Cl...
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Small Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.1507782 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Classical,Praise & Worship,Sacred. 10 pages. Cristiano Vecchi #1083082. Published by Cristiano Vecchi (A0.1507782). The motet So nun der Geist (If now the spirit), dramatic, intense and full of contrasts, from the Cantata BWV 227, here arranged for 2 Oboes, English Horn and 2 Bassoons; the phrasing follows the original score, while dynamics are an interpretation of mine.SCORE and PARTS. Duration: 1'23.MP3 also available on this website.Also available for Clarinet in Bb and String Quartet.
$6.99 ≈
£5.40
Jesu, meine Freude - Part 4, by J.S. Bach for Double Reed Quintet
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Jesu, meine Freude - Part 4, b
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - SKU: A0.830797 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 14...
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Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - SKU: A0.830797 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 14 pages. Richard Byrnes #5733115. Published by Richard Byrnes (A0.830797). The motet, Jesu, meine Freude (Jesus, my joy) is structured in eleven sections. In this collection, they have been grouped into 4 parts.  Part Four, section 1 begins with a contrapuntal setting ofthe themes from the hymn. The second section is a four-part setting of the hymn.  This is an arrangement by Richard Byrnes for 2 Oboes, English Horn, & 2 Bassoons.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$14.99 ≈
£11.58
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
£50.16
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Motet: Oboe
