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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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E.G. MUSIC
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Orchestre à Cordes
Partitions à imprimer
5 partitions trouvées
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Symphony G major
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Orchestre à Cordes
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AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Symphony G major
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Schott Music - Digital
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SheetMusicPlus
String orchestra - advanced - SKU: S9.Q1096 Composed by Carl Philipp Emanuel Bach. This edition: score. Concertino. Downloadable, Score. Duration 11 min...
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String orchestra - advanced - SKU: S9.Q1096 Composed by Carl Philipp Emanuel Bach. This edition: score. Concertino. Downloadable, Score. Duration 11 minutes. Schott Music - Digital #Q1096. Published by Schott Music - Digital (S9.Q1096). Key: G major.Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of affections are the essential principles of this music.
$17.99 ≈
£14.19
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
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Orchestre à Cordes
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AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe d’amor
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pag...
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String Orchestra - Level 5 - SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5884095. Published by Chamber Ensemble of Minnesota, Inc. (A0.955164). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00 ≈
£13.41
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
£7.88
Elegy by Giovanni Bottesini (1821-1889) - solo double bass in orchestra tuning and string
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Orchestre à Cordes
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AVANCÉ
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Classique
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Giovanni Bottesini
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James Scott
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Elegy by Giovanni Bottesini
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Mesa Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.892483 Composed by Giovanni Bottesini. Arranged by James Scott. Romantic Period. Score and parts. 15 pages. Mesa Mu...
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String Orchestra - Level 5 - SKU: A0.892483 Composed by Giovanni Bottesini. Arranged by James Scott. Romantic Period. Score and parts. 15 pages. Mesa Music Publishing #4626443. Published by Mesa Music Publishing (A0.892483). This famous Bottesini double bass and piano piece transcribed for double bass in orchestra tuning, G-D-A-E and string quartet. It can also be played with a string quintet or string orchestra.
$15.00 ≈
£11.83
Tarantella by Giovanni Bottesini (1821-1889) - solo double bass in orchestra tuning and s
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Orchestre à Cordes
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AVANCÉ
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Classique
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Giovanni Bottesini
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James Scott
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Tarantella by Giovanni Bottesi
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Mesa Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.892485 Composed by Giovanni Bottesini. Arranged by James Scott. Romantic Period. Score and parts. 30 pages. Mesa Mu...
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String Orchestra - Level 5 - SKU: A0.892485 Composed by Giovanni Bottesini. Arranged by James Scott. Romantic Period. Score and parts. 30 pages. Mesa Music Publishing #4626991. Published by Mesa Music Publishing (A0.892485). This famous Bottesini double bass and piano piece transcribed for double bass in orchestra tuning, G-D-A-E and string quartet. It can also be played with a string quintet or string orchestra.
$22.95 ≈
£18.10
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E.G. MUSIC