English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
17
Partitions
Numériques
282
Librairie
Musicale
368
Matériel
de Musique
2 253
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3742
PIANO & CLAVIERS
Piano seul
1852
Piano, Voix
529
Piano Facile
379
Piano, Voix et Guitare
311
Instruments en Do
197
Orgue
127
1 Piano, 4 mains
35
Piano Trio: piano, violon, violoncelle
32
Accompagnement Piano
30
2 Pianos, 4 mains
22
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Accordéon
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavecin
6
Orgue, Trompette (duo)
5
Piano grosses notes
5
Piano (partie séparée)
2
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
191
Guitare notes et tablatures
159
Ligne De Mélodie, (Paroles) et Accords
146
Ukulele
35
Basse electrique
25
2 Guitares (duo)
16
Piano, Guitare (duo)
14
Mandoline
10
4 Guitares (Quatuor)
9
Ensemble de guitares
6
Banjo
4
Dulcimer
4
Mandoline, Guitare (duo)
3
3 Guitares (trio)
3
Guitare (partie séparée)
2
Paroles et Accords
2
Mandoline, Piano (duo)
1
Ensemble de Ukulélés
1
2 Mandolines (duo)
1
Guitare, Orchestre
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
704
Chorale 3 parties
212
Chorale TTBB
118
Chorale 2 parties
81
Chorale SSAA
72
Chorale Unison
53
Voix duo, Piano
37
Voix Soprano, Piano
13
Voix seule
7
Voix Alto, Piano
6
Voix duo
6
Voix haute
5
Chorale
4
Voix Tenor, Piano
4
Voix Baryton, Piano
3
Voix Tenor
3
Chorale SSATTB
3
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Voix basse, Piano
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix basse
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
446
Flûte traversière et Piano
371
Quatuor de Saxophones: 4 saxophones
327
2 Saxophones (duo)
297
Clarinette et Piano
288
Quintette de Saxophone: 5 saxophones
273
Flûte, Hautbois, Clarinette, Basson
246
Saxophone Alto et Piano
220
Hautbois, Piano (duo)
206
Saxophone (partie séparée)
193
Quatuor de Clarinettes: 4 clarinettes
193
Flûte traversière
166
Saxophone Alto
160
Saxophone Soprano et Piano
148
Saxophone Tenor et Piano
142
2 Clarinettes (duo)
138
Ensemble de saxophones
132
Clarinette
128
2 Flûtes traversières (duo)
120
Ensemble de Clarinettes
104
Saxophone, Clarinette (duo)
101
Cor anglais, Piano
91
Saxophone Baryton, Piano
77
Clarinette, Violon (duo)
73
Quatuor de Flûtes : 4 flûtes
72
3 Saxophones (trio)
66
Clarinette, Trompette (duo)
60
Flûte, Clarinette (duo)
59
Ensemble de Flûtes
55
2 Hautbois (duo)
54
Hautbois (partie séparée)
53
Quintette de Clarinettes: 5 clarinettes
48
3 Clarinettes (trio)
47
Clarinette Basse, Piano
39
Hautbois, Basson (duo)
39
Hautbois, Clarinette (duo)
38
Quintette de Flûte : 5 flûtes
38
Flûte, Violon
37
2 Flûte à bec (duo)
36
Clarinette et Alto
36
Saxophone
33
Quatuor de Flûtes à bec
33
Hautbois, Flûte
33
Flûte, Saxophone (duo)
30
Flûte, Trompette (duo)
28
2 Flûtes traversières, Piano
27
Saxophone Tenor
27
Flûte, Alto (duo)
25
Trio de Flûtes: 3 flûtes
24
Ensemble De Flûte à bec
22
Saxophone Soprano
21
Flûte à bec Soprano
21
Clarinette, Basson (duo)
19
Flûte et Guitare
19
Cor Anglais
14
5 Flûtes à bec
14
Clarinette, Guitare (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte à bec Soprano, Piano
12
Clarinette (partie séparée)
11
3 Flûtes à bec (trio)
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte à bec Alto, Piano
8
Flûte, Violoncelle, Piano (trio)
7
Clarinette, Violoncelle (duo)
7
Flûte à bec Alto
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Violoncelle
6
Flute (partie séparée)
6
Flûte à bec Tenor
5
Flûte, Violon et Violoncelle
5
Piccolo, Piano
5
Flûte à Bec
5
Flûte, Clarinette et Basson
5
Clarinette, Harpe (duo)
4
Flûte, Clarinette, Piano (trio)
4
Saxophone et Guitare
4
Saxophone et Harpe
4
2 Clarinettes, Piano
4
Ensemble à vent
3
3 Hautbois
3
Clarinette, Violoncelle, Piano (trio)
3
Ensemble de Hautbois
2
Cor anglais, Guitare (duo)
2
2 Saxophones, Piano
2
Hautbois, Harpe
2
Piccolo
2
Flûte, Violon, Piano
2
Hautbois
2
Flûte, Hautbois (duo)
2
Flûte à Bec, Piano
2
Hautbois, Guitare (duo)
2
4 Hautbois
2
Flûte et Trio à cordes
1
Flûte, Hautbois, Basson
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Piano (trio)
1
Harmonica
1
Flute, harpe et violon
1
Instruments en Mib
1
Clarinette, Trombone (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette Basse
1
2 Cors Anglais Et Pianoforte
1
Saxophone Baryton
1
Hautbois, violon (duo)
1
Flûte, Alto et Piano
1
Flûte irlandaise
1
Cornemuse
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
Flûte, Trombone (duo)
1
Flûte, alto et harpe
1
Flûte, Violon, Violoncelle et Piano
1
2 Clarinettes, Basson
1
Flûte traversière, Basse continue
1
Saxophone et Orgue
1
2 Flûtes à bec, Guitare
1
Flûte, Basson et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
454
Quatuor de Cuivres : 2 trompettes, trombone, tuba
279
Trompette
195
Trombone et Piano
181
Trompette, Piano
156
Cor et Piano
113
Trombone
107
Quatuor de Cuivres
95
Cor anglais, Piano
91
Euphonium, Piano (duo)
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
75
Trompette, Saxophone (duo)
72
2 Trompettes (duo)
67
2 Trombones (duo)
65
Ensemble de Trombones
55
Tuba et Piano
52
Trompette, Trombone (duo)
49
Cor
44
Quatuor de cuivres: 4 trombones
42
Ensemble de Trompettes
41
Trompette (partie séparée)
31
Tuba
28
2 Cors (duo)
25
Quatuor de cuivres: 4 cors
20
Trombone (partie séparée)
18
Ensemble de Cors
18
2 Euphoniums et 2 Tubas
17
Quatuor de cuivres: 4 trompettes
14
Cor Anglais
14
2 Tubas (duo)
14
4 Tubas
14
3 Trombones (trio)
9
Cor (partie séparée)
9
Trompette, Cor (duo)
9
3 Tubas (trio)
8
Trombone, Cor (duo)
6
3 Cors (trio)
6
Trio de Cuivres
5
Tuba et Orgue
5
Bass Clef Instruments
4
Cor et Harpe
4
Euphonium, Tuba (duo)
4
Euphonium
4
Tuba (partie séparée)
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Harpe
3
Trombone basse et Piano
3
Cor et Orgue
3
Trombone, Orgue
3
Cor anglais, Guitare (duo)
2
Trombone et orchestre
2
2 Euphoniums (duo)
2
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
3 Trompettes (trio)
1
Instruments en Fa
1
Instruments en Sib
1
Ensemble de Tubas
1
Trombone basse
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
685
Violon et Piano
416
Violoncelle, Piano
282
Alto, Piano
274
Violon
234
Violon, Violoncelle (duo)
169
Violoncelle (partie séparée)
119
Trio à Cordes: violon, alto, violoncelle
104
Harpe
94
2 Violons (duo)
93
Quintette à cordes: 2 violons, alto, violoncelle, basse
89
Trio à Cordes: 2 violons, violoncelle
79
2 Violoncelles (duo)
78
Violon, Alto (duo)
72
2 Altos (duo)
69
Alto seul
52
Violoncelle
49
2 Harpes (duo)
40
Contrebasse, Piano (duo)
37
4 Violoncelles
32
Alto (partie séparée)
31
Contre Basse
30
Ensemble de Violons
20
Ensemble d'Altos
19
Trio à Cordes: 3 violoncelles
17
Quatuor à cordes: 4 violons
16
Violon, Guitare (duo)
15
Alto, Violoncelle (duo)
15
Violon (partie séparée)
13
Quatuor à cordes : 4 altos
12
Harpe, Flûte (duo)
11
Trio à cordes: 3 altos
10
Contrebasse (partie séparée)
10
Piano Trio: Violon, Alto, Piano
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Trio à cordes: 3 violins
8
4 Contrebasses
6
Violoncelle , Guitare (duo)
6
Harpe, Violon (duo)
5
Alto, Guitare (duo)
5
Alto et Harpe
4
2 Contrebasses (duo)
4
Harpe, Voix
4
Violoncelle, Basse continue
3
Violon, Orgue
2
Harpe, Violon, Violoncelle
2
2 Violons, Piano
2
Harpe, Violoncelle (duo)
2
Flûte, Contrebasse (duo)
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orchestre
2
Ensemble de Violoncelles
2
Violon, Basson (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Alto et Basson
1
Harpe et Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
804
Orchestre
368
Orchestre à Cordes
272
Ensemble de cuivres
205
Orchestre de chambre
109
Ensemble Jazz
99
Cloches
42
Ensemble de Percussions
39
Fanfare
36
Jazz combo
36
Batterie
24
Vibraphone
9
Marimba
8
Batterie (partie séparée)
5
Percussion (partie séparée)
5
Xylophone
3
Orchestre, Violon
3
Quintette de Cuivres: autres combinaisons
2
Xylophone, Piano
2
Piano et Orchestre
2
Vibraphone et Marimba
1
2 Xylophones
1
Big band
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
As It Was
Violoncelle, Piano
Partitions à imprimer
282 partitions trouvées
<
1
26
51
....
276
As It Was
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1388488 By Harry Styles. By Harry …
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1388488 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972026. Published by Gildson Cerqueira (A0.1388488). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
£6.74
$7.99
#
Violoncelle, Piano
#
Harry Styles
#
Gildson Cerqueira
#
As It Was
#
Gildson Cerqueira
#
SheetMusicPlus
As It Was
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1388490 By Harry Styles. By Harry …
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1388490 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Gildson Cerqueira. Pop,Rock. Score and part. 9 pages. Gildson Cerqueira #972028. Published by Gildson Cerqueira (A0.1388490). Explore a New Dimension of As It Was with Our Exclusive Sheet Music Arrangements!Immerse yourself in the beauty of As It Was through our expertly crafted sheet music. Suitable for all skill levels, these arrangements offer a unique and immediate digital experience. Elevate your musical journey by bringing our distinctive interpretations to your fingertips.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
£6.74
$7.99
#
Violoncelle, Piano
#
Harry Styles
#
Gildson Cerqueira
#
As It Was
#
Gildson Cerqueira
#
SheetMusicPlus
Bohm: Calm as the Night for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549397 Composed by Carl Bohm. Arra…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.549397 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493229. Published by jmsgu3 (A0.549397). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
£22.72
$26.95
#
Violoncelle, Piano
#
Carl Bohm
#
James M
#
Bohm: Calm as the Night for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
What Was I Made For?
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1273339 By Billie Eilish. By Billi…
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1273339 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865492. Published by Milanov (A0.1273339). What Was I Made For? From Barbie by Billie Eilish for cello and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
£5.05
$5.99
#
Violoncelle, Piano
#
Billie Eilish
#
Milanov
#
What Was I Made For?
#
Milanov
#
SheetMusicPlus
What Was I Made For?
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1273338 By Billie Eilish. By Billi…
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1273338 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865491. Published by Milanov (A0.1273338). What Was I Made For? From Barbie by Billie Eilish for cello and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
£5.05
$5.99
#
Violoncelle, Piano
#
Billie Eilish
#
Milanov
#
What Was I Made For?
#
Milanov
#
SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
£5.06
$6.00
#
Violoncelle, Piano
#
Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
#
Dan Cutchen
#
Cello - "And Can It Be?" Theme and Variations
#
Dan Cutchen Music
#
SheetMusicPlus
It's Been A Long, Long Time
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.592557 Composed by Jule Styne. Arr…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.592557 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366373. Published by David McKeown (A0.592557). It’s Been a Long Long Time is arranged as a solo for one Cello with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
£5.05
$5.99
#
Violoncelle, Piano
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.850428 By Lady Antebellum. By Jule…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.850428 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and part. 12 pages. STR:UK String Arrangements #6626611. Published by STR:UK String Arrangements (A0.850428). Let It Snow! Let It Snow! Let It Snow!, as performed by Dean Martin, arranged by Tim Crooks for Cello & Piano with easy second part. A Christmas classic for your festive collection!FREE backing track - just click the YouTube link or visit the STR:UK Strings YouTube channel.Technical challenges include a mixture of straight and swung 8ths, and key change from D major into Eb, meaning the main part is best suited to ABRSM Grade 3-4 standard players and above. The arrangement can be mostly played in first position, but may be played 8ve in sections ad lib.The arrangement also includes an easy part suitable for grade 1-2 level, and a piano score.About the arrangerTim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia.STR:UK STRINGS - Education String Music, made in the UKWe'd love to hear your feedback: strukstrings@gmail.comSubscribe to our social media to get news of all new releases: Facebook / twitter @strukstringsSTR:UK Strings - Education String Music
£4.21
$4.99
#
Violoncelle, Piano
#
Lady Antebellum
#
Tim Crooks
#
Piano with easy second part
#
Let It Snow! Let It Snow! Let It Snow!
#
STR:UK String Arrangements
#
SheetMusicPlus
Just As I Am, Gospel Hymn for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.592933 Composed by Charlotte Ellio…
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.592933 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413451. Published by David McKeown (A0.592933). Just as I Am is a beautiful hymn arranged here for Solo Cello and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
£2.1
$2.49
#
Violoncelle, Piano
#
Charlotte Elliott
#
David McKeown
#
Just As I Am, Gospel Hymn for Cello and Piano
#
David McKeown
#
SheetMusicPlus
What Was I Made For?
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1270687 By Billie Eilish. By Billi…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1270687 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #863061. Published by Glauco Fernandes (A0.1270687). Title: Cello and Piano Arrangement with Chords of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our captivating cello and piano arrangement with chords of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for cellists and pianists, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for cello and piano, accommodating musicians with various skill levels.- Sheet music with chords provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy.2. Flexibility: Perfect for intermediate-level cellists and pianists, offering a captivating duet performance opportunity.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys.Embrace the captivating allure of What Was I Made For through our cello and piano arrangement with chords and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performances with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!
£5.89
$6.99
#
Violoncelle, Piano
#
Billie Eilish
#
Glauco Fernandes
#
What Was I Made For?
#
Glauco Fernandes
#
SheetMusicPlus
As It Was
Violoncelle, Piano
By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by Thiago d…
(+)
By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by Thiago de Sá Oliveira. Pop. Score and part. 15 pages. Thiago de Sá Oliveira #687113. Published by Thiago de Sá Oliveira
£4.22
$5.00
#
Violoncelle, Piano
#
Harry Styles
#
Oliveira
#
As It Was
#
Thiago de Sá Oliveira
#
SheetMusicPlus
Après un rêve" (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn Stott
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo…
(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo Ma and Kathryn Stott. By Gabriel Faure. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and part. 6 pages. Flavio Regis Cunha #796933. Published by Flavio Regis Cunha (A0.1197751). Après un rêve (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn StottTrois mélodies is a set of mélodies for solo voice and piano, by Gabriel Fauré. It consists of Après un rêve (Op. 7, No. 1), one of Faure's most popular vocal pieces, Hymne (Op. 7, No. 2), and Barcarolle (Op. 7, No. 3). The songs were written between 1870 and 1877, and published in 1878. They were not, however, originally conceived together as a set of three; the opus number 7 was imposed on them retrospectively in the 1890s, almost 20 years after their first publications.[citation needed]Après un rêveIn Après un rêve (After a dream), a dream of romantic flight with a lover, away from the earth and towards the light, is described. However, upon awakening, the dreamer longs to return to the mysterious night and the ecstatic falsehood of his dream. The text of the poem is an anonymous Italian poem freely adapted into French by Romain Bussine.Intermediate.Format: Concert, 9 x 12 inches.6 pages.
£6.74
$7.99
#
Violoncelle, Piano
#
Gabriel Fauré, Yo Yo Ma and Kathryn Stott
#
Flavio Regis Cunha
#
Après un rêve"
#
Flavio Regis Cunha
#
SheetMusicPlus
Rocket Man (I Think It's Gonna Be A Long Long Time)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.548136 By Elton John. By Bernie Ta…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.548136 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 47 pages. Jmsgu3 #3214127. Published by jmsgu3 (A0.548136). Score: 26 pages, solo part: 4 pages, piano part: 16 pages, Duration 9:23, Tempo: q=70, suitable for recital or nightclub performance.Rocket Man (officially titled as Rocket Man (I Think It's Going to Be a Long, Long Time)), is a song composed by Elton John and Bernie Taupin and originally performed by John. The song first appeared on John's 1972 album Honky Château and became a hit single, rising to No. 2 in the UK and No. 6 in the US. On 21 October 2016, the song was certified Silver by the British Phonographic Industry for sales of 200,000 digital downloads.
£45.49
$53.95
#
Violoncelle, Piano
#
Elton John
#
James M
#
Rocket Man
#
jmsgu3
#
SheetMusicPlus
Vanitas Vanitatum (for Violoncello and Piano) Op. 102 - as played by YO YO MA
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.597444 By Robert Schumann and Yo Y…
(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 16 pages. Flavio Regis Cunha #6074553. Published by Flavio Regis Cunha (A0.597444). Vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.The Latin noun vanitas (from the Latin adjective vanus 'empty') means 'emptiness', 'futility', or 'worthlessness', the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes 1:2; 12:8, where vanitas translates the Hebrew word hevel, which also includes the concept of transitoriness.The first movement of the composer Robert Schumann's 5 Pieces in a Folk Style, for Cello and Piano, Op. 102 is entitled Vanitas vanitatum: Mit Humor. The arrangement we present here is a very close transcription of Yo Yo Ma's interpretation with pianist Kathryn Stott, recorded on the album Songs from the Arc of Life.Original Ad libitum violin part was included.Advanced Intermediate.Format: Concert, 9 x 12 inches.16 pages.
£5.05
$5.99
#
Violoncelle, Piano
#
Robert Schumann and Yo Yo Ma
#
Flavio Regis Cunha
#
Vanitas Vanitatum
#
Flavio Regis Cunha
#
SheetMusicPlus
Nostalgia from 'Cinema Paradiso' for Violoncello and Piano (as played by YO YO MA)
Violoncelle, Piano
Violoncello and Piano - Intermediate - Digital Download By By Andrea Morricone, Ennio…
(+)
Violoncello and Piano - Intermediate - Digital Download By By Andrea Morricone, Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
This arrangement for cello and piano was based on the recording of 'Yo Yo Ma plays Morricone'.<br> <br> We made this arrangement based on the solo and interpretation of the prestigious cellist YO YO MA. We hope you like it.
£10.95
$12.99
#
Violoncelle, Piano
#
Flavio Regis Cunha
#
Nostalgia from 'Cinema Paradiso' for Violoncello and Piano
#
Flavio Regis Cunha
#
SheetMusicPlus
Variations on Hunting the Hare (Hela'r Ysgyfarnog) for cello and piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1436508 Composed by Traditional. A…
(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.1436508 Composed by Traditional. Arranged by David Warin Solomons. Classical,Contemporary,Traditional. Score and part. 3 pages. David Warin Solomons #1016621. Published by David Warin Solomons (A0.1436508). Based on a Welsh folk song on a hare hunt. The music also describes the leaping of the hare as it runs away.The pdf contains score and separate cello part.I hunted my Merry all into the hay,The Hare was before and the hounds 'ware away!'With my Hickerly Tout, ticklesome Trout,Hipperly, tipperly, eversheen, nipperly,Up the middle, vandigo-van.'Twas up the hill, down the form,Here a step, there a turn,Turn and sing merrily,Hunt hounds, away!
£4.22
$5.00
#
Violoncelle, Piano
#
Traditional
#
David Warin Solomons
#
Variations on Hunting the Hare
#
David Warin Solomons
#
SheetMusicPlus
Ode to Joy by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1241140 Composed by Ludwig van Bee…
(+)
Cello,Piano - Level 1 - Digital Download SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836536. Published by Woods Only, Arrangements (A0.1241140). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
£1.68
$1.99
#
Violoncelle, Piano
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Cello and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
Sorry Seems To Be The Hardest Word
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.747037 By Elton John. By Bernie Ta…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.747037 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902957. Published by Keith Terrett (A0.747037). Arranged for Cello & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
£8.42
$9.99
#
Violoncelle, Piano
#
Elton John
#
Keith Terrett
#
Sorry Seems To Be The Hardest Word
#
Keith Terrett
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Bee…
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
£1.68
$1.99
#
Violoncelle, Piano
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Cello and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
£27.78
$32.95
#
Violoncelle, Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
£22.72
$26.95
#
Violoncelle, Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Turkish March by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1239670 Composed by Ludwig van Bee…
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1239670 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 3 pages. Woods Only, Arrangements #835061. Published by Woods Only, Arrangements (A0.1239670). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
£1.68
$1.99
#
Violoncelle, Piano
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Cello and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
Handel: Largo (from Xerxes) for cello and piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.522291 Composed by G F Handel. Arr…
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6632869. Published by Colin Kirkpatrick Publications (A0.522291). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the cello part is written in the bass clef throughout. The top note is the G above the bass clef (G4) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the cello fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a cello recital.
£6.7
$7.95
#
Violoncelle, Piano
#
G F Handel
#
Colin Kirkpatrick
#
Handel: Largo
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
<
1
26
51
....
276
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
