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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten Variations
Non classifié
448
Piano & claviers
Piano seul
251
Orgue
76
Piano Facile
23
1 Piano, 4 mains
10
Instruments en Do
5
Accompagnement Piano
5
Piano, Voix
5
Piano, Voix et Guitare
4
Clavecin
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare
34
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Dulcimer
1
2 Guitares (duo)
1
Basse electrique
1
Mandoline, Piano (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
22
Chorale 3 parties
12
Chorale 2 parties
6
Voix Tenor
2
Chorale SSAA
2
Chorale Unison
2
Chorale SSATB
1
Voix Baryton, Piano
1
Chorale TTBB
1
+ 4 instrumentations
Retracter
Vents
2 Saxophones (duo)
102
Quatuor de Saxophones: 4 saxophones
91
2 Clarinettes (duo)
55
Saxophone, Clarinette (duo)
49
2 Flûtes traversières (duo)
41
Flûte traversière et Piano
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Saxophone Tenor et Piano
32
Clarinette, Violon (duo)
31
Clarinette, Trompette (duo)
29
Clarinette et Piano
26
Saxophone Alto et Piano
25
Flûte, Clarinette (duo)
23
Quatuor de Flûtes à bec
22
Flûte, Hautbois, Clarinette, Basson
20
2 Hautbois (duo)
19
Clarinette et Alto
19
Quatuor de Clarinettes: 4 clarinettes
19
Hautbois, Basson (duo)
19
Saxophone (partie séparée)
18
Quatuor de Flûtes : 4 flûtes
17
Flûte, Saxophone (duo)
17
Flûte, Violon
17
Hautbois, Clarinette (duo)
17
3 Saxophones (trio)
16
Quintette de Saxophone: 5 saxophones
16
Hautbois, Flûte
15
Clarinette
14
Flûte, Alto (duo)
14
Saxophone Tenor
14
Flûte et Guitare
13
Hautbois, Piano (duo)
13
Flûte traversière
12
Flûte, Trompette (duo)
11
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
8
Saxophone Alto
6
Ensemble de Flûtes
6
Trio de Flûtes: 3 flûtes
6
3 Clarinettes (trio)
5
2 Flûte à bec (duo)
5
Clarinette Basse, Piano
5
Cor anglais, Piano
5
Clarinette, Guitare (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Ensemble de saxophones
4
Ensemble de Clarinettes
4
Flûte à bec Alto, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à bec Soprano, Piano
4
Clarinette, Basson (duo)
4
Hautbois (partie séparée)
3
Clarinette, Harpe (duo)
3
3 Flûtes à bec (trio)
3
Flûte à bec Alto
2
Cor Anglais
2
Cor anglais et Harpe (duo)
2
Hautbois
2
Flûte à bec Soprano
2
Flûte, Clarinette et Basson
2
Flûte et Trio à cordes
2
Flûte à bec Soprano, Basse continue
1
2 Saxophones, Piano
1
Flûte à bec Tenor
1
2 Clarinettes, Piano
1
Piccolo, Piano
1
Flûte irlandaise
1
Flûte à Bec
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec, Harpe
1
5 Flûtes à bec
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble De Flûte à bec
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Trombone (duo)
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Saxophone et Guitare
1
+ 78 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
34
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
2 Trombones (duo)
20
Trompette, Trombone (duo)
19
Trombone et Piano
15
Cor et Piano
13
Trompette, Piano
12
2 Trompettes (duo)
12
Euphonium, Piano (duo)
10
Quatuor de cuivres: 4 trombones
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette
8
Trombone
8
Tuba et Piano
7
Cor anglais, Piano
5
Cor
4
Tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Cor anglais et Harpe (duo)
2
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Trombone basse
2
Trompette, Cor (duo)
1
3 Tubas (trio)
1
2 Cors (duo)
1
Euphonium
1
Trombone, Cor (duo)
1
Cornet et Piano
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Ensemble de Cors
1
2 Tubas (duo)
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
34
Violon, Violoncelle (duo)
31
Violoncelle, Piano
27
2 Violoncelles (duo)
26
2 Violons (duo)
25
Violon
23
Violoncelle
21
Violon, Alto (duo)
21
2 Altos (duo)
19
Trio à Cordes: violon, alto, violoncelle
17
Harpe
13
Alto, Piano
12
Alto seul
8
Harpe, Flûte (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violon (partie séparée)
3
Violon, Guitare (duo)
3
Contrebasse, Piano (duo)
3
Contre Basse
3
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
2
Alto (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Contrebasse (partie séparée)
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Harpe, Trombone (duo)
1
Alto, Guitare (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
137
Orchestre à Cordes
50
Orchestre
37
Cloches
20
Ensemble de cuivres
16
Orchestre de chambre
13
Ensemble Jazz
7
Ensemble de Percussions
4
Batterie
2
2 Xylophones
1
Xylophone
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Ten Variations
Cor et Piano
Partitions à imprimer
13 partitions trouvées
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1
Ten Green Bottles and Variations for Horn in F and Piano
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Cor et Piano
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DÉBUTANT
#
Traditional
#
Tim Curd
#
Ten Green Bottles and Variatio
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Tim Curd
#
SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.717145 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806727. P...
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French Horn,Piano - Level 1 - SKU: A0.717145 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806727. Published by Tim Curd (A0.717145). Ten Green Bottles and Variations for Horn in F and Piano.This popular children's song has been arranged with its theme followed by a simply decorated variation.Piano and solo part included.A piano accompaniment/backing track is available here:https://www.sheetmusicplus.com/title/ten-green-bottles-and-variation-for-horn-in-f-and-piano-piano-a...
$3.99 ≈
£3.11
Ten Green Bottles and Variation for Horn in Eb and Piano. Piano Accompaniment/Backing Track
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Cor et Piano
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Traditional
#
Tim Curd
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Ten Green Bottles and Variatio
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Tim Curd
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SheetMusicPlus
Horn,Piano - SKU: A0.1066001 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Accompaniment. Duration 50. Tim Curd #5996027. Published by T...
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Horn,Piano - SKU: A0.1066001 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Accompaniment. Duration 50. Tim Curd #5996027. Published by Tim Curd (A0.1066001). Ten Green Bottles and Variation for Horn in Eb and Piano.Piano Accompaniment / Play Along / Backing Track.The sheet music can be purchased here:https://www.sheetmusicplus.com/title/ten-green-bottles-and-variations-for-horn-in-eb-and-piano-digit...
$1.99 ≈
£1.55
Variations on a Theme of Haydn for Horn and Piano
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Cor et Piano
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Variations on a Theme of Haydn
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.811240 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 28 pages. ...
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French Horn,Piano - Level 5 - SKU: A0.811240 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 28 pages. Gordon Cherry #6411161. Published by Gordon Cherry (A0.811240). The Variations on a Theme by Haydn, Op. 56, one of Brahms' greatest creations was written and premiered in 1873. It consists of a theme and eight variations, plus a grand finale. It was written in two forms, one for two pianos and the more well-known orchestral version.There is a musicological controversy as to whether the theme is actually from the pen of Haydn or another mystery composer. Some are now referring to it as the Saint Anthony Variations. Nevertheless, this 18-minute work by Brahms is a magnificent work of genius.Not to be outdone, Mr. Sauer has created his own masterpiece of this work, arranged for virtuoso artists of the Horn and Piano. It will surely become a classic in the repertoire.
$32.50 ≈
£25.36
Pop Goes the Weasel - Theme and Variations For Horn in F and Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Traditional
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Raymond Fenech
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Pop Goes the Weasel - Theme an
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Raymond Fenech
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.759927 Composed by Traditional. Arranged by Raymond Fenech. 20th Century,Children,Instructional,Multicultural,Trad...
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French Horn,Piano - Level 4 - SKU: A0.759927 Composed by Traditional. Arranged by Raymond Fenech. 20th Century,Children,Instructional,Multicultural,Traditional,World. Score and part. 17 pages. Raymond Fenech #3457049. Published by Raymond Fenech (A0.759927). Pop! Goes the Weasel is an English nursery rhyme and singing game. It has a Roud Folk Song Index number of 5249. The jack-in-the-box children’s toy often plays the melody. In this nursery rhyme two variations have been added to compliment the theme. Pop Goes the Weasel is arranged for Horn in F and Piano. The level is Advanced Intermediate and the duration is 1.36 minutes.
$3.99 ≈
£3.11
Elgar - Nimrod from 'Enigma Variations', - French Horn and Piano
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Cor et Piano
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AVANCÉ
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Classique
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Edward Elgar
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Len Rhodes
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Elgar - Nimrod from 'Enigma Va
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Len Rhodes Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.739952 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Contemporary,Holiday,Romantic Period,Wedding. Sco...
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French Horn,Piano - Level 5 - SKU: A0.739952 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Contemporary,Holiday,Romantic Period,Wedding. Score and part. 4 pages. Len Rhodes Music #3494669. Published by Len Rhodes Music (A0.739952). Nimrod for Horn in F, and Piano. In recognition of the 150th anniversary of the birth of Sir Edward Elgar in 2007, I was able to celebrate one of my favorite composers with transcriptions of the ninth (and probably the most famous and best-loved) variation, Nimrod, from his orchestral work, ENIGMA VARIATIONS - My Friends Pictured Within. Here is a new transcription for French Horn and Piano.Elgar had written a special program note, and I quote a part. ...the Variation bearing this name (Nimrod) is a record of a long summer evening talk, when my friend - A.J. Jaeger - grew nobly eloquent on the grandeur of Beethoven and especially of his slow movements. A reference to the Adagio of the Pathétique Sonata is therefore seen in the opening bars of the Nimrod Variation.This download includes part and score.
$5.99 ≈
£4.67
Guthrie: Chaconne for French Horn & Organ
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Cor et Piano
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INTERMÉDIAIRE
#
James M
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Guthrie: Chaconne for French H
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1317758 Composed by James M. Guthrie. 21st Century,Contemporary,Romantic Period. Score and part. 6 pages. Jmsgu3 #...
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French Horn,Piano - Level 3 - SKU: A0.1317758 Composed by James M. Guthrie. 21st Century,Contemporary,Romantic Period. Score and part. 6 pages. Jmsgu3 #906440. Published by jmsgu3 (A0.1317758). The musical form of Chaconne is a type of composition that involves variations on a repeated short harmonic progression, often involving a reasonably short repeating bassline or harmonic progression. It is a continuous variation, usually in triple meter, and is generally characterized by a short, repeating bass line or harmonic progression. The Chaconne is a dance form within the Baroque period often found as a component of Baroque dance suites. It is a slow, stately Baroque dance often used to convey intense emotions, ranging from joy and celebration to melancholy and contemplation. The Chaconne form, similar to that of the passacaglia, was used by composers in the Baroque period and later. Johann Sebastian Bach’s “Chaconne†from the Partita in D Minor for unaccompanied violin is an example of the masterly use of the Chaconne as a variation form. François Couperin’s harpsichord music includes many chaconnes en rondeau, such as “La Favoriteâ€. Later composers revived the form, including Johannes Brahms, in the last movement of his Fourth Symphony.
$32.95 ≈
£25.71
God of Grace and God of Glory for Horn in F
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Cor et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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John Hughes
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Lawrence H
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God of Grace and God of Glory
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Lawrence H Underwood
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.968534 Composed by John Hughes. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred....
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French Horn,Piano - Level 3 - SKU: A0.968534 Composed by John Hughes. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 10 pages. Lawrence H Underwood #6571069. Published by Lawrence H Underwood (A0.968534). Arranged by veteran performer and music educator, Lawrence Underwood, as the thirteenth installment in his 2021 Hymn Song Collection series, this brand-new setting of God of Grace and God of Glory takes this beloved melody through variations in style and meter, building in intensity to its dramatic conclusion! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite of performers and listeners alike!
$5.99 ≈
£4.67
Sonata No. 3 for Horn and Piano
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Cor et Piano
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AVANCÉ
#
Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
#
SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music ...
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French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00 ≈
£19.51
Czardas (Vittorio Monti) for Horn in F and Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Vittorio Monti
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Harry Walker
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Czardas
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SCORE EDITIONS
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1455600 Composed by Vittorio Monti. Arranged by Harry Walker. 20th Century,Contest,Festival,Multicultural,World. S...
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French Horn,Piano - Level 4 - SKU: A0.1455600 Composed by Vittorio Monti. Arranged by Harry Walker. 20th Century,Contest,Festival,Multicultural,World. Score and part. 17 pages. SCORE EDITIONS #1034694. Published by SCORE EDITIONS (A0.1455600). Vittorio Monti's Csárdás is a vibrant celebration of Hungarian musical tradition. Composed in 1904, the piece is based on the traditional csárdás dance, distinguished by its variations in tempo and intensity. From its slow, expressive introduction to its fast, dynamic conclusion, the work offers an exhilarating musical journey that displays both technical prowess and emotional depth. Monti succeeded in capturing the essence of a culture and transporting it to global audiences, making Csárdás an enduring and beloved piece in the classical repertoire. In this version, the composition was arranged for Horn in F and Piano by Harry Walker.
$5.99 ≈
£4.67
Bach-Gounod: Ave Maria for French Horn & Piano
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Cor et Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Fre
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score ...
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French Horn,Piano - Level 2 - SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
£25.71
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
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Cor et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and...
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French Horn,Piano - Level 2 - SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
£25.71
Bach: Wachet auf for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for French Ho
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.47
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