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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Late
Non classifié
1 213
Piano & claviers
Piano seul
625
Piano, Voix
209
Piano, Voix et Guitare
156
Piano Facile
142
Accompagnement Piano
71
Instruments en Do
65
Orgue
37
1 Piano, 4 mains
30
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano grosses notes
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Clavecin
2
Accordéon
2
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
51
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
20
Basse electrique
11
Piano, Guitare (duo)
9
2 Guitares (duo)
8
Paroles et Accords
8
Guitare (partie séparée)
4
Banjo
3
Mandoline, Guitare (duo)
1
Dobro
1
Mandoline
1
3 Guitares (trio)
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
230
Voix Tenor, Piano
71
Voix Alto, Piano
69
Chorale 3 parties
63
Voix Soprano, Piano
61
Chorale TTBB
45
Chorale 2 parties
43
Chorale SSAA
36
Voix Baryton, Piano
29
Chorale Unison
18
Voix haute
6
Voix moyenne, Piano
6
Voix duo, Piano
6
Voix Tenor
6
Voix seule
4
Chorale
3
Chorale SSATTB
1
Voix Soprano
1
Voix duo
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
111
Quatuor de Saxophones: 4 saxophones
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
85
Clarinette et Piano
75
Hautbois, Piano (duo)
66
2 Saxophones (duo)
60
Saxophone Tenor et Piano
58
Quatuor de Clarinettes: 4 clarinettes
58
Saxophone Alto et Piano
58
Saxophone (partie séparée)
47
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
40
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Baryton, Piano
36
Cor anglais, Piano
32
2 Clarinettes (duo)
32
Flûte traversière
32
Clarinette
31
Ensemble de Clarinettes
27
2 Flûtes traversières (duo)
26
Hautbois (partie séparée)
24
Saxophone Alto
24
Ensemble de Flûtes
23
Clarinette Basse, Piano
20
Quatuor de Flûtes : 4 flûtes
20
Saxophone Tenor
20
Flûte, Clarinette (duo)
19
Quintette de Clarinettes: 5 clarinettes
16
3 Saxophones (trio)
16
Ensemble de saxophones
16
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Saxophone, Clarinette (duo)
13
Flûte à bec Soprano
10
2 Hautbois (duo)
10
Clarinette, Violon (duo)
9
Hautbois, Clarinette (duo)
8
Hautbois, Basson (duo)
8
Clarinette, Trompette (duo)
7
Clarinette, Basson (duo)
7
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Clarinette et Alto
6
Flute (partie séparée)
5
Flûte, Saxophone (duo)
5
Flûte et Guitare
5
Flûte, Alto (duo)
5
Flûte, Violon
5
Quatuor de Flûtes à bec
5
Flûte, Trompette (duo)
4
Clarinette, Guitare (duo)
4
Clarinette, Violoncelle (duo)
4
Hautbois, Flûte
4
Flûte à Bec
4
Flûte à bec Alto, Piano
3
3 Flûtes à bec (trio)
3
Ensemble De Flûte à bec
3
Clarinette (partie séparée)
3
Hautbois
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Tenor
3
Piccolo, Piano
3
Flûte, Violoncelle
3
Flûte à bec Soprano, Piano
3
Saxophone et Orgue
2
Saxophone Soprano
2
2 Flûtes traversières, Piano
2
Flûte à bec Alto
2
5 Flûtes à bec
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
4 Hautbois
1
Hautbois, Violoncelle
1
Harmonica
1
2 Flûtes à bec, Guitare
1
Cor anglais, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois et alto (duo)
1
Ensemble de Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Clarinette et Basson
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
2 Clarinettes, Piano
1
+ 89 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
115
Trombone et Piano
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette
43
Cor et Piano
41
Trompette, Piano
37
Euphonium, Piano (duo)
36
Cor anglais, Piano
32
Trombone (partie séparée)
25
Trompette (partie séparée)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
18
Tuba et Piano
17
Trombone
16
Cor
15
2 Trompettes (duo)
15
2 Trombones (duo)
14
Ensemble de Trombones
11
2 Cors (duo)
11
Tuba
11
Trompette, Saxophone (duo)
10
Quatuor de cuivres: 4 trombones
9
Quatuor de Cuivres
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Cor (partie séparée)
5
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
Trombone, Cor (duo)
4
3 Trombones (trio)
3
2 Tubas (duo)
3
Tuba (partie séparée)
3
3 Tubas (trio)
3
Euphonium
3
Tuba et Orgue
3
Trombone, Tuba (duo)
2
4 Tubas
2
Cor, Tuba (duo)
2
Trio de Cuivres
2
Trompette, Tuba (duo)
2
3 Cors (trio)
2
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
175
Violon et Piano
101
Alto, Piano
63
Violoncelle, Piano
57
Violon
47
Harpe
38
Violon, Violoncelle (duo)
34
Violoncelle
33
2 Violons (duo)
27
Violon, Alto (duo)
21
Trio à Cordes: violon, alto, violoncelle
18
Alto seul
17
2 Violoncelles (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
2 Altos (duo)
14
2 Harpes (duo)
10
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
Contre Basse
6
Violon (partie séparée)
5
Ensemble de Violons
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
4
Ensemble d'Altos
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
3
Harpe, Voix
3
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
3
2 Contrebasses (duo)
2
Harpe, Flûte (duo)
2
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
277
Orchestre
95
Orchestre à Cordes
73
Ensemble de cuivres
41
Ensemble Jazz
39
Orchestre de chambre
31
Cloches
25
Jazz combo
13
Ensemble de Percussions
11
Fanfare
8
Batterie (partie séparée)
4
Piano et Orchestre
4
Marimba
3
Vibraphone
3
Batterie
3
Percussion (partie séparée)
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
It's Late
Voix haute
Partitions à imprimer
6 partitions trouvées
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1
It's Not Climbing Mountains - High edition
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Daniel Barta
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It's Not Climbing Mountains -
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Shaw Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1097969 Composed by Daniel Barta. Sacred. 6 pages. Shaw Music #701874. Published by Shaw Music (A0.1097969).
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High Voice,Vocal Solo - Level 3 - SKU: A0.1097969 Composed by Daniel Barta. Sacred. 6 pages. Shaw Music #701874. Published by Shaw Music (A0.1097969). Here is a unique musical offering that contemplates the simple, mundane moments in our lives and considers how they bring honor to the Lord. Lyricist and composer Daniel Barta paints a poetic and musical picture that will touch singer and audience alike. (From ALL I CAN DO IS PRAISE: FIVE SONGS FOR VOICE & PIANO).
$3.95 ≈
£3.08
Does It Matter?
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Voix haute
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AVANCÉ
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by...
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High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99 ≈
£3.11
Remembrance
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Voix haute
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AVANCÉ
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James Sclater
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Remembrance
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James S Sclater
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.961295 Composed by James Sclater. 20th Century,Concert,Folk. 29 pages. James S Sclater #6011167. Published by ...
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High Voice,Vocal Solo - Level 5 - SKU: A0.961295 Composed by James Sclater. 20th Century,Concert,Folk. 29 pages. James S Sclater #6011167. Published by James S Sclater (A0.961295). This is an extended scene originally for high voice and chamber orchestra presented here in piano reduction. The text deals with a boy's reflection on growing up in the South and the sights and sounds of a particular summer evening. Although originally written for soprano, it would also be suitable for tenor voice. Duration is about 16-17'. The orchestral score and parts are available from the composer.
$12.00 ≈
£9.36
When Darkness Fills Your Heart - aria study for Tenor or Soprano
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Rudy Volkmann
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When Darkness Fills Your Heart
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Rudy Volkmann
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1005648 Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #611...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1005648 Composed by Rudy Volkmann. Baroque,Christian,Concert,Instructional,Sacred. 4 pages. Rudy Volkmann #6116387. Published by Rudy Volkmann (A0.1005648). A study in long notes, this Baroque-style aria study was initially composed for tenor John Miles after he came to Brnau College for a concert in the late 1970's. Either a tenor or a soprano could use this piece to work on their long notes - it goes to dramatic high Bb, and has a simple piano part. It's a great recital piece. The piece eventually became number 5 of my 6 aria studies for trumpet and piano, as well as the basis for a larger work for brass quintet and organ.
$4.99 ≈
£3.89
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
£2.73
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
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