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3 Sonatas
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282
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121
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11
Orgue
4
Clavecin
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2
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1
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59
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10
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7
3 Guitares (trio)
7
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2
2 Guitares (duo)
1
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1
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62
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48
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45
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38
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35
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32
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25
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24
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24
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23
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21
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17
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14
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14
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13
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13
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12
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12
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12
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11
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10
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9
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8
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7
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6
3 Flûtes à bec (trio)
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5
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4
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4
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3
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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15
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13
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9
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9
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7
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7
2 Trombones (duo)
5
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4
2 Cors (duo)
4
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
2
3 Euphoniums
2
2 Tubas (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
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2
Trompette, Trombone (duo)
1
Cor
1
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2 Euphoniums (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Trombones (trio)
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61
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25
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24
2 Violons (duo)
18
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18
Trio à Cordes: violon, alto, violoncelle
18
Quatuor à cordes: 2 violons, alto, violoncelle
16
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13
Alto seul
11
Violoncelle
10
Harpe
10
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8
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7
2 Violoncelles (duo)
7
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6
Contre Basse
5
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5
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5
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Vous avez sélectionné:
3 Sonatas
2 Contrebasses (duo)
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Loeillet: Six Sonatas Op. 5 No. 2 Complete for Double Bass Duo
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2 Contrebasses (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet - Level 2 - SKU: A0.612803 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by...
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Instrumental Duet Double Bass,Instrumental Duet - Level 2 - SKU: A0.612803 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #221996. Published by jmsgu3 (A0.612803). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95 ≈
£57.82
Sammartini: Sonata Op. 1 No. 2 for Double Bass Duo
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2 Contrebasses (duo)
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INTERMÉDIAIRE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet - Level 3 - SKU: A0.1082300 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. B...
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Instrumental Duet Double Bass,Instrumental Duet - Level 3 - SKU: A0.1082300 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686449. Published by jmsgu3 (A0.1082300). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
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