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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Introduction to the Lute
Non classifié
160
Piano & claviers
Piano seul
7
Orgue
5
Piano Facile
4
Piano, Voix
3
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
2
Piano, Voix et Guitare
2
Instruments en Do
1
Piano (partie séparée)
1
1 Piano, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
6
Guitare
4
Guitare (partie séparée)
2
Luth
1
Mandoline
1
Voix
Chorale SATB
26
Chorale 3 parties
12
Chorale Unison
5
Chorale 2 parties
2
Chorale TTBB
1
Voix seule
1
Voix haute
1
+ 2 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
2 Flûtes traversières (duo)
50
Flûte traversière et Piano
44
Flûte traversière
42
Flûte, Hautbois, Clarinette, Basson
27
Flûte, Clarinette (duo)
15
Flûte, Violon
11
Flûte, Alto (duo)
11
Quatuor de Flûtes : 4 flûtes
10
Hautbois, Flûte
9
Ensemble de Flûtes
8
Flûte, Violoncelle
8
Trio de Flûtes: 3 flûtes
8
Flûte, Trompette (duo)
7
Flûte, Saxophone (duo)
7
Saxophone (partie séparée)
5
Flûte, Hautbois (duo)
5
Flute (partie séparée)
5
Flûte et Guitare
5
Flûte, Clarinette et Basson
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violon, Piano
3
Saxophone Tenor et Piano
3
Saxophone Alto et Piano
3
Flûte, Hautbois, Basson
2
Flûte, Basson et Piano
2
Clarinette
2
Hautbois, Piano (duo)
2
Clarinette et Piano
2
3 Clarinettes (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte irlandaise
1
Ensemble à vent
1
Flûte, Violoncelle, Piano (trio)
1
Flûte de Pan
1
Flûte, Hautbois, Piano (trio)
1
+ 31 instrumentations
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Cuivres
Trombone (partie séparée)
5
Trompette (partie séparée)
3
Trompette, Piano
2
Trompette
1
Cor
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
+ 3 instrumentations
Retracter
Cordes
Violon et Piano
8
Violon
5
Quatuor à cordes: 2 violons, alto, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
3
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Flûte, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
Contrebasse, Piano (duo)
1
+ 5 instrumentations
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Orchestre d'harmonie
52
Orchestre
12
Ensemble Jazz
8
Orchestre de chambre
7
Cloches
5
Ensemble de Percussions
2
Orchestre à Cordes
2
Ensemble de cuivres
1
Orchestre, Violon
1
Batterie (partie séparée)
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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Vous avez sélectionné:
Introduction to the Lute
Saxophone Alto et Piano
Partitions à imprimer
3 partitions trouvées
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Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Solo de Concours
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Paul Wehaeg
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Paul-Agricole Génin: So
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged...
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Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged by Paul Wehaeg. Concert,Romantic Period,Standards. 22 pages. Musik Fabrik Music Publishing #2151115. Published by Musik Fabrik Music Publishing (A0.533250). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was used as an examination piece at the Paris Conservatory in the class of Adolphe Sax, to whom it is dedicated. After a lyrical introduction which makes use of echo effects, a pastorale theme is presented and then treated in variations. The final variation is a virtuosic valse brillante.
$12.95 ≈
£9.97
My Saxophone and Me (E flat version)
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Saxophone Alto et Piano
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DÉBUTANT
#
Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95 ≈
£4.58
Paul-Agricole Génin: Introdcution et Polacca, Opus 15, no. 2 for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul-Agricole Génin
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Paul-Agricole Génin: In
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik Fabrik Music Publ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #4850967. Published by Musik Fabrik Music Publishing (A0.534641). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The Introduction is in the style of a florid bel-canto récitative with a lively polonnaise in several contrasting sections.
$10.35 ≈
£7.97
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Introduction to the Lute
