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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take It All
Non classifié
1 247
Piano & claviers
Piano seul
716
Piano, Voix
481
Piano, Voix et Guitare
166
Piano Facile
158
Instruments en Do
64
Orgue
35
1 Piano, 4 mains
20
Piano Trio: piano, violon, violoncelle
16
Accompagnement Piano
12
2 Pianos, 4 mains
11
Piano grosses notes
9
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Accordéon
1
Orgue, Trompette (duo)
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
58
Guitare
51
Ligne De Mélodie, (Paroles) et Accords
27
Ukulele
13
Guitare (partie séparée)
10
Basse electrique
9
Paroles et Accords
8
Mandoline
7
2 Guitares (duo)
7
3 Guitares (trio)
6
4 Guitares (Quatuor)
5
Banjo
3
Piano, Guitare (duo)
2
Dulcimer
2
Ensemble de guitares
2
2 Mandolines (duo)
2
2 Ukuleles
1
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale Unison
352
Chorale SATB
291
Chorale 3 parties
90
Chorale 2 parties
63
Chorale TTBB
46
Chorale SSAA
33
Voix Soprano, Piano
15
Voix Alto, Piano
7
Voix duo, Piano
6
Voix seule
4
Voix haute
3
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix duo
1
Chorale
1
Voix Tenor
1
Chorale SSATTB
1
Chorale SSAB, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
130
Quintette de Saxophone: 5 saxophones
103
Ensemble de saxophones
65
Quatuor de Saxophones: 4 saxophones
65
Flûte traversière et Piano
53
Flûte, Hautbois, Clarinette, Basson
45
Saxophone Alto et Piano
44
Saxophone (partie séparée)
43
Flûte traversière
41
Hautbois, Piano (duo)
40
Ensemble de Clarinettes
40
Clarinette et Piano
36
Quatuor de Clarinettes: 4 clarinettes
36
Clarinette
33
Saxophone Alto
32
Saxophone Tenor
29
2 Flûtes traversières, Piano
25
Saxophone Tenor et Piano
25
Saxophone Soprano et Piano
24
Quatuor de Flûtes : 4 flûtes
22
Ensemble de Flûtes
21
2 Saxophones (duo)
21
Hautbois (partie séparée)
19
2 Flûtes traversières (duo)
17
Saxophone Baryton, Piano
13
Quintette de Flûte : 5 flûtes
13
Trio de Flûtes: 3 flûtes
12
2 Clarinettes (duo)
11
3 Saxophones (trio)
11
3 Clarinettes (trio)
10
Saxophone Soprano
9
Flute (partie séparée)
9
Clarinette (partie séparée)
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Hautbois, Clarinette (trio)
7
Hautbois
6
Clarinette Basse, Piano
6
Flûte à Bec
6
Clarinette, Guitare (duo)
5
Flûte et Guitare
4
Cor Anglais
4
Flûte à bec Soprano
4
Saxophone Baryton
3
Flûte, Clarinette et Basson
3
Flûte, Violoncelle
3
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
3
Cor anglais, Piano
3
Flûte, Violon
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto
3
Quatuor de Flûtes à bec
3
Flûte, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Violon (duo)
2
Ensemble De Flûte à bec
2
Clarinette Basse
2
Flûte, Clarinette (duo)
2
2 Hautbois (duo)
2
Flûte, Hautbois, Basson
2
Piccolo
2
Cor anglais, Guitare (duo)
1
Instruments en Mib
1
Hautbois, Guitare (duo)
1
Saxophone
1
Flûte, Violon, Piano
1
5 Flûtes à bec
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Trompette
44
Trombone et Piano
36
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Cor
30
Ensemble de Trombones
28
Trombone (partie séparée)
28
Cor et Piano
26
Trompette (partie séparée)
25
Quatuor de Cuivres
25
Trombone
24
Trompette, Piano
21
Tuba
21
Ensemble de Trompettes
14
Tuba et Piano
13
2 Trombones (duo)
8
Quatuor de cuivres: 4 trombones
6
Cor (partie séparée)
6
Euphonium, Piano (duo)
6
2 Cors (duo)
6
Ensemble de Cors
5
Tuba (partie séparée)
5
Cor Anglais
4
Cor, Violoncelle (duo)
3
Cor et Basson (duo)
3
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
2 Euphoniums et 2 Tubas
2
2 Trompettes (duo)
2
2 Euphoniums (duo)
2
2 Tubas (duo)
2
Trompette, Basson (duo)
2
Quatuor de cuivres: 4 cors
2
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Instruments en Sib
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Bass Clef Instruments
1
Tuba ou Euphonium ou Saxhorn
1
Euphonium
1
Tuba et Orgue
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
195
Violon et Piano
71
Violon
58
Violoncelle, Piano
50
Alto, Piano
45
Trio à Cordes: violon, alto, violoncelle
40
Violoncelle
38
Violon, Violoncelle (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Harpe
24
Alto seul
16
Trio à Cordes: 2 violons, violoncelle
15
Ensemble de Violons
12
Contre Basse
12
2 Violons (duo)
12
Ensemble d'Altos
12
Contrebasse, Piano (duo)
9
Alto (partie séparée)
9
Violon, Alto (duo)
9
Contrebasse (partie séparée)
7
Violon (partie séparée)
6
Alto, Violoncelle (duo)
6
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
4 Violoncelles
4
2 Harpes (duo)
4
Alto et Basson
4
Violon, Guitare (duo)
3
2 Altos (duo)
2
Trio à cordes: 3 altos
2
Harpe, Voix
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Basson (duo)
2
2 Violons, Piano
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
304
Orchestre
115
Ensemble Jazz
89
Orchestre à Cordes
84
Ensemble de cuivres
43
Orchestre de chambre
32
Fanfare
27
Cloches
27
Jazz combo
25
Batterie
8
Percussion (partie séparée)
8
Ensemble de Percussions
7
Percussion
6
Batterie (partie séparée)
5
Xylophone
4
Xylophone, Piano
4
Marimba
2
Marimba, Piano (duo)
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Take It All
Saxophone Alto et Piano
Partitions à imprimer
44 partitions trouvées
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95 ≈
£9.32
The Winner Takes It All
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Saxophone Alto et Piano
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FACILE
#
ABBA
#
E
#
The Winner Takes It All
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Elias Jr
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1148702 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by E.A.Júnior. Classical,Contemporary,Disco,...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1148702 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by E.A.Júnior. Classical,Contemporary,Disco,Film/TV,Pop. Score and part. 14 pages. Elias Jr #748830. Published by Elias Jr (A0.1148702). Complete arrangement of the song The Winner Takes It All for Alto Sax and Piano, perfect arrangement for beginner and intermediate musicians in the respective instruments, easy interpretation arrangement, solo score for both parts included. The, Winner, Takes, All, ABBA, Gold, sheet, music, Alto Sax, Winner Takes All - ABBA Gold (sheet music) Alto Sax #TheWinnerTakesItAll #ABBA #AltoSax.
$10.00 ≈
£7.80
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95 ≈
£9.32
Can't Help Falling In Love
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
#
Phil Beaman
#
Can't Help Falling In Love
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Phil Beaman
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.845294 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film...
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Alto Saxophone,Piano - Level 3 - SKU: A0.845294 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6682461. Published by Phil Beaman (A0.845294). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99 ≈
£4.67
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
#
Ali Ben Sou Alle: Fantaisie su
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95 ≈
£15.57
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fanta
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95 ≈
£15.57
Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenir de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik M...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik Music Publishing #3000183. Published by Musik Fabrik Music Publishing (A0.533491). A lyric piece, celebrating Ali Ben Sou Alle's visit to Natal, which is now part of South Africa.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$9.95 ≈
£7.76
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95 ≈
£9.32
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35 ≈
£8.08
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95 ≈
£15.57
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95 ≈
£13.22
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95 ≈
£10.10
O Come All Ye Faithful for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95 ≈
£19.47
All I Want For Christmas Is You
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Saxophone Alto et Piano
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FACILE
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Noël
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Mariah Carey
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Gispert
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All I Want For Christmas Is Yo
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clara lamonaca
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1329889 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holiday,...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1329889 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Gispert. Christmas,Film/TV,Holiday,Pop. Score and part. 15 pages. Clara lamonaca #917876. Published by clara lamonaca (A0.1329889). Introducing a delightful musical arrangement that will add a touch of festive magic to your holiday celebrations! Immerse yourself in the timeless charm of Mariah Carey's classic All I Want for Christmas Is You with this specially crafted arrangement for alto sax and piano, tailored for intermediate-level musicians.This enchanting adaptation captures the heartwarming essence of the original song while infusing it with the unique warmth and expressiveness of alto sax and piano. The alto sax takes center stage, delivering the iconic melody with grace and flair, while the piano provides a rich and harmonious backdrop, creating a perfect balance between the two instruments.Ideal for musicians seeking a joyful yet accessible challenge, this arrangement strikes the perfect balance between playability and musicality. Whether you're performing at a holiday concert, family gathering, or simply indulging in some festive solo play, this arrangement promises to evoke the spirit of the season and spread cheer to all who listen.Don't miss the opportunity to bring a new dimension to your holiday repertoire. Elevate your musical experience with this enchanting alto sax and piano arrangement of All I Want for Christmas Is You – because the gift of music is truly the most magical one of all.
$4.99 ≈
£3.89
Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Caprice : So
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #2348193. Published by Musik Fabrik Music Publishing (A0.533345). Ali Ben Sou Alle was born Jean-Baptiste SOUALLE in 1824 in Arras, France. He first studied the clarinet, winning a first prize in Clarinet in the class of Klosé at the Paris Conservatory. He then entered the Paris Opera orchestra, but left France in 1848 because of the revolution, fleeing to London. In 1850, he met Louis JUILLIEN, another early saxophonist, who encouraged Soualle to take up the saxophone. Soualle made several modifications to the instrument, including changes to the octave mechanism and the other keys for trills and alternative fingerings, many of which are used in modern saxophones.He named his hybrid creation the turcophone and began composing works for the instrument, which included fantasies on operatic themes, character pieces and a series of descriptive works which document several concert tours in Europe, Australia and the Orient which Soualle undertook. Upon his return to France around 1861, after his conversion to Islam, he changed his name to Ali Ben Sou Alle. Under that name, he performe recitals for the Prince of Wales and for the Emperor Napoleon III and his family in 1865. After this date, no trace of his career has currently been uncovered and it is though that he probably died around 1867. This work is .in two large sections, the first in the form of a lyrical aria, the second a lively schezando.
$10.35 ≈
£8.08
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
£5.46
TAKE MY LIFE AND LET IT BE Hymn Sonata (for Alto Sax and Piano with Score/Part)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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HENRI A
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Gary Lanier
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TAKE MY LIFE AND LET IT BE Hym
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The Lanier Company
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.617686 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. T...
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Alto Saxophone,Piano - Level 3 - SKU: A0.617686 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier Company #6009083. Published by The Lanier Company (A0.617686). TAKE MY LIFE AND LET IT BE Hymn Sonata (one movement) is a musical work by Gary Lanier for Alto Sax and Piano of one of our most cherished Hymns. The theme is one of total love and devotion to the Lord Jesus in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune such as: motifs, secondary themes, variations, recapitulation and other compositional devices. TAKE MY LIFE AND LET IT BE Hymn Sonata is perfect for Church or any gathering where hymns of love and devotion for the Lord is desired. The score, including cover and instrumental part is 11 pages long.
$8.99 ≈
£7.01
Take On Me
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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a-ha
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Lawrence H Underwood
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Take On Me
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Lawrence H Underwood
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1091745 By a-ha. By Magne Furuholmne, Morton Harket, and Pal Waaktaar. Arranged by Lawrence H Underwood. 20th C...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1091745 By a-ha. By Magne Furuholmne, Morton Harket, and Pal Waaktaar. Arranged by Lawrence H Underwood. 20th Century,Pop. Score and part. 11 pages. Lawrence H Underwood #695900. Published by Lawrence H Underwood (A0.1091745). This classic from Norwegian new-wave band, A-ha, took the world by storm when it was released with its groundbreaking video in 1985. Now available as an instrumental solo with piano accompaniment, it’s as much fun to perform as it is to hear! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99 ≈
£4.67
I Did It My Way
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Saxophone Alto et Piano
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FACILE
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Jay-Z
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Glauco Fernandes
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I Did It My Way
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1347608 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1347608 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Glauco Fernandes #932421. Published by Glauco Fernandes (A0.1347608). Exclusive Sheet Music for My Way - Easy/Intermediate Arrangement---Awaken the Musician in You! Exclusive Sheet Music for Frank Sinatra's My WayWhether you're a dedicated student or an experienced teacher, we present a unique opportunity! Acquire now the customized sheet music for the classic My Way by Frank Sinatra, featuring a carefully crafted arrangement for easy/intermediate level.Stand Out at Special Events: Weddings, Birthdays, Corporate Events!With this sheet music, musicians and instrumentalists will have in their hands a captivating interpretation, perfect for memorable moments. Surprise your audience with a unique performance, adding a touch of elegance and emotion to any special occasion.Perfect for Developing Students and Innovative Teachers!Ideal for students in musical development and teachers seeking differentiated material for their classes. The My Way sheet music offers a rewarding challenge, enhancing technical and expressive skills.If you're intrigued by diverse interpretations, consider exploring Jay-Z's version of this timeless classic. His unique take on My Way adds a contemporary flair, demonstrating the song's enduring appeal across genres. Feel free to delve into Jay-Z's rendition to discover a fresh perspective on this iconic piece. If you're interested in incorporating elements from his version, let your creativity flow and make the music truly your own.Furthermore, for a classical perspective, discover the iconic rendition by Elvis Presley. The King of Rock immortalized My Way with his unique interpretation, adding an unparalleled shine to the melody. Explore the depth of this song through Elvis Presley's singular interpretation and further enrich your musical experience.No less impressive, the renowned Celine Dion offers an emotionally charged interpretation of My Way. Her powerful and emotive voice transforms the song into a compelling experience. Discover the unique beauty that Celine Dion brings to this timeless melody.For more quality sheet music, search for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$6.99 ≈
£5.45
I Did It My Way
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Saxophone Alto et Piano
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FACILE
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Jay-Z
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Glauco Fernandes
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I Did It My Way
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Glauco Fernandes
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1347607 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1347607 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Glauco Fernandes #932420. Published by Glauco Fernandes (A0.1347607). Exclusive Sheet Music for My Way - Easy/Intermediate Arrangement---Awaken the Musician in You! Exclusive Sheet Music for Frank Sinatra's My WayWhether you're a dedicated student or an experienced teacher, we present a unique opportunity! Acquire now the customized sheet music for the classic My Way by Frank Sinatra, featuring a carefully crafted arrangement for easy/intermediate level.Stand Out at Special Events: Weddings, Birthdays, Corporate Events!With this sheet music, musicians and instrumentalists will have in their hands a captivating interpretation, perfect for memorable moments. Surprise your audience with a unique performance, adding a touch of elegance and emotion to any special occasion.Perfect for Developing Students and Innovative Teachers!Ideal for students in musical development and teachers seeking differentiated material for their classes. The My Way sheet music offers a rewarding challenge, enhancing technical and expressive skills.If you're intrigued by diverse interpretations, consider exploring Jay-Z's version of this timeless classic. His unique take on My Way adds a contemporary flair, demonstrating the song's enduring appeal across genres. Feel free to delve into Jay-Z's rendition to discover a fresh perspective on this iconic piece. If you're interested in incorporating elements from his version, let your creativity flow and make the music truly your own.Furthermore, for a classical perspective, discover the iconic rendition by Elvis Presley. The King of Rock immortalized My Way with his unique interpretation, adding an unparalleled shine to the melody. Explore the depth of this song through Elvis Presley's singular interpretation and further enrich your musical experience.No less impressive, the renowned Celine Dion offers an emotionally charged interpretation of My Way. Her powerful and emotive voice transforms the song into a compelling experience. Discover the unique beauty that Celine Dion brings to this timeless melody.For more quality sheet music, search for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$6.99 ≈
£5.45
The Winner Takes It All
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Saxophone Alto et Piano
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FACILE
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ABBA
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Lkmusic
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The Winner Takes It All
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Lucas Kist
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1232269 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Lkmusic. Multicultural,Pop,Singer/Songwriter...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1232269 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Lkmusic. Multicultural,Pop,Singer/Songwriter,World. Score and part. 4 pages. Lucas Kist #827955. Published by Lucas Kist (A0.1232269). Score transposed for sax alto.Sax altoAccompaniment
$4.99 ≈
£3.89
All The Way Medley
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Saxophone Alto et Piano
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Folklorique/Traditionel
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John W
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Monty J
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All The Way Medley
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Alto Sax and piano - Grade 2.75 - SKU: DX.124129 Composed by John W. Peterson. Arranged by Monty J. Budahl. Sacred instrumental music. Key of Ab, Eb. Tr...
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Alto Sax and piano - Grade 2.75 - SKU: DX.124129 Composed by John W. Peterson. Arranged by Monty J. Budahl. Sacred instrumental music. Key of Ab, Eb. Traditional. Score and parts. 6 pages. David E. Smith - Digital Sheet Music #124129. Published by David E. Smith - Digital Sheet Music (DX.124129). An accompanied clarinet duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a QandA form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.
$4.50 ≈
£3.51
I Love You Truly-Alto saxophone/piano
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Saxophone Alto et Piano
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FACILE
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Phil Beaman
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I Love You Truly-Alto saxophon
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Phil Beaman
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.844635 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.844635 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414733. Published by Phil Beaman (A0.844635). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99 ≈
£4.67
Mussorgsky: Pictures at an Exhibition for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549927 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549927 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 92 pages. Jmsgu3 #4303307. Published by jmsgu3 (A0.549927). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$38.95 ≈
£30.39
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