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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
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HARMONICA
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expert
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Non classifié
9998
PIANO & CLAVIERS
Piano seul
8387
Piano, Voix
4759
Piano Facile
1597
Piano, Voix et Guitare
1145
Orgue
349
Instruments en Do
325
Accompagnement Piano
199
1 Piano, 4 mains
166
Piano Trio: piano, violon, violoncelle
157
Piano Quatuor: piano, 2 violons, violoncelle
140
2 Pianos, 4 mains
39
Accordéon
39
Piano grosses notes
26
Orgue, Trompette (duo)
26
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quintette: piano, 2 violons, alto, violoncelle
17
Orgue, Piano (duo)
13
Piano (partie séparée)
11
2 Pianos, 8 mains
8
Clavier
5
Clavecin
4
Accordéon, Piano
4
1 Piano, 6 mains
4
Accordéon, Voix
3
Ligne De Mélodie, Piano
2
2 Accordéons
1
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GUITARES
Guitare
445
Guitare notes et tablatures
413
Ligne De Mélodie, (Paroles) et Accords
193
Ukulele
154
Basse electrique
116
2 Guitares (duo)
69
Paroles et Accords
42
Mandoline
38
Piano, Guitare (duo)
29
Guitare (partie séparée)
23
4 Guitares (Quatuor)
23
Banjo
23
Dulcimer
15
Ensemble de guitares
12
3 Guitares (trio)
7
Mandoline, Guitare (duo)
5
2 Ukuleles
3
Guitare, Flûte, Clarinette
2
Basse électrique (partie séparée)
2
Ukulele Baryton
2
2 Dulcimers (duo)
2
Partitions De Groupes
1
Orchestre à Plectres
1
Luth
1
Cithare
1
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Piano (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
2952
Chorale 2 parties
2166
Chorale 3 parties
1419
Chorale Unison
1019
Voix duo, Piano
889
Voix duo
465
Chorale TTBB
428
Chorale SSAA
209
Voix Soprano, Piano
105
Voix Alto, Piano
79
Voix haute
77
Voix Tenor, Piano
49
Voix Baryton, Piano
41
Voix seule
31
Voix moyenne, Piano
25
Chorale
21
Voix basse, Piano
16
Voix basse
12
Chorale SSATB
7
Soli, choeur mixte et accompagnement
7
Voix Mezzo-Soprano, Piano
7
Voix Soprano
6
Chorale SSAATTBB
5
Voix Tenor
5
Chorale SSAB a cappella
4
Pack Instrumental pour Chorale
2
Chorale SSATTB
2
Voix Soprano, Orchestre
2
Voix, Guitare
2
Chorale SSAB, Piano
2
Chorale SATTBB A Cappella
1
Chorale SATBB
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
928
Clarinette et Piano
810
Flûte, Hautbois, Clarinette, Basson
750
Flûte traversière et Piano
737
Saxophone Soprano et Piano
721
2 Saxophones (duo)
716
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
715
Saxophone Tenor et Piano
715
Saxophone Alto et Piano
668
Hautbois, Piano (duo)
443
Quintette de Saxophone: 5 saxophones
399
Flûte traversière
379
Quatuor de Clarinettes: 4 clarinettes
370
Clarinette
363
Flûte, Clarinette (duo)
295
2 Flûtes traversières (duo)
295
2 Clarinettes (duo)
290
Ensemble de Clarinettes
236
Saxophone Alto
236
Quatuor de Flûtes : 4 flûtes
210
Saxophone (partie séparée)
195
3 Saxophones (trio)
172
Saxophone Tenor
165
Hautbois (partie séparée)
162
Saxophone Baryton, Piano
157
Ensemble de saxophones
148
Quintette de Clarinettes: 5 clarinettes
124
3 Clarinettes (trio)
122
2 Hautbois (duo)
111
Quintette de Flûte : 5 flûtes
104
Ensemble de Flûtes
103
Flûte, Violon, Piano
82
Trio de Flûtes: 3 flûtes
75
Hautbois
70
2 Flûte à bec (duo)
70
Flûte, Hautbois, Clarinette (trio)
69
Cor anglais, Piano
64
Saxophone, Clarinette (duo)
60
Saxophone Soprano
59
Flûte à bec Soprano
59
Flûte et Guitare
58
Saxophone
57
Hautbois, Basson (duo)
55
Clarinette, Basson (duo)
52
Hautbois, Clarinette, Basson (trio d'anches)
51
Quatuor de Flûtes à bec
47
Saxophone Baryton
44
Hautbois, Clarinette (duo)
44
Clarinette, Violon (duo)
43
Clarinette, Trompette (duo)
41
Clarinette (partie séparée)
41
Clarinette Basse, Piano
40
Flûte à bec Alto
38
2 Flûtes traversières, Piano
38
Flûte à Bec
34
Flûte, Clarinette et Basson
34
Flûte, Violon
31
Saxophone et Orgue
30
Flute (partie séparée)
30
Flûte, Violoncelle
26
Clarinette, Guitare (duo)
25
Clarinette et Alto
22
Hautbois, Flûte
22
Flûte, Alto (duo)
21
Flûte, Saxophone (duo)
21
Clarinette, Violoncelle (duo)
20
3 Flûtes à bec (trio)
19
Cor Anglais
18
Piccolo, Piano
17
Flûte, Trompette (duo)
17
Harmonica
17
2 Saxophones, Piano
15
Ensemble De Flûte à bec
15
5 Flûtes à bec
14
Flûte, Hautbois (duo)
14
Flûte, Hautbois, Basson
14
Hautbois, Violoncelle
13
Flûte à bec Soprano, Piano
13
4 Hautbois
13
Flûte, Violoncelle, Piano (trio)
12
Flûte, Clarinette, Piano (trio)
11
Saxophone et Harpe
11
2 Clarinettes, Piano
11
Flûte à bec Alto, Piano
11
Clarinette, Harpe (duo)
10
Piccolo
10
Flûte à bec Tenor
8
Flûte, Violon et Violoncelle
8
Flûte, Hautbois, Piano (trio)
7
3 Hautbois
7
Clarinette, Violoncelle, Piano (trio)
7
Ocarina
6
Hautbois, Guitare (duo)
6
Hautbois, Harpe
6
Flûte à Bec, Piano
6
Flûte, Alto et Piano
6
Flûte, Basson et Piano
5
Ensemble de Hautbois
5
2 Cors Anglais Et Pianoforte
4
Flûte irlandaise
4
Flute, harpe et violon
4
Cornemuse
4
Flûte, Trombone (duo)
4
Clarinette, Orgue
3
Cor anglais, Guitare (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Saxophone et Guitare
3
Clarinette Basse
3
2 Clarinettes, Basson
3
Clarinette, Trombone (duo)
3
Flûte, trombone et piano
2
Hautbois, violon (duo)
2
Instruments en Mib
2
Clarinette, Alto et Piano (trio)
2
Flûte traversière, Basse continue
2
Flûte, Harpe et Violoncelle
2
Hautbois, Trompette (duo)
2
Saxophone et Piano
2
Cor anglais et Harpe (duo)
2
Clarinette, trompette et piano
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Violon, Piano
1
Flûte, Tuba (duo)
1
Saxophone, Tuba (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec, Guitare (duo)
1
Flûte et Trio à cordes
1
Saxophone, Violon (duo)
1
Flûte, Violon, Guitare
1
Clarinette, Orchestre
1
Instrumentations suivantes
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CUIVRES
Trombone et Piano
861
Trompette, Piano
791
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
698
Quatuor de Cuivres : 2 trompettes, trombone, tuba
513
Cor et Piano
504
Trompette
471
Quatuor de Cuivres: 2 trompettes, Cor, trombone
387
2 Trompettes (duo)
283
2 Trombones (duo)
262
Trombone
259
Cor
226
Trompette, Cor (duo)
218
Tuba et Piano
165
Tuba
163
2 Cors (duo)
141
Trompette, Trombone (duo)
122
Quatuor de cuivres: 4 trombones
112
Trompette (partie séparée)
111
Ensemble de Trombones
103
Trombone (partie séparée)
102
Ensemble de Trompettes
99
Quatuor de Cuivres
88
Euphonium, Piano (duo)
76
Cor anglais, Piano
64
2 Tubas (duo)
61
Quatuor de cuivres: 2 trompettes, 2 trombones
51
Trompette, Saxophone (duo)
46
Quatuor de cuivres: 4 cors
46
Quatuor de cuivres: 4 trompettes
36
Euphonium
35
Cor (partie séparée)
35
4 Tubas
26
Trombone, Orgue
21
Trio de Cuivres
21
Trombone, Cor (duo)
20
Ensemble de Cors
20
3 Trombones (trio)
20
Tuba et Orgue
20
2 Euphoniums et 2 Tubas
20
Cor Anglais
18
Tuba (partie séparée)
18
3 Trompettes (trio)
16
Trombone basse et Piano
12
3 Tubas (trio)
11
Trombone basse
11
Trombone, Tuba (duo)
10
Euphonium, Tuba (duo)
10
Cor et Orgue
9
Trompette, Tuba (duo)
8
Cor, Tuba (duo)
8
3 Cors (trio)
8
Trompette, Basson (duo)
8
2 Euphoniums (duo)
8
2 Trompettes, Clavier (piano ou orgue)
7
Trompette, Violoncelle (duo)
7
Cor et Harpe
7
Cor, Violoncelle (duo)
6
Trompette, Harpe
5
2 Trombones, Piano
5
2 Cors Anglais Et Pianoforte
4
Bass Clef Instruments
4
Cor et Basson (duo)
4
Instruments en Sib
4
Trompette, Trombone, Piano
4
Cor anglais, Guitare (duo)
3
2 Cors, Piano
3
Tuba ou Euphonium ou Saxhorn
3
Ensemble de Tubas
2
Cor anglais et Harpe (duo)
2
Trombone et orchestre
2
Trompette, violon (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle et Piano
1
Trombone, Alto (duo)
1
Trompette, Orchestre
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1643
Violon et Piano
932
Violoncelle, Piano
798
Alto, Piano
684
Violon
558
Violoncelle
399
Violon, Violoncelle (duo)
382
Trio à Cordes: violon, alto, violoncelle
285
2 Violoncelles (duo)
258
2 Violons (duo)
256
Harpe
255
Piano Trio: Violon, Alto, Piano
244
Alto seul
239
Violon, Alto (duo)
192
Quintette à cordes: 2 violons, alto, violoncelle, basse
138
2 Altos (duo)
133
Contrebasse, Piano (duo)
128
Contre Basse
124
Trio à Cordes: 2 violons, violoncelle
120
Violon (partie séparée)
86
Alto (partie séparée)
81
2 Harpes (duo)
76
4 Violoncelles
54
Trio à cordes: 3 violins
51
Contrebasse (partie séparée)
47
Alto, Violoncelle (duo)
47
Violon, Guitare (duo)
40
2 Contrebasses (duo)
37
Quatuor à cordes: 4 violons
34
Trio à Cordes: 3 violoncelles
31
Trio à cordes: 3 altos
28
Violoncelle (partie séparée)
27
Ensemble d'Altos
27
Quatuor à cordes : 4 altos
26
Ensemble de Violons
26
Violon, Basson (duo)
22
Harpe, Flûte (duo)
21
Harpe, Violon (duo)
19
Trio à Cordes: 2 violons, alto
15
Quintette à cordes: 2 violons, 2 altos, violoncelle
14
Violoncelle , Guitare (duo)
14
Alto, Guitare (duo)
13
Violoncelle, Orgue
12
Violoncelle, Contrebasse (duo)
11
Alto et Harpe
11
Harpe, Violoncelle (duo)
11
Alto et Basson
9
Harpe, Voix
8
4 Contrebasses
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Harpe, Trombone (duo)
5
Trio à cordes
5
Harpe, Violon, Violoncelle
4
2 Violons, Piano
4
Violon, Clarinette, Piano (trio)
3
Violon, Orgue
3
Ensemble de Violoncelles
3
Violoncelle, Basse continue
2
3 Contrebasses
2
Autoharp
2
2 Violoncelles, Piano
1
Harpe et Piano
1
Violoncelle, Orchestre
1
Violon, Tuba (duo)
1
Flûte, Contrebasse (duo)
1
Violon, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2000
Orchestre à Cordes
650
Orchestre
537
Ensemble de cuivres
526
Ensemble Jazz
360
Orchestre de chambre
260
Fanfare
170
Cloches
144
Jazz combo
78
Ensemble de Percussions
54
Batterie
33
Percussion (partie séparée)
29
Batterie (partie séparée)
18
Vibraphone
14
Percussion
11
Marimba
10
Xylophone
7
Xylophone, Piano
7
Piano et Orchestre
6
Ensemble d'École
6
2 Xylophones
4
Orchestre, Violon
4
Quintette à Vent
4
Timbales
4
Instrumentation Flexible
2
Caisse Claire
2
Vibraphone et Marimba
2
Quintette de Cuivres: autres combinaisons
2
Trio à Vent: 3 instruments à vents
1
3 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Théorie de la musique
1
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Prelude No 4 in Em (Fire In The Sky)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. C…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1189647 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 5 pages. DML #789280. Published by DML (A0.1189647). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. This Prelude is based on the use of thirds and sixths on the guitar. These intervals are the easiest to play on guitar and the sweetest sounding though they can still be used dramatically as in this work. The middle section, or B section if you prefer, uses chords with dissonance built into the chord shape and which are also not too difficult to play.
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Guitare
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Simon James
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Prelude No 4 in Em
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DML
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.788021 By Bee Gees. By Barry Gibb,…
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Solo Guitar - Level 4 - Digital Download SKU: A0.788021 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Antonius Agung Setiawan. Dance,Disco. Individual part. 3 pages. Antonius Agung Setiawan #4633269. Published by Antonius Agung Setiawan (A0.788021). How Deep Is Your Love by The Bee GeesSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playsoundcloud.com/antonius-agung-setiawan/the-bee-gees-how-deep-is-your-love-solo-guitar-arrangementinstagram @pakagung#guitaronlybypakagung.
£5.01
$5.99
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Guitare
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Bee Gees
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Antonius Agung Setiawan
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How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER
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Antonius Agung Setiawan
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SheetMusicPlus
Grace Found in the Beautiful (Bumblebees, Butterflies and Hummingbirds)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1031608 Composed by Dan Riordan. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1031608 Composed by Dan Riordan. Christian,Concert,Contemporary,New Age. Individual part. 10 pages. Dan Riordan #3481991. Published by Dan Riordan (A0.1031608). A fresh new 21st century musical composition for classical guitar that is 31/2 minutes long and will thrill an audience. Using the guitar, the music presents themes that mimic three beautiful creatures as they dash around fulfilling their purpose while revealing something about their creator. It holds within it a deep spiritual message that will engage an audience of all ages. It can be used in a worship service with other media. https://youtu.be/GJvPES0zgpM. It is also excellent as a program piece used for concerts, weddings and other special events.
£3.34
$3.99
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Guitare
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Dan Riordan
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Grace Found in the Beautiful
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Dan Riordan
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SheetMusicPlus
Flight of the Bumblebee
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1080336 Composed by Nikolay Andrey…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1080336 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Esteban Peretz. Classical,Contest,Festival,Romantic Period. Individual part. 3 pages. Esteban Peretz #684560. Published by Esteban Peretz (A0.1080336). This is my Classical Guitar version of the 'Flight of the Bumblebee' From the opera 'The Tale of Tsar Saltan' by Rimsky-Korsakov.
£3.5
$4.19
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Guitare
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Nikolay Andreyevich Rimsky-Korsakov
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Esteban Peretz
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Flight of the Bumblebee
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Esteban Peretz
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
£4.17
$4.99
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
Guitare
Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon M…
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Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
£15.04
$17.99
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Guitare
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Gordon Mizzi
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Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Beethoven Turkish March
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.985176 Composed by Ludwig van Beet…
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Solo Guitar - Level 4 - Digital Download SKU: A0.985176 Composed by Ludwig van Beethoven. Arranged by MC Trinh. Classical. Individual part. 4 pages. Cuong Trinh #6423871. Published by Cuong Trinh (A0.985176). The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time. The theme was first used in Beethoven's Six Variations on an Original Theme, Op. 76, of 1809. [1] In 1811, Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. .
£10.03
$12.00
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Guitare
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Ludwig van Beethoven
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MC Trinh
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Beethoven Turkish March
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Cuong Trinh
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
£3.34
$3.99
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
There Will Never Be Another You
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.985000 Composed by Harry Warren. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985000 Composed by Harry Warren. Arranged by Michael New. Contemporary. Individual part. 2 pages. Winterbee Music Company #4810051. Published by Winterbee Music Company (A0.985000). Here's a nice arrangement of Warren & Gordon's There Will Never Be Another You. Its short (1 page) and sweet and the kind of piece that you'll want to play every day. Its written for finger style guitar and is a great technical warmup for both hands.
£4.17
$4.99
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Guitare
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Harry Warren
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Michael New
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There Will Never Be Another You
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Winterbee Music Company
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SheetMusicPlus
Volume 7 - Melodic Aural Tradition of the English Speaking World - Songs 163 - 189
Guitare
Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. 151, Classical,…
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Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. 151, Classical, Folk, Traditional. Individual part. 47 pages. Socrates Arvanitakis #752557. Published by Socrates Arvanitakis
This is the seventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.This is the seventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.
£20.9
$25.00
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Guitare
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Traditional/Anonymous
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Socrates Arvanitakis
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Volume 7 - Melodic Aural Tradition of the English Speaking World - Songs 163 - 189
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart H…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1305660 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. Individual part. 3 pages. Fernando Neves #895115. Published by Fernando Neves (A0.1305660). “Fly Me to the Moonâ€, originally titled “In Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatra’s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatra’s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this enchanting melody being interpreted through fingerstyle guitar. The intricate fingerpicking technique could beautifully express the nuances of this timeless tune.Whether you’re a seasoned musician or a beginner, playing “Fly Me to the Moon†on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains score with and without tablature and also includes chords and fingering. 3 pages.
£16.69
$19.97
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Guitare
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Tony Bennett
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FERNANDO LUIZ NEVES
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Fly Me To The Moon
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Fernando Neves
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SheetMusicPlus
Mountains of Stowe, and The Sky is The Limit
Guitare
Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
£1.66
$1.99
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sky is The Limit
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Silver Sickle Publications
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SheetMusicPlus
Angry Birds Theme
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1189301 Composed by Ari Pulkkinen. Arra…
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Guitar - Level 4 - Digital Download SKU: A0.1189301 Composed by Ari Pulkkinen. Arranged by Joseph Dávila. Classical,Film/TV,March,Pop,Video Game. 10 pages. JaGlo Music #788929. Published by JaGlo Music (A0.1189301). Guitar Quartet. Some say that the Angry Birds theme song is the soundtrack of their childhood. This amazing transcription for 4 guitars has been carefully and accurately arranged and will remind listeners of the fun they had playing the game and watching the movie. It is challenging and exciting to play and is suited for a mix of advanced and intermediate-level guitarists.
£10.03
$12.00
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Guitare
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Ari Pulkkinen
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Joseph Dávila
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Angry Birds Theme
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JaGlo Music
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SheetMusicPlus
It's Been A Long, Long Time
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1171157 By Bing Crosby. By Jule St…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1171157 By Bing Crosby. By Jule Styne and Sammy Cahn. Arranged by André Nusa. 20th Century,Film/TV,Jazz. Individual part. 1 pages. Andre_Nusa #771495. Published by Andre_Nusa (A0.1171157). Experience the nostalgic and heartfelt melodies of It's Been a Long, Long Time with this enchanting arrangement for classical guitar. This sheet music brings the timeless beauty of the song to life, allowing you to immerse yourself in its emotional depth and grace. The guitar strings resonate with warmth and richness, bringing out the soulful qualities of the melody. Perfect for solo performances, intimate gatherings, or personal enjoyment, this arrangement allows you to showcase your guitar skills and share the emotional resonance of It's Been a Long, Long Time with your audience. The classical guitar's intimate and expressive nature adds depth and nuance to the song, creating a truly unforgettable musical experience. Whether you're an experienced classical guitarist or an aspiring musician, this arrangement invites you to explore the delicate balance between technique and emotion. This is song is heard in the end of Avengers: Endgame.
£4.17
$4.99
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Guitare
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Bing Crosby
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André Nusa
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It's Been A Long, Long Time
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Andre_Nusa
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SheetMusicPlus
Bee Cliffs Suite for Classical Guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1306935 Composed by Scott J. Simon…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1306935 Composed by Scott J. Simon. 21st Century,Classical,Contemporary,Wedding. Individual part. 14 pages. Scott Simon #896264. Published by Scott Simon (A0.1306935). This original suite for solo classical guitar captures an introspective, mysterious mood and blends contemporary harmony with the Spanish classical tradition. The techniques utilized progress naturally from chords and scales, to arpeggios, to tremolo. See also Tablature Edition.
£8.35
$9.99
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Guitare
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Scott J
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Bee Cliffs Suite for Classical Guitar
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Scott Simon
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SheetMusicPlus
Into the Labyrinth An Anatomy of Position Playing for Jazz Guitar
Guitare
Solos. Jazz. Ebook and online audio. 117 pages. Mel Bay Publications - Digital Sheet …
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Solos. Jazz. Ebook and online audio. 117 pages. Mel Bay Publications - Digital Sheet Music #31070MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513469270. 8.75x11.75 inches.<br> <br> If youve ever wondered about the depth of thought vs. pattern playing that goes into jazz guitar improvisation, youll find the answer in this book. University of North Texas jazz guitar instructor and stellar musician, Davy Mooney is as fluid in writing about the physical and cerebral processes of jazz guitar improvisation as he is in playing over tunes, chord changes and modulations. Mooney describes the guitar fretboard as a labyrinth ruled by shapes and patterns. He recounts his own journey toward fretboard fluency beginning with the CAGED major scale positions and connecting them with ascending arpeggio shapes. The purpose of his book is to show you a way into the labyrinth, how to navigate it, and find your way out, should you so desire. Five is the magic number in this book. With five jazz chord progressions, fretboard scale and arpeggio diagrams in five positions, and transcribed eighth-note improvisations, Mooney illustrates how five giants of jazzMiles Davis, Wayne Shorter, Antonio Carlos Jobim, Thelonious Monk, and John Coltranemight have approached improvisation had they been jazz guitarists. Written in standard notation and fretboard diagrams for the intermediate to advanced guitarist already well-acquainted with jazz scale and chord theory. Includes access to online audio for all 60 etudes, play-along and improv examples.ISBN 9781513469270. 8.75x11.75 inches.<br> <br> If youve ever wondered about the depth of thought vs. pattern playing that goes into jazz guitar improvisation, youll find the answer in this book. University of North Texas jazz guitar instructor and stellar musician, Davy Mooney is as fluid in writing about the physical and cerebral processes of jazz guitar improvisation as he is in playing over tunes, chord changes and modulations. Mooney describes the guitar fretboard as a labyrinth ruled by shapes and patterns. He recounts his own journey toward fretboard fluency beginning with the CAGED major scale positions and connecting them with ascending arpeggio shapes. The purpose of his book is to show you a way into the labyrinth, how to navigate it, and find your way out, should you so desire. Five is the magic number in this book. With five jazz chord progressions, fretboard scale and arpeggio diagrams in five positions, and transcribed eighth-note improvisations, Mooney illustrates how five giants of jazzMiles Davis, Wayne Shorter, Antonio Carlos Jobim, Thelonious Monk, and John Coltranemight have approached improvisation had they been jazz guitarists. Written in standard notation and fretboard diagrams for the intermediate to advanced guitarist already well-acquainted with jazz scale and chord theory. Includes access to online audio for all 60 etudes, play-along and improv examples.
£16.71
$19.99
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Guitare
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Into the Labyrinth An Anatomy of Position Playing for Jazz Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
My Jesus How I Love Thee
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1377518 Composed by William Ralph …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377518 Composed by William Ralph Featherston. Arranged by Buule. Christian,Contemporary,Jazz,Praise & Worship,Religious. Individual part. 4 pages. PimaraMusicInstitute #962110. Published by PimaraMusicInstitute (A0.1377518). This beautiful song is a traditional hymn composed in 1864. The song has been arranged for guitar solo in a jazzy form. Enjoy.
£4.18
$5.00
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Guitare
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William Ralph Featherston
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Buule
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My Jesus How I Love Thee
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PimaraMusicInstitute
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SheetMusicPlus
Fantasy on a Mozart Theme
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
£4.18
$5.00
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Guitare
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Joyful, Joyful, We Adore Thee
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1472898 Composed by Ludwig van Bee…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1472898 Composed by Ludwig van Beethoven. Arranged by Malachi Giese. 19th Century,20th Century,Baroque,Christian,Christmas. Individual part. 1 pages. Malachi Giese #1050526. Published by Malachi Giese (A0.1472898). Joyful, Joyful, We Adore Thee, which has been arranged for guitar. This popular piece has been enjoyed for long time, often played on piano or organ. With some tweaks to voicing, Joyful, Joyful fits wonderfully on guitar, and is quite playable.
£2.5
$2.99
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Guitare
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Ludwig van Beethoven
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Malachi Giese
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Joyful, Joyful, We Adore Thee
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Malachi Giese
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SheetMusicPlus
Scoring The Blues
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1313078 Composed by Timothy Royal.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1313078 Composed by Timothy Royal. 21st Century,Blues,Classical. Individual part. 18 pages. Guitaroffice #901914. Published by guitaroffice (A0.1313078). Scoring the Blues by Timothy RoyalThe book is titled ‘Blues’ although one of the pieces may be close to the rock genre.My first Blues book was titled 5 Blues for Classical Guitar (Hampton Music Publishers). ‘Blues No.1’ from that book became popular in the Trinity College of Music Exam Syllabus (Grade Three) for a number of years and to this day is very popular on You Tube. The pieces herein are intended as a follow up to that book.Much time has been spent deliberating the tempo, dynamics and interpretation of these pieces with (note bending, staccato riffs etc). In the end much of these skills must be down to the players’ unique idea of groove.The last two bars of ‘Drum’ may initially present a challenge, however isolating them and with slow practice, you’ll win!
£7.51
$8.99
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Guitare
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Timothy Royal
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Scoring The Blues
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guitaroffice
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SheetMusicPlus
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