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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
BATTERIE
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CHORALE - CHAN…
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CLARINETTE
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COR
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DEEJAY
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EUPHONIUM
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FLUTE DE PAN
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Carl Thor
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22
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1
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1
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1
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5
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1
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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SAXOPHONE
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TROMPETTE
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Crtitères actifs :
Carl Thor
1 Piano, 4 mains
Partitions à imprimer
3 partitions trouvées
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Pumpkin Strut (piano duet)
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Jazz
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Carl Thor
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Pumpkin Strut
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Carl Thor, Talisman Music
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.984937 Composed by Carl Thor. Jazz. Score. 9 pages. Carl Thor, Talisman Music #6550865. Published by Carl...
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1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.984937 Composed by Carl Thor. Jazz. Score. 9 pages. Carl Thor, Talisman Music #6550865. Published by Carl Thor, Talisman Music (A0.984937). A thoroughly swingy, slightly spooky, definitely fun-to-play piece for piano 4 hands (both parts are included). Inspired by a comic strip from Rose Thor, which is included on the last page of the music. Suitable for intermediate players with either a wide piano bench or two stools -- and a piano, of course. Runs about 2 minutes. Loose-leaf folio, 9 pages.
$5.99 ≈
£4.74
Sonata Ajax et Ulysse
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Classique
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Carl Ditters von Dittersdorf
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Allan Badley
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Sonata Ajax et Ulysse
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Artaria Editions
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1485605 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 67 pages. A...
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1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1485605 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 67 pages. Artaria Editions #1062670. Published by Artaria Editions (A0.1485605). The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. One major lacuna exists in the score: the primo part is missing from bar 42 to 129 in the Finale, in narrative terms, from the rage which culminates in Ajax stabbing himself with Achilles' sword to the miraculous appearance of the purple flowers. The editor has completed this section, basing it in part on earlier material and also on the clues provided in the secondo part. Otherwise, the edition presents few problems: the style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00 ≈
£41.93
Sonate Jason, qui emporte la Toison d'or
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Classique
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Carl Ditters von Dittersdorf
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Allan Badley
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Sonate Jason, qui emporte la T
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Artaria Editions
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. A...
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1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. Artaria Editions #1062669. Published by Artaria Editions (A0.1485603). Unlike the narratives concerning the death of Hercules, and his transformation into a god, and the dispute between Ajax and Ulysses over the weapons of Achilles, the story of Jason's capture of the Golden Fleece provided Dittersdorf with few opportunities for genuine pictorial writing. His explanation for the piano second theme in the first movement seems a little glib – it is, after all, a favourite device of his in non-programmatic works as well but Medea's beautiful soliloquy in the second movement, assigned here to the primo part and in all probability to a wind solo in the original, is as effective as anything in the extant orchestral scores of the Ovid symphonies. His choice of a Ciaconna for the Finale is not only highly appropriate given the heroic theme of the work, but also neatly solves the problem of how to end the symphony unconventionally in the absence of a transformation scene of the kind found in the other symphonies. Yet again, one marvels at Dittersdorf 's powerful creative imagination. The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. The occasional copying errors provide insufficient evidence to determine whether the parts were copied from a piano score or prepared directly from the composer's full orchestral score. Little editorial work has been necessary to prepare this edition. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00 ≈
£41.93
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Carl Thor