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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The
Non classifié
110 412
Piano & claviers
Piano seul
110 480
Piano, Voix
56 297
Piano, Voix et Guitare
48 481
Piano Facile
32 883
Orgue
8 544
Instruments en Do
7 738
Piano grosses notes
5 853
Accompagnement Piano
4 752
1 Piano, 4 mains
3 543
Accordéon
2 461
Piano Trio: piano, violon, violoncelle
1 089
Piano (partie séparée)
809
2 Pianos, 4 mains
642
Piano Quatuor: piano, violon, alto, violoncelle
301
Piano Quatuor: piano, 2 violons, violoncelle
278
Orgue, Piano (duo)
229
Piano Quintette: piano, 2 violons, alto, violoncelle
218
Ligne De Mélodie, Piano
185
Orgue, Trompette (duo)
185
Clavecin
135
Clavier
125
1 Piano, 6 mains
99
Accordéon, Voix
78
Instrument seul et Orgue
64
2 Pianos, 8 mains
43
2 Accordéons
29
Ensemble d'Accordéons
21
Orgue, Voix
13
Tous Les Instruments
9
Fake Book
8
Accordéon, Piano
5
2 Orgues (duo)
4
Accordéon et Orchestre
3
Accordéon, Corde(s)
3
Ensemble de Pianos
2
3 Pianos
2
Concertina
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Orgue et Orchestre
1
Piano Trio: Instruments de chambre mixtes
1
+ 35 instrumentations
Retracter
Guitares
Guitare notes et tablatures
29 590
Ligne De Mélodie, (Paroles) et Accords
27 454
Guitare
10 585
Paroles et Accords
8 605
Ukulele
7 470
Basse electrique
6 072
Guitare (partie séparée)
1 096
2 Guitares (duo)
784
Mandoline
752
Piano, Guitare (duo)
578
Banjo
558
Dulcimer
523
4 Guitares (Quatuor)
298
Ensemble de guitares
228
Ukulele Baryton
181
Basse électrique (partie séparée)
146
3 Guitares (trio)
123
Ensemble de Ukulélés
114
Partitions De Groupes
91
Guitare Pedal Steel
52
2 Dulcimers (duo)
39
Guitare, Violon, Violoncelle (trio)
24
Dobro
21
Mandoline, Guitare (duo)
20
2 Ukuleles
17
Mandoline, Piano (duo)
14
Guitare, Flûte, Clarinette
9
Guitare Tab, Voix, Basse, Batterie
8
Cithare
8
Luth
7
2 Mandolines (duo)
6
3 Dulcimers (trio)
4
Guitare, Quatuor à cordes
4
Guitare, Orchestre
4
Bouzouki
2
Orchestre à Plectres
1
2 Guitares et Orchestre
1
+ 32 instrumentations
Retracter
Voix
Chorale SATB
39 898
Chorale 3 parties
14 378
Chorale 2 parties
10 280
Pack Instrumental pour Chorale
7 993
Chorale TTBB
7 477
Chorale Unison
5 144
Chorale SSAA
3 990
Voix duo, Piano
2 837
Voix seule
2 576
Chorale
2 564
Voix duo
1 161
Voix Soprano, Piano
902
Voix haute
808
Voix Alto, Piano
614
Voix Tenor, Piano
584
Voix Baryton, Piano
376
Voix basse, Piano
264
Voix moyenne, Piano
221
Voix Tenor
118
Chorale SSATB
115
Chorale SSAATTBB
115
Voix, Guitare
87
Voix Mezzo-Soprano, Piano
60
Voix Soprano
54
Chorale SSATTB
49
Chorale SSAB a cappella
43
Soli, choeur mixte et accompagnement
40
Voix basse
39
Chorale SSAB, Piano
33
Chorale SSATBB
23
Voix Baryton
18
Voix haute, Piano
17
Chorale SSAATB
16
Chorale, Orgue
12
Chorale SATBB
10
Voix Moyenne
9
Male Voice
8
Chorale SAATB A Cappella
7
Voix Soprano, Orchestre
6
Chorale SATTBB A Cappella
4
Chorale SATTB
4
Voix (avec Boîtes d'Accords)
3
Paroles Seulement
2
Voix d'Enfants
1
Voix duo, Orgue
1
Chorale SSAATB A Cappella
1
Chorale SATTBB, Clavier
1
+ 42 instrumentations
Retracter
Vents
Saxophone (partie séparée)
10 702
Flûte traversière
10 162
Flûte traversière et Piano
9 062
Clarinette
8 782
Quatuor de Saxophones: 4 saxophones
7 307
Saxophone Alto
6 728
Clarinette et Piano
6 238
Saxophone
5 927
Saxophone Tenor
5 861
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5 127
Hautbois, Piano (duo)
4 975
Flûte, Hautbois, Clarinette, Basson
4 943
Saxophone Alto et Piano
4 817
Clarinette (partie séparée)
4 777
2 Saxophones (duo)
4 635
Quatuor de Clarinettes: 4 clarinettes
3 968
2 Flûtes traversières (duo)
3 824
Saxophone Tenor et Piano
3 510
2 Clarinettes (duo)
3 209
Hautbois (partie séparée)
3 147
Flute (partie séparée)
2 528
Saxophone Soprano et Piano
2 189
Quintette de Saxophone: 5 saxophones
2 130
Quatuor de Flûtes : 4 flûtes
2 054
3 Saxophones (trio)
1 694
3 Clarinettes (trio)
1 604
Flûte, Clarinette (duo)
1 409
Ensemble de Clarinettes
1 238
Hautbois
1 217
Trio de Flûtes: 3 flûtes
1 080
Saxophone Baryton, Piano
1 022
Ensemble de Flûtes
972
Flûte à Bec
941
Quintette de Clarinettes: 5 clarinettes
935
Flûte et Guitare
910
2 Hautbois (duo)
877
Ensemble de saxophones
854
2 Flûte à bec (duo)
705
Saxophone Soprano
688
Hautbois, Basson (duo)
684
Cor anglais, Piano
677
Clarinette, Violon (duo)
666
Flûte à bec Soprano
654
Flûte, Violon
595
Harmonica
587
Hautbois, Clarinette (duo)
556
Instruments en Mib
550
Saxophone, Clarinette (duo)
550
Ocarina
539
Flûte, Hautbois, Clarinette (trio)
467
Flûte, Violon, Piano
466
Flûte à bec Alto
431
Flûte, Clarinette et Basson
407
Clarinette Basse, Piano
380
Quatuor de Flûtes à bec
372
Flûte, Violoncelle
361
Clarinette, Basson (duo)
354
Quintette de Flûte : 5 flûtes
339
Flûte, Hautbois (duo)
334
Clarinette, Guitare (duo)
316
Flûte, Hautbois, Basson
314
Clarinette, Trompette (duo)
305
Hautbois, Flûte
305
Flûte, Alto (duo)
274
Hautbois, Clarinette, Basson (trio d'anches)
274
Clarinette et Alto
262
Saxophone Baryton
252
Clarinette, Violoncelle (duo)
232
Flûte, Saxophone (duo)
228
Clarinette, Harpe (duo)
225
Flûte, Clarinette, Piano (trio)
221
Flûte, Trompette (duo)
221
Cor Anglais
217
Flûte, Violon et Violoncelle
207
Flûte, Violoncelle, Piano (trio)
205
Hautbois, Violoncelle
183
2 Flûtes traversières, Piano
156
Clarinette Basse
145
Piccolo
139
Flûte à bec Alto, Piano
139
Flûte à bec Soprano, Piano
132
Ensemble De Flûte à bec
132
2 Saxophones, Piano
131
3 Flûtes à bec (trio)
129
2 Clarinettes, Piano
128
3 Hautbois
125
Flûte, Trombone (duo)
114
Hautbois, violon (duo)
110
Flûte, Hautbois, Violon
105
Flûte irlandaise
105
Flûte, Clarinette, Violon (trio)
102
Flûte à bec Tenor
98
Saxophone et Guitare
97
Flûte, Basson et Piano
96
Hautbois, Guitare (duo)
96
Clarinette, Violoncelle, Piano (trio)
94
5 Flûtes à bec
90
Saxophone et Piano
86
Flûte, Hautbois, Piano (trio)
81
Flûte à Bec, Piano
76
Hautbois et alto (duo)
75
Flute, harpe et violon
74
Cor anglais, Guitare (duo)
73
2 Clarinettes, Basson
67
Flûte, Harpe et Violoncelle
67
Piccolo, Piano
65
Flûte, Alto et Piano
64
Clarinette, Trombone (duo)
63
Cornemuse
61
4 Hautbois
51
Saxophone et Orgue
51
Flûte, Clarinette, Cor, Basson (Quartet)
49
Flûte, Violon, Violoncelle et Piano
44
Saxophone, Violon (duo)
41
Flûte, Tuba (duo)
40
Saxophone et Harpe
36
Hautbois, Harpe
35
Flûte traversière, Orgue (duo)
34
Clarinette, Basson, Piano (trio)
33
Hautbois, Trompette (duo)
31
Flûte, trombone et piano
30
Hautbois, trombone (duo)
30
Clarinette, Tuba
29
Flûte et Trio à cordes
27
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
27
Clarinette, Alto et Piano (trio)
25
Ensemble à vent
21
Flûte, Violoncelle, Guitare
20
Hautbois, Violoncelle et Piano
19
Hautbois, Basson et Piano
19
Flûte à bec Alto, Basse continue
19
2 Cors Anglais Et Pianoforte
18
Saxophone, Basson (duo)
18
Clarinette, trompette et piano
18
Flûte à bec, Guitare (duo)
18
Hautbois, Clarinette et Piano (Trio)
15
Clarinette, Orgue
14
Clarinette, Contrebasse (duo)
14
Hautbois, Violon, Piano
13
Quintette de Clarinette: Clarinette, Quatuor à Cordes
13
Flûte, alto et harpe
12
Ensemble de Hautbois
11
Flute, Cor (duo)
11
Saxophone et violoncelle
11
Flûte, Violon, Guitare
10
2 Flûtes à bec, Piano
10
2 Hautbois, Piano
10
Hautbois, Violin, Alto et Violoncelle (Quatuor)
9
Flûte traversière, Basse continue
9
Harmonica, Piano
9
Clarinette, Orchestre
7
Flûte et Quatuor à Cordes
6
2 Harmonicas
6
2 Flûtes traversières, Guitare
6
Flûte de Pan
6
Cor anglais et Harpe (duo)
5
Flûte traversière, Orchestre
5
Flûte à bec, Harpe
5
2 Flûtes, 2 Clarinettes (Quatuor)
4
Melodica
4
Clarinette, Saxophone, Piano
3
2 Hautbois et Basson
3
Flûte, Alto et Violoncelle
3
Flûte à bec Soprano, Basse continue
3
2 Flûtes traversières, Harpe
3
2 Hautbois et Cor anglais
3
2 Flûtes à bec, Guitare
2
Saxophone, Tuba (duo)
2
2 Flûtes, Basse continue
1
Hautbois, Orgue
1
Hautbois et Orchestre
1
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
3 Flûtes à bec, Piano
1
Flûte, Guitare, Piano
1
+ 170 instrumentations
Retracter
Cuivres
Trompette
8 798
Trombone
7 109
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6 858
Trompette (partie séparée)
6 857
Trombone (partie séparée)
6 727
Trompette, Piano
4 670
Cor
4 394
Trombone et Piano
4 191
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3 500
Cor et Piano
3 020
Cor (partie séparée)
2 389
Tuba
1 764
2 Trompettes (duo)
1 736
Tuba (partie séparée)
1 695
2 Trombones (duo)
1 608
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 461
Quatuor de Cuivres
1 411
Tuba et Piano
1 318
Trompette, Trombone (duo)
904
Quatuor de cuivres: 4 trombones
808
2 Cors (duo)
798
Euphonium
704
Cor anglais, Piano
677
Bass Clef Instruments
666
Euphonium, Piano (duo)
655
Quatuor de cuivres: 4 cors
644
Instruments en Sib
545
Trompette, Saxophone (duo)
454
Trompette, Cor (duo)
441
2 Euphoniums et 2 Tubas
386
Ensemble de Trombones
369
3 Trombones (trio)
294
Trio de Cuivres
283
2 Tubas (duo)
270
Cor Anglais
217
Ensemble de Trompettes
201
4 Tubas
197
Ensemble de Cors
173
3 Trompettes (trio)
171
Quatuor de cuivres: 4 trompettes
155
Tuba ou Euphonium ou Saxhorn
126
Tuba et Orgue
122
Trompette, Tuba (duo)
110
Trombone, Tuba (duo)
93
Quatuor de cuivres: 2 trompettes, 2 trombones
92
Euphonium, Tuba (duo)
85
Instruments en Fa
76
Cornet A Pistons
75
Trombone basse et Piano
75
Cor anglais, Guitare (duo)
73
Cor, Violoncelle (duo)
71
Trompette, violon (duo)
67
Trombone, Cor (duo)
65
2 Trompettes, Clavier (piano ou orgue)
63
Trombone basse
62
Trompette, Violoncelle (duo)
61
Trompette, Basson (duo)
57
Cor, Tuba (duo)
54
Trombone, Violon (duo)
51
3 Cors (trio)
47
Cor et Harpe
46
2 Euphoniums (duo)
42
Trombone, Orgue
42
Trombone, violoncelle (duo)
40
Trompette, Trombone, Piano
33
Trompette, Harpe
33
Trompette, Violoncelle et Piano
30
Cor et Basson (duo)
29
Clarinette, Cor (duo)
22
3 Tubas (trio)
22
Euphonium (partie séparée)
21
2 Trombones, Piano
19
2 Cors Anglais Et Pianoforte
18
Cor et Orgue
16
Ensemble de Tubas
16
Trompette et Guitare
15
Cor, Trompette, Trombone (trio)
13
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
10
3 Euphoniums
10
2 Cors, Piano
10
Trombone, Alto (duo)
9
Cornet et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
Cor, Orchestre
7
Trombone et orchestre
7
4 Euphoniums
6
Trompette, Orchestre
6
Cor anglais et Harpe (duo)
5
G Instruments
4
Cor, Violoncelle et Piano
2
Bugle
2
Trompette, Euphonium (duo)
2
Cornet et orchestre
2
+ 88 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18 500
Violon
11 129
Violon et Piano
11 115
Violoncelle
7 851
Violoncelle, Piano
7 143
Alto seul
6 083
Harpe
6 036
Alto, Piano
5 439
Violon, Violoncelle (duo)
3 658
Violon (partie séparée)
3 400
2 Violons (duo)
3 341
Trio à Cordes: violon, alto, violoncelle
2 985
2 Violoncelles (duo)
2 271
Contrebasse (partie séparée)
1 977
Violon, Alto (duo)
1 745
Alto (partie séparée)
1 702
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 469
Contre Basse
1 435
2 Altos (duo)
1 324
Contrebasse, Piano (duo)
1 221
Trio à Cordes: 2 violons, violoncelle
1 102
Violoncelle (partie séparée)
1 062
Alto, Violoncelle (duo)
792
Trio à cordes: 3 violins
607
4 Violoncelles
567
2 Harpes (duo)
563
Piano Trio: Violon, Alto, Piano
553
Harpe, Flûte (duo)
527
Violon, Guitare (duo)
438
Trio à Cordes: 3 violoncelles
347
Harpe, Violon (duo)
318
Quatuor à cordes: 4 violons
296
Violoncelle , Guitare (duo)
279
2 Contrebasses (duo)
244
Trio à cordes
243
Trio à cordes: 3 altos
221
Trio à Cordes: 2 violons, alto
202
Violoncelle, Contrebasse (duo)
190
Alto, Guitare (duo)
189
Quatuor à cordes : 4 altos
183
Violon, Basson (duo)
174
2 Violons, Piano
119
Quintette à cordes: 2 violons, 2 altos, violoncelle
91
Alto et Basson
87
Harpe, Violoncelle (duo)
80
Violon, Clarinette, Piano (trio)
71
Harpe et Piano
61
Harpe, Voix
58
Alto et Harpe
55
Quintette à cordes : 2 violons, alto et 2 violoncelles
50
Flûte, Contrebasse (duo)
48
2 Violoncelles, Piano
48
Violoncelle, Orgue
45
4 Contrebasses
44
Harpe, Violon, Violoncelle
42
Ensemble de Violoncelles
39
Ensemble de Violons
36
Violon, Orgue
35
Ensemble d'Altos
31
Violon, Tuba (duo)
31
Harpe (partie séparée)
30
Violoncelle, Orchestre
26
Harpe et mandoline
23
2 Altos, Piano
19
3 Harpes
19
3 Contrebasses
19
Violon, Basse continue
18
Harpe, Trombone (duo)
14
Violon, Violoncelle, Clarinette
13
Autoharp
11
Violoncelle, Basse continue
10
Violon, Trompette et Piano
8
Alto, Orgue
7
Harpe et Orgue
6
Violon, Contrebasse (duo)
5
4 Harpes
4
Harpe, Quatuor à cordes
4
Harpe, Orchestre
2
2 Violons et Basse continue
2
Alto et orchestre
2
5 Harpes
2
+ 76 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
38 790
Orchestre
10 075
Orchestre à Cordes
8 890
Ensemble Jazz
7 438
Fanfare
6 538
Batterie
4 727
Cloches
4 374
Ensemble de cuivres
3 893
Percussion (partie séparée)
3 164
Orchestre de chambre
2 236
Jazz combo
1 620
Batterie (partie séparée)
1 045
Percussion
908
Ensemble de Percussions
809
Timbales (partie séparée)
698
Marimba
296
Xylophone
275
Vibraphone
227
Timbales
191
Xylophone, Piano
112
Quintette à Vent
109
Caisse Claire
84
Piano et Orchestre
69
2 Xylophones
52
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
49
Orchestre, Violon
35
Instrumentation Flexible
29
Big band
28
Quintette de Cuivres: autres combinaisons
26
Quatuor à Vent : 4 instruments à vents
22
Vibraphone (partie séparée)
21
Ensemble d'École
16
Vibraphone et Marimba
13
Xylophone (partie séparée)
10
3 Marimbas
8
Xylophone ou Marimba ou Vibraphone
7
Trio à Vent: 3 instruments à vents
5
Bongos
4
3 Percussions
3
Marimba, Piano (duo)
3
2 Marimbas
3
Bodhran
3
Voix et Orchestre
3
Cajon
2
Marimba et Orgue
2
Marimba ou Xylophone et Piano
2
Conga
2
Voix Mezzo-Soprano, Orchestre
1
2 Caisses Claires (duo)
1
Marimba, Saxophone (duo)
1
+ 45 instrumentations
Retracter
Autres
Formation musicale - Solfège
272
Théorie de la musique
53
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Play-along
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Maurane
4 - Michel Legrand
5 - Emma Daumas
6 - Sophie Daumier
7 - Jean Jacques Goldman
8 - Barbara
9 - Georges Brassens
10 - Céline Dion
11 - Yann Tiersen
12 - Jacques Brel
13 - Mylene Farmer
14 - Dalida
15 - Richard Cocciante
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - Astor Piazzolla
3 - The Beatles
4 - Camille Saint-Saens
5 - Dan Coates
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When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following: . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99 ≈
£4.79
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself.  Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
£15.98
Gathering Starflowers: A Music Drama for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Chris Gordon
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Gathering Starflowers: A Music
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Cool Wind Music Digital
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SheetMusicPlus
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool ...
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass? 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.
Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass? novel. The music, especially composed by Chris Gordon, is for two pianos.
Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.
Baffled by music bindings? Read this:
https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00 ≈
£11.99
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00 ≈
£15.98
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
dislocation I mean a degree of
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Jenni Roditi
#
RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
£15.98
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
£15.98
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.Â
$20.00 ≈
£15.98
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.  Â
$20.00 ≈
£15.98
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
£15.98
The Mastersingers of Nuremberg
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Richard Wagner
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The Mastersingers of Nuremberg
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Schott Music - Digital
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SheetMusicPlus
Piano or 2 pianos (4 hands) - difficult - SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadab...
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Piano or 2 pianos (4 hands) - difficult - SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadable. Op. 6. Duration 10 minutes. Schott Music - Digital #Q17510. Published by Schott Music - Digital (S9.Q17510). With the prelude to the Mastersingers we now publish the second of three Wagner transcriptions already made legendary by Gould's 1973 recording. Gould brought Wagner's 'brilliant counterpoint' to life with the help of recording technology, by superimposing a second, supplementary part over an initial recording. For live performances it is therefore preferable to have two pianists playing the piece on two pianos, rather than the piano solo version which is made possible with some cuts.Den glanzvollen Kontrapunkt Wagners realisierte Gould mit Hilfe der Aufnahmetechnik, indem er eine erste Aufnahme mit einem ergänzenden zweiten Teil überblendete. Für Aufführungen ist daher eine Ausführung an zwei Klavieren zu vier Händen einer mit Abstrichen möglichen Realisierung zu zwei Händen vorzuziehen.
$15.99 ≈
£12.78
Children on the Beach (for 2 Pianos)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Takeru Hirabayashi
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Children on the Beach
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TAKeru Hirabayashi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabaya...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabayashi #744883. Published by TAKeru Hirabayashi (A0.1144550). The notes in the treble register represent splashing waves. After the lilting melody begins in the middle register, the children's play intensifies, culminating in the fortissimo at bar 19. The recapitulation section follows and at 39 their parents call them back home. The waves there continue to crash on the shore, and in the coda, both pianists play the sound of splashing waves.
$12.00 ≈
£9.59
O Master. Let Me Walk With Thee-Duo Piano.pdf
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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H
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Marilyn Thompson
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O Master. Let Me Walk With The
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6369955. Published by Marilyn Thompson (A0.809602). An unusual and creative setting for Duo Piano (Keyboard) of the old hymn tune Maryton. Suitable for sacred concert or worship service. Marilyn Thompson, ASCAP, is familiar arranger to many church pianists and is known for her many published collections. (Please contact marilyn@mtmusicministries.com for further information.)
$4.99 ≈
£3.99
The Rakes of Mallow
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95 ≈
£6.35
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Piano Concerto No. 4 "The
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25 ≈
£6.59
Between the Lakes - Piano duo (2 pianos, 4 hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Rebekah Barker
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Between the Lakes - Piano duo
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Rebekah Barker
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293569. Published by Rebekah Barker (A0.905084). Between the Lakes is a piano duo perfect for advanced intermediate pianists. The song starts out in G flat major and transitions to G major. The tempo is 80 mm, but the performers should play with rubato as they feel necessary. SIDE NOTE: The title of the song does not mean what you might think. Rather the song was titled after living in Interlagos, São Paulo, Brazil, where I was originally inspired with the creation of the piece. (Interlagos in Portuguese means between the lakes.).
$8.99 ≈
£7.18
The Gartan Mother's Lullaby, from "Five Irish Tunes"
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Richard Simm
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Richard Simm
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The Gartan Mother's Lullaby, f
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #784681. Published by Richard Simm (A0.1185006). The original text of this beautiful Irish lullaby has been lost, but new lyrics were added for the song's first publication in 1904. The imagery used includes kings, fairies and other folk beings, sung while rocking a child to sleep beside the dyin' fire.
$6.95 ≈
£5.55
The Carousel Waltz
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2 Pianos, 4 mains
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AVANCÉ
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Comédie Musicale
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Richard Rodgers
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Richard Simm
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The Carousel Waltz
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. Richard Simm #647110. Published by Richard Simm (A0.1042682). The amazing harmonic and melodic gifts of Richard Rodgers, which fit so perfectly with the lyric talents of Oscar Hammerstein II, have inspired some equally amazing musical achievements in Hollywood, where some of the most remarkable musicians of our time worked upon Rodgers's original scores and enhanced them with truly wonderful orchestral arrangements of the accompaniments to the songs. Richard Simm was in turn inspired by their unsurpassed work to give this item from Carousel a new treatment as two-piano music. It was arranged with the generous permission of the Rodgers & Hammerstein company.
$12.95 ≈
£10.35
Tango for the Road - for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer'...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00 ≈
£14.38
KATHERINE HEPBURN
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Hilary Brooks
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PianoPiano
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KATHERINE HEPBURN
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PianoPiano
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.999674 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 16 pages. PianoPiano #601...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.999674 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 16 pages. PianoPiano #6016649. Published by PianoPiano (A0.999674). The story of Katharine Hepburn told through music and text. Part of a series of ten compositions celebrating iconic women.
$3.99 ≈
£3.19
Hark! The Herald Angels Sing (2 piano duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Noël
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Felix Bartholdy Mendelssohn
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Sandra Zylstra
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25 ≈
£4.20
The Impossible Dream (the Quest)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mitch Leigh
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Mitch Leigh
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The Impossible Dream
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809612 Composed by Mitch Leigh. Arranged by Mitch Leigh. Contemporary. Score. 22 pages. Marilyn Thompson...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809612 Composed by Mitch Leigh. Arranged by Mitch Leigh. Contemporary. Score. 22 pages. Marilyn Thompson #6441531. Published by Marilyn Thompson (A0.809612). An exhilarating rendition of the enduring Quest from the popular The Man of La Mancha musical. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$7.99 ≈
£6.39
The Swan
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Camille Saint-Saens
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Emile Naoumoff
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The Swan
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Schott Music - Digital
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SheetMusicPlus
2 pianos - advanced - SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fa...
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2 pianos - advanced - SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together. Downloadable, Separate edition. Duration 3' 14. Schott Music - Digital #Q771472. Published by Schott Music - Digital (S9.Q771472). Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together.
$9.99 ≈
£7.98
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