Partitions Numériques de If pour Violoncelle, Orgue

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Gradual edge #Violoncelle, Orgue #AVANCÉ #Contemporain #Chaya Czernowin #Gradual edge #Schott Music - Digital #SheetMusicPlus

Organ and cello - difficult - SKU: S9.Q777565 For violoncello and organ. Composed by Chaya Czernowin. Downloadable, Score and part. Duration 13 m...(+)

Organ and cello - difficult - SKU: S9.Q777565 For violoncello and organ. Composed by Chaya Czernowin. Downloadable, Score and part. Duration 13 minutes. Schott Music - Digital #Q777565. Published by Schott Music - Digital (S9.Q777565). Many years ago I saw a sculpture of Anish Kapoor: in this sculpture there were two huge halved orbs hanging from two sides of the room. The halved orbs were dark purple blue, which was so dark that the end of the orbs (their inside) was not visible. They seemed, instead, like endless openings. The piece Gradual Edge is an attempt to trace, as if through touch, and follow the imaginary passage on this half orb, attempting to figure out, through touch, the transition from substance to the endless cavities inside in increasing darkness. The piece is dedicated to Christina Meißner and Poul Skjølstrup Larsen. Chaya CzernowinChaya Czernowins Gradual edge für Violoncello und Orgel ist durch eine Skulptur von Anish Kapoor inspiriert, die aus zwei riesigen Halbkugeln besteht. Es ist ein Versuch, dem Übergang von äußerer Substanz zu den endlosen Hohlräumen im Inneren der zunehmenden Dunkelheit nachzuforschen.

Shulamith #Violoncelle, Orgue #INTERMÉDIAIRE/AVANCÉ #Enjott Schneider #Shulamith #Schott Music - Digital #SheetMusicPlus

Cello and organ - intermediate to advanced - SKU: S9.Q11388 Danses sacrÃ©es. Composed by Enjott Schneider. This edition: Sheet music. Downloada...(+)

Cello and organ - intermediate to advanced - SKU: S9.Q11388 Danses sacrÃ©es. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q11388. Published by Schott Music - Digital (S9.Q11388). The 'Song of Songs' or 'Song of Solomon' addressed to Sulamith and ascribed to Solomon is one of the most mysterious texts of the Bible. If the character of Solomon itself is enigmatic, the character of the 'bride' is even more enigmatic. Saint Augustine and many other exegetes regarded this brilliant fireworks of the senses as an allegory of the mystic union of the soul with God while others recognized Arabian wedding rites or, in terms of cult and mythology, the union of the old deities Ishtar and Tammuz. The Gospel according to St. John draws many parallels to Maria Magdalena and the resurrection of Christ. One of the latest interpretations can be found in Paul Celan's poem 'Death Fugue' in which Sulamith embodies the prototype of the Jewish victim. All these mysterious facets are incorporated in the form of the 'Danse sacrÃ©e' in which the physicality of dancing seems to be contradictory to an existential content. An impressive composition for violoncello and piano.