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Happy New Year
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16
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11
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2
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1
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1
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1
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12
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8
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4
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3
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2
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1
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Retracter
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18
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6
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5
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2
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1
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4
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2
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1
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1
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1
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7
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1
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11
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1
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1
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Crtitères actifs :
Happy New Year
Ensemble de cuivres
Partitions à imprimer
3 partitions trouvées
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Happy New Year
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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ABBA
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Peet du Toit
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Happy New Year
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.802421 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Peet du Toit. Contemporary. Score and parts. 8 page...
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Brass Ensemble - Level 3 - SKU: A0.802421 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #5710379. Published by Peet du Toit (A0.802421). Despite the opportunity to play this well-known song every year, it is also lovely for non-New Year events. Beautifully flowing harmonies are the alternative Auld Lang Syne of being together. Enjoy!
$16.00 ≈
£12.66
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
£6.29
Captain Kangaroo (puffin' Billy)
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Ensemble de cuivres
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Contemporain
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Edward White
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F
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two stand out
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Captain Kangaroo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #...
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Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99 ≈
£10.28
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Happy New Year