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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
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difficulté (tous)
débutant
facile
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expert
avec audio
avec vidéo
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Non classifié
273
PIANO & CLAVIERS
Piano seul
161
Piano, Voix et Guitare
30
Piano, Voix
20
Orgue
16
Piano Facile
15
Instruments en Do
5
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Accordéon
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
105
Guitare notes et tablatures
27
Guitare
14
Ukulele
4
Basse electrique
2
Paroles et Accords
1
Dobro
1
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VOIX
Chorale SATB
81
Chorale 3 parties
31
Chorale 2 parties
6
Voix Baryton, Piano
5
Voix moyenne, Piano
4
Chorale Unison
4
Chorale SSAA
3
Chorale TTBB
3
Voix Tenor, Piano
2
Voix seule
2
Voix duo, Piano
1
Chorale SSAATTBB
1
Voix Soprano, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quintette de Saxophone: 5 saxophones
63
Saxophone Alto et Piano
20
Clarinette et Piano
20
Quatuor de Saxophones: 4 saxophones
15
Flûte traversière et Piano
15
Ensemble de Clarinettes
13
2 Saxophones (duo)
10
Flûte, Hautbois, Clarinette, Basson
9
Quintette de Flûte : 5 flûtes
8
2 Flûtes traversières (duo)
8
2 Flûte à bec (duo)
7
Hautbois, Piano (duo)
7
3 Saxophones (trio)
6
Harmonica
6
Clarinette
6
Saxophone Tenor et Piano
5
2 Clarinettes (duo)
5
Flûte traversière
5
Saxophone Baryton, Piano
5
Saxophone Alto
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de saxophones
4
Saxophone Soprano et Piano
4
Clarinette (partie séparée)
4
Cor anglais, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone, Clarinette (duo)
3
Ensemble de Flûtes
3
Saxophone (partie séparée)
3
Clarinette Basse, Piano
3
Clarinette, Guitare (duo)
2
Hautbois (partie séparée)
2
3 Clarinettes (trio)
2
Clarinette, Violon (duo)
2
Saxophone et Harpe
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Orgue
2
Clarinette, Trompette (duo)
2
Saxophone Tenor
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Flûte, Violon
1
Hautbois, Basson (duo)
1
Flûte à bec Alto, Basse continue
1
Hautbois, Harpe
1
Quatuor de Flûtes à bec
1
Flûte, Trompette (duo)
1
Flûte, Clarinette (duo)
1
Clarinette et Alto
1
Flute (partie séparée)
1
Hautbois, Flûte
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Basson (duo)
1
Saxophone et Guitare
1
5 Flûtes à bec
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
Flûte à Bec
1
Clarinette, Harpe (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Ensemble de Trompettes
8
Trompette
8
Ensemble de Trombones
8
Trombone et Piano
7
Trombone
5
Trompette (partie séparée)
4
2 Trombones (duo)
4
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
Trompette, Piano
3
Trompette, Trombone (duo)
3
Cor et Piano
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Cors
3
Cor
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Cor et Harpe
2
Trompette, Harpe
1
Tuba et Piano
1
Cor (partie séparée)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
2 Trompettes (duo)
1
Trombone, Cor (duo)
1
Trompette, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
28
Violoncelle, Piano
21
Violon
18
Harpe
9
Alto, Piano
8
Ensemble de Violons
7
Violon, Violoncelle (duo)
7
Ensemble d'Altos
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle
5
4 Violoncelles
4
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon (partie séparée)
4
2 Violoncelles (duo)
4
Harpe, Flûte (duo)
4
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Harpe, Violon (duo)
2
Violon, Alto (duo)
2
Alto (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto et Harpe
2
Violon, Guitare (duo)
2
2 Altos (duo)
2
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
2 Harpes (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Basse continue
1
Violon, Orgue
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Harpe, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
42
Orchestre d'harmonie
35
Orchestre
26
Orchestre de chambre
14
Ensemble de cuivres
9
Ensemble Jazz
7
Cloches
3
Percussion (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Marimba
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Born To Die
Harpe
Partitions à imprimer
9 partitions trouvées
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1
'Tis so Sweet to Trust in Jesus
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1270344 By Cynthia A. Boener. By Cy…
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Lever Harp - Level 3 - Digital Download SKU: A0.1270344 By Cynthia A. Boener. By Cynthia A. Boener. Arranged by Cynthia A. Boener. Christian,Praise & Worship,Sacred. Score. 4 pages. Cynthia Boener #862754. Published by Cynthia Boener (A0.1270344). This hymn of faith was written by Louisa M. R. Stead, who was born in England. She wanted to be a missionary to China, but ill-health prevented her. She immigrated to the United States, first living in Ohio, then moving to New York after her marriage. Tragically, during a visit to Long Island Sound, her husband attempted to save a drowning boy, but both the boy and her husband died in the attempt. It is believed that this terrible event was the inspiration for the hymn.
£4.97
$5.95
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Harpe
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Cynthia A
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Cynthia A
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'Tis so Sweet to Trust in Jesus
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Cynthia Boener
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SheetMusicPlus
To a Wild Rose, Duet for Bb Clarinet & Pedal Harp
Harpe
Clarinet,Instrumental Duet,Pedal Harp - Level 3 - Digital Download SKU: A0.804226 C…
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Clarinet,Instrumental Duet,Pedal Harp - Level 3 - Digital Download SKU: A0.804226 Composed by Edward MacDowell. Arranged by Serena O’Meara. 20th Century,Classical,Romantic Period,Traditional,Wedding. 9 pages. O'Meara Music #6794511. Published by O'Meara Music (A0.804226). American born, European educated Edward MacDowell was inspired in 1896 by the surroundings of his summer residence in New Hampshire to compose Woodland Sketches, Op 51, No 1 for piano. The elegant To A Wild Rose is the most famous of the Sketches. The warmth of this duet will enchant your audience. Dynamics and pedal changes are clearly marked. You will receive Score with separate parts.
£5.02
$6.00
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Harpe
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Edward MacDowell
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Serena O’Meara
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To a Wild Rose, Duet for Bb Clarinet & Pedal Harp
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O'Meara Music
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SheetMusicPlus
BegEnz (Beginner Ensemble) book 1
Harpe
Arranged by Various. Contemporary. Score and parts. 62 pages. Anna Dunwoodie #607696…
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Arranged by Various. Contemporary. Score and parts. 62 pages. Anna Dunwoodie #6076963. Published by Anna Dunwoodie
Ten Carols for Two Harps - this is particularly aimed at the student and teacher harpist working together, and sometimes working online together. Harp 1 is the easier part, and Harp 2 is at an intermediate level - perfect to use with a student and teacher in the build up to Christmas. Generally the students starts each piece by playing the main tune, but in most arrangements, the student switches over and accompanies or harmonises the tune with Harp 2. The book contains a variety of keys, time signatures, a couple of lever changes.<br> <br> Christmas Carols included:<br> <br> O Come Emmanuel<br> <br> The First Nowell<br> <br> Christ was Born on Christmas Day<br> <br> Away in Manger (2 versions)<br> <br> Infant Holy<br> <br> Joseph and Mary (2 versions)<br> <br> Silent Night<br> <br> Seashells, Christmas Bells, composed by Anna Dunwoodie<br> <br> Dona Nobis Pacem<br> <br> Campana Sobre CampanaTen Carols for Two Harps - this is particularly aimed at the student and teacher harpist working together, and sometimes working online together. Harp 1 is the easier part, and Harp 2 is at an intermediate level - perfect to use with a student and teacher in the build up to Christmas. Generally the students starts each piece by playing the main tune, but in most arrangements, the student switches over and accompanies or harmonises the tune with Harp 2. The book contains a variety of keys, time signatures, a couple of lever changes.<br> <br> Christmas Carols included:<br> <br> O Come Emmanuel<br> <br> The First Nowell<br> <br> Christ was Born on Christmas Day<br> <br> Away in Manger (2 versions)<br> <br> Infant Holy<br> <br> Joseph and Mary (2 versions)<br> <br> Silent Night<br> <br> Seashells, Christmas Bells, composed by Anna Dunwoodie<br> <br> Dona Nobis Pacem<br> <br> Campana Sobre Campana
£12.54
$15.00
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Harpe
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Various
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BegEnz
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Anna Dunwoodie
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SheetMusicPlus
Alla Turca Jazz
Harpe
Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by…
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Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. The very popular piece was now arranged for harp by Ekaterina Afanasieva.The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.
It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.
The very popular piece was now arranged for harp by Ekaterina Afanasieva.
£5.84
$6.99
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Harpe
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Fazil Say
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Ekaterina Afanasieva
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
Dhá le Duine--harp solo
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1465283 By Beka Wilson. By Beka Wil…
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Lever Harp - Level 3 - Digital Download SKU: A0.1465283 By Beka Wilson. By Beka Wilson. Arranged by Beka Wilson. Celtic,Contemporary,Irish,Medieval. Score. 3 pages. Beka Wilson #1043982. Published by Beka Wilson (A0.1465283). I had a burr under my saddle to write a Celtic-sounding wedding song using the familiar fourth interval we hear at the beginning of Here Comes the Bride. Of course, playing with this in Dorian produced a lovely, rich melody and harmony, but further experimentation led me to a lighter-toned version of that same melody in Mixolydian. Thus, the idea of separating the song into Groom and Bride sections was born. Each section is ABA format, with the same A part in the respective modes, but their B part differs slightly. The third section (the Couple) utilizes the Groom's A part and the Bride's B part, symbolizing how a man and woman unite their lives as part of their wedding vows. Level: intermediate (12/8 time signature, no lever/pedal changes)Length: approximately 3 to 3.5 minutes, depending on tempo
£6.68
$7.99
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Harpe
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Beka Wilson
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Beka Wilson
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Dhá le Duine--harp solo
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Beka Wilson
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SheetMusicPlus
The King's Bard
Harpe
Harp - Level 3 - Digital Download SKU: A0.797294 Arranged by Darhon Rees-Rohrbacher…
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Harp - Level 3 - Digital Download SKU: A0.797294 Arranged by Darhon Rees-Rohrbacher. Celtic,Classical,Folk. Score. 35 pages. Afghan Press Music for the Harp #4800674. Published by Afghan Press Music for the Harp (A0.797294). Welsh airs used in this publication were collected by Edward Jones (1751-1824), harper to King George IV. Jones was born in North Wales and in about 1775 moved to London where he enjoyed a nearly 50-year career as composer, arranger, performer and teacher.This delightful collection of arrangements is a real treat and something a little bit different for your repertoire. As usual, Darhon's arrangements are wonderfully playable with enough complexity to be interesting. Each of the melodies stands alone but, as she has done with other collections, Darhon has arranged them in a progressive key order so that they can be played together en-suite. Several of the tunes would make wonderful wedding processionals and others are perfect for a prelude.Table of Contents: Hob y Deri Danno (Away to the Oaken Grove), Cwynfan Brydain (The Lamentation of Britain), Ysgin Aur (The Golden Robe), Dewis Meinwen (The Fair One’s Choice), Triban Gwŷr Morganwg (War Song of the Men of Glamorgan), Ruban Morfydd (Morvydd’s Ribband), Pen Rhaw (The Spade’s Head), Serch Hudol (The Allurement of Love), Castell Tywyn (Towyn Castle), Toriad y Dydd (The Dawn of Day), Croeso’r Wenynen (Welcome the Bee), Galon Drom (The Heavy Heart), Gil y Fwyalch (The Blackbird’s Retreat), Mwynen Môn (The Melody of Mona), Mantell Siani (Jenny’s Mantle)
£15.05
$18.00
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Harpe
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Darhon Rees-Rohrbacher
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The King's Bard
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Afghan Press Music for the Harp
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SheetMusicPlus
Taurus of the Zodiac: A Sketch for Small Harp
Harpe
Lever Harp - Level 1 - Digital Download SKU: A0.1426268 Composed by Rachael Acheson…
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Lever Harp - Level 1 - Digital Download SKU: A0.1426268 Composed by Rachael Acheson. 21st Century,Comedy,New Age,Spiritual. Score. 3 pages. TheHarpLibrarian #1006997. Published by TheHarpLibrarian (A0.1426268). Tauruses are dependable, gentle, sensual ... and maybe just a tiny bit stubborn.This is a short, 1-page original sketch for small harp, with a range from the F below middle C to the third E above middle C. It is written in A minor (aka no sharps or flats) and includes no accidentals. As such, it should fit pretty much any standard model of small harp with zero modifications, including any model of Harpsicle Harp (even the ones without levers), Roosebeck Pakistani harps, Harp-E, Musicmakers Sonnet 29, Mariani lap harp, or Dusty Strings Ravenna 26.Because this song is pretty slow and straightforward, it should be accessible even to newer beginners. Just keep in mind that the last part is a musical joke, and make sure your audience can tell from your facial expressions that you are in on it!Please note that the preview cuts off after the first line of score (as this composition is so short). When you download your purchase, you will recieve a pdf that contains both the preview and the full score.https://youtube.com/shorts/7R104nbQyso.
£3.34
$3.99
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Harpe
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Rachael Acheson
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Taurus of the Zodiac: A Sketch for Small Harp
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TheHarpLibrarian
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SheetMusicPlus
The Horse of Beckmann's Mill for solo harp - no levers required
Harpe
Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. …
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Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. Score. 3 pages. Published by Kim Kirkman
An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.An original composition<br> In dorian mode. Very much in folk song style<br> Inspired by animal welfare<br> Lovely arrangement. Quite easy.<br> Has impovised section in middle<br> The original lyrics are:<br> <br> The Horse of Beckmann’s Mill<br> <br> <br> <br> Pray, have you seen that chestnut foal o'er there uponthe hill?<br> <br> The finest foal you've ever seen was born at Beckmann'sMill.<br> <br> They let her play within her yard, tie ribbons in hermane,<br> <br> They train her to the grinding stone that crushes up thegrain.<br> <br> Now many times I've thought about that foal at Beckmann'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and turn their backsin scorn.<br> <br> All because by chance it came to be the place where youwere born.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut filly o'er there besidethe hill?<br> <br> The finest filly you're ever seen was worked at Beckmann'sMill.<br> <br> They drive her from the morning sun until it's very late,<br> <br> They thrash her hard to pull the wheel that's bonded toher fate.<br> <br> Now many times I've passed her by and oft I've turned myface.<br> <br> Yet many times I've wondered what if I were in her place.<br> <br> They take advantage of the young and those without avoice.<br> <br> And it seems to me that nowhere did she really have achoice.<br> <br> <br> <br> <br> <br> Pray, have you seen that chestnut mare o'er there underthe hill?<br> <br> The finest mare you've ever seen has died at Beckmann'sMill.<br> <br> One day she fell upon her kness, the man he brought hisknife.<br> <br> The tread mill won the battle, and the miller took herlife.<br> <br> Now many times I've thought about the mare at Beckman'sMill,<br> <br> And many times I've wondered how that man can do so ill.<br> <br> They use you up, they throw you out and train anotherfoal,<br> <br> Yet every death they cause will leave a stain upon theirsoul.
£1.66
$1.99
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Harpe
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Kim Kirkman
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Kim Kirkman
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The Horse of Beckmann's Mill for solo harp - no levers required
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Kim Kirkman
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SheetMusicPlus
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