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Vous avez sélectionné:
Poulenc
Quatuor à cordes: 2 violons, alto, violoncelle
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3 partitions trouvées
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
£30.05
Striking Feathers
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Quatuor à cordes: 2 violons, alto, violoncelle
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Klaus Wegner Hamilton
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Striking Feathers
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Klaus Wegner Hamilton
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1501537 Composed by Klaus Wegner Hamilton. 21st Century,Classical,Contemporary. 12 pages. Kla...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1501537 Composed by Klaus Wegner Hamilton. 21st Century,Classical,Contemporary. 12 pages. Klaus Wegner Hamilton #1077477. Published by Klaus Wegner Hamilton (A0.1501537). This is a piece I wrote for String Quartet, taken from the 2024 Guildhall Composition Summer Course End-of-Course Concert. I was really obsessed with the pelog scale when I wrote this piece; I would sit at the piano, just running the scale up and down over and over again, absorbing the colours. I kept thinking about the first Gamelan theme in Poulenc's Concerto for two pianos, which I have directly quoted in this piece. I ended up taking this piece in a much different direction however, contrasting the playful with both the overbearingly bright and the ominous. I really learned a lot about writing for String Quartet and strings in general through this piece. Note:There are some differences between the linked performance and the score being provided. Aside from some minor engraving changes as well as minor musical adjustments, the most notable change is that the piece has been moved from E Major to D Major to aid playability. Despite these changes, the recording is functionally the same as the score being provided.
$4.99 ≈
£3.85
''Métamorphoses transfigurées'' Version pour quatuor à cordes (2020)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jean-Christophe Masson
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''Métamorphoses transfi
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Jean-Christophe Masson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.878756 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 64 pages....
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.878756 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 64 pages. Jean-Christophe Masson #6048021. Published by Jean-Christophe Masson (A0.878756). ''Métamorphoses transfigurées'' Version pour quatuor à cordes (2020)par Jean-Christophe MassonS’il vousez noter que cette partition est maintenant offert que vous achetez mon arrangement des Chemins de l’amour (en 3 mélodies de Francis Poulenc pour Van Kuijk quatuor à cordes).Création de la version originale (pour alto solo, violon, alto, violoncelle et doublebass) en mars 2010 au Théâtre Ménilmontant, Paris. Grégoire Vecchioni (alto) et Ensemble Furians par Pierre Dumoussaud. ©Jean-Christophe Masson N° de membre SACEM 00623 9409 43 www.jcmasson.com
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