Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Camille Saint Saens
Non classifié
98
Piano & claviers
Piano seul
63
Piano, Voix
39
Orgue
15
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
3
Piano Facile
3
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instruments en Do
1
Accordéon
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
3
Guitare
3
Ukulele
1
2 Guitares (duo)
1
Voix
Chorale SATB
5
Chorale 3 parties
4
Chorale 2 parties
3
Chorale SSAA
1
Voix duo, Piano
1
Chorale TTBB
1
Chorale
1
+ 2 instrumentations
Retracter
Vents
Clarinette et Piano
30
Flûte traversière et Piano
28
Quatuor de Saxophones: 4 saxophones
23
Saxophone Alto et Piano
21
Hautbois, Piano (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Soprano et Piano
14
Clarinette
11
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Tenor et Piano
10
3 Saxophones (trio)
10
Flûte, Hautbois, Clarinette, Basson
8
Cor anglais, Piano
8
3 Clarinettes (trio)
8
2 Flûtes traversières (duo)
8
Quintette de Saxophone: 5 saxophones
8
Quatuor de Flûtes : 4 flûtes
7
Saxophone Baryton, Piano
6
2 Saxophones (duo)
6
Flûte traversière
6
2 Clarinettes (duo)
5
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes à bec
4
5 Flûtes à bec
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Clarinette et Basson
3
Ensemble de saxophones
3
Ensemble de Clarinettes
3
Quintette de Flûte : 5 flûtes
2
Saxophone Alto
2
Flûte et Guitare
2
Flûte à Bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette Basse
2
Saxophone Tenor
2
Saxophone
1
Cor Anglais
1
Saxophone Soprano
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette (duo)
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Piano
10
Cor anglais, Piano
8
Trombone et Piano
8
Euphonium, Piano (duo)
7
Cor et Piano
7
Quatuor de cuivres: 4 cors
5
Trombone
5
Tuba et Piano
4
Trompette
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor
3
2 Trombones (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
2
Tuba
2
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
4 Tubas
1
Quatuor de Cuivres
1
Trombone basse et Piano
1
Euphonium
1
+ 18 instrumentations
Retracter
Cordes
Violon et Piano
30
Violoncelle, Piano
30
Quatuor à cordes: 2 violons, alto, violoncelle
21
Alto, Piano
16
Violon
12
Violoncelle
10
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 altos
4
Violon, Alto (duo)
4
Trio à cordes: 3 violins
4
Violoncelle, Orchestre
3
Violoncelle , Guitare (duo)
3
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, alto
2
2 Violons (duo)
2
Contre Basse
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Altos (duo)
2
Quatuor à cordes : 4 altos
2
4 Violoncelles
2
Alto (partie séparée)
1
Violon, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violoncelle (duo)
1
Alto, Orgue
1
Violoncelle, Orgue
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
17
Orchestre d'harmonie
14
Orchestre
13
Ensemble de cuivres
4
Orchestre de chambre
4
Orchestre, Violon
2
Percussion
2
Ensemble de Percussions
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
£
£
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
108
Partitions Numériques
948
Librairie Musicale
156
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Camille Saint Saens
intermédiaire
Partitions à imprimer
948 partitions trouvées
<
1
26
51
....
926
THE SWAN Camille Saint Saens for lead bass and guitar
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint Saens
#
Terry Carpenter
#
THE SWAN Camille Saint Saens f
#
Terry Carpenter
#
SheetMusicPlus
Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - SKU: A0.916172 Composed by Camille Saint Saens. Arranged by Terry Carpenter. Romantic Period...
(+)
Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - SKU: A0.916172 Composed by Camille Saint Saens. Arranged by Terry Carpenter. Romantic Period. Score and parts. 3 pages. Terry Carpenter #3125889. Published by Terry Carpenter (A0.916172). THE SWAN, from Camille Saint Saens is a well known classical music for cello and piano. I arranged it for bass and guitar. It will sound better using a bow on a doublebass for a deep and tragic sound !!! With an electric bass, use the touchboard mike.Any question ? carpentermusic@yahoo.com
$5.00 ≈
£3.89
Saint-Saëns: The Swan for Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
(+)
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
£25.64
Saint-Saëns: The Swan for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
(+)
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
£25.64
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
Clarinette Basse
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
(+)
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
£25.64
Saint-Saëns: The Swan for Clarinet & Piano
#
Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
(+)
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
£25.64
Saint-Saëns: The Swan for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
£25.64
Saint-Saëns: The Swan for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
£25.64
Saint-Saëns: The Swan for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
(+)
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
£25.64
Saint-Saëns: The Swan for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
(+)
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
£25.64
The Swan (C. Saint-Saëns) - Cello ensamble - Score and parts
#
Violoncelle
#
INTERMÉDIAIRE
#
André Alberto Santos
#
André Alberto Santos
#
The Swan
#
Soul - Musical Creations
#
SheetMusicPlus
Cello - Level 3 - SKU: A0.1181081 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Rom...
(+)
Cello - Level 3 - SKU: A0.1181081 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Romantic Period,Wedding. 20 pages. Soul - Musical Creations #780914. Published by Soul - Musical Creations (A0.1181081). If you're looking for music that can touch your heart directly, the sheet music The Swan by Camille Saint-Saëns is exactly what you need. This masterpiece of classical music is one of the most beautiful and moving pieces ever written.With its soft and enveloping melody, The Swan is able to calm the mood and relax the mind, providing a moment of peace and tranquility. Its arrangement is simple and elegant, which makes this piece accessible to beginners and experienced players alike.Additionally, The Swan is a versatile piece that can be played on a variety of instruments, including violin, piano, and cello. This means that, regardless of your instrument, you can enjoy the beauty and depth of this timeless music.If you're new to The Swan by Camille Saint-Saëns, it's time to give it a try and find out why it's one of the most popular pieces in classical music. Buy the sheet music now and start exploring the beauty and emotion of this unforgettable masterpiece.
$9.99 ≈
£7.77
Saint-Saëns: Oratorio de Noël, 5 soli, SSAA choir, harp, organ and strings - Score Only
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Roar Kvam
#
Saint-Saëns: Oratorio de Noë
#
KVAMusic Edition
#
SheetMusicPlus
Level 3 - SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pa...
(+)
Level 3 - SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pages. KVAMusic Edition #985137. Published by KVAMusic Edition (A0.1401939). Charles-Camille Saint-SaeÌ?ns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist.He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the ocial church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-SaeÌ?ns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers.This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de NoeÌ?l (Christmas Oratorio) at the end of the 1850s and completed it in 1860.The first performanse was at the church La Madeleine in Paris December 1869.The work is dedicated to A Madame la Vicomtesse de Grandval.The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de NoeÌ?l is drawn from the Old and New Testaments: (1. Instrumental).2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$20.00 ≈
£15.56
Organ: The Swan / Le Cygne from 'The Carnival of the Animals' - Camille Saint-Saens
#
Orgue
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint- Saens
#
Aubrey Tucker
#
Organ: The Swan / Le Cygne fro
#
Aubrey Tucker
#
SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by Aubrey Tucker. 20th Century, Concert, Contemporary, Sacred, Wedding. Score. 4 pages. Aubrey T...
(+)
Composed by Camille Saint- Saens (1835-1921). Arranged by Aubrey Tucker. 20th Century, Concert, Contemporary, Sacred, Wedding. Score. 4 pages. Aubrey Tucker #4614405. Published by Aubrey Tucker
$5.95 ≈
£4.63
THE SWAN - CAMILLE SAINT SAENS - FOR CELLO AND GUITAR
#
Violoncelle , Guitare (duo)
#
INTERMÉDIAIRE
#
Classique
#
FALLAHIN SCORE EDITIONS
#
THE SWAN - CAMILLE SAINT SAENS
#
Fallahin Score Editions
#
SheetMusicPlus
By FALLAHIN SCORE EDITIONS. By Camille Saint Saens. Arranged by Marcelo Fallahin. Classical, Romantic Period. Score and parts. 8 pages. Fallahin Score...
(+)
By FALLAHIN SCORE EDITIONS. By Camille Saint Saens. Arranged by Marcelo Fallahin. Classical, Romantic Period. Score and parts. 8 pages. Fallahin Score Editions #128615. Published by Fallahin Score Editions
$16.00 ≈
£12.45
THE SWAN - CAMILLE SAINT SAENS - FOR FLUTE AND GUITAR
#
Flûte et Guitare
#
INTERMÉDIAIRE
#
Classique
#
FALLAHIN SCORE EDITIONS
#
THE SWAN - CAMILLE SAINT SAENS
#
Fallahin Score Editions
#
SheetMusicPlus
By FALLAHIN SCORE EDITIONS. By Camille Saint Saens. Arranged by Marcelo Fallahin. Classical, Romantic Period. Score and parts. 8 pages. Fallahin Score...
(+)
By FALLAHIN SCORE EDITIONS. By Camille Saint Saens. Arranged by Marcelo Fallahin. Classical, Romantic Period. Score and parts. 8 pages. Fallahin Score Editions #128594. Published by Fallahin Score Editions
$12.00 ≈
£9.34
The Swan by Saint-Saëns for Recorder Quartet
#
Quatuor de Flûtes à bec
#
INTERMÉDIAIRE
#
Camille Saint-Saens
#
Langanho
#
The Swan by Saint-Saëns f
#
Avery Lynn Jordan
#
SheetMusicPlus
Recorder Quartet Recorder - Level 3 - SKU: A0.1181152 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder...
(+)
Recorder Quartet Recorder - Level 3 - SKU: A0.1181152 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 10 pages. Avery Lynn Jordan #780988. Published by Avery Lynn Jordan (A0.1181152). This arrangement for recorder quartet, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$9.99 ≈
£7.77
The Swan by Saint-Saëns for Recorder Quintet with Chords
#
5 Flûtes à bec
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Langanho
#
The Swan by Saint-Saëns f
#
Avery Lynn Jordan
#
SheetMusicPlus
Recorder - Level 3 - SKU: A0.1181162 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 12 pag...
(+)
Recorder - Level 3 - SKU: A0.1181162 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 12 pages. Avery Lynn Jordan #780997. Published by Avery Lynn Jordan (A0.1181162). This arrangement for recorder quintet with chords, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$15.99 ≈
£12.44
The Swan by Saint-Saëns for Recorder Quintet
#
5 Flûtes à bec
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Langanho
#
The Swan by Saint-Saëns f
#
Avery Lynn Jordan
#
SheetMusicPlus
Recorder - Level 3 - SKU: A0.1181161 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 12 pag...
(+)
Recorder - Level 3 - SKU: A0.1181161 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 12 pages. Avery Lynn Jordan #780996. Published by Avery Lynn Jordan (A0.1181161). This arrangement for recorder quintet, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$15.99 ≈
£12.44
The Swan by Saint-Saëns for Recorder Quintet and Piano
#
5 Flûtes à bec
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Langanho
#
The Swan by Saint-Saëns f
#
Avery Lynn Jordan
#
SheetMusicPlus
Recorder - Level 3 - SKU: A0.1181164 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pag...
(+)
Recorder - Level 3 - SKU: A0.1181164 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pages. Avery Lynn Jordan #780999. Published by Avery Lynn Jordan (A0.1181164). This arrangement for recorder quintet and piano, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$19.99 ≈
£15.56
The Swan by Saint-Saëns for Recorder Quartet and Piano with Chords
#
Quatuor de Flûtes à bec
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Langanho
#
The Swan by Saint-Saëns f
#
Avery Lynn Jordan
#
SheetMusicPlus
Recorder Quartet Recorder - Level 3 - SKU: A0.1181159 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder...
(+)
Recorder Quartet Recorder - Level 3 - SKU: A0.1181159 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 11 pages. Avery Lynn Jordan #780994. Published by Avery Lynn Jordan (A0.1181159). This arrangement for recorder quartet and piano with chords, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$12.99 ≈
£10.11
The Swan by Saint-Saëns for Recorder Quintet and Piano with Chords
#
5 Flûtes à bec
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
Langanho
#
The Swan by Saint-Saëns f
#
Avery Lynn Jordan
#
SheetMusicPlus
Recorder - Level 3 - SKU: A0.1181166 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pag...
(+)
Recorder - Level 3 - SKU: A0.1181166 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pages. Avery Lynn Jordan #781001. Published by Avery Lynn Jordan (A0.1181166). This arrangement for recorder quintet and piano with chords, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$19.99 ≈
£15.56
Saint-Saëns-La cloche,for Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
MSM
#
Saint-Saëns-La cloche,for
#
Open Cloud
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.662883 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score and part. 15 pages. Open Cloud...
(+)
Flute,Piano - Level 3 - SKU: A0.662883 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score and part. 15 pages. Open Cloud #4295909. Published by Open Cloud (A0.662883). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, arrange by MSM Press, for Flute and Piano, published by More Sheet Music Press.
$7.99 ≈
£6.22
Saint-Saëns-La cloche in D flat Major,for Voice and Piano
#
Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
MSM
#
Saint-Saëns-La cloche in
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668323 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.668323 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4414503. Published by Open Cloud (A0.668323). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, for Voice and Piano.
$7.99 ≈
£6.22
Saint-Saëns-Clair de lune in E Major,for Voice and Piano
#
Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
MSM
#
Saint-Saëns-Clair de lune
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668298 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #44...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.668298 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #4414445. Published by Open Cloud (A0.668298). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, for Voice and Piano.
$3.99 ≈
£3.10
Saint-Saëns-Printemps qui commence,from 'Samson et Dalila',in E Major,for Voice and Piano
#
Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
MSM
#
Saint-Saëns-Printemps qui
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.671679 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 17 pages. Open Cloud #4...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.671679 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 17 pages. Open Cloud #4820243. Published by Open Cloud (A0.671679). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, for Voice and Piano, published by More Sheet Music Press.
$7.99 ≈
£6.22
Saint-Saëns-Clair de lune,for Flute and Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
MSM
#
Saint-Saëns-Clair de lune
#
Open Cloud
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.662877 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score and part. 9 pages. Open Cloud ...
(+)
Flute,Piano - Level 3 - SKU: A0.662877 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score and part. 9 pages. Open Cloud #4295887. Published by Open Cloud (A0.662877). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, arrange by MSM Press, for Flute and Piano, published by More Sheet Music Press.
$3.99 ≈
£3.10
<
1
26
51
....
926
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Camille Saint Saens 
