Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Clarinet Quartet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for woodwind choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is the standard group of woodwinds found in a band piece: piccolo, flutes. oboes, bassoons, clarinets, bass clarinets, alto and tenor saxes, and baritone sax.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for clarinet choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Eb Soprano Clarinet, Bb Soprano Clarinet 1 - 3, Alto Clarinet (with an alternate 4th Bb part), Bass Clarinet, Contra Bass or Contralto. Although an alternate for alto is provided, the alto is preferred.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute quartet by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Flute 1 - 3, and alto with an alternate 4th flute for the alto.

3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.

Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Clarinet Quartet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick?s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Traditional Jewish Folksongs is a collection of six popular traditional Jewish/Yiddish/Sephardic/Hebrew songs and the Israeli National Anthem arranged for Brass Quintet. The Titles Include: 1. Hatikvah (The Hope) Israeli National Anthem, 2. Dona, Dona 3. Tzena, Tzena, Tzena, 4. Kuando el rey Nimrod, 5. Mayim Mayim, 6. Tumbalalaika and 7. Hava Nagilah. This advanced intermediate level arrangement is suitable for a variety of performance application to include Weddings and bar/bat mitzvahs. The approximate playing time for all songs is11:00 with repeats and 7:30 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Arirang - pedal harp solo
On an old traditional melody from Korea.
Arranged by Regina Ederveen - harpist in The Netherlands
Also playable on piano.
Level: advanced intermediate.
Duration: 3'24''
There's also a version for folk harp (no lever changes!) by Regina Ederveen, on this website.
For information contact via www.reginaederveen.nl

Morning has broken - arranged for folk harp (no lever changes)
An old traditional hymn.
Arranged by Regina Ederveen - harpist in The Netherlands
Also playable on piano.
Level: advanced intermediate.
Duration: 3'05''
For information contact via www.reginaederveen.nl

A Bulgarian folk dance "Kopanitsa" (11/8, 4 3 4) arranged for two guitars by Eugen Sedko (eugensedko.com), Ukrainian musician. Notes and tabs together.
See all my arrangements here (publishers -> Eugen Sedko).

Arrane Ny Niee, the Washing Song. Manx lullaby arranged for intermediate lever harp. 3 pages, key of G, no lever changes. Varied chord choices make this simple melody interesting and evocative. Video tutorials to aid your learning are available at patreon.com/tiffanyharpandsong (arrangement) .