English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Folk advanced
Non classifié
501
Piano & claviers
Piano seul
479
Piano Facile
152
Piano, Voix
20
Orgue
18
Piano, Voix et Guitare
14
1 Piano, 4 mains
11
2 Pianos, 4 mains
8
Accompagnement Piano
6
Accordéon
5
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
2
2 Accordéons
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
157
Guitare
146
Ukulele
86
Dulcimer
14
2 Guitares (duo)
13
Banjo
7
Mandoline
4
Ensemble de guitares
3
Ukulele Baryton
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Basse electrique
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
37
Chorale 3 parties
18
Chorale TTBB
9
Chorale 2 parties
8
Chorale SSAA
8
Chorale
4
Chorale Unison
2
Voix seule
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
Saxophone
73
Quatuor de Saxophones: 4 saxophones
43
Flûte traversière
36
Clarinette
36
Quatuor de Clarinettes: 4 clarinettes
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
2 Saxophones (duo)
21
Flûte traversière et Piano
19
2 Flûtes traversières (duo)
17
Clarinette et Piano
15
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Flûtes : 4 flûtes
14
Quintette de Saxophone: 5 saxophones
12
2 Clarinettes (duo)
11
Ensemble de Flûtes
9
Ensemble de Clarinettes
9
Flûte, Clarinette (duo)
7
Ensemble de saxophones
7
Saxophone Alto et Piano
7
Saxophone, Clarinette (duo)
7
Clarinette, Violon (duo)
7
Saxophone Tenor et Piano
6
Hautbois, Piano (duo)
6
Flûte, Violon
5
2 Hautbois (duo)
4
Saxophone Soprano et Piano
4
Flûte, Saxophone (duo)
4
Flûte et Guitare
4
Trio de Flûtes: 3 flûtes
4
Clarinette et Alto
3
Clarinette, Trompette (duo)
3
Flûte, Alto (duo)
3
Hautbois, Basson (duo)
3
Hautbois
3
Saxophone et Orgue
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Trompette (duo)
2
Hautbois (partie séparée)
2
Saxophone Alto
2
Cor anglais, Piano
2
Saxophone (partie séparée)
2
Clarinette Basse, Piano
2
Flûte à bec Alto, Piano
2
Hautbois, Flûte
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Guitare (duo)
1
Ocarina
1
3 Saxophones (trio)
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Baryton, Piano
1
3 Flûtes à bec (trio)
1
Flûte, Alto et Violoncelle
1
Ensemble à vent
1
Hautbois, Guitare (duo)
1
3 Clarinettes (trio)
1
Flûte irlandaise
1
2 Flûte à bec (duo)
1
Piccolo
1
Flûte à bec Soprano
1
Flûte à Bec
1
Saxophone Tenor
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Trompette
43
Trombone
30
Cor et Piano
21
Trombone et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Quatuor de Cuivres
14
Euphonium, Piano (duo)
11
Tuba et Piano
10
Quatuor de cuivres: 4 trombones
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette, Piano
7
Trompette, Saxophone (duo)
6
2 Trombones (duo)
6
Ensemble de Trombones
6
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Trompette, violon (duo)
3
Ensemble de Trompettes
3
Cor
2
Cor anglais, Piano
2
3 Trompettes (trio)
1
Trombone basse et Piano
1
Cor et Orgue
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
2 Cors (duo)
1
4 Tubas
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
116
Harpe
92
Violon et Piano
38
Violon
35
Violoncelle, Piano
32
2 Violons (duo)
28
Violon, Violoncelle (duo)
24
Violoncelle
14
Violon, Alto (duo)
14
Alto seul
10
4 Violoncelles
7
Trio à Cordes: violon, alto, violoncelle
7
Alto, Piano
6
Trio à Cordes: 3 violoncelles
6
2 Violoncelles (duo)
5
Trio à cordes: 3 violins
5
Violon, Guitare (duo)
4
2 Altos (duo)
3
2 Harpes (duo)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
3 Harpes
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
5 Harpes
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
Trio à cordes
1
Violon, Orgue
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Autoharp
1
4 Harpes
1
Contre Basse
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
44
Orchestre d'harmonie
36
Ensemble de cuivres
27
Orchestre
25
Ensemble de Percussions
17
Ensemble Jazz
5
Fanfare
5
Batterie
4
Orchestre de chambre
4
Marimba
3
Quatuor à Vent : 4 instruments à vents
2
Jazz combo
2
Cloches
2
Percussion
1
+ 9 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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3201
Italian Folksong Medley (for Clarinet Quartet)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Various. Arra…
(+)
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth Abeling. Folk, European, Wedding. Score, Set of Parts. 26 pages. Published by LINCOLN MUSIC PUBLICATIONS
Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Clarinet Quartet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Clarinet Quartet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
£11.89
$13.99
#
Quatuor de Clarinettes: 4 clarinettes
#
Various
#
Italian Folksong Medley
#
SheetMusicPlus
Italian Folksong Medley (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Various. Arranged by Kenneth Abeling. Folk, Wedding, World. Sc…
(+)
Composed by Various. Arranged by Kenneth Abeling. Folk, Wedding, World. Score and parts. 33 pages. LINCOLN MUSIC PUBLICATIONS #6049041. Published by LINCOLN MUSIC PUBLICATIONS
Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Brass Quintet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Brass Quintet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
£12.74
$14.99
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Various
#
Italian Folksong Medley
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Gustav Holst - Folksongs of Hampshire set for Flute Choir
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed b…
(+)
Flute, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. Score, Set of Parts. 53 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Piccolo, Flute 1-3, Alto Flute, Bass Flute, and Contra Bass Flute.
£14.87
$17.50
#
Ensemble de Flûtes
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Hampshire set for Flute Choir
#
JB Linear
#
SheetMusicPlus
Holst - Folksongs of Hampshire set for Woodwind Choir
Ensemble à vent
Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Gus…
(+)
Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by John Gibson. 20th Century, Folk. Score, Set of Parts. 90 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for woodwind choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is the standard group of woodwinds found in a band piece: piccolo, flutes. oboes, bassoons, clarinets, bass clarinets, alto and tenor saxes, and baritone sax.Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for woodwind choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is the standard group of woodwinds found in a band piece: piccolo, flutes. oboes, bassoons, clarinets, bass clarinets, alto and tenor saxes, and baritone sax.
£20.61
$24.25
#
Ensemble à vent
#
Gustav Holst (1874-1934)
#
John Gibson
#
Holst - Folksongs of Hampshire set for Woodwind Choir
#
JB Linear
#
SheetMusicPlus
Gustav Holst - Folksongs of Hampshire set for Clarinet Choir
Quatuor de Clarinettes: 4 clarinettes
Clarinet, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Com…
(+)
Clarinet, Woodwind Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk, Celtic. Score, Set of Parts. 62 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for clarinet choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Eb Soprano Clarinet, Bb Soprano Clarinet 1 - 3, Alto Clarinet (with an alternate 4th Bb part), Bass Clarinet, Contra Bass or Contralto. Although an alternate for alto is provided, the alto is preferred.Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for clarinet choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Eb Soprano Clarinet, Bb Soprano Clarinet 1 - 3, Alto Clarinet (with an alternate 4th Bb part), Bass Clarinet, Contra Bass or Contralto. Although an alternate for alto is provided, the alto is preferred.
£14.87
$17.50
#
Quatuor de Clarinettes: 4 clarinettes
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Hampshire set for Clarinet Choir
#
JB Linear
#
SheetMusicPlus
Gustav Holst - Folksongs of Hampshire set for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute, Woodwind Quartet - Advanced Intermediate - Digital Download Composed by Tradit…
(+)
Flute, Woodwind Quartet - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Gustav Holst, John Gibson. Folk. 38 pages. Published by JB Linear
Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute quartet by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Flute 1 - 3, and alto with an alternate 4th flute for the alto.Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for flute quartet by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is: Flute 1 - 3, and alto with an alternate 4th flute for the alto.
£14.66
$17.25
#
Quatuor de Flûtes : 4 flûtes
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Hampshire set for Flute Quartet
#
JB Linear
#
SheetMusicPlus
Latin-American Folk Music for Classic Guitar
Guitare
Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Lati…
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Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Latin American. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30826EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.
£11.04
$12.99
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Guitare
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Guillermo Diego
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Latin-American Folk Music for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
3 Irish Folksongs set for 5 Flutes
Ensemble de Flûtes
Flute, Woodwind Quintet - Advanced Intermediate - Digital Download Composed by Tradit…
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Flute, Woodwind Quintet - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Charles Stanford, John Gibson. Folk, Celtic, St. Patrick's Day, Recital. Score, Set of Parts. 35 pages. Published by JB Linear
3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.
£12.75
$15.00
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Ensemble de Flûtes
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Traditional
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3 Irish Folksongs set for 5 Flutes
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JB Linear
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SheetMusicPlus
Irish Folksong Suite (for Clarinet Quartet)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Various. Arra…
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Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth Abeling. Broadway, Musicals, St. Patrick's Day. Score, Set of Parts. 36 pages. Published by LINCOLN MUSIC PUBLICATIONS
Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Clarinet Quartet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Clarinet Quartet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick’s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
£12.74
$14.99
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Quatuor de Clarinettes: 4 clarinettes
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Various
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Irish Folksong Suite
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Twelve Duos for Trumpets based on Armenian Folk Songs
2 Trompettes (duo)
Trumpet Duets - Advanced - Digital Download Composed by Petros Shoujounian. 21st Cent…
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Trumpet Duets - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. Score. 27 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trumpets based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trumpets.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trumpets: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and are written for C Trumpets, B-flat Trumpets, Cornets, B-flat Piccolo Trumpets, and Flugelhorns.Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trumpets based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trumpets.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trumpets: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and are written for C Trumpets, B-flat Trumpets, Cornets, B-flat Piccolo Trumpets, and Flugelhorns.
£19.12
$22.50
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2 Trompettes (duo)
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Petros Shoujounian
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Twelve Duos for Trumpets based on Armenian Folk Songs
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Cherry Classics Music
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SheetMusicPlus
Twelve Duos for Trombones based on Armenian Folk Songs
2 Trombones (duo)
Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. …
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Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. 23 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.
£19.12
$22.50
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2 Trombones (duo)
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Petros Shoujounian
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Twelve Duos for Trombones based on Armenian Folk Songs
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Cherry Classics Music
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SheetMusicPlus
Six Portuguese Folksongs for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced - Digital Download Composed by Traditional Portuguese Folkso…
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Brass Quintet - Advanced - Digital Download Composed by Traditional Portuguese Folksongs. Arranged by Scherr, Bernard. Latin. 55 pages. Published by Cherry Classics Music
Bernard Scherr has arranged six lovely Portuguese Folksongs for Brass Quintet entitled:<br> <br> 1. Mourisca do Santo João de Braga (Moorish architechture of Saint John of Braga) as a march <br> <br> 2. A Pastorinha (The Shepherdess) - a lovely andantino<br> <br> 3. O Xi-Xi (Wee-wee) - a silly song<br> <br> 4. O ai, o linda! (Oh, the beauty!) - a lyrical romance<br> <br> 5. Coradinha (The blushing one) - a dance-like jaunt<br> <br> 6. Carro amaricano (American Car) - driving around in the auto<br> <br> These movements are of contrasting styles and will make a lovely addition to your program.<br> <br> Instrumentation is for 2 Trumpets in B-flat, Horn, Trombone & Tuba.<br> <br> For advanced performers.Bernard Scherr has arranged six lovely Portuguese Folksongs for Brass Quintet entitled:<br> <br> 1. Mourisca do Santo João de Braga (Moorish architechture of Saint John of Braga) as a march <br> <br> 2. A Pastorinha (The Shepherdess) - a lovely andantino<br> <br> 3. O Xi-Xi (Wee-wee) - a silly song<br> <br> 4. O ai, o linda! (Oh, the beauty!) - a lyrical romance<br> <br> 5. Coradinha (The blushing one) - a dance-like jaunt<br> <br> 6. Carro amaricano (American Car) - driving around in the auto<br> <br> These movements are of contrasting styles and will make a lovely addition to your program.<br> <br> Instrumentation is for 2 Trumpets in B-flat, Horn, Trombone & Tuba.<br> <br> For advanced performers.
£21.25
$25.00
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional Portuguese Folksongs
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Scherr, Bernard
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Six Portuguese Folksongs for Brass Quintet
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Cherry Classics Music
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SheetMusicPlus
Traditional Jewish Folksongs (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced Intermediate - Digital Download Composed by Various. Arrange…
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Brass Quintet - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth Abeling. Israeli, Hanukkah, Wedding, Bar or Bat Mitzvah. Score, Set of Parts. 54 pages. Published by LINCOLN MUSIC PUBLICATIONS
Traditional Jewish Folksongs is a collection of six popular traditional Jewish/Yiddish/Sephardic/Hebrew songs and the Israeli National Anthem arranged for Brass Quintet. The Titles Include: 1. Hatikvah (The Hope) Israeli National Anthem, 2. Dona, Dona 3. Tzena, Tzena, Tzena, 4. Kuando el rey Nimrod, 5. Mayim Mayim, 6. Tumbalalaika and 7. Hava Nagilah. This advanced intermediate level arrangement is suitable for a variety of performance application to include Weddings and bar/bat mitzvahs. The approximate playing time for all songs is11:00 with repeats and 7:30 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/Traditional Jewish Folksongs is a collection of six popular traditional Jewish/Yiddish/Sephardic/Hebrew songs and the Israeli National Anthem arranged for Brass Quintet. The Titles Include: 1. Hatikvah (The Hope) Israeli National Anthem, 2. Dona, Dona 3. Tzena, Tzena, Tzena, 4. Kuando el rey Nimrod, 5. Mayim Mayim, 6. Tumbalalaika and 7. Hava Nagilah. This advanced intermediate level arrangement is suitable for a variety of performance application to include Weddings and bar/bat mitzvahs. The approximate playing time for all songs is11:00 with repeats and 7:30 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
£13.59
$15.99
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Various
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Traditional Jewish Folksongs
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Filipino Folksong Series 2 - - Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.883728 Arranged by Andrei Hadap. Fo…
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Piano Solo - Level 4 - Digital Download SKU: A0.883728 Arranged by Andrei Hadap. Folk,World. Score. 32 pages. Andrei Hadap #3626337. Published by Andrei Hadap (A0.883728). This publication is a compilation of the second series of Filipino Folksongs for a discounted price!I. CariñosaII. KatakatakaIII. KundansoyIV. Magtanim Hindi BiroV. Pandango sa IlawVI. Itik-ItikThis is a 2nd series of transcriptions that I have started in 2018 as a way of popularising Filipino Folk Music to a larger audience, especially in the Classical World. I would not recommend these transcriptions for a beginner pianist but are within the reach of intermediate to advanced level pianist. These folksongs have been arranged with performance considerations in mind to create the illusion of a difficult transcription without a need for great technical facility. The choice of key signature, which may be daunting at first, actually allows for greater scope and complexity in LH accompaniment figures. RH passages are written in such a way as to limit position shifts allowing easier execution. Furthermore, great care has been taken to create smooth ‘voice-leading’ in the LH accompaniment figure, especially in the bass line and the chords. Please visit my YouTube Channel to preview the music along with audio. https://www.youtube.com/playlist?list=PLw84iCW3a4NFZ7K0H0Yr5SzvYKA-XVZA9
£8.49
$9.99
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Piano seul
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Andrei Hadap
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Filipino Folksong Series 2 - - Piano Solo
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Andrei Hadap
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SheetMusicPlus
Canadian Folksong Suite for Trombone Quartet
Quatuor de cuivres: 4 trombones
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792350 Composed by Tra…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792350 Composed by Traditional Canadian Folk Songs. Arranged by Kevin Thompson. Folk. Score and parts. 32 pages. Gordon Cherry #4806775. Published by Gordon Cherry (A0.792350). Kevin Thompson has arranged a very fine suite of Canadian well-known folksongs for Trombone quartet of about 7.5 minutes in length for advanced performers. The folksongs are: 1. Bien Travailler - Alouette 2. She’s Like The Swallow 3. The Kelligrew’s Soirée
£19.12
$22.50
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Quatuor de cuivres: 4 trombones
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Traditional Canadian Folk Songs
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Kevin Thompson
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Canadian Folksong Suite for Trombone Quartet
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Gordon Cherry
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SheetMusicPlus
Wellspring of Repertoire, Volume 3, Early Intermediate to Early Advanced Piano
Piano Facile
Composed by Dennis Frayne. Arranged by Dennis Frayne. Etudes and Exercises, Repertoi…
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Composed by Dennis Frayne. Arranged by Dennis Frayne. Etudes and Exercises, Repertoire, Technique Training, Folk, Children's Music. Sheet Music Single. 166 pages. Published by Dennis Frayne
Wellspring of Repertoire, an Original and Bountiful Source of Piano Music, for Beginning and Returning Students, Volume 3, Early Intermediate to Early Advanced, by Dennis Frayne, contains 120 Folk Songs, Children's Songs, Spirituals, Nursery Rhymes, Parlor Songs, Lullabies, Scales, Chords, and Technical Exercises for Piano, all in a Classical Style.<br> <br> Perfect for teachers of early students who prefer not to use method books, for students returning to play after a long time away from the piano, for sight reading practice, to practice singing while playing the piano (includes lyrics and solfege syllables on most songs and exercises), for recitals and performances, and for fun in learning good, old-fashioned, time-honored folk songs, children’s songs, and more!Wellspring of Repertoire, an Original and Bountiful Source of Piano Music, for Beginning and Returning Students, Volume 3, Early Intermediate to Early Advanced, by Dennis Frayne, contains 120 Folk Songs, Children's Songs, Spirituals, Nursery Rhymes, Parlor Songs, Lullabies, Scales, Chords, and Technical Exercises for Piano, all in a Classical Style.<br> <br> Perfect for teachers of early students who prefer not to use method books, for students returning to play after a long time away from the piano, for sight reading practice, to practice singing while playing the piano (includes lyrics and solfege syllables on most songs and exercises), for recitals and performances, and for fun in learning good, old-fashioned, time-honored folk songs, children’s songs, and more!
£11.89
$13.99
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Piano Facile
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Dennis Frayne
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Dennis Frayne
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Wellspring of Repertoire, Volume 3, Early Intermediate to Early Advanced Piano
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Dennis Frayne
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SheetMusicPlus
Arirang - a Korean Folk Song - pedal harp solo
Harpe
Harp - Advanced Intermediate - Digital Download Composed by Regina Ederveen. Repertoire,…
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Harp - Advanced Intermediate - Digital Download Composed by Regina Ederveen. Repertoire, World, Folk, Asian, Recital. Individual Part. 7 pages. Published by Regina Ederveen
Arirang - pedal harp solo On an old traditional melody from Korea. Arranged by Regina Ederveen - harpist in The Netherlands Also playable on piano. Level: advanced intermediate. Duration: 3'24'' There's also a version for folk harp (no lever changes!) by Regina Ederveen, on this website. For information contact via www.reginaederveen.nlArirang - pedal harp solo
On an old traditional melody from Korea.
Arranged by Regina Ederveen - harpist in The Netherlands
Also playable on piano.
Level: advanced intermediate.
Duration: 3'24''
There's also a version for folk harp (no lever changes!) by Regina Ederveen, on this website.
For information contact via www.reginaederveen.nl
£8.29
$9.75
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Harpe
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Regina Ederveen
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Arirang - a Korean Folk Song - pedal harp solo
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Regina Ederveen
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SheetMusicPlus
Morning has broken - folk harp solo
Harpe
Harp - Advanced Intermediate - Digital Download Arranged by Regina Ederveen. Romantic Pe…
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Harp - Advanced Intermediate - Digital Download Arranged by Regina Ederveen. Romantic Period, Christian, Celtic, Pop. Individual Part. 6 pages. Published by Regina Ederveen
Morning has broken - arranged for folk harp (no lever changes) An old traditional hymn. Arranged by Regina Ederveen - harpist in The Netherlands Also playable on piano. Level: advanced intermediate. Duration: 3'05'' For information contact via www.reginaederveen.nlMorning has broken - arranged for folk harp (no lever changes)
An old traditional hymn.
Arranged by Regina Ederveen - harpist in The Netherlands
Also playable on piano.
Level: advanced intermediate.
Duration: 3'05''
For information contact via www.reginaederveen.nl
£5.09
$5.99
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Harpe
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Regina Ederveen
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Morning has broken - folk harp solo
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Regina Ederveen
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
£13.59
$15.99
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
Kopanitsa / ???????? (11/8) Bulgarian folk dance for guitar duo
2 Guitares (duo)
Guitar Tab - Advanced Intermediate - Digital Download Arranged by Eugen Sedko. World, F…
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Guitar Tab - Advanced Intermediate - Digital Download Arranged by Eugen Sedko. World, Folk, European. Score, Set of Parts, Sheet Music Single, Tablature. 6 pages. Published by Eugen Sedko
A Bulgarian folk dance "Kopanitsa" (11/8, 4 3 4) arranged for two guitars by Eugen Sedko (eugensedko.com), Ukrainian musician. Notes and tabs together. See all my arrangements here (publishers -> Eugen Sedko).A Bulgarian folk dance "Kopanitsa" (11/8, 4 3 4) arranged for two guitars by Eugen Sedko (eugensedko.com), Ukrainian musician. Notes and tabs together.
See all my arrangements here (publishers -> Eugen Sedko).
£4.24
$4.99
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2 Guitares (duo)
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Eugen Sedko
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Kopanitsa / ????????
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Eugen Sedko
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SheetMusicPlus
Murka (Russian Folk Song) - Arranged for Gypsy Jazz Accordion
Accordéon
Accordion - Advanced - Digital Download Composed by Russian Folk Song. Arranged by Ar…
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Accordion - Advanced - Digital Download Composed by Russian Folk Song. Arranged by Arrigo Tomasi. Jazz, Swing. Sheet Music Single. 6 pages. Published by PartiturasDigitales.net
Russian folk song from the 1920s with Gypsy Jazz improvisations. Advancd level.Russian folk song from the 1920s with Gypsy Jazz improvisations. Advancd level.
£4.24
$4.99
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Accordéon
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Russian Folk Song
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Arrigo Tomasi
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Murka
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PartiturasDigitales.net
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SheetMusicPlus
Filipino Folksong Series 1 - Arranged for Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.883722 Arranged by Andrei Hadap. Wo…
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Piano Solo - Level 4 - Digital Download SKU: A0.883722 Arranged by Andrei Hadap. World. Score. 58 pages. Andrei Hadap #3626311. Published by Andrei Hadap (A0.883722). This publication is a compilation of the first series of Filipino Folksongs for a discounted price!I. Sarung BangiII. Leron Leron SintaIII. Paru-Parong BukidIV. ZamboangaV. TiniklingVI. Chit Chirit ChitThis is a series of transcriptions that I have started at the end of 2017 as a way of popularising Filipino Folk Music to a larger audience, especially in the Classical World. I would not recommend these transcriptions for a beginner pianist but are within the reach of intermediate to advanced level pianist. These folksongs have been arranged with performance considerations in mind to create the illusion of a difficult transcription without a need for great technical facility. The choice of key signature, which may be daunting at first, actually allows for greater scope and complexity in LH accompaniment figures. RH passages are written in such a way as to limit position shifts allowing easier execution. Furthermore, great care has been taken to create smooth ‘voice-leading’ in the LH accompaniment figure, especially in the bass line and the chords. Please visit my YouTube Channel to preview the music along with audio. https://www.youtube.com/playlist?list=PLw84iCW3a4NFZ7K0H0Yr5SzvYKA-XVZA9.
£8.49
$9.99
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Piano seul
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Andrei Hadap
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Filipino Folksong Series 1 - Arranged for Piano Solo
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Andrei Hadap
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SheetMusicPlus
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