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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can Hymn Sacred
Non classifié
1 265
Piano & claviers
Piano seul
724
Piano, Voix et Guitare
378
Piano, Voix
342
Orgue
266
Accompagnement Piano
143
Piano Facile
126
Piano grosses notes
75
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
21
Instruments en Do
19
Piano Quatuor: piano, 2 violons, violoncelle
18
2 Pianos, 4 mains
9
Orgue, Piano (duo)
8
Orgue, Trompette (duo)
6
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
+ 12 instrumentations
Retracter
Guitares
Ukulele
18
Guitare notes et tablatures
14
Guitare
11
Banjo
3
Mandoline
3
Dulcimer
2
Ukulele Baryton
2
Paroles et Accords
2
Dobro
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
769
Chorale 2 parties
547
Chorale 3 parties
254
Voix duo, Piano
235
Chorale Unison
205
Voix duo
132
Pack Instrumental pour Chorale
46
Chorale TTBB
40
Voix Soprano, Piano
8
Chorale SSAA
7
Voix Tenor, Piano
4
Voix moyenne, Piano
3
Voix Alto, Piano
3
Voix haute
3
Voix basse
1
Chorale
1
Voix seule
1
Voix Tenor
1
Chorale SSATB
1
Voix Baryton, Piano
1
Voix, Guitare
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
136
Saxophone Alto et Piano
107
Clarinette et Piano
103
Saxophone Soprano et Piano
97
Saxophone Tenor et Piano
89
Quatuor de Saxophones: 4 saxophones
81
Flûte, Hautbois, Clarinette, Basson
77
2 Saxophones (duo)
75
Hautbois, Piano (duo)
68
Flûte, Clarinette (duo)
63
Flûte traversière
33
2 Flûtes traversières (duo)
31
2 Clarinettes (duo)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Quatuor de Clarinettes: 4 clarinettes
24
3 Clarinettes (trio)
20
3 Saxophones (trio)
19
Saxophone, Clarinette (duo)
18
Saxophone Baryton, Piano
15
Quatuor de Flûtes : 4 flûtes
15
Clarinette, Violon (duo)
14
Cor anglais, Piano
14
Flûte, Violon
11
Hautbois, Basson (duo)
11
Flûte à bec Soprano, Piano
11
Clarinette
11
2 Hautbois (duo)
10
Clarinette, Trompette (duo)
10
Hautbois, Clarinette (duo)
9
Trio de Flûtes: 3 flûtes
9
Clarinette et Alto
8
Flûte, Saxophone (duo)
8
Hautbois (partie séparée)
7
Flûte, Alto (duo)
7
Flûte, Violoncelle
7
Quintette de Saxophone: 5 saxophones
7
Clarinette Basse, Piano
7
Hautbois, Flûte
6
Clarinette, Basson (duo)
6
Flûte à bec Soprano
6
Quatuor de Flûtes à bec
6
Saxophone et Orgue
6
Flûte, Trompette (duo)
5
Flûte, Violon, Piano
5
Ensemble de Clarinettes
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois
4
Flute (partie séparée)
3
2 Saxophones, Piano
3
Clarinette, Harpe (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte et Guitare
3
Flûte, Clarinette, Piano (trio)
3
Clarinette (partie séparée)
3
Ensemble de Flûtes
3
Saxophone Tenor
3
Flûte, Basson et Piano
2
2 Flûtes traversières, Piano
2
Saxophone et Piano
2
Flûte à bec Alto, Piano
2
Flûte, Trombone (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Quintette de Flûte : 5 flûtes
2
Saxophone et Harpe
2
Flûte, Hautbois, Clarinette (trio)
2
Flute, Cor (duo)
2
Flûte à Bec
2
Ensemble De Flûte à bec
2
Saxophone (partie séparée)
2
Piccolo, Piano
1
2 Clarinettes, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo
1
Hautbois et alto (duo)
1
Clarinette, Orgue
1
Flûte à bec Alto
1
Flûte, Clarinette et Basson
1
2 Flûtes traversières, Harpe
1
Flûte, Violon et Violoncelle
1
Hautbois, Violoncelle
1
Flûte, Alto et Piano
1
Cor Anglais
1
2 Flûte à bec (duo)
1
2 Clarinettes, Basson
1
Clarinette Basse
1
Hautbois, Harpe
1
Flûte, trombone et piano
1
Ensemble de Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Harmonica
1
Saxophone Alto
1
+ 86 instrumentations
Retracter
Cuivres
Trombone et Piano
133
Trompette, Piano
113
Cor et Piano
65
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trompette
54
Quatuor de Cuivres: 2 trompettes, Cor, trombone
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Trompette, Cor (duo)
34
2 Trombones (duo)
25
2 Trompettes (duo)
24
Trompette, Trombone (duo)
19
Quatuor de Cuivres
15
Tuba et Piano
14
Cor anglais, Piano
14
Euphonium, Piano (duo)
14
Trompette, Saxophone (duo)
11
Quatuor de cuivres: 4 cors
11
2 Cors (duo)
10
Trombone
8
Tuba
6
Trombone, Orgue
5
3 Trombones (trio)
5
Cor
5
Trompette et Guitare
4
Quatuor de cuivres: 4 trombones
4
Trompette, Violoncelle et Piano
3
Euphonium, Tuba (duo)
2
2 Trombones, Piano
2
Ensemble de Cors
2
Trio de Cuivres
2
Trompette, Trombone, Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de cuivres: 4 trompettes
2
Cor et Orgue
2
3 Trompettes (trio)
2
Cor et Harpe
2
Trompette, Harpe
2
2 Euphoniums et 2 Tubas
1
4 Tubas
1
Cor Anglais
1
Ensemble de Trombones
1
Trombone, Cor (duo)
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
Trombone (partie séparée)
1
Clarinette, Cor (duo)
1
Cor (partie séparée)
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
153
Quatuor à cordes: 2 violons, alto, violoncelle
114
Violoncelle, Piano
112
Alto, Piano
86
Violon, Violoncelle (duo)
48
Harpe
46
Piano Trio: Violon, Alto, Piano
36
Violon
28
Harpe, Flûte (duo)
26
2 Violoncelles (duo)
24
Violon, Alto (duo)
21
Trio à Cordes: violon, alto, violoncelle
21
2 Violons (duo)
19
Violoncelle
11
2 Altos (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
2 Harpes (duo)
10
Harpe, Violon (duo)
6
4 Violoncelles
6
Harpe, Violoncelle (duo)
6
Alto seul
5
Alto et Harpe
5
Violon (partie séparée)
4
Harpe, Voix
4
Trio à cordes
3
Contrebasse, Piano (duo)
3
Violoncelle (partie séparée)
3
Quatuor à cordes: 4 violons
3
Violoncelle, Orgue
3
Trio à Cordes: 3 violoncelles
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Guitare (duo)
2
Violon, Basson (duo)
2
Contre Basse
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Trombone (duo)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Quatuor à cordes : 4 altos
1
Autoharp
1
2 Violons, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 altos
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Cloches
243
Orchestre d'harmonie
81
Ensemble de cuivres
54
Orchestre
52
Orchestre à Cordes
37
Ensemble Jazz
24
Orchestre de chambre
15
Jazz combo
6
Marimba
5
Percussion (partie séparée)
3
Vibraphone
2
Timbales
1
+ 7 instrumentations
Retracter
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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Vous avez sélectionné:
Can Hymn Sacred
Partitions à imprimer
9 339 partitions trouvées
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9326
Cello - "And Can It Be?" Theme and Variations
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Cello - "And Can It Be?&q
#
Dan Cutchen Music
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
£4.63
Tuba solo - "And Can It Be?" Theme and Variations
#
Tuba
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Tuba solo - "And Can It B
#
Dan Cutchen Music
#
SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
£4.63
Alto Sax - "And Can It Be?" Theme and Variations
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Alto Sax - "And Can It Be
#
Dan Cutchen Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
£5.40
Americana
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Gilbert M
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Americana
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1105S Organ Settings Of Early American Hymns. Composed by Gilbert M. Martin. Sacred, General, Hymn-Based ...
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Organ: 3-staff - Intermediate SKU: LO.70-1105S Organ Settings Of Early American Hymns. Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1105S. Published by Sacred Music Press (LO.70-1105S). UPC: 000308030570.The tunes from our earliest Americana hymnals continue to find their way into the hymnals of today. To enhance this tradition, we offer a worthy new collection of early tunes in varied and colorful settings for organ. All of the pieces are quite easy, and each will serve the needs of the busy church organist. Suggestions are given in the Foreword for programming titles in printed programs.
Song List
: Dove of Peace Davis Cleansing Fountain Charlestown Lord Revive Us Distress Beach Spring Morning Song Liverpool
$25.00 ≈
£19.28
Amazing Grace Popular Christian Hymns for Beginner Piano
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Piano Facile
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DÉBUTANT
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Musique Sacrée
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Amazing Grace Popular Christia
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SilverTonalities
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Amazing Grace Popular Christia
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1438310 By Amazing Grace Popular Christian Hymns for Beginner Piano. By Traditional Hymns. Arranged by SilverTonalities. ...
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Easy Piano - Level 1 - SKU: A0.1438310 By Amazing Grace Popular Christian Hymns for Beginner Piano. By Traditional Hymns. Arranged by SilverTonalities. Christian,Instructional,Praise & Worship,Sacred. Score. 33 pages. SilverTonalities #1018335. Published by SilverTonalities (A0.1438310). Christians SeriesPopular Hymns for Beginner Pianists by SilverTonalities!Letter Names Embedded in Noteheads to Enable Quick and Accurate Reading!PREVIEW, pages 1-2THOU WHO ONCE ON MOTHER’S KNEE, originating from an old German Folk Song, pages 3-4JESUS TENDER SHEPHERD HEAR ME, an Evening Prayer written in 1839 by Mary Lundie Duncan, pages 5-7 LORD THIS DAY THE CHILDREN MEET, by the Anglican Bishop, William Walshman How, pages 8-9FATHER BLESS OUR SCHOOL TODAY, a 1912 Sunday School Hymn with German origins, pages 10-12 I THINK WHEN I READ THAT SWEET STORY OF OLD, a popular Children’s Hymn by William B. Bradbury, written in 1859, pages 13-15JACOB’S LADDER is and African American Spiritual, also known as “We Are Climbing Jacob’s Ladder, pages 16-19OUR BEAUTIFUL EARTH, is a Traditional Hymn which was translated from German, pages 20-21AMAZING GRACE, is the popular Anglican Hymn, originally published in 1779, pages 22-23TEACH US TO PRAY, published by Lowell Mason, who was known as “The Father of American Church Music, pages 24-26TWO LITTLE HANDS, written in 1878 by the American Teacher and Composer, William Augustine Ogden, pages 27-31.
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£7.71
An American Hymn Tune Sampler
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Bernard Wayne Sanders
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An American Hymn Tune Sampler
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-2017S Composed by Bernard Wayne Sanders. Sacred. Sacred Music Press #70/2017S. Published by Sacred Music Press (...
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Organ: 3-staff - Intermediate SKU: LO.70-2017S Composed by Bernard Wayne Sanders. Sacred. Sacred Music Press #70/2017S. Published by Sacred Music Press (LO.70-2017S). ISBN 9780787752576.For this offering, Bernard Wayne Sanders set ten of the most beloved American folk hymns found in hymnals. Well known for his creative and imaginative approach to writing hymn preludes, Sanders often finds an unexpected, yet thoroughly satisfying, way of treating a familiar melody. This stunning book provides an entire collection of this fresh perspective.
Song List
: Resignation Middlebury Nettleton Foundation Detroit Wedlock Consolation Land of Rest Wondrous Love Kedron
$28.00 ≈
£21.60
Americana, Volume 2
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Orgue
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INTERMÉDIAIRE
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Gilbert M
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Americana, Volume 2
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1490S Organ Settings of Early American Hymns. Composed by Gilbert M. Martin. Sacred, General, Hymn-Based ...
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Organ: 3-staff - Intermediate SKU: LO.70-1490S Organ Settings of Early American Hymns. Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1490S. Published by Sacred Music Press (LO.70-1490S). UPC: 000308104271.The utter charm, simple allure and inherent melodiousness of early American hymn tunes are realized in this delightful second volume of organ settings, arranged by one of America's leading composers. Mr. Martin has captured the glorious and vigorous energy of RESTORATION and SALVATION, reined in the unaffected straight-forwardness of WEDLOCK, PISGAH and PEACE, and skillfully wrapped the native, lyric beauty of LAND OF REST, BEGONE, UNBELIEF and PROMISED LAND with his musical mastery. An excellent assortment of preludes, offertories and postludes for many worship-filled moments and festive occasions.
Song List
: Promised Land Pisgah Restoration Wedlock Begone Unbelief Salvation Peace Land of Rest
$25.00 ≈
£19.28
Creative Hymn Accompaniments For Organ, Vol. 1
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Orgue
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INTERMÉDIAIRE
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Gerhard Krapf
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Creative Hymn Accompaniments F
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.KK519 Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #KK519. Published by Sa...
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Organ: 3-staff - Intermediate SKU: LO.KK519 Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #KK519. Published by Sacred Music Press (LO.KK519). UPC: 000308013337.Congregational singing often becomes monotonous and prosaic when unrelieved four-part harmony from the hymnal is used for every stanza. Creative Hymn Accompaniments can greatly enhance the vitality of well-known tunes, especially those with many stanzas. Each setting is playable on one or two manuals, allowing the organist to play the melody on a solo stop when desired. These accompaniments avoid extreme departures from traditional harmonies and instead provide alterations which will add interest and variety. 40 pages.
Song List
: Regent Square Herr Jesu Christ, dich zu uns wend Hymn to Joy Kremser Lancashire Lasst uns erfreuen Lauda Anima Llanfair Marion St. Catherine St. George's Windsor Gethsemane Praise, My Soul Coronation Ton-Y-Botel Gaudeamus pariter Aurelia Cwm Rhondda Diademata Wachet Auf Psalm 42 Dix Ebenezer Ein Feste Burg Windsor Es ist ein Ros Freu dich sehr Festal Song Aberystwyth Stuttgart Dundee Webb Morning Light Hyfrydol Old Hundredth
$33.00 ≈
£25.46
Festive Hymn Introductions for Organ
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Orgue
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INTERMÉDIAIRE
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Dale Wood
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Festive Hymn Introductions for
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1140S 37 Settings For Organ. Composed by Dale Wood. Sacred, General, Hymn-Based Collection. Sacred Music ...
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Organ: 3-staff - Intermediate SKU: LO.70-1140S 37 Settings For Organ. Composed by Dale Wood. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1140S. Published by Sacred Music Press (LO.70-1140S). UPC: 000308034240.Well-known hymns can be made to sparkle when introduced with fresh, creative organ intonations. The hymn introductions in this versatile collection are filled with colorful harmonies and vitality. The tunes are always prominent, and the introductions generate enthusiastic attention from the singers as they prepare to unite in song. Many of the settings can be used as free harmonizations for congregation singing; shorter introductions can also be used as interludes between stanzas.
Song List
: Diademata Duke Street Easter Hymn Foundation Holy Manna Hyfrydol In dulci jubilo Italian Hymn Laudes Domini Laast Uns Erfreuen Lobe Den Herren McKee Nicaea Nun danket alle Gott Royal Oak Old Hundredth Slane St Denio St Anne Ash Grove The In Babilone Mit Freuden Zart Nettleton St Christopher St Columba Terra Patris Maryton Bradbury Bereden vag for herran Sacred Song Marion Brother James Air Aurelia Darwalls 148th Bunessan Coronation Cwm Rhondda
$28.00 ≈
£21.60
Creative Hymn Accompaniments for Organ, Vol. 3
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Gerhard Krapf
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Creative Hymn Accompaniments f
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Sacred Music Press
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Organ: 3-staff - Intermediate SKU: LO.70-1108S Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1108S. Published...
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Organ: 3-staff - Intermediate SKU: LO.70-1108S Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1108S. Published by Sacred Music Press (LO.70-1108S). UPC: 000308030761.Volumes 1 and 2 of these hymn harmonizers have met with wide acceptance, and we are pleased to now offer an additional 27 new settings in Volume 3. The accompaniments avoid extreme departures from hymnal harmonizations, and instead provide pleasing alterations which enhance the vitality of congregational song. Each setting id playable on one or two manuals, allowing the organist to play the melody on a solo register when desired. A master index f.
Song List
: Candler Grafenberg Greensleeves Herzliebster Jesu Jesu meine Freude Land of Rest Laudes Domini Morning Song Kings Weston Leoni Liebster Jesu Mit Freuden Zart Munich Nun danket alle Gott O Filii Et Filliae O Welt ich muss dich lassen Ash Grove The Sacred Song Tuolumne Warum sollt ich Was Gott tut Wojtkiewiecz America Ar hyd y nos Beach Spring Besancon Crusaders Hymn
$25.00 ≈
£19.28
Hymnworks for Handbells & Handchimes
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Hymnworks for Handbells &
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SheetMusicPlus
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Song List (10) Lasst uns erfreuen Promised Land Puer nobis St. Clement Slane Veni Emmanuel New Britain Easter Hymn Hyfrydol How Can I Keep From Singing Reviews Don't miss out! Access exclusive content and coupons, and be the first to know about new releases
Song List
: Lasst uns erfreuen Promised Land Puer nobis St. Clement Slane Veni Emmanuel New Britain Easter Hymn Hyfrydol How Can I Keep From Singing
$19.95 ≈
£15.39
Three Preludes on American Hymns
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Robert Lau
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Three Preludes on American Hym
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1401S Composed by Robert Lau. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1401S. Published by...
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Organ: 3-staff - Intermediate SKU: LO.70-1401S Composed by Robert Lau. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1401S. Published by Sacred Music Press (LO.70-1401S). UPC: 000308063707.In a simple yet quite artistic style, Robert Lau has handsomely set three beloved American hymn tunes. Each is adroitly fashioned using contrasting compositional methods resulting in a practical collection in which each piece comfortably stands alone or as part of a suite of hymns. Whatever its ultimate use, these attractive settings will be a welcome addition to any organist's repertoire.
Song List
: Come Thou Fount of Every Blessing My Lord What A Morning Tis The Gift To Be Simple
$25.00 ≈
£19.28
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
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Noël
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Felix Mendelssohn / W
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Todd Marchand
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Hark! The Herald Angels Sing &
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Con Spirito Music
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SheetMusicPlus
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Ch...
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
£19.28
Canticles in Candlelight (Chamber Orchestra) (13-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Henry S
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Canticles in Candlelight
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.293465 By Henry S. Coffin (v. 3,4). By Joseph M. Martin. Advent,Carol,Hymn,Sacred. Choral Instrumental Pak. 51 pages. Hal Leonard - Digital #286...
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SKU: HX.293465 By Henry S. Coffin (v. 3,4). By Joseph M. Martin. Advent,Carol,Hymn,Sacred. Choral Instrumental Pak. 51 pages. Hal Leonard - Digital #28676. Published by Hal Leonard - Digital (HX.293465).
Digital Pack includes
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Canticles in Candlelight - Score
Canticles in Candlelight - Flute
Canticles in Candlelight - Oboe
Canticles in Candlelight - Clarinet
Canticles in Candlelight - Bb Trumpet 1,2
Canticles in Candlelight - F Horn
Canticles in Candlelight - Trombone
Canticles in Candlelight - Percussion
Canticles in Candlelight - Piano
Canticles in Candlelight - Violin 1 & 2
Canticles in Candlelight - Viola
Canticles in Candlelight - Cello
Canticles in Candlelight - Keyboard String Reduction
$200.00 ≈
£154.28
Guthrie: 18 Descants for Trumpet & Organ
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Trompette, Piano
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Traditional
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James M
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Guthrie: 18 Descants for Trump
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.1317913 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Traditional....
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.1317913 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Traditional. Score and part. 12 pages. Jmsgu3 #906595. Published by jmsgu3 (A0.1317913). Instrumental descants are useful in hymn playing as they add variety and interest to the music, and they can be used to enhance any piece of music if done correctly. An instrumental descant is a counter melody usually pitched higher than the hymn's. It is played by an instrument, usually a trumpet or a flute, with organ accompaniment. The usual form for these instrumental postludes is to play the hymn melody once through and then to play the descant. An instrumental descant always enlivens the singing of hymns, and this volume promises practicality, variety, and well-crafted countermelodies to do just that. The term descant is used to describe a countermelody, generally at a higher pitch than the main melody, and it is typically sung in the final or penultimate verse of a hymn. Although the English Hymnal of 1906 omitted descants, this influential hymnal served as a source of tunes for which the earliest known hymn tune descants were published. Among composers of descants from 1915 to 1934 were Alan Gray, Geoffrey Shaw, and Ralph Vaughan Williams.
$32.95 ≈
£25.42
Organ Book of American Folk Hymns
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Orgue
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Dale Wood
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Organ Book of American Folk Hy
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.KK189 Composed by Dale Wood. Sacred, General, Hymn-Based Collection. Sacred Music Press #KK189. Published by Sacred...
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Organ: 3-staff - Intermediate SKU: LO.KK189 Composed by Dale Wood. Sacred, General, Hymn-Based Collection. Sacred Music Press #KK189. Published by Sacred Music Press (LO.KK189). UPC: 000308010961.
Song List
: Antioch Wondrous Love Middlebury Variations on a Hymn for Lent Pisgah The Saints' Delight Sons of Sorrow
$28.00 ≈
£21.60
Three Evening Canticles — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Three Evening Canticles &mdash
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Pub...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00 ≈
£2.31
How Can It Be (20-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Charles Wesley, Jason Ingram,
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Heather Sorenson
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How Can It Be
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.323765 By Charles Wesley, Jason Ingram, Jeff Johnson, Lauren Daigle, and Paul Mabury. Arranged by Heather Sorenson. This edition: scorch. Christ...
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SKU: HX.323765 By Charles Wesley, Jason Ingram, Jeff Johnson, Lauren Daigle, and Paul Mabury. Arranged by Heather Sorenson. This edition: scorch. Christian,Easter,Festival,Hymn,Sacred. Choral Instrumental Pak. 7 pages. Hal Leonard - Digital #27130. Published by Hal Leonard - Digital (HX.323765).
Digital Pack includes
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How Can It Be - Full Score
How Can It Be - Flute
How Can It Be - Oboe
How Can It Be - Bb Clarinet
How Can It Be - Bb Trumpet 1
How Can It Be - Bb Trumpet 2,3
How Can It Be - F Horn
How Can It Be - Trombone 1 & 2
How Can It Be - Trombone 3/Tuba
How Can It Be - Percussion
How Can It Be - Rhythm
How Can It Be - Violin 1
How Can It Be - Violin 2
How Can It Be - Viola
How Can It Be - Cello
How Can It Be - Double Bass
How Can It Be - Alto Sax (sub. Horn)
How Can It Be - Tenor Sax (sub. Tbn 2)
How Can It Be - Bass Clarinet (sub. Tuba)
How Can It Be - Keyboard String Reduction
$75.00 ≈
£57.85
A Festival of Hymns -- The Writers Tell Their Stories
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Chorale SATB
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Musique Sacrée
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Hal H
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Choral Worship Cantata
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A Festival of Hymns -- The Wri
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H. W. Gray
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SheetMusicPlus
Choir Sacred (SATB choir) - SKU: JX.00-GBM0001 SATB. Composed by Hal H. Hopson. Choral (Sacred); Choral Worship Cantata; Larger Works; Performanc...
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Choir Sacred (SATB choir) - SKU: JX.00-GBM0001 SATB. Composed by Hal H. Hopson. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. H. W. Gray. Hymn; Sacred. Score. 97 pages. H. W. Gray #00-GBM0001. Published by H. W. Gray (JX.00-GBM0001). English.In the same tradition as his popular A Festival of Lessons and Carols and Tenebrae: A Service of Darkness, Hopson has created a unique festival service featuring hymn writers through the ages. This is an historical overview of hymnody, featuring eleven significant hymn writers, from fourth-century Bishop Ambrose through twentieth-century Sydney Carter, telling their own stories in the first person.
$10.99 ≈
£8.48
Away in a Manger and What Child Is This - Flute descants with interlude
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Flûte traversière
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FACILE
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Noël
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English ballad and James R
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Diana Meux
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Away in a Manger and What Chil
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Download Church Music
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.1141976 Composed by English ballad and James R. Murray. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Indiv...
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Flute Solo - Level 2 - SKU: A0.1141976 Composed by English ballad and James R. Murray. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742353. Published by Download Church Music (A0.1141976). Two different flute descants for the Christmas hymns Away in a Manger and What Child Is This, with an interlude that connects the hymns, modulating from the key of F major for Away in a Manger to the key of E minor for What Child Is This. Away in a Manger descant is for the AWAY IN A MANGER tune by James R. Murray and is based on the other hymn tune CRADLE SONG by William J. Kirkpatrick. What Child Is This descant is for the traditional GREENSLEEVES tune. Use hymnal or other source for accompaniment; descants for the hymns fit Lutheran Service Book (LSB) and Lutheran Book of Worship (LBW) settings, as well as the Lutheran Worship (LW) setting of What Child Is This. Descants may also fit other hymnal settings. Example: For Christmas Eve or Service of Lessons and Carols, sing the first stanza of each hymn after the reading Luke 2:6-7, with flute solo interlude, such as: - Luke 2:6-7 reading - Hymn: Away in a Manger, stanza 1 (or stanzas 1 and 3, using descant stanza 3) - Flute solo interlude - Hymn: What Child Is This, stanza 1 Or use descants separately and omit interlude.
$2.25 ≈
£1.74
A Mighty Fortress Is Our God (with "Canon in D") (8-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Musique Sacrée
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Lanny Allen
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A Mighty Fortress Is Our God
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Hal Leonard - Digital
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SheetMusicPlus
Choral - SKU: HX.463162 Arranged by Lanny Allen. This edition: scorch. Hymn,Sacred. Choral Instrumental Pak. 3 pages. Duration 305. Hal Leonard - Digita...
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Choral - SKU: HX.463162 Arranged by Lanny Allen. This edition: scorch. Hymn,Sacred. Choral Instrumental Pak. 3 pages. Duration 305. Hal Leonard - Digital #318762. Published by Hal Leonard - Digital (HX.463162).
Digital Pack includes
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A Mighty Fortress Is Our God (with "Canon in D") - Piccolo Trumpet
A Mighty Fortress Is Our God (with "Canon in D") - Full Score
A Mighty Fortress Is Our God (with "Canon in D") - Trumpet (sub. Pic. Trumpet)
A Mighty Fortress Is Our God (with "Canon in D") - Viola
A Mighty Fortress Is Our God (with "Canon in D") - Violin 1
A Mighty Fortress Is Our God (with "Canon in D") - Double Bass
A Mighty Fortress Is Our God (with "Canon in D") - Violin 2
A Mighty Fortress Is Our God (with "Canon in D") - Cello
$40.00 ≈
£30.86
A Treasury of Hymn Settings for Organ
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Orgue
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INTERMÉDIAIRE
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Gilbert M
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A Treasury of Hymn Settings fo
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1447S Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1447S. Publi...
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Organ: 3-staff - Intermediate SKU: LO.70-1447S Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1447S. Published by Sacred Music Press (LO.70-1447S). UPC: 000308071115.Whatever the reason, whatever the application, whether for a specific theme for worship or for pleasure at home, this organ collection is filled with magnificent arrangements of beloved hymn melodies, favorites of performers and listeners alike. A glorious and ravishing addition to every organist's library featuring a veritable who's who of composers for organ.
Song List
: Prelude on an American Folk Melody Meditation on Arlington Prelude on Guidance Prelude on Heinlein Steal Away Fantasia on Old Hundredth Blessed Assurance Jesus Is Mine Bread Of Heaven On Thee We Feed Variations on a Hymn for Lent
$25.00 ≈
£19.28
O Little Town of Bethlehem and Once in Royal David's City - Clarinet descants
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Clarinette
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FACILE
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Noël
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Henry John Gauntlett and Louis
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Diana Meux
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O Little Town of Bethlehem and
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Download Church Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1142137 Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holid...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1142137 Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742511. Published by Download Church Music (A0.1142137). Two different Bb clarinet descants for the Christmas hymns O Little Town of Bethlehem and Once in Royal David’s City, including intro and interlude that connects the hymns. For concert key of F major. Based on the tunes ST. LOUIS by Lewis H. Redner and IRBY by Henry J. Gauntlett. 1 page (file is 2 pages; first is sample page). Use hymnal or other source for accompaniment. Descants for both hymns fit Lutheran Worship (LW) settings, and Lutheran Service Book (LSB) provided the C is changed to C# in measure 36:4. “O Little Town of Bethlehem†also fits the Lutheran Book of Worship (LBW) setting. Descants may also fit other hymnal settings. Example: For Christmas Eve or Service of Lessons and Carols, sing the first stanza of each hymn after the reading Luke 2:1-4, with clarinet playing solo intro, descants, and solo interlude, such as: - Reading: Luke 2:1-4 - Clarinet solo intro - Hymn: O Little Town of Bethlehem, stanza 1 [with descant] - Clarinet solo interlude - Hymn: Once in Royal David’s City, stanza 1 [with descant] Or use descants separately and omit interlude.
$2.25 ≈
£1.74
O Little Town of Bethlehem and Once in Royal David's City - Flute/Violin descants
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Flûte traversière
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FACILE
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Noël
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Henry John Gauntlett and Louis
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Diana Meux
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O Little Town of Bethlehem and
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Download Church Music
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.1142141 Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred....
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Flute Solo - Level 2 - SKU: A0.1142141 Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742516. Published by Download Church Music (A0.1142141). Two different flute or violin descants for the Christmas hymns O Little Town of Bethlehem and Once in Royal David’s City, including intro and interlude that connects the hymns. Based on the tunes ST. LOUIS by Lewis H. Redner and IRBY by Henry J. Gauntlett. 1 page (file is 2 pages; first is sample page). Use hymnal or other source for accompaniment. Descants for both hymns fit Lutheran Worship (LW) settings, and Lutheran Service Book (LSB) provided the Bb is changed to B natural in measure 36:4. “O Little Town of Bethlehem†also fits the Lutheran Book of Worship (LBW) setting. Descants may also fit other hymnal settings. Example: For Christmas Eve or Service of Lessons and Carols, sing the first stanza of each hymn after the reading Luke 2:1-4, with flute and/or violin playing solo intro, descants, and solo interlude, such as: - Reading: Luke 2:1-4 - Flute/violin solo intro - Hymn: O Little Town of Bethlehem, stanza 1 [with descant] - Flute/violin solo interlude - Hymn: Once in Royal David’s City, stanza 1 [with descant] Or use descants separately and omit interlude.
$2.25 ≈
£1.74
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