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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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PIANO & CLAVIERS
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13
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1
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1
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4
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1
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1
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Vous avez sélectionné:
Four sketches for solo piano
Partitions à imprimer
21 partitions trouvées
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1
Four sketches for solo piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.988154 Composed by Claudio Ferrara.…
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Piano Solo - Level 4 - Digital Download SKU: A0.988154 Composed by Claudio Ferrara. 20th Century,Contemporary. Score. 14 pages. Claudio Ferrara #6040575. Published by Claudio Ferrara (A0.988154). Four short sketches for solo piano:1. La pluie2. Chimes3. Longing4. Children's dance.
£4.18
$5.00
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Piano seul
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Claudio Ferrara
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Four sketches for solo piano
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Claudio Ferrara
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SheetMusicPlus
Four Sketches for Trombone & Piano - 2. Trombeguine
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.991548 Composed by Michael West…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.991548 Composed by Michael West. Instructional. Score and part. 6 pages. Michael West #3004307. Published by Michael West (A0.991548). Notes:- These little pieces in semi-popular or swing mode are intended for the young player. They pre-suppose a limited range [a partly chromatic 9th], and they contain only a few 6th position low C’s, and few if any awkward shifts. Dynamic changes are few and once the basic rhythms have been mastered, are effective concert pieces. Audio mp3’s both with and without solo line are included for practice and performance if an accompanist is not available (MW) © Copyright 2016 West Music All Rights Reserved.
£3.34
$4.00
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Trombone et Piano
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Michael West
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Four Sketches for Trombone & Piano - 2. Trombeguine
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Michael West
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SheetMusicPlus
Four Sketches for Trombone & Piano - 4. Mexicanabone
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.991550 Composed by Michael West…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.991550 Composed by Michael West. Instructional. Score and part. 7 pages. Michael West #3004311. Published by Michael West (A0.991550). Notes:- These little pieces in semi-popular or swing mode are intended for the young player. They pre-suppose a limited range [a partly chromatic 9th], and they contain only a few 6th position low C’s, and few if any awkward shifts. Dynamic changes are few and once the basic rhythms have been mastered, are effective concert pieces. Audio mp3’s both with and without solo line are included for practice and performance if an accompanist is not available (MW) © Copyright 2016 West Music All Rights Reserved.
£3.34
$4.00
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Trombone et Piano
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Michael West
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Four Sketches for Trombone & Piano - 4. Mexicanabone
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Michael West
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SheetMusicPlus
Four Sketches for Trombone & Piano - 3. Tromblues
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.991549 Composed by Michael West…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.991549 Composed by Michael West. Instructional. Score and part. 6 pages. Michael West #3004309. Published by Michael West (A0.991549). Notes:- These little pieces in semi-popular or swing mode are intended for the young player. They pre-suppose a limited range [a partly chromatic 9th], and they contain only a few 6th position low C’s, and few if any awkward shifts. Dynamic changes are few and once the basic rhythms have been mastered, are effective concert pieces. Audio mp3’s both with and without solo line are included for practice and performance if an accompanist is not available (MW) © Copyright 2016 West Music All Rights Reserved.
£3.34
$4.00
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Trombone et Piano
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Michael West
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Four Sketches for Trombone & Piano - 3. Tromblues
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Michael West
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SheetMusicPlus
Four Sketches for Trombone & Piano - 1. Trombounce
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.991547 Composed by Michael West…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.991547 Composed by Michael West. Instructional. Score and part. 10 pages. Michael West #3004305. Published by Michael West (A0.991547). Notes:- These little pieces in semi-popular or swing mode are intended for the young player. They pre-suppose a limited range [a partly chromatic 9th], and they contain only a few 6th position low C’s, and few if any awkward shifts. Dynamic changes are few and once the basic rhythms have been mastered, are effective concert pieces. Audio mp3’s both with and without solo line are included for practice and performance if an accompanist is not available (MW) © Copyright 2016 West Music All Rights Reserved.
£3.34
$4.00
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Trombone et Piano
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Michael West
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Four Sketches for Trombone & Piano - 1. Trombounce
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Michael West
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SheetMusicPlus
Four Sketches for Tuba
Tuba et Piano
Piano,Tuba - Level 5 - Digital Download SKU: A0.871095 Composed by Paul Jones. 20th…
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Piano,Tuba - Level 5 - Digital Download SKU: A0.871095 Composed by Paul Jones. 20th Century,Concert,Contemporary. Score and part. 22 pages. Paul S. Jones #3560479. Published by Paul S. Jones (A0.871095). A tonal, colorful work for solo tuba and piano in four short movements (Folk Song, Elegy, Hymne, Finale) each with a distinct character. Every tuba player will want this lyrical, varied piece in their repertoire. Perfect for recitals and concerts to balance some of the tuba's more avant-garde literature. Length: 10 minutes.
£14.21
$17.00
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Tuba et Piano
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Paul Jones
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Four Sketches for Tuba
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Paul S. Jones
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SheetMusicPlus
Four Sketches for Clarinet and Piano
Clarinette et Piano
Clarinet,Piano - Digital Download SKU: A0.1020103 Composed by Charles Edward Holmes…
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Clarinet,Piano - Digital Download SKU: A0.1020103 Composed by Charles Edward Holmes. Contemporary. Score and part. 25 pages. Charles Edward Holmes #4895261. Published by Charles Edward Holmes (A0.1020103). Piece for solo clarinet with piano accompaniment. Suitablefor solo and ensemble competitions. Moderately difficult.
£11.66
$13.95
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Clarinette et Piano
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Charles Edward Holmes
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Four Sketches for Clarinet and Piano
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Charles Edward Holmes
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SheetMusicPlus
Seven Sketches
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1089752 Composed by Robert A. Howar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1089752 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 21 pages. Robert A. Howard #693959. Published by Robert A. Howard (A0.1089752). This is the complete set of Sketches I-VII, that each elaborate upon ideas previously left dormant in sketch form. The first piece has a slow introductory feel, with a rising added-note chord sequence alongside a descending bass line, in crescendo. The second piece is based on a 7-bar ground bass (rising a minor third each time), that features considerable textural variation on each cycle, and culminates in a 3-part canon. The third piece explores the whole range of the piano in varied statements of a 10-bar semiquaver toccata theme, featuring canons and a superimposed scotch-snap theme. The fourth piece is cumulative, in four sections, and gradually descends in pitch by alternating hands in a minimalist build up of motifs, each followed by a chordal refrain. The fifth piece gradually builds up a right hand melody over various syncopated harmonies and appoggiaturas, before inverting the role of the hands. The sixth piece is a simple cycle of ascending repetitions of a 10-bar added-note chord sequence, with octave bass line, that rise by a perfect fifth each time. The seventh piece is a varied repetition of the opening movement (thus framing the cycle), with the initial chord sequence now arpeggiated, and with a fuller texture. The cycle is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Individual pieces from this Sketch cycle are also available separately, via Sheet Music Plus. Duration: 18 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
£10.02
$11.99
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Piano seul
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Robert A
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Seven Sketches
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Robert A. Howard
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SheetMusicPlus
Sketches for piano No.2 (4 pieces)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1359756 By Masakazu YAMAMOTO. By Ma…
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Piano Solo - Level 3 - Digital Download SKU: A0.1359756 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Holiday,Instructional. Score. 11 pages. Motch Music #944233. Published by Motch Music (A0.1359756). Original work by Masakazu Yamamoto.A set of pieces written in an improvisational style.Each piece possesses a calm and serene atmosphere, and within a flexible tempo, they are composed around the central theme of light.Performers are encouraged to freely play these pieces, either individually or as a complete set of four. Technically, they are not challenging, but the key lies in the use of pedaling and the softness of the tone.1. Seeing2. Tamashizume (Small Requiem)3. With The Horizon4. Reborn(Each song can also be purchased individually) Works For Piano Original Composition (Sheet Music Plus / Sheet Music Direct)→Music For Children (Sheet Music Plus / Sheet Music Direct) ​Arrangement (Sheet Music Plus / Sheet Music Direct)→Christmas Arrangement (Sheet Music Plus / Sheet Music Direct) Music Analysis (Sheet Music Plus / Sheet Music Direct) ----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
£10.03
$12.00
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Piano seul
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Masakazu YAMAMOTO
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Sketches for piano No.2
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Motch Music
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SheetMusicPlus
Elegy
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.991554 Composed by Robert Dusek. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.991554 Composed by Robert Dusek. Concert,Contemporary,Standards. Score. 5 pages. DaCapo, LLC #3009877. Published by DaCapo, LLC (A0.991554). Elegy is the last of four pieces for solo piano in the collection Spring Sketches. Appropriate for the late intermediate pianist, Elegy and the other solos in Spring Sketches fit the category of sounds hard but is easy to learn.
£4.17
$4.99
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Piano seul
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Robert Dusek
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Elegy
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DaCapo, LLC
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SheetMusicPlus
A Game
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.991555 Composed by Robert Dusek. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.991555 Composed by Robert Dusek. Concert,Contemporary,Standards. Score. 5 pages. DaCapo, LLC #3009875. Published by DaCapo, LLC (A0.991555). A Game is the third of four pieces for solo piano in the collection Spring Sketches. Appropriate for the late intermediate pianist, A Game and the other solos in Spring Sketches fit the category of sounds hard but is easy to learn.
£4.17
$4.99
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Piano seul
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Robert Dusek
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A Game
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DaCapo, LLC
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SheetMusicPlus
Lullaby
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.991553 Composed by Robert Dusek. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.991553 Composed by Robert Dusek. Concert,Contemporary,Standards. Score. 3 pages. DaCapo, LLC #3009873. Published by DaCapo, LLC (A0.991553). Lullaby is the second of four pieces for solo piano in the collection Spring Sketches. Appropriate for the late intermediate pianist, Lullaby aand the other solos in Spring Sketches fit the category of sounds hard but is easy to learn.
£4.17
$4.99
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Piano seul
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Robert Dusek
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Lullaby
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DaCapo, LLC
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SheetMusicPlus
Nightscape
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.991552 Composed by Robert Dusek. Co…
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Easy Piano - Level 3 - Digital Download SKU: A0.991552 Composed by Robert Dusek. Concert,Contemporary,Standards. Score. 6 pages. DaCapo, LLC #3009871. Published by DaCapo, LLC (A0.991552). Nightscape is the first of four pieces for solo piano in the collection Spring Sketches. Appropriate for the late intermediate pianist, Nightscape along with the other solos in Spring Sketches fit the category of sounds hard but is easy to learn.
£4.17
$4.99
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Piano Facile
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Robert Dusek
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Nightscape
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DaCapo, LLC
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SheetMusicPlus
Nocturne for violin and orchestra
Orchestre, Violon
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
£16.71
$19.99
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Orchestre, Violon
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Nocturne for violin and orchestra
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Schott Music - Digital
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SheetMusicPlus
Four Sketches for Piano
Piano seul
By Timothy H. Rogers. For Piano. Instructional, Children's Music. Intermediate. Sheet…
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By Timothy H. Rogers. For Piano. Instructional, Children's Music. Intermediate. Sheet Music Single. Published by Timothy H. Rogers
£4.18
$5.00
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Piano seul
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Timothy H
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Four Sketches for Piano
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Timothy H. Rogers
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SheetMusicPlus
Balta ainava
Piano seul
Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris…
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Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration 7 minutes. Schott Music - Digital #Q12485. Published by Schott Music - Digital
Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.<br> <br> "I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."<br> <br> The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.<br> <br> In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.<br> <br> Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.<br> <br> Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.<br> <br> Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."<br> <br> Christoph Schluren<br> <br> Translation: John Patrick Thomas and W. Richard RievesPeteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.<br> <br> "I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."<br> <br> The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.<br> <br> In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.<br> <br> Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.<br> <br> Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.<br> <br> Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."<br> <br> Christoph Schluren<br> <br> Translation: John Patrick Thomas and W. Richard Rieves
£9.19
$10.99
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Piano seul
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Peteris Vasks (1946-)
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Balta ainava
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Schott Music - Digital
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SheetMusicPlus
Pomp and Circumstance
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1238156 By Fabio Eduardo de Oliveir…
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Piano Solo - Level 1 - Digital Download SKU: A0.1238156 By Fabio Eduardo de Oliveira. By Edward Elgar. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score. 2 pages. Fabio Eduardo #833627. Published by Fabio Eduardo (A0.1238156). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadThe Pomp and Circumstance Marches (full title Pomp and Circumstance Military Marches), Op. 39, are a series of five (or six) marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions.
£1.66
$1.99
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Piano seul
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Pomp and Circumstance
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Fabio Eduardo
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SheetMusicPlus
Preludes
Piano seul
Piano - intermediate to difficult - Digital Download SKU: S9.Q43078 Volume II
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Piano - intermediate to difficult - Digital Download SKU: S9.Q43078 Volume II. Composed by Renato de Grandis. This edition: single sheet. Downloadable, Separate edition. Op. 2. Duration 32 minutes. Schott Music - Digital #Q43078. Published by Schott Music - Digital (S9.Q43078). The 48 Preludes by the Venetian composer Renato de Grandis (1927-2008) were composed, largely, between 1998-2002. It was only subsequently that he arranged them into 4 cycles of 12 preludes, drawing also from earlier compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or by natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice.The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cycle.
£21.72
$25.99
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Piano seul
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Renato de Grandis
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Preludes
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Schott Music - Digital
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SheetMusicPlus
Preludes
Piano seul
Piano - intermediate to difficult - Digital Download SKU: S9.Q24704 Volume I…
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Piano - intermediate to difficult - Digital Download SKU: S9.Q24704 Volume I. Composed by Renato de Grandis. This edition: single sheet. Downloadable, Separate edition. Op. 1. Duration 42 minutes. Schott Music - Digital #Q24704. Published by Schott Music - Digital (S9.Q24704). The 48 Preludes by the Venetian composer Renato de Grandis (1927-2008) were composed, largely, between 1998-2002. It was only subsequently that he arranged them into 4 cycles of 12 preludes, drawing also from earlier compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or by natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice.The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cycle.
£21.72
$25.99
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Piano seul
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Renato de Grandis
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Preludes
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Schott Music - Digital
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SheetMusicPlus
Four Musical Sketches For Piano, A Patchwork Of Shadows
Piano seul
By Katharine Parker. For piano. Classical. 4 pages. Published by Hal Leonard - Digital She…
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By Katharine Parker. For piano. Classical. 4 pages. Published by Hal Leonard - Digital Sheet Music
£4.17
$4.99
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Piano seul
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Katharine Parker
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Four Musical Sketches For Piano, A Patchwork Of Shadows
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Vasaras vakara mūzika
Piano seul
Piano - advanced - Digital Download SKU: S9.Q7264 (Music for a Summer Evening)
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Piano - advanced - Digital Download SKU: S9.Q7264 (Music for a Summer Evening). Composed by Peteris Vasks. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q7264. Published by Schott Music - Digital (S9.Q7264). PÄ“teris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia; he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature. “I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various; we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic.†In 2009, as a kind of “encoreâ€, Vasks wrote Vasaras vakara mÅ«zika –Music for a Summer Evening based on old sketches and therefore rather strongly anchored in tradition. Vasks says: “It describesthe quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences rise. With the memories’ appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: ‘We have survived the time of tyranny and have kept our identity’. The ending is quiet, everything is asleep.“ (Christoph SchlürenTranslation: John Patrick Thomas and W. Richard Rieves).
£11.69
$13.99
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Piano seul
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Peteris Vasks
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Vasaras vakara mūzika
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Schott Music - Digital
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SheetMusicPlus
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