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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gentle adagio
Partitions à imprimer
22 partitions trouvées
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1
Adagio Cantabile
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1240833 Composed by Giuse…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1240833 Composed by Giuseppe Tartini. Arranged by Jaime Morales-Matos. Baroque. Score and part. 4 pages. Gordon Cherry #836226. Published by Gordon Cherry (A0.1240833). The Tartini Adagio Cantabile is a beautiful and haunting piece of music composed by the Italian Baroque composer Giuseppe Tartini. The composition is a slow and contemplative piece that is characterized by its lyrical melody and expressive harmonies.The piece is originally scored for solo violin and string orchestra, and it begins with a simple, yet evocative melody that is accompanied by a gentle, pulsing accompaniment. As the piece progresses, the soloist becomes more expressive, weaving intricate melodies around the underlying harmonic structure.One of the most notable features of the Tartini Adagio Cantabile is its use of dissonance, particularly in the harmonies that underpin the solo part. These dissonances create a sense of tension and release throughout the piece, adding to its emotional impact.Overall, the Tartini Adagio Cantabile is a masterful work of Baroque music and this 4-minute arrangement by Jaime Morales Matos showcases the expressive power of the Trombone and the creative genius of the composer. Its haunting melody and expressive harmonies have made it a beloved piece among both performers and audiences alike.Appropriate for advanced intermediate performers and is in bass clef.
£12.05
$15.00
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Trombone et Piano
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Giuseppe Tartini
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Jaime Morales-Matos
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Adagio Cantabile
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Gordon Cherry
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SheetMusicPlus
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
£20.04
$24.95
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Adagio In C Minor
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1400341 Composed by Yanni. Arra…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1400341 Composed by Yanni. Arranged by Roy Robert Davila Gomez (R.Music). Contemporary,Multicultural,New Age,Singer/Songwriter,Wedding,World. 39 pages. R.Music #983505. Published by R.Music (A0.1400341). Aimed at conductors, instrumentalists, and amateur musicians, this wonderful work was professionally transcribed and adapted with careful attention to detail, since it is a score for full orchestra just as Yanni offers in his live concerts, that makes it A unique work with exceptional quality highly sought after on the internet.Yanni's Adagio in C Minor is a masterful work that captivates with its emotionality and beauty. This piece allows musicians to explore the depth of musical expression while evoking a wide range of emotions in the audience. From its gentle passages to its powerful crescendos, each note is imbued with passion and poetry. With Adagio in C Minor, performers have the opportunity to immerse themselves in an unforgettable musical experience, while listeners are transported on a sonic journey that leaves them in awe.
£56.22
$69.99
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Orchestre
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Yanni
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Roy Robert Davila Gomez (R
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Adagio In C Minor
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R.Music
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SheetMusicPlus
Adagio for Violin and Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.950885 Composed by Lynne German. 20th Century,Concert,Contemporary,Standards. Score and parts. 4 pages. Lynne German #3568037. Published by Lynne German (A0.950885). Adagio for Violin and Piano is an exquisitely beautiful piece that includes key changes, register changes, climaxes, and a very gentle descent into the final pianissimo. Adagio challenges the player’s technic, while leaving open space for rich interpretation, calling the performer freely into new levels of musical depth.
£3.98
$4.95
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Lynne German
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Adagio for Violin and Piano
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Lynne German
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SheetMusicPlus
Adagio cantabile for Two Flutes
2 Flûtes traversières (duo)
Flute Duet Flute - Digital Download SKU: A0.1078736 Composed by Ludwig van Beethove…
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Flute Duet Flute - Digital Download SKU: A0.1078736 Composed by Ludwig van Beethoven. Arranged by Paul Kajzar. Classical,Romantic Period. Score. 5 pages. Paul Kajzar, Gyllcott Music #682953. Published by Paul Kajzar, Gyllcott Music (A0.1078736). A short and gentle arrangement for two flutes of the main theme from the 2nd movement of Beethoven’s piano sonata no. 8. The score format of this arrangement is a double stave displaying both parts and the set includes 2 copies. Difficulty level : Intermediate.
£1.6
$1.99
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2 Flûtes traversières (duo)
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Ludwig van Beethoven
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Paul Kajzar
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Adagio cantabile for Two Flutes
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Paul Kajzar, Gyllcott Music
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SheetMusicPlus
Adagio in F for Organ
Orgue
Organ - Digital Download SKU: A0.846369 Composed by Christopher Evans. Contemporary…
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Organ - Digital Download SKU: A0.846369 Composed by Christopher Evans. Contemporary,Wedding. Score. 4 pages. Christopher Evans #5775137. Published by Christopher Evans (A0.846369). A soft gentle piece for a solo flute stop accompanied by soft string stops, e.g. Salicional and Celeste coupled to a soft 16 pedal stop. This piece only requires two manuals and a few stops. The indicated registration is only a guide.
£6.43
$8.00
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Orgue
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Christopher Evans
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Adagio in F for Organ
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Christopher Evans
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SheetMusicPlus
Gentle adagio
Orgue
Organ - Level 2 - Digital Download SKU: A0.1175033 By N/A. By Allan Leslie McDougal…
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Organ - Level 2 - Digital Download SKU: A0.1175033 By N/A. By Allan Leslie McDougall. Arranged by N/A. 19th Century,Christian,Classical,Early Music,Religious. Score. 3 pages. Allan Leslie McDougall #775164. Published by Allan Leslie McDougall (A0.1175033). A tuneful, relatively easy peaceful piece for organ. Suitable for any subdued setting e.g. a voluntary before a church service/ wedding/ funeral.
£2.41
$3.00
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Orgue
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N/A
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N/A
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Gentle adagio
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Allan Leslie McDougall
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SheetMusicPlus
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956916 Arra…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods Only, Arrangements #6571929. Published by Woods Only, Arrangements (A0.956916). This collection is the first version of the 5 most beautiful songs ever released for woodwind quintet, containing songs of the most varied and periods, from beginner to professional level. It can be performed in various occasions and places such as concert halls and academic stages. You can find the complete score on this site: https://bit.ly/WoodOnly And also expensive music in the description below.I. Swan Lake by Pyotr TchaikovskyBeautiful melody eternalized by his entrance on the oboe; Swan Lake. In a version for wood quintet where it preserves the original beauty and maintains the subtlety of the original orchestration. It can be performed by music beginners and presented in professional or academic recitals and concerts.II. Adagio from Piano Sonata No. 2 in F major by Amadeus MozartOut of the ordinary, a sad, melancholy and gentle Adagio written by Mozart in his sonata in F for piano. It can be performed by beginners and professionals alike, and is suitable for academic recitals and concerts where the music of the classical period is praised.III. Second Movement from Sonata No. 8 Pathétique by BeethovenThe second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts.IV. Czardas (Csárdás) by Vittorio MontiFun and celebrated original music for violin in a version that maintains the subtlety and joy contained in the original work, even though it is also folkloric, this does not prevent it from occupying its space on the great stages of concert halls and conservatories, it is not suitable to be played by beginners, but can be performed in academic recitals or concerts.V. Clair de lune from Suite Bergamasque by Claude DebussyThis arrangement for woodwind quintet was made thinking of the symbolism and beauty of the original work, keeping the essence of the original work and can be performed by intermediate students and presented in recitals and concerts.
£24.09
$29.99
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Woods Only
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Swan Lake
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Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
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Woods Only, Arrangements
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SheetMusicPlus
Fugue No.3
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani…
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Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
£1.6
$1.99
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Piano seul
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David Tsvariani
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Fugue No.3
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David Tsvariani
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SheetMusicPlus
Fugue No.4
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani…
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Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
£1.6
$1.99
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Piano seul
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David Tsvariani
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Fugue No.4
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David Tsvariani
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SheetMusicPlus
Fugue No.2
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani…
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Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
£1.6
$1.99
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Piano seul
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David Tsvariani
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Fugue No.2
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David Tsvariani
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SheetMusicPlus
Fugue No.1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By Davi…
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Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
£1.6
$1.99
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Piano seul
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David Tsvariani
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Fugue No.1
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David Tsvariani
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SheetMusicPlus
Dreaming, Opus 30
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.895794 Composed by David Pentecost.…
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Piano Solo - Level 2 - Digital Download SKU: A0.895794 Composed by David Pentecost. Contemporary,Romantic Period. Score. 6 pages. David Pentecost #5024669. Published by David Pentecost (A0.895794). A mostly gentle 5 page work in three sections: adagio, andante and adagio. In 3:4 time. Duration: just over 3 minutes.(In case you are wondering where Opus 29 is, it has not yet been fully transcribed to sheet music, and it is the piano solo improvisation to a relaxation video, which can be seen and heard at https://youtu.be/ZWwS1pFC8-QÂ ).
£3.2
$3.99
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Piano seul
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David Pentecost
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Dreaming, Opus 30
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David Pentecost
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SheetMusicPlus
Whispers of the Night
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1503420 By KHALED MANDI. By KHALED …
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Piano Solo - Level 2 - Digital Download SKU: A0.1503420 By KHALED MANDI. By KHALED MANDI. Arranged by KHALED MANDI. Classical,Contemporary,Multicultural,Romantic Period,World. Score. 3 pages. KHALED ALTAMIMI #1078868. Published by KHALED ALTAMIMI (A0.1503420). Whispers of the Night is a piano composition that captures the serene and mysterious atmosphere of the night. It is characterized by an Adagio tempo, giving it a slow and reflective feel, and performed with Tempo Rubato, allowing expressive freedom and rhythmic flexibility for added emotional depth. The soft, flowing melodies unfold like gentle whispers, inviting the listener to reflect on the stillness of the night. The harmonious tones create a peaceful and calm ambiance, with a hint of mystery. The piece reflects the beauty and hidden charm of the night, taking the listener on a dreamy musical journey filled with deep emotions.
£4.81
$5.99
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Piano seul
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KHALED MANDI
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KHALED MANDI
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Whispers of the Night
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KHALED ALTAMIMI
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SheetMusicPlus
Capriccio on the Departure of a Beloved Brother
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1504747 Composed by Johann Sebastia…
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Piano Solo - Level 5 - Digital Download SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Thomas Swee Chin #1080174. Published by Thomas Swee Chin (A0.1504747). Capriccio on the Departure of a Beloved Brother, BWV 992 is an early keyboard work by Johann Sebastian Bach, composed in 1704 when Bach was still a teenager. It is considered one of his few programmatic compositions, telling a specific story through music. The piece was likely written to bid farewell to Bach’s brother, Johann Jacob, who was leaving to serve as an oboist in the military.Structure and Programmatic Elements:The Capriccio is divided into six short movements, each with a descriptive title, narrating the emotional journey of the departure:Arioso: Adagio – A friend tries to dissuade him from leavingA gentle, expressive movement representing a friend’s attempt to persuade Johann Jacob to stay.Andante – They picture the dangers that may befall himThis section evokes the imagined dangers and perils of travel, characterized by ominous, foreboding musical gestures.Adagissimo – A lament of the friendsA sorrowful, slow lament, capturing the grief and sadness of those bidding farewell to the brother.Aria di Postiglione – The postillion’s horn is heardThis movement imitates the sound of a post horn, as if signaling the brother’s imminent departure by coach, a common mode of travel in that period.Fuga all’imitazione della cornetta di postiglioneA lively fugue that continues the imitation of the post horn, showcasing Bach’s contrapuntal skills even at this young age.Aria – The friends’ farewellThe final movement brings the capriccio to a touching close as the friends say their last goodbye.Style and Significance:Musical Innovation: While Bach is typically known for abstract works, this early piece is unique for its use of vivid musical storytelling. Each movement serves a narrative function, making it one of the earliest examples of program music, where the music is designed to evoke specific images or emotions outside of purely musical ideas.Youthful Playfulness: The Capriccio reveals the young Bach’s ability to blend humor, drama, and emotion. It also shows his developing mastery of counterpoint, which would later define his mature works.Historical Context: Bach composed this piece at the beginning of his career, before his major positions in Weimar, Köthen, or Leipzig, making it an important insight into his early stylistic development.This capriccio is an expressive and inventive work that balances emotional depth with technical brilliance. It stands out as a unique, personal piece within Bach’s extensive oeuvre, reflecting both a sense of farewell and a joyful exploration of musical ideas.
£6.43
$8.00
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Piano seul
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Johann Sebastian Bach
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Thomas Ling
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Capriccio on the Departure of a Beloved Brother
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Thomas Swee Chin
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SheetMusicPlus
Second Time in Dorset
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.483313 Composed by Sheena Edwards…
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Piano,Violin - Level 3 - Digital Download SKU: A0.483313 Composed by Sheena Edwards. Contemporary. 6 pages. Songs at Sea #102891. Published by Songs at Sea (A0.483313). A gentle, contemplative violin solo piece with piano accompaniment. Adagio with multiple key changes.
£1.6
$1.99
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Violon et Piano
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Sheena Edwards
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Second Time in Dorset
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Songs at Sea
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SheetMusicPlus
Black is the Color of my True Love's Hair
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.948007 Composed by Traditional. Arr…
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Easy Piano - Level 1 - Digital Download SKU: A0.948007 Composed by Traditional. Arranged by Doniell Cushman. Folk,Instructional,Standards. Score. 3 pages. Doniell C Cushman #5335541. Published by Doniell C Cushman (A0.948007). Arranged for Late Elementary to Early Intermediate, this version works solely with the A Minor and G Major broken chord.Includes Gentle tempo of Adagio, Pedal markings, Slurs, Dynamic Phrasing, and a Fermata at the end.
£3.2
$3.99
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Piano Facile
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Traditional
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Doniell Cushman
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Black is the Color of my True Love's Hair
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Doniell C Cushman
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SheetMusicPlus
Six Violin Duets, Op. 1
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
£57.83
$72.00
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2 Violons (duo)
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Six Violin Duets, Op. 2
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
£57.83
$72.00
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2 Violons (duo)
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
Glory of the West
Trompette, Piano
Piano,Trumpet - Level 5 - Digital Download SKU: A0.973263 Composed by Lynn L. Peter…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.973263 Composed by Lynn L. Petersen. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 24 pages. Lynn L. Petersen #6886191. Published by Lynn L. Petersen (A0.973263). Glory of the West was commissioned by Dr. Zach Buie and premiered at the College of Southern Idaho on March 3, 2020. Dr. Buie requested a new work connected with or inspired by the Mountain West region. The inspiration for this piece was the song MONTANA, which I first heard at a memorial service, a great favorite of the gentleman who had passed. The song was composed in 1910 and later adopted as Montana's state song. Glory of the West is in three sections. The first, marked Rolling Along, conveys optimism and wide-open spaces. The middle Adagio section features a descending stepwise melody followed by a soaring ascending line, reminiscent of melodic contours in the refrain of the song. The final section, marked Playfully, begins with fragments of a lively and rhythmically irregular motive, and woven throughout are echoes of the ascending lines from the previous section. The score contains the Piano and C Trumpet parts in concert pitch, and a part for B-flat Trumpet is provided as an alternate.
£8.83
$10.99
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Trompette, Piano
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Lynn L
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Dr
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Glory of the West
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Lynn L. Petersen
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Euphonium, Piano (duo)
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque …
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.
£40.12
$49.95
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Euphonium, Piano (duo)
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Antonio Vivaldi (1678-1741)
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James M
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Vivaldi: The Four Seasons Complete for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Summer from the Four Seasons for Violin & Piano
Violon et Piano
Violin & Piano - Advanced - Digital Download Composed by Antonio Vivaldi (1678-17…
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Violin & Piano - Advanced - Digital Download Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 56 pages. Published by jmsgu3
Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> <br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind sudddenly<br> appears and strats to quarrel.<br> THE NORTH WIND<br> A frightened shephered weeps in fear and bemoans his fate.<br> <br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> <br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.
£26.47
$32.95
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Violon et Piano
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Antonio Vivaldi (1678-1741)
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James M
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Vivaldi: Summer from the Four Seasons for Violin & Piano
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jmsgu3
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SheetMusicPlus
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