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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Going Down The Road
Non classifié
25
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31
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17
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12
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4
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3
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10
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7
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3
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--INSTRUMENTS--
ACCORDEON
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Crtitères actifs :
Going Down The Road
Partitions à imprimer
361 partitions trouvées
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351
Journey to the Ancient World
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Ensemble de cuivres
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Contemporain
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Eddie Hurt
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Journey to the Ancient World
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Eddie Hurt
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SheetMusicPlus
Brass Ensemble - SKU: A0.1006832 Composed by Eddie Hurt. 20th Century,Contemporary. Score and parts. 96 pages. Eddie Hurt #3006787. Published by Eddie H...
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Brass Ensemble - SKU: A0.1006832 Composed by Eddie Hurt. 20th Century,Contemporary. Score and parts. 96 pages. Eddie Hurt #3006787. Published by Eddie Hurt (A0.1006832). This composition was inspired by a cruise of the Mediterranean and visits to Italy, Croatia, and Greece. I was struck by the age and endurance of the structures and the history of the region. The hard work and thought that went into the construction of theses incredible buildings that have survived 1000s of years was amazing. I describe my musical style as neo polyphonic. I write each part as a spate melody or counter melody and the harmonization is what occurs naturally as they entwine. They are usually impressionistic in nature reflecting some action or scene. The First movement is my impression of walking on the ancient roman roads. I found them uneven and I I was wobbling all over the place. To me it sounds like a old wagon with different sized wheels going down the road with other traffic. The second movement. Is inspired by the great Cathedrals you find all through Europe. They are huge open and full of history. As you wonder through them you can feel the history and the devotion in them. The third movement evokes the fast ride of a cavalry unit scouting enemy territory and having a skirmish with and enemy then riding off.. It was inspired by all the history of conflict between the countries of the Mediterranean.
$4.99 ≈
£3.97
Goin' Down The Road Feeling Bad
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Grateful Dead
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Daniel Roberts
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Goin' Down The Road Feeling Ba
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.941995 By The Grateful Dead. By Robert Hunter. Arranged by Daniel Roberts. Rock. Score. 17 pages. Daniel P Roberts #6736...
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Bass Guitar - Level 4 - SKU: A0.941995 By The Grateful Dead. By Robert Hunter. Arranged by Daniel Roberts. Rock. Score. 17 pages. Daniel P Roberts #6736963. Published by Daniel P Roberts (A0.941995). Grateful Dead -Not fade Away, Goin' Down the road feeling bad Grateful Dead 'Skull & Roses' (1971)liveBASS note for note with TABI wanna tell you how it's gonna beYou're gonna give your love to meI wanna love you night and dayYou know my love not fade awayYou know my love not fade awayNot fade awayMy love is bigger than a CadillacI try to show you but you drive me backYour love for me has got to be realYou're gonna know just how I feelOur love is real, not fade awayNot fade awayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the climate suits my clothesI'm going where the climate suits my clothesGoing where the climate suits my clothesDon't wanna be treated this-a way Going down the road feeling badWell I'm, going down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the water tastes like wineWell I'm, going where the water tastes like wineGoing where the water tastes like wineI don't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayWell I'm, going down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a way
$4.99 ≈
£3.97
How Can I Serve Thee Lord? - sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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How Can I Serve Thee Lord? - s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sa...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #1040433. Published by Kevin G. Pace (A0.1461686). Gorgeous, sacred choral anthem with music composed by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
$1.99 ≈
£1.58
How Can I Serve Thee Lord? - a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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How Can I Serve Thee Lord? - a
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sa...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1019306. Published by Kevin G. Pace (A0.1439299). A beautiful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
$1.99 ≈
£1.58
Going Down The Road (I Ain't Going To Be Treated This Way)
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Banjo
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Folk Rock
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Rock
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Michael J
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Greg Cahill
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Going Down The Road
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.341457 By Michael J. Miles and Woody Guthrie. Arranged by Greg Cahill. Folk,Pop,Rock. Banjo. 2 pages. Published by Hal Leonard - Digital (HX.341...
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SKU: HX.341457 By Michael J. Miles and Woody Guthrie. Arranged by Greg Cahill. Folk,Pop,Rock. Banjo. 2 pages. Published by Hal Leonard - Digital (HX.341457).
$2.99 ≈
£2.38
I Am the Road, The Claims of the Son 5
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Chorale SATB
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Musique Sacrée
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Stephen R Dalrymple
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I Am the Road, The Claims of t
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.818364 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christi...
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Choral Choir,Choral (SATB) - SKU: A0.818364 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christian,Sacred. 26 pages. Stephen R Dalrymple #6668479. Published by Stephen R Dalrymple (A0.818364). The Claims of the Son 5: I Am the Road♫ original song for SATB choir and piano by Stephen R Dalrymple♫ based on John 14♫ This collection of songs focuses on the Claims of Jesus Christ based on the “I Am’s of the Gospel of John. ♫ On the night of His arrest, Jesus told the disciples that He was going away, leaving them, and they could not follow Him. ♫ He further explained that they knew the road He was taking. Philip asked His destination so he could figure out the route. ♫ But His claim “I Am the Road, the Truth, and the Life†was not speaking of a destination with latitude and longitude coordinates. Jesus is plainly claiming that He alone is the only path to God, the path to truth, and the path to eternal life.♫ “I Am the Road†has a dual listing. It is also used as a worship song.♫ music © 1999, 2022 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ sequenced by the composer♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @Dalrymple Designs.
$2.00 ≈
£1.59
Two For The Road
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Henry Mancini and Leslie Bricu
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Two For The Road
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1083633 Composed by Henry Mancini and Leslie Bricusse. Arranged by Uwe Roe...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1083633 Composed by Henry Mancini and Leslie Bricusse. Arranged by Uwe Roessler / Rössler / Rassler. Film/TV,Jazz,Pop,Standards,Wedding. Score and parts. 13 pages. Uwe Roessler #687840. Published by Uwe Roessler (A0.1083633). Another Mancini Classic: “Two For The Road†- an all time great! This arrangement follows the form of the original soundtrack (hence the youtube link). Original keys: Starting in C Major, going to G Major. Starts with an optional intro (bars 1-7) from another Mancini version. You can skip this intro, and start the song in bar 8. Form of the song is: (A) theme in violin, (B) theme in cello, (A) theme in violin, (A) first half of the theme in piano, second half joined by tutti. Duration: approx 3.00 min. For Piano Trio / Quartet / Quintet. Minimal instrumentation: violin1, cello, piano. Optional voices for violin2, and bass included. Comes with full score, and complete individual parts. Level: intermediate/advanced. I´ve arranged quite a lot of Mancini songs, as well as other Movie Themes and classic Pop songs for this kind of instrumentation. And I´m working on other Mancini classics, as well. Browse ;-) Have fun with my arrangements!
$20.00 ≈
£15.91
Luther's Words
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Paul Leavitt
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Luther's Words
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Lumenaria Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1177820 Composed by Paul Leavitt. Christian,Contemporary,Religious,Sacred,Spiritual. Octavo. 16 pages. Lumenaria...
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Choral Choir (SATB) - Level 3 - SKU: A0.1177820 Composed by Paul Leavitt. Christian,Contemporary,Religious,Sacred,Spiritual. Octavo. 16 pages. Lumenaria Music Publishing #777775. Published by Lumenaria Music Publishing (A0.1177820). Luther's Words for SATB chorus and piano was composed for the ordination of Pastor Sandra Shaw. It's based on an excerpt from a sermon given by Martin Luther in 1521.„Das Leben ist nicht ein Frommsein, sondern ein Frommwerden, nicht eine Gesundheit, sondern ein Gesundwerden, nicht ein Sein, sondern ein Werden, nicht eine Ruhe, sondern eine Übung. Wir sind’s noch nicht, wir werden’s aber. Es ist noch nicht getan oder geschehen, es ist aber im Gang und im Schwang. Es ist nicht das Ende, es ist aber der Weg.“Translated into English:This life therefore is not righteousness, but growth in righteousness, not health, but healing, not being, but becoming, not rest, but exercise.We are not yet what we shall be, but we are growing toward it. The process is not yet finished, but it keeps going on. This is not the end,but this is the road. All does not yet gleam in the glory, but all is being purified.Contempory Christian setting of the text makes this a popular anthem in church choirs of many denominations.
$2.50 ≈
£1.99
As I Was Going Along The Road
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Piano seul
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FACILE
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Carsten Gerlitz
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As I Was Going Along The Road
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Schott Music - Digital
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SheetMusicPlus
Piano - easy to intermediate - SKU: S9.Q18079 Traditional. Arranged by Carsten Gerlitz. This edition: Sheet music. Copyright 2006 Schott Music Gm...
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Piano - easy to intermediate - SKU: S9.Q18079 Traditional. Arranged by Carsten Gerlitz. This edition: Sheet music. Copyright 2006 Schott Music GmbH & Co. KG, Mainz. Downloadable. 3 pages. Schott Music - Digital #Q18079. Published by Schott Music - Digital (S9.Q18079). English.Digital publication of the piece found in the following print music collection: Celtic Lovesongs - 20 Irish and Scottish Ballads.
$3.99 ≈
£3.17
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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James Smith
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Variations, Für Elise
1
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Next Level Bassoon: Etudes, Ex
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Ensemble Llama Music
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SheetMusicPlus
Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Metho...
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Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99 ≈
£23.85
The Plaza
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Rodney D
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The Plaza
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Rodney D. Chism, Sr.
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1259418 By Rodney D. Chism, Sr. By Rodney D. Chism, Sr. 20th Century,Blues,Jazz,Soul. Score and Parts. 8...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1259418 By Rodney D. Chism, Sr. By Rodney D. Chism, Sr. 20th Century,Blues,Jazz,Soul. Score and Parts. 8 pages. Rodney D. Chism, Sr. #852705. Published by Rodney D. Chism, Sr. (A0.1259418). The Plaza is a low 12/8 feel down-to-earth Mississippi Delta style blues. Great solo vehicle for a blues guitarist. A strong ensemble shout chorus that will bring down the house. It is very playable. Solos - Guitar, Tenor Saxophone, muted Trumpet/Flugelhorn (or just open it up). This composition was written for Nolan Ryan Henderson, a student murdered in Mississippi. It begins with a drum build-up and a strong beginning. Letter A is written for a Guitar solo to go to town. The Saxophone part will be played as background for the last time. Letters B and C are full band sections. Trumpets with shakes, Trombones with slide falls throughout, and a Saxophone Soli at letter C leading up to letter D, the open solo section.Letter D is the open solo section for any instrument let freedom ring. The ensemble backgrounds are to be played every even number of repeated cycles or the last time. Allow the Guitarist to close it out by going into the shout section of the letter E.Letter E is the famous riff until the next, the last measure with the railroad tracks. At the pause, allow the lead soloist or the drummer to work until the last note is cued. If the spirit is still high, the final note can be played with directed quarter note hits leading back to the 5th measure of letter E (shout section). Play it straight to the end with no railroad tracks during this time.
$50.00 ≈
£39.76
The Road Not Taken - Original Voice Range (A4 size)
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Contemporain
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Don Bowyer
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The Road Not Taken - Original
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Dolphin Don's Music School
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Voice - SKU: A0.990138 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. ...
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Instrumental Duet Instrumental Duet,Trombone,Voice - SKU: A0.990138 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. Dolphin Don's Music School #6416709. Published by Dolphin Don's Music School (A0.990138). This setting of Robert Frost’s well-known poem is for soprano and trombone, with a duration of just over three minutes. The two melodic lines are meant to reflect the two roads of the poem, starting out the same, going in different directions, but perhaps being more similar than first perceived.The soprano range in this (the original) version is B3 to F5, This composition is also available for higher voice (minor third higher - D4 to Ab5).
$8.99 ≈
£7.15
Our Emmaus Road
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Our Emmaus Road
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Christian Music Ministries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.927485 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Jazz,Praise & Worship,S...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.927485 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Jazz,Praise & Worship,Sacred,Spiritual. Score. 9 pages. Christian Music Ministries #6418485. Published by Christian Music Ministries (A0.927485). A swing-time duet between the two disciples walking along the road to Emmaus a few days after the crucifixion (Luke 24:13ff). The intro and links are reminiscent of ‘We’re all going on a summer holiday’ – but in fact it’s the disciples’ hearts that are burning within them as Jesus opens the Scriptures and helps them to understand the amazing things that have happened in Jerusalem.Two part duet, full piano score and guitar chords.
$1.99 ≈
£1.58
The Road Not Taken - Higher Voice Range (A4 size)
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Contemporain
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Don Bowyer
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The Road Not Taken - Higher Vo
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Dolphin Don's Music School
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Voice - SKU: A0.990139 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. ...
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Instrumental Duet Instrumental Duet,Trombone,Voice - SKU: A0.990139 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. Dolphin Don's Music School #6416713. Published by Dolphin Don's Music School (A0.990139). This setting of Robert Frost’s well-known poem is for soprano and trombone, with a duration of just over three minutes. The two melodic lines are meant to reflect the two roads of the poem, starting out the same, going in different directions, but perhaps being more similar than first perceived.
$8.99 ≈
£7.15
The Road Not Taken - Higher Voice Range (Letter size)
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Contemporain
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Don Bowyer
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The Road Not Taken - Higher Vo
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Dolphin Don's Music School
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Voice - SKU: A0.990140 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. ...
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Instrumental Duet Instrumental Duet,Trombone,Voice - SKU: A0.990140 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. Dolphin Don's Music School #6416715. Published by Dolphin Don's Music School (A0.990140). This setting of Robert Frost’s well-known poem is for soprano and trombone, with a duration of just over three minutes. The two melodic lines are meant to reflect the two roads of the poem, starting out the same, going in different directions, but perhaps being more similar than first perceived.
$8.99 ≈
£7.15
The Road Not Taken - Original Voice Range (Letter size)
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Contemporain
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Don Bowyer
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The Road Not Taken - Original
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Dolphin Don's Music School
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Voice - SKU: A0.990137 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. ...
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Instrumental Duet Instrumental Duet,Trombone,Voice - SKU: A0.990137 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. Dolphin Don's Music School #6416711. Published by Dolphin Don's Music School (A0.990137). This setting of Robert Frost’s well-known poem is for soprano and trombone, with a duration of just over three minutes. The two melodic lines are meant to reflect the two roads of the poem, starting out the same, going in different directions, but perhaps being more similar than first perceived.
$8.99 ≈
£7.15
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts...
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String Orchestra - Level 4 - SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698). INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$24.65 ≈
£19.60
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James ...
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Full Orchestra - Level 4 - SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50 ≈
£27.44
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. ...
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Full Orchestra - Level 4 - SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95 ≈
£24.61
Not Fade Away
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sheryl Crow
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Daniel Roberts
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Not Fade Away
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.941997 By Sheryl Crow. By Charles Hardin and Norman Petty. Arranged by Daniel Roberts. Contemporary. Score. 17 pages. Da...
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Bass Guitar - Level 4 - SKU: A0.941997 By Sheryl Crow. By Charles Hardin and Norman Petty. Arranged by Daniel Roberts. Contemporary. Score. 17 pages. Daniel P Roberts #6736965. Published by Daniel P Roberts (A0.941997). Grateful Dead -Not fade Away, Goin' Down the road feeling bad Grateful Dead 'Skull & Roses' (1971)liveBASS note for note with TABI wanna tell you how it's gonna beYou're gonna give your love to meI wanna love you night and dayYou know my love not fade awayYou know my love not fade awayNot fade awayMy love is bigger than a CadillacI try to show you but you drive me backYour love for me has got to be realYou're gonna know just how I feelOur love is real, not fade awayNot fade awayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the climate suits my clothesI'm going where the climate suits my clothesGoing where the climate suits my clothesDon't wanna be treated this-a way Going down the road feeling badWell I'm, going down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing where the water tastes like wineWell I'm, going where the water tastes like wineGoing where the water tastes like wineI don't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayGoing down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a wayWell I'm, going down the road feeling badGoing down the road feeling badGoing down the road feeling bad, hey hey hey, yeahDon't wanna be treated this-a way
$4.99 ≈
£3.97
All The Things You Are
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Instruments en Do
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FACILE
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1101538 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1101538 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #704916. Published by Davi Rocha Campos (A0.1101538). This score is in G, but, the audio is in Ab How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book. All the things you are.
$3.99 ≈
£3.17
All The Things You Are
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Instruments en Do
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FACILE
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104599 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104599 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707824. Published by Davi Rocha Campos (A0.1104599). This score is in Bb, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. All the things you are. Lead Sheet / Fake Book.
$3.99 ≈
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All The Things You Are
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Instruments en Do
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FACILE
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104596 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104596 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Classical,Film/TV,Instructional,Jazz,Musical/Show. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707811. Published by Davi Rocha Campos (A0.1104596). This score is in A, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book. All the things you are.
$3.99 ≈
£3.17
All The Things You Are
#
Instruments en Do
#
FACILE
#
Jack Leonard with Tommy Dorsey
#
Davi Rocha Campos
#
All The Things You Are
#
Davi Rocha Campos
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104621 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104621 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707848. Published by Davi Rocha Campos (A0.1104621). All the things you are by Oscar Hammerstein Ii and Jerome Kern. Lead Sheet / Fake Book. this score is in F#, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.
$3.99 ≈
£3.17
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Going Down The Road
