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--INSTRUMENTS--
ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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Le rêve
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ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
Le rêve
SheetMusicPlus
Partitions à imprimer
33 partitions trouvées
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26
Le rêve
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Iwan Muller
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Le rêve
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53272 Op. 73. Composed by Iwan Muller. Edited by Rainer Mohrs and Rudolf Mauz. This edit...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53272 Op. 73. Composed by Iwan Muller. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 73. 9 pages. Schott Music - Digital #Q53272. Published by Schott Music - Digital (S9.Q53272). German • Danish.Iwan Müller, clarinettist, composer and reformer of the clarinet, was born to German parents in Reval (Russia). One of his first jobs was in St. Petersburg. In 1809 he went to Paris where he worked as an instrument maker, amongst other things. In 1812 he presented his new clarinet with 13 round keys, the ‘clarinette omnitonique‘, which could be played in all keys, to a panel. Although the initial evaluation was negative, the innovation was implemented in the coming years. In 1820 Müller returned to Russia and then to Germany (Kassel, Berlin). He performed concerts in various countries and finally became a court musician in Bückeburg. Iwan Müller’s skill as a composer is revealed in both the melody and harmony of Le rêve (The Dream). The piece was published in 1845 (plate number 7855).
$3.99 ≈
£3.07
Le rêve de Julietta
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2 Guitares (duo)
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INTERMÉDIAIRE
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Laurent Meneret
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Le rêve de Julietta
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Schott Music - Digital
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SheetMusicPlus
2 guitars - intermediate - SKU: S9.Q20139 4 Progressive Pieces. Composed by Laurent Meneret. This edition: Sheet music. Downloadable. Schott Musi...
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2 guitars - intermediate - SKU: S9.Q20139 4 Progressive Pieces. Composed by Laurent Meneret. This edition: Sheet music. Downloadable. Schott Music - Digital #Q20139. Published by Schott Music - Digital (S9.Q20139). Le rêve de Julietta contains four differently inspired pieces for two guitars. A musical story about Julietta in southern Spain and her dreams.
$15.99 ≈
£12.31
Orphée et les chemins le rêve (version pour piano, flûte et cordes)
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Contemporain
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Julien Boulier
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Julien Boulier
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Orphée et les chemins l
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Julien Boulier
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Piano,Viola,Violin - Level 3 - SKU: A0.1014398 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Centu...
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Large Ensemble Cello,Double Bass,Flute,Piano,Viola,Violin - Level 3 - SKU: A0.1014398 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century. Score and parts. 21 pages. Julien Boulier #4628077. Published by Julien Boulier (A0.1014398). Orphée et les chemins le rêve (version pour piano, flûte et cordes).
$5.00 ≈
£3.85
Orphée et les chemins le rêve (mp3 avec les précomptes pour les changements de tempos de la versi
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Julien Boulier
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Julien Boulier
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Orphée et les chemins l
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Julien Boulier
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1014397 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 21 page...
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String Orchestra - Level 3 - SKU: A0.1014397 Composed by Julien Boulier. Arranged by Julien Boulier. 20th Century,Contemporary. Score and parts. 21 pages. Julien Boulier #4623701. Published by Julien Boulier (A0.1014397). Orphée et les chemins le rêve (mp3 avec les précomptes pour les changements de tempos de la version pour piano, flûte & cordes) 3 tempos : Adagio 40 à la noire / Adagio Fast 80 à la noire / Allegro 140 à la noire).
$5.00 ≈
£3.85
Réveil Elfique
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Violon
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DÉBUTANT
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Bastien Chevalley
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Réveil Elfique
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Bastien Chevalley
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1270958 Composed by Bastien Chevalley. 21st Century,Chamber,Classical,Religious,Video Game. 3 pages. Bastien Chevalley #...
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Violin Solo - Level 1 - SKU: A0.1270958 Composed by Bastien Chevalley. 21st Century,Chamber,Classical,Religious,Video Game. 3 pages. Bastien Chevalley #863343. Published by Bastien Chevalley (A0.1270958). C'est une composition pour violon et piano, et je dois avouer que j'ai pris beaucoup de plaisir à l'écrire. L'idée un peu spéciale derrière cette musique, c'est que le violon est joué uniquement en pizzicato, ce qui veut dire que les cordes sont pincées au lieu d'être frottées avec l'archet. C'est un peu différent de ce qu'on entend habituellement, mais j'aime bien cette sonorité légère et délicate.L'ambiance de cette pièce est un peu étrange, entre le rêve et la réalité, comme si on était transporté dans un monde imaginaire. J'ai essayé de créer une atmosphère un peu magique et mystérieuse, inspirée par l'univers des elfes.
$4.99 ≈
£3.84
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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Chorale SATB
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FACILE
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David Warin Solomons
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The Centipede - der Hundertf&u
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solo...
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Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99 ≈
£2.30
Five Canons - for 2 or more voices
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Chorale Unison
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Francis Kayali
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Afternoon on a Hill
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Five Canons - for 2 or more vo
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Francis Kayali
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SheetMusicPlus
Choral Choir (Unison) - SKU: A0.973049 Composed by Francis Kayali. Children,Concert,Contemporary. Octavo. 7 pages. Francis Kayali #6252909. Published by...
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Choral Choir (Unison) - SKU: A0.973049 Composed by Francis Kayali. Children,Concert,Contemporary. Octavo. 7 pages. Francis Kayali #6252909. Published by Francis Kayali (A0.973049). A collection of five canons for children or amateur adult choir: 1. Afternoon on a Hill (Edna St. Vincent Millay)https://www.youtube.com/watch?v=BiUMt21kgv8 2. Le corbeau (lyrics by the composer)https://www.youtube.com/watch?v=LLnJ03uyqZQ 3. Once, a Dinosaur Jumped in my Bath (lyrics by the composer) 4. Le rêve (Émile Zola)https://www.youtube.com/watch?v=LbL3bUhClLk5. Come Play (lyrics by the composer)https://www.youtube.com/watch?v=8W_U662MB6cThe five canons are contrasting in mood, from the juvenile Dinosaur, to the upbeat Come play, to the serious and idealistic statement of Le rêve, to the sinister Le corbeau, to the peacefully contented Afternoon on a Hill. Owing to their intended audience, all of these canons are at the unison/octave. Three of them (2, 3, and 5) are two-part echo-canons, where the imitative voices begins very soon after the first one (two beats later in each case here). The other two canons, based on pre-existing texts, adopt the more common structure of following a chord progression that proceeds over several measures (albeit an irregular, 7-measure, elided phrase in Le Rêve).
$2.00 ≈
£1.54
Le Violoncelle et Nous for 6 celli or more --- Score and Parts --- JCM 2013
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Violoncelle
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Contemporain
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Jean-Christophe Masson
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Le Violoncelle et Nous for 6 c
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Jean-Christophe Masson
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SheetMusicPlus
Cello Solo - SKU: A0.878736 Composed by Jean-Christophe Masson. Contemporary. Individual part. 81 pages. Jean-Christophe Masson #3138383. Published by J...
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Cello Solo - SKU: A0.878736 Composed by Jean-Christophe Masson. Contemporary. Individual part. 81 pages. Jean-Christophe Masson #3138383. Published by Jean-Christophe Masson (A0.878736). Le Violoncelle et Nous for 6 celli --- Score and Parts --- JCM 2013A partir de thèmes composés par les élèves du Conservatoire Populaire de Musique de Genève.©Jean-Christophe Masson N° de membre SACEM 00623 9409 43 Droits de reproduction sonore réservés. www.jcmasson.com
$19.99 ≈
£15.39
Orphée et les chemins le rêve (version pour piano, flûte & cordes)
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Contemporain
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Julien Boulier
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Orphée et les chemins l
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Julien Boulier
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SheetMusicPlus
Small Ensemble - SKU: A0.1014396 Composed by Julien Boulier. Contemporary. Score and parts. 21 pages. Julien Boulier #4729269. Published by Julien Bouli...
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Small Ensemble - SKU: A0.1014396 Composed by Julien Boulier. Contemporary. Score and parts. 21 pages. Julien Boulier #4729269. Published by Julien Boulier (A0.1014396).
$5.00 ≈
£3.85
Le Rêve Passe
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Ensemble de cuivres
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INTERMÉDIAIRE
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Nigel Simmons
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Nigel Simmons
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Le Rêve Passe
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Hepplewhite Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1295402 By Nigel Simmons. By Georges Krier & Charles Helmer. Arranged by Nigel Simmons. March. Score and Parts. 31 pa...
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Brass Ensemble - Level 3 - SKU: A0.1295402 By Nigel Simmons. By Georges Krier & Charles Helmer. Arranged by Nigel Simmons. March. Score and Parts. 31 pages. Hepplewhite Music #885682. Published by Hepplewhite Music (A0.1295402). Arranged for 10-Piece Brass Ensemble (Brass Band)by Nigel Simmonswww.HepplewhiteMusic.co.ukFull Score and Parts for3 x Bb Cornets, Flugel Horn, Eb Tenor Horn, Bb Trombone, Bass Trombone, Euphonium, Eb Bass & Drum KitPlus Eb Cornet (in lieu of 1st Bb Cornet) & Bb Bass (in lieu of Eb Bass).
$20.00 ≈
£15.40
Le Rêve
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Piano seul
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Hans-Guenter Heumann
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Le Rêve
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Schott Music - Digital
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SheetMusicPlus
Piano - SKU: S9.Q12966 Traditional. Arranged by Hans-Guenter Heumann. Downloadable. Schott Music - Digital #Q12966. Published by Schott Music - D...
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Piano - SKU: S9.Q12966 Traditional. Arranged by Hans-Guenter Heumann. Downloadable. Schott Music - Digital #Q12966. Published by Schott Music - Digital (S9.Q12966). German • English.
$2.99 ≈
£2.30
Le rêve
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Clarinette
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AVANCÉ
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Ivan Mueller
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Le rêve
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - difficult - SKU: S9.Q15712 Composed by Ivan Mueller. This edition: Sheet music. Clarinet Library. Downloadable. Op. 73. Schott Musi...
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Clarinet and piano - difficult - SKU: S9.Q15712 Composed by Ivan Mueller. This edition: Sheet music. Clarinet Library. Downloadable. Op. 73. Schott Music - Digital #Q15712. Published by Schott Music - Digital (S9.Q15712).
$11.99 ≈
£9.23
Le rêve
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Clarinette et Piano
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Ivan Mueller
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Le rêve
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - SKU: S9.Q7297 Composed by Ivan Mueller. This edition: Sheet music. Schott Archive. Downloadable. Op. 73. Schott Music - Digital #Q7...
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Clarinet and piano - SKU: S9.Q7297 Composed by Ivan Mueller. This edition: Sheet music. Schott Archive. Downloadable. Op. 73. Schott Music - Digital #Q7297. Published by Schott Music - Digital (S9.Q7297).
$13.99 ≈
£10.77
A Night’s Tale
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contrast, the middle section,
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Alfredo Franco
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Cristiano Porqueddu
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published...
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Guitar - SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95 ≈
£4.58
Illusions for clarinet and classical guitar (mp3)
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András Csáki
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Illusions for clarinet and cla
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 278. David Warin Solomons #1082113. Published by David Warin Solomons (A0.1506742). Arrangement for clarinet and guitar of my setting of the poem Illusions by Bluma Finkelstein for her husband.The original words are:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years.
$5.00 ≈
£3.85
Illusions for clarinet and classical guitar
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Clarinette, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Illusions for clarinet and cla
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar,Instrumental Duet - Level 4 - SKU: A0.1495824 By David Warin Solomons. By David Warin Solomons. 21st Century,Contemporary. 11 pages. Dav...
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Clarinet,Guitar,Instrumental Duet - Level 4 - SKU: A0.1495824 By David Warin Solomons. By David Warin Solomons. 21st Century,Contemporary. 11 pages. David Warin Solomons #1072355. Published by David Warin Solomons (A0.1495824). Arrangement for clarinet and guitar of my setting of the poem Illusionsby Bluma Finkelstein.The sound sample is an electronic preview (apart form the first few bars), but the video here shows the performance of the original song.The pdf file contains score and partsOriginal words:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years(c) David Warin Solomons.
$10.00 ≈
£7.70
Illusions for bassoon and classical guitar
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Guitare, Basson
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Illusions for bassoon and clas
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David Warin Solomons
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SheetMusicPlus
Bassoon,Guitar,Instrumental Duet - Level 4 - SKU: A0.1496089 Composed by David Warin Solomons. 20th Century,Contemporary. 11 pages. David Warin Solomons...
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Bassoon,Guitar,Instrumental Duet - Level 4 - SKU: A0.1496089 Composed by David Warin Solomons. 20th Century,Contemporary. 11 pages. David Warin Solomons #1072620. Published by David Warin Solomons (A0.1496089). Arrangement for bassoon and guitar of my setting of the poem Illusionsby Bluma Finkelstein.The sound sample is an electronic preview (apart from the first few bars, which come from the song recording).The video here shows the performance of the original song.The pdf file contains score and partsOriginal words:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years(c) David Warin Solomons
$10.00 ≈
£7.70
Illusions (after the poem by Bluma Finkelstein) (mp3)
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David Warin Solomons
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Illusions
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 3 - SKU: A0.1310127 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary,Singer/Songwriter. Full Perfor...
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Alto Voice,Guitar - Level 3 - SKU: A0.1310127 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary,Singer/Songwriter. Full Performance. Duration 295. David Warin Solomons #899265. Published by David Warin Solomons (A0.1310127). Poem by Bluma Finkelsteinmusic composed and performed by David W Solomons(alto and guitar) - recently remastered by SoundopsThe English translation in brackets below is a fairly literal one for non-French speakersLa nuit à l'heure où l'obscure tranche du temps (At night, when the dark slice of time) couvre le jourEt appelle le sommeil(covers the dayand calls for slumber)La nuit je m'en vais sur les mornes chemins de ma vie(At night I go down the gloomy paths of my life)A la recherche des illusions(in search of illusions)Je voudrais t'emmener hors de la terre(I would like to take you away from the earth)t'emporter loin sur l'océan paisible du rêve(carry you far away on the peaceful ocean of dreams)barque solitaire s'arrachant a la pesanteur(solitary boat breaking free from gravity)souffle mystérieux(mysterious breath of wind)perçant la nappe immobile du ciel(piercing the motionless cloth of the sky)je voudrais t'emmener hors des âges(I would like to take you beyond the ages)te lancer dans le ciel fuyant(cast you into the fleeing heavens)incessant effort de dépassement(ceaseless endeavour to exceed ourselves)je voudrais t'emmener hors de l'espace(I would like to take you outside space)sentir ton corps nu(feel your naked body)trembler doucement contre mon corps(trembling gently against mine)deux rayons de soleil(two sunbeams) deux caresses éternelles volées à Dieu(two eternal caresses stolen from God)je voudrais t'emmener hors du temps(I would like to take you outside time)et mesurer mon amour en années lumière(and measure my love in light-years).
$5.00 ≈
£3.85
Paul Wehage: Distant Strophes for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Paul Wehage
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Paul Wehage: Distant Strophes
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 12...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 122 pages. Musik Fabrik Music Publishing #3396151. Published by Musik Fabrik Music Publishing (A0.534374). 1. Remembering the sounding bellsII. Interrupted RicacaresIII. En croisant le diable boiteuxIV. ...L'inflexion des voix chères qui se sont tues. (Paul Verlaine)V. Appels et Invocations Distant Strophes for String Quartet is dedicated to the American Cellist Stephen Evans. The work is written in five movements and is based on a series of poetic images.The first movement, Remembering the Sounding Bells..., uses bell-like sonorities and tonal fragments whichare developed between the four instruments of the quartet The second movement Interrupted Ricacares beginswith a compact, accelerating atonal motif which alternates with contrapuntal passages which evoke motet and ricacare forms.En Croisant le Diable Boîteux (Upon meeting the limping Devil) takes its inspiration from the novel by Lesage. This movement is a lively bi-tonal scherzo in classical ABA form which exploits off-the-string bowings and doublestops. The fourth movement, ...L'inflexion des voix chères qui se sont tues (the sounding of dear voices which have been silence) is a line from Paul Verlaine’s : Mon rêve familier (Poèmes saturniens/ melancholia VI 1866). A slowly unfolding dirge-like theme is passed through the four instruments in an expressive lament. The final movement, Appels et invocations, is inspired by a strophe in Charles Baudelaire’s le Serpent qui Danse in Les Fleurs du Mal which speaks of preparing for a voyage, real orimagined, which is expressed here in the angular, robust theme in unison which opens the work.
$38.95 ≈
£30.00
Paul Wehage - L'Aube Spirituelle
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Contemporain
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Paul Wehage
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Paul Wehage - L'Aube Spirituel
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, à l’immortel Soleil !
$25.95 ≈
£19.98
BOULANGER: COMPLETE SONGS (original keys)
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Piano, Voix
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Classique
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Juliette Marie Olga
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ArtSongTranspositions
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BOULANGER: COMPLETE SONGS
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1085840 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 91 ...
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Piano,Vocal,Voice - SKU: A0.1085840 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 91 pages. AST Publications, LLC #690013. Published by AST Publications, LLC (A0.1085840). COMPLETE SONGS IN ORIGINAL KEYS | Reflets (F-sharp minor) | Attente (C-sharp major) | Le retour (F-sharp major) | Dans l’immense tristesse (B-flat minor) | Elle était descendue au bas de la prairie (E major) | Elle est gravement gaie (E major) | Parfois, je suis triste | Un poète disait (E major) | Au pied de mon lit (E minor) | Si tout ceci n'est qu'un pauvre rêve (F minor) | Nous nous aimerons tant (D-flat major) | Vous m'avez regardé avec toute votre âme (E major) | Les lilas qui avaient fleuri | Deux ancolies (C major) | Par ce que j'ai souffert (C major) | Je garde une médaille d’elle (D minor) | Demain fera un an (D minor)⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$79.99 ≈
£61.60
À vos guitares, prêts, jouez! Vol. 4
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Guitare
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À vos guitares, prêts, jouez
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SheetMusicPlus
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end...
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List
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1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (tude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95 ≈
£7.66
CC115ORC - Laisse-moi être ce jour dans ta vie
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Orchestre
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INTERMÉDIAIRE
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Carl Van Pevenage
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Carl Van Pevenage
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CC115ORC - Laisse-moi êt
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Carl Van Pevenage
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1167924 By Carl Van Pevenage. By Carl Van Pevenage. Arranged by Carl Van Pevenage. 20th Century,Broadway,Film/TV,Mult...
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Full Orchestra - Level 3 - SKU: A0.1167924 By Carl Van Pevenage. By Carl Van Pevenage. Arranged by Carl Van Pevenage. 20th Century,Broadway,Film/TV,Multicultural,Musical/Show,Romantic Period,World. Score and parts. 95 pages. Carl Van Pevenage #768280. Published by Carl Van Pevenage (A0.1167924). After 15 years finally the Orchestra version is ready. A relief! I hope you enjoy it. The verses and the intermezzo are made based on a poem by Yoan Letend which with a few changes fits on the notes. The chorus has no lyrics.  **************************************** Ce jour dans ta vie Lorsque le jour se lève, doucementTu t’éveilles de ton long sommeilTu ouvres ta fenêtre en regardantLe monde se réveiller grâce à l’éclat du soleilAlors, c’est un nouveau matin pour toiEt tu espères que tes rêves vont se réaliserEn préparant ton cartable, tu penses déjà À tout ce qui te fait vivre et aimerPuis peut être, tu perds un peu de tempsÀ écouter dehors le chants des fleurs et des oiseauxEt à cet instant tu réalises que tout est importantMême si ce ne sont que des reflets dans l’eauLe monde bascule trop vers la violenceQue les gens ne savent plus vivre en paixIls enchaînent à des fers l’enfanceMais toi tu ne dois avoir aucun regretDu fond de mon esprit, j’écris ces motsJ’espère qu’ils résonneront plus vite que le sonJ’ai demandé sa plume à mon pierrotPour écrire un hymne que l’on chante à l’unissonC’est un peu de moi qui s’envoleAvec un zeste de folie et surtout de magieAlors comme la fleur a sa corolleLaisse moi être ce jour dans ta vieYoan Letend
$19.99 ≈
£15.39
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
£6.12
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jacques Leguerney
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Jacques Leguerney: Sept Poème
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publi...
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Medium-Low Voice,Vocal Solo - Level 4 - SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and
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