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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once Was Love
Non classifié
491
Piano & claviers
Piano seul
225
Piano, Voix
185
Piano, Voix et Guitare
84
Instruments en Do
52
Accompagnement Piano
52
Piano Facile
15
Piano Trio: piano, violon, violoncelle
10
Orgue
10
1 Piano, 4 mains
8
2 Pianos, 4 mains
4
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
13
Guitare notes et tablatures
9
Ukulele
4
2 Guitares (duo)
3
Basse electrique
2
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Ensemble de guitares
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
140
Chorale 3 parties
46
Chorale 2 parties
29
Chorale Unison
21
Voix Tenor, Piano
21
Chorale TTBB
19
Chorale SSAA
13
Voix Soprano, Piano
12
Voix haute
11
Voix Alto, Piano
8
Voix Tenor
7
Voix Baryton, Piano
6
Voix duo
4
Voix duo, Piano
3
Voix basse, Piano
3
Voix basse
2
Chorale
2
Voix seule
1
Voix Soprano
1
Voix moyenne, Piano
1
Chorale SSATTB
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
111
Saxophone, Clarinette (duo)
56
2 Clarinettes (duo)
45
Clarinette et Piano
44
Flûte traversière et Piano
43
2 Flûtes traversières (duo)
40
Quatuor de Saxophones: 4 saxophones
38
Clarinette, Violon (duo)
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Hautbois, Piano (duo)
31
Clarinette, Trompette (duo)
31
Saxophone Tenor et Piano
27
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto et Piano
26
Flûte traversière
24
Flûte, Clarinette (duo)
22
2 Hautbois (duo)
22
Clarinette
21
Hautbois, Flûte
21
Hautbois, Clarinette (duo)
20
Hautbois, Basson (duo)
20
Clarinette et Alto
19
Saxophone Soprano et Piano
19
Saxophone Alto
18
Flûte, Saxophone (duo)
17
Flûte, Alto (duo)
17
Quintette de Saxophone: 5 saxophones
16
Flûte, Trompette (duo)
15
Saxophone Baryton, Piano
15
Saxophone (partie séparée)
15
Flûte, Violon
15
Flûte, Hautbois, Clarinette, Basson
14
Saxophone Tenor
13
Flûte à bec Soprano
12
Quatuor de Flûtes : 4 flûtes
12
3 Clarinettes (trio)
10
Cor Anglais
10
Hautbois (partie séparée)
10
Ensemble de saxophones
9
Clarinette Basse, Piano
9
Cor anglais, Piano
8
3 Saxophones (trio)
7
Ensemble de Clarinettes
6
Quintette de Clarinettes: 5 clarinettes
6
2 Clarinettes, Piano
5
Ensemble de Flûtes
5
Quintette de Flûte : 5 flûtes
4
Clarinette (partie séparée)
4
2 Clarinettes, Basson
3
Clarinette, Trombone (duo)
3
2 Flûtes traversières, Piano
3
Trio de Flûtes: 3 flûtes
3
Quatuor de Flûtes à bec
3
Flute (partie séparée)
2
Hautbois
2
Flûte, Hautbois, Piano (trio)
2
Saxophone Soprano
2
Flûte, Clarinette et Basson
2
5 Flûtes à bec
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Basson
2
Clarinette, Basson (duo)
2
Harmonica
1
3 Hautbois
1
Flûte à bec Soprano, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, trombone et piano
1
2 Flûte à bec (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte et Guitare
1
Ocarina
1
Flûte, Violon, Piano
1
Ensemble De Flûte à bec
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
+ 72 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone et Piano
27
2 Trombones (duo)
23
Trompette, Trombone (duo)
22
Trompette, Piano
21
2 Trompettes (duo)
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Cor et Piano
17
Trombone
14
Trompette
13
Trompette (partie séparée)
12
Cor Anglais
10
Tuba et Piano
10
Cor anglais, Piano
8
Euphonium
6
Euphonium, Piano (duo)
6
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba
4
2 Cors (duo)
3
Cor (partie séparée)
3
Trombone (partie séparée)
3
Ensemble de Trompettes
3
Ensemble de Cors
3
Quatuor de Cuivres
2
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Trompette, Violoncelle et Piano
1
Ensemble de Tubas
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
76
Violon et Piano
64
Alto, Piano
41
Violon, Violoncelle (duo)
41
Violoncelle, Piano
35
2 Violons (duo)
32
2 Violoncelles (duo)
31
Violon
29
Violon, Alto (duo)
27
Violoncelle
27
2 Altos (duo)
25
Harpe
17
Alto seul
14
Trio à Cordes: 2 violons, violoncelle
14
Alto, Violoncelle (duo)
8
Contrebasse, Piano (duo)
7
Violon (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Trio à Cordes: violon, alto, violoncelle
5
Piano Trio: Violon, Alto, Piano
5
Alto (partie séparée)
5
Trio à cordes: 3 violins
4
Contre Basse
4
Trio à cordes: 3 altos
4
Contrebasse (partie séparée)
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Violon, Guitare (duo)
3
Quatuor à cordes : 4 altos
3
Quatuor à cordes: 4 violons
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Alto et Basson
1
2 Violons, Piano
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
381
Orchestre à Cordes
50
Orchestre
43
Ensemble de cuivres
19
Orchestre de chambre
11
Cloches
10
Ensemble de Percussions
6
Ensemble Jazz
4
Percussion (partie séparée)
3
Quintette de Cuivres: autres combinaisons
1
Batterie
1
Jazz combo
1
Fanfare
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
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ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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KLEZMER - JUIVE
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Crtitères actifs :
Once Was Love
Partitions à imprimer
4 094 partitions trouvées
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4076
Rhapsody for Concert Band
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
#
Brock Lupton
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
£15.84
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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Ensemble de saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
#
SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1402348 Composed by Johann S...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95 ≈
£59.35
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Brandenburg Concerto No.
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standar...
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Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95 ≈
£39.55
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
#
Contemporain
#
Frank Loesser
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F
#
#
Once In Love With Amy
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99 ≈
£10.29
Once In Love With Amy
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
#
#
Once In Love With Amy
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet. This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99 ≈
£10.29
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
£23.76
Yesterday Once More
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Piano seul
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INTERMÉDIAIRE
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The Carpenters
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Timothy Stapay
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
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Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99 ≈
£5.54
Once I Loved (Amor Em Paz) (Love In Peace)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Antonio Carlos Jobim and Vinic
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Megumi Sasaki
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Once I Loved
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Megumi Sasaki
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1501247 Composed by Antonio Carlos Jobim and Vinicius De Moraes. Arranged by Megumi Sasaki. J...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1501247 Composed by Antonio Carlos Jobim and Vinicius De Moraes. Arranged by Megumi Sasaki. Jazz,Latin,Multicultural,Standards,World. 12 pages. Megumi Sasaki #1077206. Published by Megumi Sasaki (A0.1501247). The beautiful bossa song by Jobim, sang by Astrud Gilberto, was arranged for a string quartet, 2 violins, viola and cello.
$12.99 ≈
£10.29
Once In Love With Amy
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Frank Loesser
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Rita Arendz
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Once In Love With Amy
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Rita Arendz
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1038501 Composed by Frank Loesser. Arranged by Rita Arendz. 20th Century,Broadway,Musical/...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1038501 Composed by Frank Loesser. Arranged by Rita Arendz. 20th Century,Broadway,Musical/Show,Pop. Score and parts. 16 pages. Rita Arendz #643464. Published by Rita Arendz (A0.1038501). For Brass Quintet. This popular 1948 Broadway love song, Once in Love With Amy comes from the pen of Frank Loesser and his musical Where's Charley?. It is lighthearted in nature, and being so, it was not only performed by Ray Bolger, Dean Martin, Frank Sinatra, Mel Torme, and Perry Como, just to name a few, but also by Pops and Fozzie in episode 512 of The Muppet Show as well as by Miss Piggy in issue 3 of Muppet Peter Pan with words only Miss Piggy could sing - Once in love with Piggy, always in love with Piggy.... Have fun with this one! Alternate parts for British Brass Band instrumentation included (Eb Horn, Bb Trombone TC, Eb Bass). Trumpet parts can be played on Cornet. Duration ~4:25. 16 pages.
$23.99 ≈
£19.00
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99 ≈
£4.74
Nobody Love a Fairy When She's Forty - in C major (soprano key)
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's
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Kim Kirkman
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SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditi...
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Voice Duet Piano,Vocal,Voice - Level 3 - SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99 ≈
£1.58
Under Fletcher's Sky (For Concert Winds *multiple percussion parts also available)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Bradley R Meholick
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Under Fletcher's Sky
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Bradley R Meholick
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.991819 Composed by Bradley R Meholick. Standards. Score and parts. 57 pages. Bradley R Meholick #3449971. Published by ...
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Concert Band - Level 3 - SKU: A0.991819 Composed by Bradley R Meholick. Standards. Score and parts. 57 pages. Bradley R Meholick #3449971. Published by Bradley R Meholick (A0.991819). Under Fletcher's Sky for Concert Band is an original ballad by Bradley R Meholick. The piece moves through styles depicting vast peaceful fields, to the contemporary and obscure, and even the cinematic with the simple motif weaved throughout. Perfect for a growing ensemble desiring to focus on interpretation, expression, and communicative musical understanding. While it is clear that things will return to how they once were, students can look for their own meaning in the work as it transitions from point A to point A. The composer would also love to share the inspiration behind the piece with those performing it. While the piece was intended without percussion, please contact the composer to have percussion materials sent to you. More music by Bradley R Meholick and contact information can be found at www.BMMcreate.com.
$24.99 ≈
£19.79
The Head That Once Was Crowned
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Garl G
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David Lantz
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horn
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The Head That Once Was Crowned
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1285780 Composed by Garl G. Gläser, 1820. Arranged by David Lantz. Easter,Praise & Worship,Sacred. 8 pa...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1285780 Composed by Garl G. Gläser, 1820. Arranged by David Lantz. Easter,Praise & Worship,Sacred. 8 pages. Lantz Choral Publications #876872. Published by Lantz Choral Publications (A0.1285780). Intended use: EasterTheme: Everlasting life, His sacrificeThis rousing Easter hymn arrangement for choir, organ, optional brass sextet, and percussion will be the raise the roof Easter anthem for this year's celebration! Alternate words (O for a Thousand Tongues to Sing by Charles Wesley) are included, making this usable year-round. Your choir and congregation will love this exciting arrangement which features strong interludes and modulations. Instrumentation: two B-flat trumpets; horn; two trombones; tuba; suspended and crash cymbals; timpani.Full Score (SAB voices) and parts for two Trumpets, Horn, two Trombones, Tuba, Timpani, and Cymbals: LCP0187 Note: includes the text for O for a Thousand Tongues to Sing.Octavo also available for SATB voices (LCP0075) Full Score and parts for two Trumpets, Horn, two Trombones, Tuba, Timpani, and Cymbals: LCP0187 (SATB voices)NOTE: The audio recording is that of the SATB version.
$2.35 ≈
£1.86
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #30254...
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Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95 ≈
£26.09
The Head That Once Was Crowned with Thorns
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Norwich Cathedral Choir
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Lyndell Leatherman
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The Head That Once Was Crowned
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1296235 By Norwich Cathedral Choir. By Words: Thomas Kelly / Music: attr. to Jeremiah Clark. Arranged by Ly...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1296235 By Norwich Cathedral Choir. By Words: Thomas Kelly / Music: attr. to Jeremiah Clark. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #886479. Published by Leatherman Music Services (A0.1296235). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99 ≈
£2.37
Estrellita (Star of Love - Mexican Love Song)
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Manuel M
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Scott S
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Estrellita
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Scott S. Stewart
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SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 4 - SKU: A0.955811 Composed by Manuel M. Ponce. Arranged by Scott S. Stewart. 20th Century,Concert,Holiday,Rom...
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Small Ensemble Piano,Violin,Voice - Level 4 - SKU: A0.955811 Composed by Manuel M. Ponce. Arranged by Scott S. Stewart. 20th Century,Concert,Holiday,Romantic Period,World. Score and parts. 8 pages. Scott S. Stewart #6088787. Published by Scott S. Stewart (A0.955811). In 1912 Mexican composer Manuel M. Ponce traveled to Aguascalientes on vacation and spent an evening looking at the starry night. This inspired him to compose the words and music for the song, Estrellita (Star of Love/Little Star/Petit Astre/Stellina). The text ‘Star from far away, you know about my love and my suffering…’ has been speculated by many that these lyrics are Ponce’s sentimental expressions for his beloved Mexico as a little star… ‘Because I cannot live without his love.’ Or, it is widely held that the lovely melody of Estrellita came to Ponce in a moment of inspiration while spending a romantic evening with his wife… either scenario could be true. In 1923 violinist Jascha Heifetz was in Mexico City and realized he didn’t have any work by a Mexican composer on his program. While in a café, he heard a local musician sing the popular song Estrellita and noted its title on a napkin. Estrellita became one of his favorite encore songs ever since. Scored for solo violin, tenor and piano this trio runs 2:59.
$24.99 ≈
£19.79
Crazy In Love
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Guitare notes et tablatures
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DÉBUTANT
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Pop musique
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Beyonce Featuring Jay-Z
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Tim Curd
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Crazy In Love
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Tim Curd
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.717180 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by Tim Curd. C...
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Guitar - Level 1 - SKU: A0.717180 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by Tim Curd. Contemporary. Guitar Tab. 2 pages. Tim Curd #5953667. Published by Tim Curd (A0.717180). Crazy in Love for Easy Classical Guitar.Written with guitar TAB and Notation This number one hit by Beyonce was from her 2003 debut album Dangerously in Love.
$4.99 ≈
£3.95
Crazy In Love
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Piano Facile
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DÉBUTANT
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Pop musique
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Beyonce Featuring Jay-Z
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Tim Curd
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Crazy In Love
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Tim Curd
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.717179 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by Tim Cur...
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Easy Piano - Level 1 - SKU: A0.717179 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by Tim Curd. Contemporary. Score. 2 pages. Tim Curd #5953665. Published by Tim Curd (A0.717179). Crazy in Love for Easy Piano.This number one hit by Beyonce was from her 2003 debut album Dangerously in Love.
$4.99 ≈
£3.95
Thou Who Wast Rich
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Orchestre d'harmonie
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FACILE
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Frank Houghton and Marilyn Bak
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Ted Samuels
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Kristyn Getty in the UK &
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Thou Who Wast Rich
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Theodore A. Samuels
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SheetMusicPlus
Bass Clarinet,Bass Voice,Bassoon,Choir,Flute,Horn,Keyboard,Oboe,Organ,Piano,Trombone,Trumpet - Level 2 - SKU: A0.1373812 Composed by Frank Houghton and ...
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Bass Clarinet,Bass Voice,Bassoon,Choir,Flute,Horn,Keyboard,Oboe,Organ,Piano,Trombone,Trumpet - Level 2 - SKU: A0.1373812 Composed by Frank Houghton and Marilyn Baker. Arranged by Ted Samuels. Chamber,Christian,Christmas,Traditional. 78 pages. Theodore A. Samuels #958285. Published by Theodore A. Samuels (A0.1373812). This Christmas carol has had a number of different versions, starting out in the 18th Century as a French carol, Quelle Est Cette Odeur Agreable?. It has been translated into English as What Is This Fragrance? Other lyrics were written for the same tune, such as Thou Who Wast Rich Beyond All Splendor by Frank Houghton in 1934, based on 2 Corinthians 8:9: For you know the grace of our Lord Jesus Christ, that though He was rich, yet for your sakes He became poor, that you through His poverty might become rich. In 1997, Houghton's wife Dorothy modernized his lyrics as Lord, You Were Rich Beyond All Splendor for the Haven of Rest Quartet to record with the title For Love's Sake. It has also been recorded by Marilyn Baker in the UK and Keith & Kristyn Getty in the UK & Ireland. This is a flexible band/choral arrangement which, in its demo configuration here, is presented by a keyboard and a double quartet of wind instruments with a string bass.The performance time is approximately 3:30.
$69.99 ≈
£55.42
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
£1.58
Uma estrela no céu - Valse for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Thiago Osorio
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Uma estrela no céu - Va
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Thiago Osorio Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.946716 Composed by Thiago Osorio. Concert,Graduation,Standards,World. Score and parts. 66 pages. Thiago Osorio Music #6...
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Concert Band - Level 3 - SKU: A0.946716 Composed by Thiago Osorio. Concert,Graduation,Standards,World. Score and parts. 66 pages. Thiago Osorio Music #6503363. Published by Thiago Osorio Music (A0.946716). ''Uma estrela no céu'' (in english: ''A star in the sky'') is a beautiful waltz in honor of all the loved ones who passed away and left beautiful memories. It was composed in memory of my dear cousin Marcelo who left and was missed. Despite being a tribute to the people who were with us on this trajectory, it is a light waltz, with themes that bring an atmosphere of joy and love. With counterpoints and melodies dialoging between the suits, it is a piece that explores the sound of the suits and their fusions. Bringing joy and memories to listeners who will remember their loved ones who are stars in the sky today.
$25.00 ≈
£19.80
Paredes de Amor / Walls of Love
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Raymond Inman
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Paredes de Amor / Walls of Lov
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raymond inman
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1031979 Composed by Raymond Inman. Contemporary. Score and parts. 16 pages. Raymond inman #3906599. Published by raymon...
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Concert Band - Level 3 - SKU: A0.1031979 Composed by Raymond Inman. Contemporary. Score and parts. 16 pages. Raymond inman #3906599. Published by raymond inman (A0.1031979). This is a perfect piece for a youth band for a standard concert to add to your repertoire. This piece is written to accommodate the range level and rhythmic difficulty for an intermediate student. Have students practice listening to all the subtle parts and try to get the nuances to come alive to really propel this piece to its potential. If your students or your band has trouble with listening, playing through delicate passages, and playing as a brass choir or woodwind choir, this piece will help you work through those problems without having to worry about hard to play notes or rhythms. This piece was written as part of my university senior recital and is inspired by Percy Grainger but not as difficult. The piece's duration is circa 5:00 minutes. I am currently an educator in Texas and if you have any questions or concerns let me know through my website inmanschoolofmusic.com.
$50.00 ≈
£39.59
She Loves You
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Orchestre d'harmonie
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FACILE
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Rock
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The Beatles
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John Lennon & Paul McCartn
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Lorenzo Bocci
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She Loves You
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1344843 By The Beatles. By John Lennon and Paul McCartney. Arranged by Lorenzo Bocci. Pop,Rock. 66 pages. Lorenzo Bocci...
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Concert Band - Level 2 - SKU: A0.1344843 By The Beatles. By John Lennon and Paul McCartney. Arranged by Lorenzo Bocci. Pop,Rock. 66 pages. Lorenzo Bocci #929829. Published by Lorenzo Bocci (A0.1344843). SHE LOVE YOU The Beatlesfor Concert Band - Grade 2,5 -  Composed by John Lennon & Paul McCartney. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'19''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.She Loves You is a song written by John Lennon and Paul McCartney and recorded by English rock band the Beatles for release as a single in 1963. The single set and surpassed several sales records in the United Kingdom charts, and set a record in the United States as one of the five Beatles songs that held the top five positions in the charts simultaneously, on 4 April 1964. It remains the band's best-selling single in the United Kingdom and was the top-selling single of the 1960s there by any artist.
$89.00 ≈
£70.48
Warsaw Concerto
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Piano seul
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AVANCÉ
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Richard Addinsell
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Marcus Martin
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Warsaw Concerto
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Cornelius Edition
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1459184 Composed by Richard Addinsell. Arranged by Marcus Martin. 20th Century,Classical,Film/TV. Score. 17 pages. Cornel...
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Piano Solo - Level 5 - SKU: A0.1459184 Composed by Richard Addinsell. Arranged by Marcus Martin. 20th Century,Classical,Film/TV. Score. 17 pages. Cornelius Edition (uk) #1038157. Published by Cornelius Edition (uk) (A0.1459184). The complete solo piano part.  This is the soloist's part for performance with the orchestration available as D 1038140  Orchestral cues are included, so this is useful for pianists preparing for a concert with orchestra but  It is not suitable for solo performance.   This piece was  composed for the 1941 film 'Dangerous Moonlight', a World War II love story with a sweeping soundtrack to match the romance of the plot. The film’s producers apparently approached  Rachmaninov to compose the score, but when he declined, the score for Dangerous Moonlight  and the Warsaw Concerto  was composed by Richard Addinsell. The composer’s unashamed use of indulgent harmonies and grand Romantic gestures goes a great way towards explaining why the Warsaw Concerto remains hugely popular today.
$9.99 ≈
£7.91
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Once Was Love