English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sebastian Lee
Non classifié
28
Piano & claviers
Piano seul
33
Piano Facile
20
Accordéon
6
Orgue
3
1 Piano, 4 mains
3
Piano, Voix
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Instruments en Do
1
Accompagnement Piano
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
19
Ukulele
5
Guitare
5
Ensemble de guitares
1
Dulcimer
1
Banjo
1
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
3
Chorale 3 parties
2
Chorale 2 parties
2
Chorale TTBB
1
Voix Baryton, Piano
1
Vents
Quatuor de Saxophones: 4 saxophones
13
Clarinette (partie séparée)
10
Flûte traversière et Piano
9
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette et Piano
8
Flûte, Hautbois, Clarinette, Basson
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
6
Flute (partie séparée)
5
Hautbois, Piano (duo)
5
Saxophone (partie séparée)
4
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Trio de Flûtes: 3 flûtes
3
Flûte et Guitare
3
Clarinette
2
3 Saxophones (trio)
2
3 Clarinettes (trio)
2
Ensemble de Flûtes
2
Quatuor de Flûtes : 4 flûtes
1
Saxophone Alto
1
2 Clarinettes, Piano
1
Flûte traversière
1
Hautbois, Harpe
1
Saxophone Tenor
1
Cor anglais, Piano
1
Quintette de Saxophone: 5 saxophones
1
2 Saxophones (duo)
1
2 Clarinettes (duo)
1
2 Flûtes traversières (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Harpe (duo)
1
Quatuor de Flûtes à bec
1
Ensemble de Clarinettes
1
+ 30 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette, Piano
6
Cor (partie séparée)
5
Trombone et Piano
5
Trompette (partie séparée)
4
Cor et Piano
3
Quatuor de Cuivres
3
Tuba (partie séparée)
3
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium, Piano (duo)
2
Trompette
2
3 Trombones (trio)
1
Cor
1
Cor anglais, Piano
1
Trombone
1
3 Tubas (trio)
1
+ 15 instrumentations
Retracter
Cordes
Violoncelle
129
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violoncelle, Piano
14
Violon et Piano
9
Violon (partie séparée)
6
2 Violoncelles (duo)
5
Alto seul
4
Alto, Piano
4
Violon
4
Contrebasse (partie séparée)
3
Violoncelle (partie séparée)
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à cordes
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Harpe, Violon, Violoncelle
1
Trio à Cordes: 3 violoncelles
1
Harpe
1
Violoncelle , Guitare (duo)
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre
9
Orchestre d'harmonie
4
Percussion
3
Timbales (partie séparée)
3
Orchestre à Cordes
3
Ensemble de cuivres
3
Percussion (partie séparée)
2
Orchestre de chambre
2
Batterie
1
Jazz combo
1
Cloches
1
+ 6 instrumentations
Retracter
Autres
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Instruments
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
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VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
REGGAE
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Vous avez sélectionné:
Sebastian Lee
Partitions à imprimer
580 partitions trouvées
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Sebastian Lee: Six Etudes Melodiques Op. 76 instantly for cello solo
Violoncelle
Instantly downloadable sheet music by Sebastian Lee for cello solo of MEDIUM/HIGH skill le…
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Instantly downloadable sheet music by Sebastian Lee for cello solo of MEDIUM/HIGH skill level. Contents: opus 76, op.76,exercises,studies, 6 studies, six studies,study, studies, etudes, exercises / classical,instructional
£4.24
$4.99
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Violoncelle
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Sebastian Lee
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Virtualsheetmusic
Sebastian Lee 22 Easy Duets Op. 126 for Two Violins
2 Violons (duo)
Violin - Early Intermediate - Digital Download Composed by Sebastian Lee (1805-1887).…
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Violin - Early Intermediate - Digital Download Composed by Sebastian Lee (1805-1887). Arranged by Miriam Troxler. Classical Period, Etudes and Exercises, Repertoire. Score. 16 pages. Published by Miriam Troxler
Sebastian Lee's Op. 126 has been reimagined for two violins or treble clef instruments. A beautiful way to explore second and third position in the higher part. The lower part can be played in first position. Can be played as duets with cellos and violas.Sebastian Lee's Op. 126 has been reimagined for two violins or treble clef instruments. A beautiful way to explore second and third position in the higher part. The lower part can be played in first position. Can be played as duets with cellos and violas.
£8.71
$10.25
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2 Violons (duo)
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Sebastian Lee (1805-1887)
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Miriam Troxler
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Sebastian Lee 22 Easy Duets Op. 126 for Two Violins
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Miriam Troxler
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SheetMusicPlus
Johann Sebastian Bach: Sleepers Awake (COMPLETE) instantly for wind quartet
Flûte, Hautbois, Clarinette, Basson
This is an exclusive transcription for wind quartet of MEDIUM skill level from the origina…
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This is an exclusive transcription for wind quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£6.79
$7.99
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Flûte, Hautbois, Clarinette, Basson
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (f.score) instantly for wind quartet
Flûte, Hautbois, Clarinette, Basson
This is an exclusive transcription for wind quartet of MEDIUM skill level from the origina…
(+)
This is an exclusive transcription for wind quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£3.39
$3.99
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Flûte, Hautbois, Clarinette, Basson
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (parts) instantly for wind quartet
Flûte, Hautbois, Clarinette, Basson
This is an exclusive transcription for wind quartet of MEDIUM skill level from the origina…
(+)
This is an exclusive transcription for wind quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£5.09
$5.99
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Flûte, Hautbois, Clarinette, Basson
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (COMPLETE) instantly for saxophone quartet
Quatuor de Saxophones: 4 saxophones
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the or…
(+)
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£6.79
$7.99
#
Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (f.score) instantly for saxophone quartet
Quatuor de Saxophones: 4 saxophones
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the or…
(+)
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£3.39
$3.99
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (parts) instantly for saxophone quartet
Quatuor de Saxophones: 4 saxophones
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the or…
(+)
This is an exclusive transcription for saxophone quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£5.09
$5.99
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (COMPLETE) instantly for brass quartet
Quatuor de Cuivres
This is an exclusive transcription for brass quartet of MEDIUM skill level from the origin…
(+)
This is an exclusive transcription for brass quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£6.79
$7.99
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Quatuor de Cuivres
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (f.score) instantly for brass quartet
Quatuor de Cuivres
This is an exclusive transcription for brass quartet of MEDIUM skill level from the origin…
(+)
This is an exclusive transcription for brass quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£3.39
$3.99
#
Quatuor de Cuivres
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (parts) instantly for brass quartet
Quatuor de Cuivres
This is an exclusive transcription for brass quartet of MEDIUM skill level from the origin…
(+)
This is an exclusive transcription for brass quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£5.09
$5.99
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Quatuor de Cuivres
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (parts) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
This is an exclusive transcription for string quartet of MEDIUM skill level from the origi…
(+)
This is an exclusive transcription for string quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£5.09
$5.99
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (f.score) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
This is an exclusive transcription for string quartet of MEDIUM skill level from the origi…
(+)
This is an exclusive transcription for string quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£3.39
$3.99
#
Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
#
Virtualsheetmusic
Johann Sebastian Bach: Sleepers Awake (COMPLETE) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
This is an exclusive transcription for string quartet of MEDIUM skill level from the origi…
(+)
This is an exclusive transcription for string quartet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: BWV 645. BWV645, Schubler Chorales, sleepers wake,sleepers awake,slepers wake,slepers awake / classical
£6.79
$7.99
#
Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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Virtualsheetmusic
Sebastian Lee 22 Easy Duets Op. 126 for Piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.744307 Composed by Sebastian Lee. A…
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Piano Solo - Level 2 - Digital Download SKU: A0.744307 Composed by Sebastian Lee. Arranged by Miriam Troxler. Classical,Concert,Instructional,Standards. Score. 16 pages. Miriam Troxler #6411861. Published by Miriam Troxler (A0.744307). Sebastian Lee's Op. 126 has been reimagined for piano. A charming set of pieces for an intermediate player. It will work as chamber music with violin, viola or cello.
£8.71
$10.25
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Piano seul
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Sebastian Lee
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Miriam Troxler
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Sebastian Lee 22 Easy Duets Op. 126 for Piano
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Miriam Troxler
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SheetMusicPlus
Sebastian Lee 22 Easy Duets Op. 126 for Two Violas
Alto seul
Viola Solo - Level 2 - Digital Download SKU: A0.744306 Composed by Sebastian Lee. A…
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Viola Solo - Level 2 - Digital Download SKU: A0.744306 Composed by Sebastian Lee. Arranged by Miriam Troxler. Classical,Concert,Instructional,Standards. Individual part. 16 pages. Miriam Troxler #6411853. Published by Miriam Troxler (A0.744306). Sebastian Lee's Op. 126 has been reimagined for two violas. A charming set of duets for a beginner to intermediate player. The top part is easier than the lower part. Can be played as duets with cellos and violins.
£8.71
$10.25
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Alto seul
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Sebastian Lee
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Miriam Troxler
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Sebastian Lee 22 Easy Duets Op. 126 for Two Violas
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Miriam Troxler
#
SheetMusicPlus
Sebastian Lee 22 Easy Duets Op. 126 for Two Cellos
2 Violoncelles (duo)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.744308 Composed by Sebastian Lee. Arranged by Miriam Troxler. Classical,Instructional,Standards. Score and parts. 31 pages. Miriam Troxler #6411869. Published by Miriam Troxler (A0.744308). A charming set of duets for a beginner to intermediate players. Works well for cello and bass ensemble. Can be played with violins or violas with the other arrangements.
£8.71
$10.25
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2 Violoncelles (duo)
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Sebastian Lee
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Miriam Troxler
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Sebastian Lee 22 Easy Duets Op. 126 for Two Cellos
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Miriam Troxler
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SheetMusicPlus
Bach for Guitar Sleepers Awake
Guitare notes et tablatures
Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar solo - Intermediate - Digital…
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Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by PianoSheetNow. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Sheet Music Single, Tablature. 7 pages. Published by PianoSheetNow
Sleepers awake, English name for the chorale cantata Wachet auf, ruft uns die Stimme, regarded as one of most mature and popular sacred cantatas by Johann Sebastian Bach, based on the homonymous hymn by Philipp Nicolai (1599).<br> Sleepers awake is the fourth movement ("Zion hört die Wächter singen") of BWV 140. Bach later transcribed this movement for organ (BWV 645).<br> For classical Guitar solo. Early Intermediate to intermediate.<br> In drop D tuning (low E to D).<br> With downloadable mp3 just for audio help.<br> With standard notation and tablature.<br> Pages: Seven pages (7).Sleepers awake, English name for the chorale cantata Wachet auf, ruft uns die Stimme, regarded as one of most mature and popular sacred cantatas by Johann Sebastian Bach, based on the homonymous hymn by Philipp Nicolai (1599).<br> Sleepers awake is the fourth movement ("Zion hört die Wächter singen") of BWV 140. Bach later transcribed this movement for organ (BWV 645).<br> For classical Guitar solo. Early Intermediate to intermediate.<br> In drop D tuning (low E to D).<br> With downloadable mp3 just for audio help.<br> With standard notation and tablature.<br> Pages: Seven pages (7).
£4.24
$4.99
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Guitare notes et tablatures
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Johann Sebastian Bach
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PianoSheetNow
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Bach for Guitar Sleepers Awake
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PianoSheetNow
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SheetMusicPlus
Sleepers Awake arrange for Flute Trio
Trio de Flûtes: 3 flûtes
Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrew Middleton. Baroque, …
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Andrew Middleton. Baroque, Christmas. 4 pages. Andrew Middleton #5011819. Published by Andrew Middleton
From Bach\'s Cantata BWV 104, \"Sleepers Awake\" (also known as Wachet aus, an ruft die Stimme) arranged for Flute Trio - flute, alto flute and bass flute.From Bach\'s Cantata BWV 104, \"Sleepers Awake\" (also known as Wachet aus, an ruft die Stimme) arranged for Flute Trio - flute, alto flute and bass flute.
£5.94
$6.99
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Trio de Flûtes: 3 flûtes
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Johann Sebastian Bach
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Andrew Middleton
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Sleepers Awake arrange for Flute Trio
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SheetMusicPlus
Wachet auf, ruft uns die Stimme (Sleepers, Wake), BWV 645
Piano seul
Piano - Digital Download Composed by Johann Sebastian Bach (1685-1750). Score. 5 page…
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Piano - Digital Download Composed by Johann Sebastian Bach (1685-1750). Score. 5 pages. Oxford University Press Digital #9780193546882. Published by Oxford University Press Digital
ISBN 9780193546882.<br> <br> This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the SchA 1/4 bler publication of the late 1740s, which was Bach's own reworking of a movement from Cantata No. 140. Offprinted from OUP's collection Bach Transcriptions for Piano.ISBN 9780193546882.<br> <br> This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the SchA 1/4 bler publication of the late 1740s, which was Bach's own reworking of a movement from Cantata No. 140. Offprinted from OUP's collection Bach Transcriptions for Piano.
£4.24
$4.99
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Piano seul
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Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme
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Oxford University Press Digital
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SheetMusicPlus
Sleepytime Bach (Sleepers Wake, Cantata 140)
Chorus - Digital Download SKU: AX.00-PO-0004873 Composed by Johann Sebastian Bach. …
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Chorus - Digital Download SKU: AX.00-PO-0004873 Composed by Johann Sebastian Bach. Arranged by Bennett Williams. Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0004873. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0004873). UPC: 654979054931.
£1.91
$2.25
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Johann Sebastian Bach
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Bennett Williams
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Sleepytime Bach
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
£14.41
$16.95
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Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
£14.41
$16.95
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
£14.41
$16.95
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
£14.41
$16.95
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
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