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--INSTRUMENTS--
ACCORDEON
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39
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--INSTRUMENTS--
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Spirit of God Baroque
Partitions à imprimer
32 partitions trouvées
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26
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
£20.47
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
£15.74
Rosary Sonatas: The Descent of the Holy Spirit
#
Orchestre
#
AVANCÉ
#
Heinrich Ignaz Franz von Biber
#
Joshua Choe
#
Rosary Sonatas: The Descent of
#
JMJ Arrangements
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
(+)
Full Orchestra - Level 5 - SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 78 pages. JMJ Arrangements #685832. Published by JMJ Arrangements (A0.1081709). When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. Now there were dwelling in Jerusalem Jews, devout men from every nation under heaven. And at this sound the multitude came together, and they were bewildered, because each one heard them speaking in his own language. And they were amazed and wondered, saying, 'Are not all these who are speaking Galileans? And how is it that we hear, each of us in his own native language? Par′thians and Medes and E′lamites and residents of Mesopota′mia, Judea and Cappado′cia, Pontus and Asia, Phryg′ia and Pamphyl′ia, Egypt and the parts of Libya belonging to Cyre′ne, and visitors from Rome, both Jews and proselytes, Cretans and Arabians, we hear them telling in our own tongues the mighty works of God.'†--Acts 2:1-11 (RSV-CE).
$19.99 ≈
£15.77
Psalm 19 - "The Heavens Declare the Glory of God" (Organ Solo)
#
Orgue
#
FACILE
#
Benedetto Marcello
#
Daniel James Ficarri
#
Psalm 19 - "The Heavens D
#
Daniel Ficarri
#
SheetMusicPlus
Organ - Level 2 - SKU: A0.891039 Composed by Benedetto Marcello. Arranged by Daniel James Ficarri. Baroque,Concert,Sacred,Standards,Wedding. Score. 4 pa...
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Organ - Level 2 - SKU: A0.891039 Composed by Benedetto Marcello. Arranged by Daniel James Ficarri. Baroque,Concert,Sacred,Standards,Wedding. Score. 4 pages. Daniel Ficarri #6591535. Published by Daniel Ficarri (A0.891039). This exuberant organ arrangement of the famous opening of Marcello's Psalm 19 captures the joyful spirit of the work while highlighting the dialogue between voices and playful counterpoint.
$5.00 ≈
£3.94
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Giovanni Bononcini
#
Giovanni Bononcini, Giovanni B
#
Guido Menestrina
#
Giovanni Bononcini - Anthem
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contem...
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Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99 ≈
£7.88
God Divine
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Chorale SATB
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DÉBUTANT
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Gbērē Dodoh
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God Divine
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Holyone Tombari Dodoh
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.529408 By Gbērē Dodoh. By Holyone Tombari Dodoh. Baroque,Children,Classical,Sacred,Spiritual. Octavo. 1 ...
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Choral Choir (SATB) - Level 1 - SKU: A0.529408 By Gbērē Dodoh. By Holyone Tombari Dodoh. Baroque,Children,Classical,Sacred,Spiritual. Octavo. 1 pages. Holyone Tombari Dodoh #139790. Published by Holyone Tombari Dodoh (A0.529408). Choral Score for SATB and Organ Lyrics 1. God divine attend my cause. On thy fit I lay my fears. I am meek and mild within. God of Love be Thou with me. 2. King of Kings be there for me. In your power I stand secured. I am weak and soft within. God of Love come Thou with me. 3. Father see me with thine eyes. On thy lens I lie freely. I am eek and choked within. God of Love lie Thou with me. 4. Lord of lords I see You come. In my heart I trusted You. I am geek and aye within. God of Love stay Thou with me.
$1.99 ≈
£1.57
All Creatures of Our God and King (with Vivaldi's "Summer")
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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St
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Beka Wilson
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All Creatures of Our God and K
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Beka Wilson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.786375 Composed by St. Francis of Assisi, Antonio Vivaldi. Arranged by Beka Wilson. Baroque...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.786375 Composed by St. Francis of Assisi, Antonio Vivaldi. Arranged by Beka Wilson. Baroque,Christian,Sacred,Spiritual. 14 pages. Beka Wilson #4361891. Published by Beka Wilson (A0.786375). A challenging piece for flute quartet, this arrangement of All Creatures of Our God and King will make a great offertory, prelude, or contest piece. For students, this would be a good way to practice double tonguing, as there are some rapid 16th note passages. At 90 bpm, the arrangement is approximately 3 minutes long. Download contains score and set of parts (14 pages).Like Vivaldi? Like hymns? Check out the companion to this arrangement, Lily of the Valley meets Spring!https://www.sheetmusicplus.com/title/the-lily-of-the-valley-with-vivaldi-s-spring/20923230Check out some of my other flute quartet/choir arrangements here:https://www.sheetmusicplus.com/title/holy-holy-holy-digital-sheet-music/20942664https://www.sheetmusicplus.com/title/at-the-cross-digital-sheet-music/21152175https://www.sheetmusicplus.com/title/nearer-my-god-to-thee-digital-sheet-music/21152694https://www.sheetmusicplus.com/title/oh-worship-the-king-digital-sheet-music/20927803https://www.sheetmusicplus.com/title/fairest-lord-jesus-digital-sheet-music/20942679
$14.99 ≈
£11.83
Handel – Glory to God in the Highest from Messiah (for Saxophone Quintet SATTB)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Kenneth Abeling
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Handel – Glory to God in
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514478 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christmas,Spirit...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.514478 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christmas,Spiritual. 10 pages. LINCOLN MUSIC PUBLICATIONS #3244263. Published by LINCOLN MUSIC PUBLICATIONS (A0.514478). This is “Glory to God in the Highest†from George Fredrick Handel’s Messiah, transcribed here for Saxophone Quintet. This is an advanced intermediate to easy advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Playing time: 2:00. An AATTB Version of this transcription is also available.
$10.99 ≈
£8.67
Come, Holy Spirit, Lord and God (Komm, Heiliger Geist, Herre Gott)
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Chorale SATB
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FACILE
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Musique Sacrée
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Diemo Landgraf
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Come, Holy Spirit, Lord and Go
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Diemo Landgraf
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.921955 Composed by Diemo Landgraf. 20th Century,Baroque,Christian,Praise & Worship,Sacred. Octavo. 4 pages. Die...
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Choral Choir (Mixed) - Level 2 - SKU: A0.921955 Composed by Diemo Landgraf. 20th Century,Baroque,Christian,Praise & Worship,Sacred. Octavo. 4 pages. Diemo Landgraf #3517283. Published by Diemo Landgraf (A0.921955). This is an anthem based on the famous German Trinity hymn tune Komm, Heiliger Geist, Herre Gott for mixed choir (women/men) and pipe organ. The first verse is sung in unison, in the second verse the voices imitate each other, and in the third verse, the men sing a counterpoint to the melody sung by the women while the organ figurates the melody, interrupted by the Hallelujah motive of the melody. The anthem is easy to sing and perfect for Trinity Sunday or any other service that celebrates the Holy Ghost.
$1.99 ≈
£1.57
If God be for us (Handel's Messiah) recorder quartet
descant recorder,treble recorder,tenor recorder,bass recorder
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Classique
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Gospel Spirituel
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George Frideric Handel
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R
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If God be for us
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JCBmusic
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by R.Brown, JCBmusic. Baroque Period, Opera, Christian, Spiritual, General Worship. Set of Parts. 22 pa...
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Composed by George Frideric Handel (1685-1759). Arranged by R.Brown, JCBmusic. Baroque Period, Opera, Christian, Spiritual, General Worship. Set of Parts. 22 pages. Published by JCBmusic (S0.241213). - Set of Parts - Baroque Period,Opera,Christian,Spiritual,General Worship - JCBmusic
$12.00 ≈
£9.47
God's Time Is The Very Best Time, BWV 106 by J.S. Bach
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Guitare
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INTERMÉDIAIRE
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Classique
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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God's Time Is The Very Best Ti
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Aaron Larget-Caplan
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1356074 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Classical,Early Music...
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Solo Guitar - Level 3 - SKU: A0.1356074 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Classical,Early Music,Sacred,Spiritual. Individual part. 4 pages. Aaron Larget-Caplan #940737. Published by Aaron Larget-Caplan (A0.1356074). A beautiful and solemn solo by Johann Sebastian Bach arranged for guitar by award winning composer, arranger, and guitarist Aaron Larget-Caplan.An early cantata, BWV 106 is assumed to have been written as a funeral cantata while Bach was in Mühlhausen, Germany. In the original, two recorders echo each other in the melody. Due to lack of sustain and technical issues, the guitar is unable to copy that effect fully, but the performer should be aware.Arranged for moderate level and above players, the solo is written in Drop D (E string 6 tuned down to D).  Most of the playing is in the first three positions and ornamentation is optional.A note on the history of the work, arrangement, and recording are included, as well as a page for ornament realizations.
$5.00 ≈
£3.94
God Save The King
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Piano seul
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INTERMÉDIAIRE
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Keith James
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Keith James
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God Save The King
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Keith James Productions
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1320400 By Keith James. By John Bull. Arranged by Keith James. Baroque,Classical,Patriotic,Spiritual,Traditional. Full Perform...
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Piano - Level 3 - SKU: A0.1320400 By Keith James. By John Bull. Arranged by Keith James. Baroque,Classical,Patriotic,Spiritual,Traditional. Full Performance. Duration 38. Keith James Productions #908917. Published by Keith James Productions (A0.1320400). Enjoy this beautiful arrangement of the United Kingdom National Anthem.
$1.99 ≈
£1.57
Vivaldi's Gloria (mp3)
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Classique
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dwsChorale
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David Warin Solomons
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Vivaldi's Gloria
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David Warin Solomons
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SheetMusicPlus
String Orchestra Voice - SKU: A0.1103557 By dwsChorale. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classical,Religious. Full Performa...
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String Orchestra Voice - SKU: A0.1103557 By dwsChorale. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classical,Religious. Full Performance. Duration 1173. David Warin Solomons #706827. Published by David Warin Solomons (A0.1103557). The whole of Vivaldi's Gloria performed by the dwsChorale (one-man choir) with alto solo David W Solomons Lyrics (English translation can be found below) Coro [Allegro] Gloria in excelsis Deo Coro [Andante] et in terra pax hominibus Aria [Allegro] - Due soprani Laudamus te, benedicimus te, adoramus te, glorificamus te. Coro [Adagio] Gratias agimus tibi Coro [Allegro] propter magnam gloriam tuam. Aria [Largo] - Soprani Domine Deus, Rex coelestis, Deus Pater omnipotens, Coro [Allegro] Domine Fili unigenite Jesu Christe, Aria [Adagio] - Contralto e Coro Domine Deus, Agnus Dei, Filius Patris. qui tollis peccata mundi, miserere nobis Coro [Adagio] Qui tollis peccata mundi, miserere nobis, suscipe deprecationem nostram. Aria [Allegro] - Contralto Qui sedes ad dexteram patris, miserere nobis. Coro [Allegro] Quoniam tu solus sanctus, tu solus Dominus, tu solus altissimus Jesu Christe. Coro [Allegro] cum Sancto Spiritu in gloria Dei Patris, Amen. (English translation) Chorus (Allegro): Glory to God in the highest Chorus (Andante): And on earth peace to men. Air (Allegro) - Two sopranos: We praise you, we bless you, we adore you, we glorify you. Chorus (Adagio): We thank you Chorus (Allegro): for your immense glory. Air (Largo) – Two sopranos: Lord God, king of heaven, God the Father almighty, Chorus (Allegro): God the only begotten Son Jesus Christ, Air (Adagio) - Alto and Chorus: Lord God, Lamb of God, Son of the Father, you who take away the sins of the world, have mercy on us. Chorus (Adagio): You who take away the sins of the world, have mercy on us, accept our prayers. Air (Allegro) – Alto: You who sit on the right hand of the Father, have mercy on us, Chorus (Allegro): because you only are holy, you only the Lord, you only the most high Jesus Christ Chorus (Allegro): with the Holy Spirit in the glory of God the Father. Amen.
$7.50 ≈
£5.92
Vivaldi's Gloria performed by the Hertford College Choral Society (mp3)
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Classique
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Hertford College Choral Societ
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Anon
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Vivaldi's Gloria performed by
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David Warin Solomons
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SheetMusicPlus
String Orchestra Choir - SKU: A0.1103560 By Hertford College Choral Society. By Antonio Vivaldi. Arranged by Anon. Baroque,Classical,Religious. Full Per...
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String Orchestra Choir - SKU: A0.1103560 By Hertford College Choral Society. By Antonio Vivaldi. Arranged by Anon. Baroque,Classical,Religious. Full Performance. Duration 1678. David Warin Solomons #706829. Published by David Warin Solomons (A0.1103560). Lyrics (English translation can be found below) Coro [Allegro] Gloria in excelsis Deo Coro [Andante] et in terra pax hominibus Aria [Allegro] - Due soprani Laudamus te, benedicimus te, adoramus te, glorificamus te. Coro [Adagio] Gratias agimus tibi Coro [Allegro] propter magnam gloriam tuam. Aria [Largo] - Soprani Domine Deus, Rex coelestis, Deus Pater omnipotens, Coro [Allegro] Domine Fili unigenite Jesu Christe, Aria [Adagio] - Contralto e Coro Domine Deus, Agnus Dei, Filius Patris. qui tollis peccata mundi, miserere nobis Coro [Adagio] Qui tollis peccata mundi, miserere nobis, suscipe deprecationem nostram. Aria [Allegro] - Contralto Qui sedes ad dexteram patris, miserere nobis. Coro [Allegro] Quoniam tu solus sanctus, tu solus Dominus, tu solus altissimus Jesu Christe. Coro [Allegro] cum Sancto Spiritu in gloria Dei Patris, Amen. (English translation) Chorus (Allegro): Glory to God in the highest Chorus (Andante): And on earth peace to men. Air (Allegro) - Two sopranos: We praise you, we bless you, we adore you, we glorify you. Chorus (Adagio): We thank you Chorus (Allegro): for your immense glory. Air (Largo) – Two sopranos: Lord God, king of heaven, God the Father almighty, Chorus (Allegro): God the only begotten Son Jesus Christ, Air (Adagio) - Alto and Chorus: Lord God, Lamb of God, Son of the Father, you who take away the sins of the world, have mercy on us. Chorus (Adagio): You who take away the sins of the world, have mercy on us, accept our prayers. Air (Allegro) – Alto: You who sit on the right hand of the Father, have mercy on us, Chorus (Allegro): because you only are holy, you only the Lord, you only the most high Jesus Christ Chorus (Allegro): with the Holy Spirit in the glory of God the Father. Amen.
$7.50 ≈
£5.92
Rosary Sonatas: The Presentation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Presentati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99 ≈
£15.77
Rosary Sonatas: The Annunciation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Annunciati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 57 pages. JMJ Arrangements #685700. Published by JMJ Arrangements (A0.1081578). In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary. And he came to her and said, 'Hail, full of grace, the Lord is with you!' But she was greatly troubled at the saying, and considered in her mind what sort of greeting this might be. And the angel said to her, 'Do not be afraid, Mary, for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give to him the throne of his father David, and he will reign over the house of Jacob for ever; and of his kingdom there will be no end.' And Mary said to the angel, 'How can this be, since I have no husband?' And the angel said to her, 'The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible.' And Mary said, 'Behold, I am the handmaid of the Lord; let it be to me according to your word.' And the angel departed from her. (Luke 1:26-38 RSV-CE).
$19.99 ≈
£15.77
Wilt Thou Forgive That Sin? (DONNE) - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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John Hilton
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Todd Marchand
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Wilt Thou Forgive That Sin?
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726119 Composed by John Hilton (1599-1657). Arranged by Todd Marchand. Christian,Lent,Sacre...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726119 Composed by John Hilton (1599-1657). Arranged by Todd Marchand. Christian,Lent,Sacred. 14 pages. Con Spirito Music #6329603. Published by Con Spirito Music (A0.726119). Wilt Thou Forgive That Sin? are the opening words to the poem, A Hymn to God the Father, written by the English poet, priest, and scholar John Donne (1572-1631). A theologically rich and poetically masterful text, it presents an appeal to God, in which Donne asks Wilt thou forgive? the original sin into whch man is born (stanza 1) and the personal sins of the individual (stanza 2), and in which he acknowledges his own fear of death and his hope of salvation through God's Son, Jesus Christ (stanza 3). Donne commissioned a tune to accompany the hymn from the English early baroque composer John Hilton (1599-1657), of which Donne's friend and biographer Izaak Walton said, he caused it to be set to a most grave and solemn tune, and to be often sung to the organ by the Choristers of St. Paul’s Church, in his own hearing.... Donne's hymn is especially fitting for penitential seasons (Advent, Lent) and occasions, and this arrangement for brass quintet of Hilton's tune makes an effective meditative selection for offertory or communion at any time. ©2021 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more unique arrangements for brass and woodwind ensembles, young/developing band, instrumental and vocal soloists, and choirs, visit www.conspiritomusic.com Â
$15.00 ≈
£11.83
Not Your Grandparents' Halleluah Chorus - C Major
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Georg Frederick Handel
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Jeremy McLeod
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Not Your Grandparents' Hallelu
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Friends of Henry Archer
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1001484 Composed by Georg Frederick Handel. Arranged by Jeremy McLeod. Baroque,Christmas,Easter,Sacred,Spiritual...
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Choral Choir (SATB) - Level 4 - SKU: A0.1001484 Composed by Georg Frederick Handel. Arranged by Jeremy McLeod. Baroque,Christmas,Easter,Sacred,Spiritual. Octavo. 14 pages. Friends of Henry Archer #6261045. Published by Friends of Henry Archer (A0.1001484). This version of a beloved classic begins with the original’s adoration of God in Christ and expresses it in language fit for a culture in which king and masculine references for God give way to a wider range of gender and models of community. We make no guarantees that bolts of lighting Will not strike when performing this version, but so far no such phenomena have accompanied its use! <g>Handel's original key is modified here to C Major to put this piece more conveniently in the reach of choirs who prefer the lower key.
$2.75 ≈
£2.17
Not Your Grandparents' Halleluah Chorus - D Major
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Chorale SATB
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Georg Frederick Handel
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Jeremy McLeod
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Not Your Grandparents' Hallelu
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Friends of Henry Archer
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1001482 Composed by Georg Frederick Handel. Arranged by Jeremy McLeod. Baroque,Christmas,Easter,Sacred,Spiritual. Octavo. ...
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Choral Choir (SATB) - SKU: A0.1001482 Composed by Georg Frederick Handel. Arranged by Jeremy McLeod. Baroque,Christmas,Easter,Sacred,Spiritual. Octavo. 14 pages. Friends of Henry Archer #6261035. Published by Friends of Henry Archer (A0.1001482). This version of a beloved classic begins with the original’s adoration of God in Christ and expresses it in language fit for a culture in which king and masculine references for God give way to a wider range of gender and models of community We make no guarantees that bolts of lighting Will not strike when performing this version, but so far no such phenomena have accompanied its use! <g>
$2.75 ≈
£2.17
Mankind May Have Joy—Medium-Range Vocal Solo and Piano
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Voix moyenne, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Mankind May Have Joy—Med
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Daniel Carter
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.1077318 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Baroque,Classical,Praise & Worship,Sa...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.1077318 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Baroque,Classical,Praise & Worship,Sacred. 4 pages. Daniel Carter #681495. Published by Daniel Carter (A0.1077318). J. Marinus Jensen’s text is an optimistic reminder that despite sorrows in this life we are also created to have joy. “What gratitude to God we bring that mankind may have joy.†Daniel Carter’s melody and accompaniment are set in a neo-baroque style that gives performers and listeners a feeling of a joyful dance. Suitable for worship, devotionals, recitals, and concerts. Complete lyric: A voice hath spoken from the dust, Its message pure, without alloy, Of treasured hope and sacred trust: Oh, “men are that they may have joy.†Should sorrow come, we’ll not despair, For He would not that men should pine. The grief that comes we’ll learn to bear Until again the sun doth shine. For Adam feel that man might be, And men are that they may have joy. What gratitude to God we bring That mankind may have joy. Before the Lord, then, humbly go. His message will our spirits buoy. On us his blessings he’ll bestow, For “men are that they may have joy.†For Adam feel that man might be, And men are that they may have joy. What gratitude to God we bring That mankind may have joy.
$4.99 ≈
£3.94
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
£69.42
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
£78.90
Music for Four Brass, Volume 2 - Part 1 for Trumpet in Bb - 60211
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Ensemble de cuivres
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AVANCÉ
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Celtique/Irlandais
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Various
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Daniel Kelley
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Music for Four Brass, Volume 2
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Last Resort Music Publishing
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.530567 Composed by Various. Arranged by Daniel Kelley. Baroque,Easter,Sacred,Spiritual. Score and parts. 42 pages. La...
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Brass Ensemble - Level 5 - SKU: A0.530567 Composed by Various. Arranged by Daniel Kelley. Baroque,Easter,Sacred,Spiritual. Score and parts. 42 pages. Last Resort Music Publishing #4317925. Published by Last Resort Music Publishing (A0.530567). Volume 2 - Sacred & Spiritual Music for Brass Quartet Part 1 for Trumpet in BbA wonderful collection of arrangements for brass quartet including works by Handel, Purcell, Martin Luther, and many more! This series is designed to be used by a brass quartet. This volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score.Available for the following instrumentation: Part 1 Bb Trumpet  Part 2 Bb Trumpet Part 2 French Horn in F Part 3 Trombone Part 3 French Horn in F Part 4 Bass Trombone or TubaKeyboard or Guitar Score (parts 1-2 in Bb, 3-4 in C)Table of ContentsArioso from Cantata #156 (Bach)Ave Maria adapted by Charles Gounod from WTC Prelude #1 (Bach)Komm, Susser Tod (Bach)My Heart Ever Faithful Aria from Cantata #68 (Bach)Agnus Dei from incidental music to L'Arlesienne (Bizet)Amazing Grace (Early American Melody)Panis Angelicus from Messe Solonnelle, Op. 12 (Franck)Every Valley Shall Be Exalted from The Messiah (Handel)Hallelujah Chorus from The Messiah (Handel)Sound an Alarm from Judas Maccabeus (Handel)Thine Be the Glory from Judas Maccabeus (Handel)O Worship the King (Haydn)Children's Prayer from Hansel and Gretel (Humperdinck)A Mighty Fortress is Our God (Luther)Nearer, My God, to Thee (Mason)On Wings of Song from Op. 34 #2 (Mendelssohn)Alleluia from Exsultate, Jubilate, K. 165 (Mozart)Ave Verum Corpus from K. 618 (Mozart)When I Am Laid in Earth from Dido and Aeneas (Purcell)Ave Maria (Schubert)Deep River (Spiritual)Give Me that Old-Time Religion (Spiritual)Go Tell It on the Mountain (Spiritual)He's Got the Whole World in His Hands (Spiritual)Sometimes I Feel like a Motherless Child (Spiritual)Swing Low, Sweet Chariot (Spiritual)Were You There? (Spiritual)Battle Hymn of the Republic (Steffe & Howe)Onward Christian Soldiers (Sullivan)Be Thou My Vision (Traditional Irish Melody)All available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$20.00 ≈
£15.78
Music for Four Brass, Christmas, Score 65199
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Various
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Daniel Kelley
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Music for Four Brass, Christma
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Last Resort Music Publishing
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.530803 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Romantic Period,Sacred. Score and ...
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Brass Ensemble - Level 4 - SKU: A0.530803 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Romantic Period,Sacred. Score and parts. 82 pages. Last Resort Music Publishing #6071831. Published by Last Resort Music Publishing (A0.530803). Score - Parts 1-2 in Bb, Part 3-4 in C A Spirited Collection of Holiday Brass Music! This series is designed to be used by a brass quartet and is perfect for recitals, concerts, parties and any chamber music event. Each volume includes 30 titles and is available for 4 interchangeable parts plus keyboard and score. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played!Parts available: 65111 Part 1 Bb Trumpet 65121 Part 2 Bb Trumpet 65122 Part 2 French Horn in F *DD65131 Part 3 Trombone 65132 Part 3 French Horn in F 65141 Part 4 Bass Trombone or Tuba65150 Keyboard or Guitar 65199 Score (Parts 1-2 in Bb, Part 3-4 in C) *DD *Parts available by digital download onlyTable of ContentsAngels We Have Heard on HighAway in a MangerBreak Forth, O Beauteous, Heavenly LightBring Your Torches, Jeanette, IsabellaCoventry CarolDeck the HallsThe First NoelFor Unto Us a Child is BornGod Rest Ye Merry GentlemenGood King WenceslasGreensleevesHark! The Herald Angels SingThe Holly and the IvyIt Came Upon a Midnight ClearJolly Old St. NicholasJoy to the WorldA La Nanita NanaThe Nutcracker - Chinese Dance, Dance of the Sugar Plum Fairy, March, TrepakO Come, All Ye FaithfulO Little Town of BethlehemSilent NightSing We Now of ChristmasWassail SongWe Three KingsWe Wish You a Merry ChristmasWexford CarolDon't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com
$39.99 ≈
£31.55
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Spirit of God Baroque