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Vous avez sélectionné:
Take You To Hell
Partitions à imprimer
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Take You To Hell
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.794311 By Ava Max. By Amanda Ava Ko…
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Piano Solo - Level 3 - Digital Download SKU: A0.794311 By Ava Max. By Amanda Ava Koci, Amanda Koci, Christopher Araneda, Henry Russell Walter, Henry Walter, Jane Smith, Khristian Araneda, Khristian Arenada, Madison, Madison Love, Maria Jane Smith, Roland Spreckley, and Victor Thell. Arranged by Piano Go Life. Contemporary. Score. 5 pages. Piano Go Life #6258877. Published by Piano Go Life (A0.794311). Ava Max - Take You To Hell Piano Cover Arranged by Piano Go Life.
£6.72
$7.99
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Piano seul
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Ava Max
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Piano Go Life
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Take You To Hell
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Piano Go Life
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SheetMusicPlus
AS DANTE (TO HELL AND BACK)
Piano seul
Piano Solo - Digital Download SKU: A0.1012728 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728). Music and song composed by me ♫ *'¨` * • .¸¸. As Dante (To hell and back)♫ ♫ *'¨` * • .¸¸. ♫ I'd recognize anywhere and millions your eyes when will my time I certainly find it my rebellious soul that more chains will not have over the time and distances Your light will follow and how Dante I will commence from the bottom the deepest hell between the screams of the damned three groans and sins between greedy and slothful but you're not here I feel that changes and transforms the essence takes shape love transfigures removes all fear I find you I swear I'll take you with me memories, images in my mind 2 of us in the excerpt of apparent life for us that we are in hell were forged on us a tear and 100 sins I do not believe, do not watch and do not feel You that rest and peace have reached and then suddenly appears to me your face We are in hell for us is heaven ... we rush wrists tied, I do not care You squeeze to hurt me think of me stronger and shalt see my colors It was death to turn me but you can repaint me and then I'll be whatever you want as in life if you want me wind I breath and the evils I will comfort If you want me want rose scent the air and will blossom As Dante told We are Paolo and Francesca 2 doves and then just and I find the joy of living smile reborn and fight to recover what in life we we never had happiness everyone is looking for and chase and then expect strange to say but I find it here On flames on hell as Dante that one day for that dark forest left dance, dance white souls purgatory are never tired why the hell is a real torture but it is the paradise that do more scares and how Dante but without Virgilio I try by myself to my best because Charonte accept my toll conceal my love and now we are already on journey how strange my mind that does not have any rest It has no limits or boundaries and fear a little 'makes me is my curse as a mark on the skin but as said one on last Dante I go out to see the stars that day will come and then I swear I look for you and take you to a safe place Please , just remember only my face and will not be hell will be heaven ... Monica Bergo
£4.2
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Piano seul
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Monica Bergo
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AS DANTE
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Moni Bergo
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SheetMusicPlus
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Pen…
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Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
£42.03
$50.00
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Edwin Penhorwood
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You Are Not Dying, Madame from Too Many Sopranos
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
If You Want Blood You've Got It
Batterie
Drum Set,Drums - Level 3 - Digital Download SKU: A0.982428 By AC/DC. By Angus Young…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.982428 By AC/DC. By Angus Young, Bon Scott, and Malcolm Young. Arranged by Andy Thurston. Contemporary. Score. 2 pages. Andy Thurston #6490809. Published by Andy Thurston (A0.982428). Transcription of Phil Rudd's performance on the AC/DC track If You Want Blood (You've Got It), taken from the album Highway To Hell.
£4.19
$4.99
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Batterie
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AC/DC
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Andy Thurston
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If You Want Blood You've Got It
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Andy Thurston
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SheetMusicPlus
That's What You Do For A Friend
Mixed Percussion,Strings Bass Voice,Clarinet,Clavinova,Digital Keyboard,Double Bass,Drum S…
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Mixed Percussion,Strings Bass Voice,Clarinet,Clavinova,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,English Horn,Flute,Harp,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,String Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1161186 Composed by Clive Romney and Lex De Azevedo. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Disco,Film/TV,Musical/Show,New Age. 9 pages. Amphibia Cultural Legacy #761516. Published by Amphibia Cultural Legacy (A0.1161186). The Swan Princess II: Escape From Castle Mountain is a beloved animated movie whose soundtrack has been equally adored. One of the standout tracks from the film is That's What You Do For A Friend, which was originally performed by Michelle Nicastro. However, the track has recently been remixed with additional instruments that take it to another level.The new version of That's What You Do For A Friend adds depth and complexity to a beautiful song. The added instruments give the track a fuller sound that perfectly captures the emotion behind the lyrics. Care was taken to craft this remix; every note feels deliberate and purposeful.The Swan Princess fans will undoubtedly appreciate this updated version of That's What You Do For A Friend.An epic fantasy cover from The Swan Princess II: Escape From Castle Mountain, remixed in warm pad and orchestra in an amazing wonderful perfect arrangement. Very famous, amazingly powerful, and more enhanced than the original. This is the greatest powerful magnificent musical melodic masterpiece of all time in the world!Originally released on October 8, 2022.
£33.62
$40.00
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Clive Romney and Lex De Azevedo
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Amphibia Cultural Legacy
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That's What You Do For A Friend
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Amphibia Cultural Legacy
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SheetMusicPlus
Always Thinking of You
B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Downlo…
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B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop,Rock,Standards. 44 pages. Michelle Kraak #6102861. Published by Michelle Kraak (A0.1012600). Instrumentation: flute, horn, flugelhorn, Bb trumpet 1, Bb trumpet 2, euphonium, amplified guitar, drum set, piano and voice (mezzo soprano)Always Thinking of You is a fusion of a few different styles, including aspects of pop and rock as well as hints to the brass chorale style. It has a unique combination of instruments. Amplification is recommended to get the best group balance. I originally wrote the lyrics as a poem and then set the poem to music. The piece should be sung in a pop-like style, as opposed to an operatic style. It could be programmed in a recital or ensemble concert. The piece has a unique instrumentation, which can be helpful for groupsthat don't have the standard instrumentations. It would work nicely for students or to showcase a vocalist.4 minutes 57 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/ Lyrics:I don't know what to do,Every step brings me closer to you.Every touch of your hand,This is not what I had planned. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you. Love come and gone.Like a snowflake that melts in the spring.My heart will grieve.So for you this song I'll sing. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you.
£27.7
$32.95
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Michelle Kraak
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Always Thinking of You
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Michelle Kraak
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SheetMusicPlus
Near to Your Heart Medley
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294833 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294833 By Cheryl Prazak. By Lyric by Cheryl Prazak and Traditional Irish Melody. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 6 pages. Cheryl Prazak #885159. Published by Cheryl Prazak (A0.1294833). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Near to Your Heart MedleyThe world was black as black as sin would always be.From the pit of hell I’m a refugee. I grasped the loving hand You reached down to me.I opened my heart’s door, You set me free. Only You could feel this aching of my heart.And only You could melt this heart of stone.Only You could mend again a life torn ‘part. Salvation comes, salvation comes, from You alone.Near to your heart, that’s where I always want to be,Take me in, draw me closer, Lord, to Thee. I want to be where joy and peace are calling me,I want to be where Jesus lives in me.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.It’s You and only You who is my Savior.And only You who changed my destiny.It’s only You whose mercy will not waver.It’s only You who sets my spirit free.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.
£4.19
$4.99
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Piano, Voix
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Cheryl Prazak
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Jon Burr
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Near to Your Heart Medley
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Cheryl Prazak
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SheetMusicPlus
Hello My Love
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1274523 By Millicent E Taffe…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1274523 By Millicent E Taffe. By Millicent E Taffe. Arranged by Millicent E Taffe. Film/TV,Hip-Hop,Pop,R & B,Singer/Songwriter,Soul. Score. 7 pages. Millicent E Taffe #866665. Published by Millicent E Taffe (A0.1274523). My music is a merging of lovers rock and neo soul. I write predominantly about music of the heart, or romantic music for those who are blissfully in love. I have not had an easy road, so I write from brokenness, disappointment and sorrow, because I am trying to heal.At a young age, I always felt sad and knew that I was interested in the deep topics of why we are here, so I started to write poems, which I found therapeutic because they allowed me to get out emotions that I could not express, or understand.I want to bring understanding to those who like me have been through heavy stuff, that keeps repeating and the one is always the one, not!. Yet, we keep hoping because all around us are happy, pda couples who just sail into relationships that we can only dream of.I am now resigned to help the World by putting into song, all the wrongs they did because I now believe that this is my destiny. For me hope has gone, but for you I will clear your road of all the dross and debris, so you can cruise into romantic happiness.This song burst forth demanding to be heard after months of emotional turmoil and heartbreak, and with every listen, I heal a little bit more.Please take a listen to my healing song Hello My Love, and if you want a visual dramatization that is as powerful as the song, then watch the video.
£8.4
$9.99
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Piano, Voix
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Millicent E Taffe
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Millicent E Taffe
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Hello My Love
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Millicent E Taffe
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SheetMusicPlus
Take You to Hell by Relaxing Piano Covers - Piano Solo
Piano seul
Performed by: Relaxing Piano Covers: Take You to Hell Digital Sheetmusic - instantly downl…
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Performed by: Relaxing Piano Covers: Take You to Hell Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages -- Solo Instrumental~~Pop~~Electropop
£5.88
$6.99
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Piano seul
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Relaxing Piano Covers
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Piano Solo
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Musicnotes
MUSICHELP - Take You to Hell - (Digital Download)
Piano seul
Performed by: MUSICHELP: Take You to Hell Digital Sheetmusic - instantly downloadable shee…
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Performed by: MUSICHELP: Take You to Hell Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages --
£3.35
$3.99
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Piano seul
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MUSICHELP
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Take You to Hell
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Musicnotes
MUSICHELP - Take You to Hell [advanced] - (Digital Download)
Piano seul
Performed by: MUSICHELP: Take You to Hell [advanced] Digital Sheetmusic - instantly downlo…
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Performed by: MUSICHELP: Take You to Hell [advanced] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages --
£3.35
$3.99
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Piano seul
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MUSICHELP
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Take You to Hell [advanced]
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Musicnotes
The Be-Bop Range Book
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
£14.25
$16.95
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Trompette
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
I See You
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michell…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
£2.09
$2.49
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Chorale SATB
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Take Me In Your Arms
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1257946 Composed by Fred Markus…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1257946 Composed by Fred Markush, Fritz Rotter, and Mitchell Parish. Arranged by Dick Tunney. Rock. Score and Parts. 58 pages. Dick Tunney #851182. Published by Dick Tunney (A0.1257946). Full symphonic orchestration including notated rhythm parts and vocals. Conductor's score is formatted to 11x17 (tabloid) and individual parts are formatted to 8.5x11 for printing.
£42.03
$50.00
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Orchestre
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Fred Markush, Fritz Rotter, and Mitchell Parish
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Dick Tunney
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Take Me In Your Arms
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Dick Tunney
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SheetMusicPlus
IMITATION SOLO - HELLO HELLO with Are You Sleeping?
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.864735 Composed by Dan Severino. In…
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Piano Solo - Level 1 - Digital Download SKU: A0.864735 Composed by Dan Severino. Instructional. Score. 11 pages. Piano Teacher Press #55851. Published by Piano Teacher Press (A0.864735). Piano Teacher Press presents IMITATION SOLOS. An Imitation Solo takes a Classic Piece (or an imitation of a Classic Piece) and arranges a Folk Song (or a common public domain song) imitating the similar compositional techniques. This Imitation Solo covers musical imitation. Both the Classic Piece and the Folk Piece demonstrate musical imitation. Each Imitation Solo also contains a written assignment where the student gets a chance to write out and/or complete an assignment by imitating the featured compositional technique. The final part of the assignment has students playing their written assignment and composition. Finally, for all the students hard efforts there are certificates included to award the student for their hard work in completing all the assigned work. IMITATION SOLOS are designed to expand musical understanding by giving focused attention to important concepts in piano study.
£5.04
$5.99
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Piano seul
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Dan Severino
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IMITATION SOLO - HELLO HELLO with Are You Sleeping?
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Piano Teacher Press
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SheetMusicPlus
Hello
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.935152 By Adele. By Adele Adkins an…
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Flute Solo - Level 3 - Digital Download SKU: A0.935152 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Simon Dawson. Pop,R & B. Individual part. 4 pages. Dawson Music UK #6248985. Published by Dawson Music UK (A0.935152). This is an intermediate arrangement of Adele's beautiful hit song Hello for flute. This is taken from the arrangement for flute and guitar but as the melody is taken by the flute throughout, it works in it's own right. The melody has been embellished to suit the instrumental arrangement which makes it a good concert piece. The flute and guitar arrangement is available separately as score & parts.Follow the link to a full performance on YouTube, or contact me directly for further information at simon@dawsonmusic.co.uk.www.dawsonmusic.co.uk
£4.19
$4.99
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Flûte traversière
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Adele
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Simon Dawson
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parts
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Hello
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Dawson Music UK
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
£3.35
$3.99
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Hello
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.9…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.935151 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Simon Dawson. Pop,R & B. Score and parts. 18 pages. Dawson Music UK #6248977. Published by Dawson Music UK (A0.935151). This is an intermediate arrangement of Adele's beautiful hit song Hello for flute and classical guitar. The flute takes the melody throughout with the guitar providing accompaniment and occasional countermelody. The guitar part also features some percussive techniques which are explained within the score. The melody has been embellished to suit the instrumental arrangement which makes it a good concert piece. The flute part works on it's own and is available separately. Follow the link to a full performance on YouTube, or contact me directly for further information at simon@dawsonmusic.co.uk.www.dawsonmusic.co.uk.
£5.88
$6.99
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Flûte et Guitare
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Adele
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Simon Dawson
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Hello
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Dawson Music UK
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SheetMusicPlus
Billie Eilish - I Love You
Piano, Voix
Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by …
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Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer
Here's how to play "i love you" by Billie Eilish on piano!<br> <br> It's an accurate piano arrangement of the whole song which is quite easy to play, and sounds fantastic!<br> <br> The whole melody is included in the piano part, so it sounds great if it's played as an instrumental (piano solo) version. However, you can also use this sheet music to accompany a singer, or sing along yourself! These piano sheets include the song's full lyrics.<br> <br> "i love you" is a calm, melancholic track about falling in love, with a quite typical Billie-Eilish-sound. With its soft guitar rhythms, it makes for a beautiful piano cover!<br> <br> Here are the full lyrics to "I Love You" by Billie Eilish:<br> <br> [Verse 1]<br> It's not true<br> Tell me I’ve been lied to<br> Crying isn't like you, ooh<br> What the hell did I do?<br> Never been the type to<br> Let someone see right through, ooh<br> <br> [Chorus]<br> Maybe won't you take it back?<br> Say you were tryna make me laugh<br> And nothing has to change today<br> You didn’t mean to say "I love you"<br> I love you and I don't want to, ooh<br> <br> [Verse 2]<br> Up all night on another red-eye<br> I wish we never learned to fly<br> Maybe we should just try<br> To tell ourselves a good lie<br> Didn't mean to make you cry<br> <br> [Chorus]<br> Maybe won't you take it back?<br> Say you were tryna make me laugh<br> And nothing has to change today<br> You didn't mean to say "I love you"<br> I love you and I don't want to, ooh<br> <br> [Bridge]<br> The smile that you gave me<br> Even when you felt like dying<br> <br> [Outro]<br> We fall apart as it gets dark<br> I'm in your arms in Central Park<br> There's nothing you could do or say<br> I can’t escape the way I love you<br> I don’t want to, but I love you, ooh<br> Ooh, ooh<br> Ooh, ooh
£4.19
$4.99
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Piano, Voix
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Billie Eilish
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Mario Stallbaumer
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Billie Eilish - I Love You
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Mario Stallbaumer
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SheetMusicPlus
Eyes Closed
Guitar - Level 1 - Digital Download SKU: A0.1227412 By Ed Sheeran. By Ed Sheeran, F…
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Guitar - Level 1 - Digital Download SKU: A0.1227412 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B. McCormick #823390. Published by B. McCormick (A0.1227412). ||Get ready to play and sing along to Eyes Closed by Ed Sheeran with our Lead Sheet music!|| This minimalistic arrangement features the melody line, lyrics, and chord symbols, giving you all the essential elements you need to play the song with ease. Whether you're a beginner or an experienced musician, this Lead Sheet is perfect for anyone looking to play Eyes Closed in a simple and straightforward way. So grab your sheet music and get ready to make some beautiful music! ||Notes On the Sheet Music|| -Melody- The melody alters slightly on repeating for subsequent verses etc. These are notated using smaller bracketed note heads and should only be played/sung on the appropriate repeats. The decision was made to not notate the final chorus as sung however when performed/sung the final chorus could be ad-libbed to emulate the original should the performer desire.-Guitar Strumming- There is a suggested strumming pattern/rhythm contained within the intro. This will fit with the song but feel free to come up with your own! This is to be an aid for learners and a resource for teachers. -Structure- The sheet music follows the structure of the song as heard in the recording. If the repeats are not obvious each section (Verse/PreChorus/Chorus) is marked by boxed texts for ease of navigation. I have also provided a tab for the riff which persists throughout the piece in the intro section. -Length- One of my main aims in arranging popular titles is to make the effort to try and minimise the amount of pages required. As a Musician I hate having pages and pages of music that could have been condensed using repeats and other structure markings. This arrangement fully utilises these and this is part of the reason why the decision was made note to notate the final chorus as sung in the recording. As this is a lead sheet it hold all the info to play this song in two pages. -Alternatives- If you need more info in your music I have two other arrangements of this. Both are Voice, Piano, and Guitar Arrangements, the first with the melody above a simple piano accompaniment with the Guitar chords the second is a piano reduction of this arrangement with alterations so that it is playable on the piano. For these arrangements and others that I have done you can click on my publisher link above, B.McCormick. That will take you to all of my arrangements on site. ||About Ed Sheeran|| Ed Sheeran is an award-winning singer-songwriter known for his soulful and introspective lyrics. Born in England in 1991, Sheeran began playing guitar at a young age and started writing his own songs by age 14. He rose to fame with his debut album + in 2011 and has since become one of the most successful and beloved musicians of our time. Sheeran's music is known for its honesty, vulnerability, and emotional depth, and Eyes Closed from his Subtract (-) album is no exception. Get our sheet music arrangement today and experience the magic of Ed Sheeran's music in your own home. ||About the Arranger.|| Hey there! I'm Barry, a musician with over 20 years of experience in everything from performing to tutoring. I studied at Glasgow University and the Royal Conservatoire of Scotland, and now my mission is to create music arrangements that are super fun and easy to learn. I want to help you on your musical journey, so I hope you enjoy using this arrangement - it's all about making music accessible and enjoyable for everyone!
£2.51
$2.99
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Ed Sheeran
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Barry McCormick
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Eyes Closed
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B. McCormick
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SheetMusicPlus
Eyes Closed
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1227409 By Ed Sheeran…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1227409 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Pop,Singer/Songwriter. Score. 3 pages. B. McCormick #823387. Published by B. McCormick (A0.1227409). Get ready to play and sing along to Eyes Closed by Ed Sheeran with our Piano Reduction sheet music! This arrangement features an easy-to-follow reduction of our vocal and piano accompaniment arrangement with slight alterations to help with playability. If you want to add an extra layer of richness to your performance, grab a friend to play the Guitar chords (which are helpfully located above the melody). This heartfelt and emotional ballad is sure to leave you feeling inspired and moved, so grab your sheet music and get ready to make some beautiful music. Notes On the Sheet Music Melody The melody alters slightly on repeating for subsequent verses etc. These are notated using smaller bracketed note heads and should only be played/sung on the appropriate repeats. The decision was made to not notate the final chorus as sung however when performed/sung the final chorus could be ad-libbed to emulate the original should the performer desire. Structure The sheet music follows the structure of the song as heard in the recording. If the repeats are not obvious each section (Verse/PreChorus/Chorus) is marked by boxed texts for ease of navigation. Length One of my main aims in arranging popular titles is to make the effort to try and minimise the amount of pages required. As a Musician I hate having pages and pages of music that could have been condensed using repeats and other structure markings. This arrangement fully utilises these and this is part of the reason why the decision was made note to notate the final chorus as sung in the recording. Alternatives I also have an Voice, Piano, and Guitar Arrangement, which has the melody on its own staff with the guitar chords above with a simple piano accompaniment under neath. For the guitar players out there I have also made this into a lead sheet with just the melody, lyrics and chords. For these arrangements and others that I have done you can click on my publisher link above, B.McCormick. That will take you to all of my arrangements on site. About Ed Sheeran Ed Sheeran is an award-winning singer-songwriter known for his soulful and introspective lyrics. Born in England in 1991, Sheeran began playing guitar at a young age and started writing his own songs by age 14. He rose to fame with his debut album + in 2011 and has since become one of the most successful and beloved musicians of our time. Sheeran's music is known for its honesty, vulnerability, and emotional depth, and Eyes Closed from his Subtract (-) album is no exception. Get our sheet music arrangement today and experience the magic of Ed Sheeran's music in your own home.
£4.19
$4.99
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Piano, Voix et Guitare
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Ed Sheeran
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Barry McCormick
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Eyes Closed
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B. McCormick
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
£2.94
$3.50
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
They Can't Take That Away From Me - piano solo by Kerin Bailey
Piano seul
By By George and Ira Gershwin. Arranged by Kerin Bailey. 6 pages. Published by Kerin…
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By By George and Ira Gershwin. Arranged by Kerin Bailey. 6 pages. Published by Kerin Bailey
Level: Upper Intermediate - Early Advanced<br> This is an accessible arrangement of this great jazz standard - in a typical mainstream jazz piano style. On repeat there is a variation which is a quasi improvisation.<br> It fits nicely under the hand and includes phrasing, chord symbols, fingering and pedal suggestions.<br> The theme is mainly a 2-handed piano style - the chord voicings are spaced across both hands for a fuller sound.<br> In the variation, the bridge (bar 41), AA is more 'horn' style - lyrical right hand phrasing with left hand chordal accompaniment; often just the chord 'shell' - e.g. root and 7th. The B section here (bar 57) is 'stride' piano - left hand plays root/chord, right plays the melody harmonised in block chords.<br> Chord symbols are included to aid a better understanding of the harmony, and for pianists interested in embellishment or improvisation.<br> Designed to be a pleasure to play, this would be ideal as a recital or examination piece - or simply for leisure<br> Demonstration video at: https://youtu.be/HndNe9w14Cs
£4.19
$4.99
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Piano seul
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Kerin Bailey
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They Can't Take That Away From Me - piano solo by Kerin Bailey
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Kerin Bailey
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Nathaniel Holland #875835. Published by James Nathaniel Holland (A0.1284659). PIANO VOCAL SCORE.  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
£14.71
$17.50
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Piano, Voix et Guitare
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nat…
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String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698). INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
£20.72
$24.65
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Orchestre à Cordes
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2
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James Nathaniel Holland
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SheetMusicPlus
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