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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Shield of Faith
Non classifié
2
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1
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Voix
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4
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3
Chorale Unison
1
Vents
2 Saxophones (duo)
2
Hautbois, Flûte
1
Cuivres
2 Trombones (duo)
1
2 Cors (duo)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Trio à Cordes: violon, alto, violoncelle
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Violon, Alto (duo)
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HAUTBOIS
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
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Vous avez sélectionné:
The Shield of Faith
Partitions à imprimer
40 partitions trouvées
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1
26
The Shield of Faith
#
Chorale 3 parties
#
Musique Sacrée
#
Mark Patterson
#
The Shield of Faith
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Monarch Music
#
SheetMusicPlus
SAB choir with optional 3 Trumpets and 3 Trombones and Rhythm Section (With Optional 3 Trumpets and 3 Trombones, Rhythm Section) - SKU: LX.10-3130M Comp...
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SAB choir with optional 3 Trumpets and 3 Trombones and Rhythm Section (With Optional 3 Trumpets and 3 Trombones, Rhythm Section) - SKU: LX.10-3130M Composed by Mark Patterson. Sacred Anthem, All Saints' Day, Funeral, General, Memorial Services. Octavo. 8 pages. Monarch Music #e10/3130M. Published by Monarch Music (LX.10-3130M). UPC: 000308093148.Youthful, uplifting, encouraging.
$2.40 ≈
£1.87
Father, Increase Our Faith - a sacred hymn
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
shelter us from sin
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Father, Increase Our Faith - a
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1086012 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1086012 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #690202. Published by Kevin G. Pace (A0.1086012). A heavenly, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Father, increase our faith in thy holy Name. Guide us to sacred space where there is no shame. When fear, our enemy, threatens calm within, Reach forth thy mighty arm; shelter us from sin. Father, increase our faith as the thorns of life Cause us to doubt thy word; keep us safe from strife. When pain disguises peace, when sore trials loom, Lend us thy constant care rising from all gloom. Father, increase our faith; turn our trust to Thee. When conflict frightens all, find us on our knees. Shield us from enemies when they come too close. Share thy protecting hands; guard us from all foes. Father, increase our faith; let us trust thy love. Give comfort endlessly ‘til we meet above. Father, we honor Thee and thy holy Son. Help us increase our faith so we can be one.
$1.99 ≈
£1.55
The Call of Home
#
Paul Ambrose
#
Ren Challacombe
#
The Call of Home
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Ren Challacombe
#
SheetMusicPlus
Choral Choir,Choral (3-Part Mixed) - Level 2 - SKU: A0.1348485 Composed by Paul Ambrose. Arranged by Ren Challacombe. 20th Century,Folk. 5 pages. Ren Ch...
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Choral Choir,Choral (3-Part Mixed) - Level 2 - SKU: A0.1348485 Composed by Paul Ambrose. Arranged by Ren Challacombe. 20th Century,Folk. 5 pages. Ren Challacombe #933262. Published by Ren Challacombe (A0.1348485). Originally published in 1921, The Call of Home is a song written about the warmth of family and the strength it gives during times of strife with text by Abbie Farwell Brown and the original arangement by Paul Ambrose. The original text written reads:The path is hard, your feet must travel little oneThe way is long and weary is the loadThe clouds are black that threaten soon to hide the sunA chilling fear is lurking by the roadBut gather close the cloak your mother wove for youTo keep you safe in danger and in stormTheir very heart have made a shield of love for youStrong as her faith, and like her courage warm.The cheery house that craddled you is far awayThe pretty toy that pleased you as a childThe inn you hope to enter at the close of dayIs hidden still beyond the forest wildBut wrap you warm in love that was the whole of herAnd walk in joy, as she would have you doThe thread of life she spun from out the soul of herDraws you to her again a magic clueThe lyrics and voicings have been modified to speak of kin rather than a singular mother figure. Appropriate for early-intermediate choirs. Arranged for three-part mixed-voice choir and piano.
$1.99 ≈
£1.55
March of the Three Kings - Trombone Duet - Advanced Intermediate
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2 Trombones (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Traditional English Carol
#
Dennis Ruello
#
March of the Three Kings - Tro
#
Chicory Music
#
SheetMusicPlus
Trombone Duet Trombone - Level 4 - SKU: A0.734358 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,R...
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Trombone Duet Trombone - Level 4 - SKU: A0.734358 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Romantic Period,Sacred. Score. 2 pages. Chicory Music #3116333. Published by Chicory Music (A0.734358). March of the Three Kings for Trombone Duet arranged at the Advanced Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the trombone friendly key of c minor at the advanced intermediate level.Performance time: approx. 2 minutes.
$2.99 ≈
£2.33
March of the Three Kings - Horn in F Duet - Intermediate
#
2 Cors (duo)
#
INTERMÉDIAIRE
#
Noël
#
Traditional English Carol
#
Dennis Ruello
#
#
March of the Three Kings - Hor
#
Chicory Music
#
SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet - Level 3 - SKU: A0.734359 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,...
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Instrumental Duet Horn,Instrumental Duet - Level 3 - SKU: A0.734359 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Romantic Period,Sacred. Score and parts. 2 pages. Chicory Music #3118917. Published by Chicory Music (A0.734359). March of the Three Kings for Horn in F Duet arranged at the Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the Horn in F friendly key of d minor at the intermediate level. Performance time: approx. 2 minutes.
$2.99 ≈
£2.33
March of the Three Kings - Violin / Viola Duet - Intermediate
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Violon, Alto (duo)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Georges Bizet
#
Dennis Ruello
#
March of the Three Kings - Vio
#
Chicory Music
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.734412 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Prai...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.734412 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Sacred,Standards. Score and parts. 2 pages. Chicory Music #4890289. Published by Chicory Music (A0.734412). March of the Three Kings for Violin / Viola Duet arranged at the Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the string friendly key of e minor at the Intermediate level. Performance time: approx. 2 minutes.
$2.99 ≈
£2.33
March of the Three Kings - Alto Saxophone Duet - Intermediate
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2 Saxophones (duo)
#
INTERMÉDIAIRE
#
Classique
#
Georges Bizet
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Dennis Ruello
#
March of the Three Kings - Alt
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Chicory Music
#
SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.734331 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,R...
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Alto Saxophone Duet Alto Saxophone - Level 3 - SKU: A0.734331 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Romantic Period,Sacred. 2 scores. 2 pages. Chicory Music #2926723. Published by Chicory Music (A0.734331). March of the Three Kings for Alto Saxophone Duet at the Intermediate level.The Crusades-those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the alto sax friendly key of g minor at the intermediate level. Performance time: approx. 2 minutes.
$2.99 ≈
£2.33
March of the Three Kings - Mixed Saxophone (Soprano & Alto) Duet - Intermediate
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2 Saxophones (duo)
#
INTERMÉDIAIRE
#
Classique
#
Georges Bizet
#
Dennis Ruello
#
March of the Three Kings - Mix
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Chicory Music
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.734332 Composed by Georges Bizet. Arranged by Dennis Ruello. Ch...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.734332 Composed by Georges Bizet. Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Romantic Period,Sacred. Score and parts. 2 pages. Chicory Music #2926727. Published by Chicory Music (A0.734332). March of the Three Kings for Mixed (Soprano & Alto) Saxophone Duet at the Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the sax friendly key of g minor at the intermediate level. Performance time: approx. 2 minutes.
$2.99 ≈
£2.33
March of the Three Kings - Flute / Oboe Duet - Intermediate
#
Hautbois, Flûte
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INTERMÉDIAIRE
#
Musique Sacrée
#
Dennis Ruello
#
March of the Three Kings - Flu
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Chicory Music
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.734413 Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Sacred,Standards...
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Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.734413 Arranged by Dennis Ruello. Christmas,Holiday,Praise & Worship,Sacred,Standards. Score and parts. 2 pages. Chicory Music #4890583. Published by Chicory Music (A0.734413). March of the Three Kings for Flute / Oboe Duet arranged at the Intermediate level.The Crusades, those religious expeditions to rescue the holy places in Palestine from the Muslims, created an enormous interest in both faith and fighting in the Middle Ages. French peasants from Provence in the 13th century, when the tune for this March of the Kings was being sung and danced to, must have endowed the Three Kings of the Christmas story with all the virtues and appearance of their own folk heroes nearer at hand. These were the French dukes, clad in gleaming armor, carrying brilliant banners and bejeweled shields, who fought for the Pope far more willingly than they would have for the lives of their own serfs. Hence the martial references in this text, sung to a tune that is perhaps even older than the verses. Georges Bizet, composer of the opera Carmen, used the same tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet’s play L’Arlesienne (The Woman from Aries). The March of the Three Kings has been arranged in the woodwind friendly key of g minor at the Intermediate level. Performance time: approx. 2 minutes.
$2.99 ≈
£2.33
Six Violin Duets, Op. 1
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2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 1
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00 ≈
£56.18
Six Violin Duets, Op. 2
#
2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00 ≈
£56.18
Jesus is a Faithful Shepherd, sacred music for SATB choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Jesus is a Faithful Shepherd,
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1458627 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1458627 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 7 pages. Kevin G. Pace #1037577. Published by Kevin G. Pace (A0.1458627). Gorgeous, sacred choral music. Composed by Kevin G. Pace. Text written by Mark R. Fotheringham.Text:Jesus is a faithful shepherd, watchful ever o'er His sheep.Shielding them from daily danger, guarding them in sleep.Lovingly He leads His flock to pastures soft and fair.Following His voice, they thrive in His tender care.When the lambs are rudely scattered, when the wolves descend to prey,He will gently call and gather; He will show the way.If a lamb should ever stray afar in trembling fear,Christ will find and carry home. Ev’ry lamb is dear.Jesus is a loving shepherd, knowing ev'ry lamb by name,Reaching out to heal each heart and rescuing the lame.He shall one day lead them home, to heaven filled with light.Those who answer Him shall wear wool of spotless white.
$1.99 ≈
£1.55
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
#
William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
#
William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
String Trio No. 9 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Classique
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William Shield
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Robert Hoskins
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String Trio No. 9 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
String Trio No. 7 in G major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Classique
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William Shield
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Robert Hoskins
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String Trio No. 7 in G major
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Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
String Trio No. 8 in F major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Classique
#
William Shield
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Robert Hoskins
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String Trio No. 8 in F major
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Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
As Women Serve in Zion, a sacred song for SSA Women's Choir
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Kevin G
#
As Women Serve in Zion, a sacr
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SAA) - Level 4 - SKU: A0.1093294 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 6 pag...
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Choral Choir (SAA) - Level 4 - SKU: A0.1093294 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 6 pages. Kevin G. Pace #697364. Published by Kevin G. Pace (A0.1093294). A sacred song for SSA Women's Choir. Music by Kevin G. Pace and text by Mark R. Fotheringham. Text: 1. As a hen gathereth her chickens To shelter them from storm, So too, the strength of women Shall shield the the world from harm. CHORUS With acts of faith and kindness, We march into the fray. As women serve in Zion We show the Savior’s way. 2. With a hand fortified by virtue, Each sister points the way. With bold and fearless action, We’ll change the world each day. CHORUS 3. Covenants made with God The Father Ensure we will succeed, The Spirit here to guide us, In ev’ry glorious deed. CHORUS.
$1.99 ≈
£1.55
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No.1 in E flat maj
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Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00 ≈
£38.23
As Women Serve in Zion, a sacred song for vocal solo or unison choir
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Chorale Unison
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin G
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As Women Serve in Zion, a sacr
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1092018 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Score. 3 pages...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1092018 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Score. 3 pages. Kevin G. Pace #696150. Published by Kevin G. Pace (A0.1092018). A sacred song for vocal solo or unison choir. Music by Kevin G. Pace and text by Mark R. Fotheringham. Text: As a hen gathereth her chickens To shelter them from storm, So too, the strength of women Shall shield the the world from harm. CHORUS With acts of faith and kindness, We march into the fray. As women serve in Zion We show the Savior’s way. With a hand fortified by virtue, Each sister points the way. With bold and fearless action, We’ll change the world each day. CHORUS.
$3.99 ≈
£3.11
Be Still and Know (in F)
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Musique Sacrée
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David Kai
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David Kai
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Be Still and Know
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David Kai
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SheetMusicPlus
Level 3 - SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708...
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Level 3 - SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708281. Published by David Kai (A0.1105037). This song is a reflection on Psalm 46. Like many Psalms, it contains elements of questioning, challenge and finally, faith. It is written in a Contemporary Christian/Christian Rock style. BE STILL AND KNOW (Psalm 46) BE STILL AND KNOW Chorus: Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God You are the Word beyond all words, a holy mystery, A presence in the universe that I can’t touch or see, A force in space and time with no beginning and no end, A spark of inspiration that I cannot comprehend. In a world that’s so embraced by pain how can Your love be shown? In life that’s short and fleeting, can eternity be known? My questions have no answers for I’ve painted You too small, So I will cease my babbling and worship You in awe. Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God Our God’s a refuge and our strength, and so we will not fear, Though mountains shake and waters roar our God is always near, God makes the wars to cease and breaks the bow, the shield, the spear, Behold the works of God whose reign of peace will dry all tears. You are the glints of sunlight through the amber-dappled leaves, You are the hints of silence in the vows that lovers breathe, You are the one who awes me with the love that we receive, You are my first and dying breath, in You I will believe. Be still and know that I am God...
$1.99 ≈
£1.55
God Watches Over You
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Chorale SATB
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Musique Sacrée
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Joel Raney
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God Watches Over You
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - SKU: H1.C5581DP Composed by Joel Raney. Piano Accompaniment. General Worship, Sacred. Octavo. 12 pages. Hope Publishing - Digital #...
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Choral SATB Chorus - SKU: H1.C5581DP Composed by Joel Raney. Piano Accompaniment. General Worship, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5581DP. Published by Hope Publishing - Digital (H1.C5581DP). Scriptural Reference: Psalms 121:1 - Psalms 121:2 - Psalms 121:3 - Psalms 121:4 - Psalms 121:5 - Psalms 121:6 - Psalms 121:7 - Psalms 121:8. Joel Raney. Psalms 121:1 - Psalms 121:2 - Psalms 121:3 - Psalms 121:4 - Psalms 121:5 - Psalms 121:6 - Psalms 121:7 - Psalms 121:8.Original anthem The familiar words of assurance from Psalm 21 are the basis of this heartfelt anthem by Joel Raney which reminds us of God's protection and provision. Lush, passionate choral writing builds to the powerful refrain, never slumbers, never sleeps, our keeper, our help and shield. Musical strains of Great Is Thy Faithfulness appear in the introduction and interlude, reinforcing the themes of assurance and faithfulness.
$2.95 ≈
£2.30
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The Shield of Faith
