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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
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Too far away
Non classifié
13
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13
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10
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3
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2
2 Pianos, 4 mains
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Saxophone Alto
1
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Trombone et Piano
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Fanfare
48
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1
+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
Too far away
Partitions à imprimer
133 partitions trouvées
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Too far away
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Instruments en Do
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FACILE
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Jazz
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Thomas Groh
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Too far away
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Thomas Groh
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.912852 Composed by Thomas Groh. Jazz. Lead Sheet / Fake Book. 5 pages. Thomas Groh #542151. Published by Thomas Groh (A...
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C Instrument - Level 2 - SKU: A0.912852 Composed by Thomas Groh. Jazz. Lead Sheet / Fake Book. 5 pages. Thomas Groh #542151. Published by Thomas Groh (A0.912852). I wrote this song when, for professional reasons, I had to live hundreds of miles away from my wife... Lead Sheet includes C, Bb, Eb and bass versions of this song.
$4.99 ≈
£3.85
fardanceCLOSE
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Piano seul
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AVANCÉ
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Chaya Czernowin
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fardanceCLOSE
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q11142 For piano. Composed by Chaya Czernowin. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Mu...
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Piano - difficult - SKU: S9.Q11142 For piano. Composed by Chaya Czernowin. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q11142. Published by Schott Music - Digital (S9.Q11142). What dance is this? Is it the dance coming from afar, its remnants too entangled to decipher, one which was brought by a gust of wind, as you stand alone and listen to a far away party in the night? Or is the one so close that the heavy beating keeps the ears grounded onto a distorted repeated detail? Neither is danceable to the legs – but both would like to dance with the imagination, leading notions of distance and closeness astray. The level of difficulty from 1-5 (5 being most difficult) is in terms of technicality around 3.7 and in terms of artistic expression and complexity of text around 4.5. – Chaya Czernowin.
$9.99 ≈
£7.71
Calvary is Far Away, sacred music for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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whom the Lord was slain
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Kevin G
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Calvary is Far Away, sacred mu
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #707994. Published by Kevin G. Pace (A0.1104757). Beautiful, sacred music for SATB choir. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Calvary is far away On a little hill, Where the Son was crucified To fulfill God's will. Rock and stone washed clean with time No longer bear the stain Of blood our Savior shed for man, By whom the Lord was slain. Nature wept to hide the deed. Wind would scour His pain, To leave behind a promise true That we shall live again. Far too is Gethsemane, Hidden 'midst the trees, Where he suffered for our sins, Fallen on His knees. There he drank the bitter cup, With none His pain to ease. The forest silent to HIs groans Dispersed upon the breeze. Ev'ry bough in reverence bent To His grief unseen, In honor of His sacrifice, That man could now be clean. Christ is not so far away, Nor His loving care. All creation sings His praise, Knowing He is there. See Him in each blooming flower, In rivers streaming by. Then feel Him in each mighty gale, Each snowflake in the sky. Glory Lord is thine alone. Earth still sings Thy fame, 'Til all shall bow before Thy throne, Remembering Thy name.
$1.99 ≈
£1.54
Calvary is Far Away, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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whom the Lord was slain
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Kevin G
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Calvary is Far Away, a sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1096104 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 3 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1096104 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #700054. Published by Kevin G. Pace (A0.1096104). A beautiful sacred hymn of the Savior. Music by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Calvary is far away On a little hill, Where the Son was crucified To fulfill God's will. Rock and stone washed clean with time No longer bear the stain Of blood our Savior shed for man, By whom the Lord was slain. Nature wept to hide the deed. Wind would scour His pain, To leave behind a promise true That we shall live again. Far too is Gethsemane, Hidden 'midst the trees, Where he suffered for our sins, Fallen on His knees. There he drank the bitter cup, With none His pain to ease. The garden mutely heard His groans Dispersed upon the breeze. Ev'ry bough in reverence bent To His grief unseen, In honor of His sacrifice, That man could now be clean. Christ is not so far away, Nor His loving care. All creation sings His praise, Knowing He is there. See Him in each blooming flower, In rivers streaming by. Then feel Him in each mighty gale, Each snowflake in the sky. Glory Lord is thine alone. Earth still sings Thy fame, 'Til all shall bow before Thy throne, Remembering Thy name.
$1.99 ≈
£1.54
Long Ago (and Far Away)
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Jerome Kern
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Dave Gingras, John E
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Long Ago
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.794010 Composed by Jerome Kern. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.794010 Composed by Jerome Kern. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #4792929. Published by DAVID LEE GINGRAS (A0.794010). A contemporary arrangement of a classic song from the 1944 movie Cover Girl starring Rita Hayworth and Gene Kelly. The song was sung by Rita Hayworth in the movie (dubbed by Martha Mears). This version features a root-based chord-blocking method that John and I have used in a number of our arrangements. This one is not too hard and sounds great!
$4.99 ≈
£3.85
Ebben? Ne andrò lontano (Well then, I'll go far away), La Wally
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Chorale SATB
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INTERMÉDIAIRE
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Alfredo Catalani
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Scott S
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Ebben? Ne andrò lontano
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.955858 Composed by Alfredo Catalani. Arranged by Scott S. Stewart. A Cappella,Concert,Film/TV,Opera,Romantic Per...
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Choral Choir (SATB) - Level 3 - SKU: A0.955858 Composed by Alfredo Catalani. Arranged by Scott S. Stewart. A Cappella,Concert,Film/TV,Opera,Romantic Period,Standards. Octavo. 4 pages. Scott S. Stewart #6454731. Published by Scott S. Stewart (A0.955858). Ebben? Ne andrò lontana (Well then, I’ll go far away) is the aria sung by Wally when she decides to leave her home forever in the opera La Wally (1892). Composer Alfredo Catalani originally created the aria as Chanson Groënlandaise in 1878 and later incorporated it into his opera. The aria was also featured in the French thriller Diva (1981). It has been arranged for 4-part SATB ensemble to be performed a cappella. This arrangement of an operatic masterpiece was created to make ‘Opera’ accessible to wider audiences for various reasons (instructive, educational purposes; and performance familiarity to/for a larger population). The original melody and harmonies are used. It retains the original foreign language text. This arrangement is an excellent tool for introducing ‘Opera’ music in the classroom, and programming diversity in the concert hall. Performance time: 2:21+-
$2.99 ≈
£2.31
The Trombonist's Toolkit Method book
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Brink, Philip
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The Trombonist's Toolkit Metho
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Go...
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Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Gordon Cherry #4286489. Published by Gordon Cherry (A0.810966). Philip Brink has spent his entire career building the knowledge to assemble this major book on the pedagogy of the Trombone. Below are his words to describe what the book entails. Trombonist’s Toolkit was conceived as exactly that: a resource for troubleshooting one’s playing, for working out problems, for advancing one’s playing skills. It is NOT a method in the traditional sense – no weekly lessons, no planned schedule for arriving at a certain point after a year, two years, etc. The player [you, the reader] can search the topic list for specific problems in need of solution. Most of the topics are organized by general subject areas: air, embouchure, range building, etc. The source for most of what I write is my own personal experience as student, teacher, freelancer and orchestral performer. I owe a great debt of gratitude to teachers, mentors, colleagues and students past and present, for listening to my playing, trying out my concepts, putting up with my questions and so forth. Some of those people are present, some are far away, and sadly, some are no longer living. To all of them I say Thank you, and I hope those of you who read this can recognize what you told me! A word about the organization of the book: most of the concepts requiring practice and/or a physical approach are written out in a special manner; explanatory text is interspersed with exercises detailing a gradual approach to the topic at hand. The appendix contains a number of exercises all together, most of which were developed for my class at Mahidol University College of Music in Thailand. Philip Brink - 2019
$35.00 ≈
£27.03
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
£7.71
Toot, Toot, Tootsie!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
£5.40
Too Far away to be True
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Instruments en Do
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Rock
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Thomas Westphal
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Too Far away to be True
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Thomas Westphal
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SheetMusicPlus
C Instrument - SKU: A0.1096260 Composed by Thomas Westphal. Pop,Rock. Lead Sheet / Fake Book. 2 pages. Thomas Westphal #700228. Published by Thomas West...
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C Instrument - SKU: A0.1096260 Composed by Thomas Westphal. Pop,Rock. Lead Sheet / Fake Book. 2 pages. Thomas Westphal #700228. Published by Thomas Westphal (A0.1096260).
$5.00 ≈
£3.86
Never Too Far Away
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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Pat Metheny
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Never Too Far Away
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.402586 By Pat Metheny. Jazz. Real Book - Melody/Chords. 2 pages. Published by Hal Leonard - Digital (HX.402586). ...
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SKU: HX.402586 By Pat Metheny. Jazz. Real Book - Melody/Chords. 2 pages. Published by Hal Leonard - Digital (HX.402586).
$1.99 ≈
£1.54
Contrabass Clarinet Quarter-Tone & Altissimo Fingering Chart for Leblanc, Selmer & Eppelsheim
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Jason Alder
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Contrabass Clarinet Quarter-To
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AMA Editions
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - SKU: A0.1309189 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 51 pages. AMA Editi...
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Bass Clarinet,Instrumental Solo - SKU: A0.1309189 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 51 pages. AMA Editions #898361. Published by AMA Editions (A0.1309189). The most comprehensive fingering chart for contrabass clarinet, with separate charts for Leblanc, Selmer & Eppelsheim extended range contrabass clarinets. It contains over 150 fingerings for each model over a five-and-a-half octave range in quarter-tones from written C3 to Bâ™8.Author's Notes:Following the success of my clarinet and, in particular, bass clarinet quarter-tone and altissimo fingering charts, I have produced new charts for contrabass clarinet. The focus of these has been the extended range low C models produced by Leblanc, Selmer, and Eppelsheim. Due to the non-standardized design and keywork functionality of these instruments, completely separate charts are required for each model. Players with low Eâ™ models such as those by Vito and Leblanc may also find these as a useful starting point to discover necessary fingerings, however, they have not been tested on these instruments.One striking difference of the contrabass clarinet fingering charts to those previously for clarinet and bass clarinet is the lack of quarter-tone fingerings in the chalumeau and clarion registers. The reason for this is that suitable fingerings are just not available in this range. Fingering changes can result in timbral and microtonal changes, but in the contrabass register the pitches are too far away from each for effective true quarter-tone fingerings. If quarter-tones are needed in this range, a combination of fingering, embouchure, and voicing adjustments need to be made. As this introduces far too many personal variables, it is ineffectual to create fingerings for them. The upper register is far more flexible, however, so the quarter-tones begin there.
$16.00 ≈
£12.36
Science/visions
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Chvrches
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Andrew Montano
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Science/visions
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Andrew Montano
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1512203 By Chvrches. By Iain Cook, Lauren Mayberry, and Martin Doherty. Arranged by Andrew Mo...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1512203 By Chvrches. By Iain Cook, Lauren Mayberry, and Martin Doherty. Arranged by Andrew Montano. A Cappella,Pop. 28 pages. Andrew Montano #1087243. Published by Andrew Montano (A0.1512203). 10-Part DivisiSolo (Mezzo)SopranoAlto (small group)AltoTenor (3-Part split)BaritoneBass 1Bass 2Science/Visions can be best described as a spinning hurricane of nonstop, synthesized sequences. It takes inspiration from the Eurotrance genre, given its repetitive instrumental and beckoning, ethereal melody. Trance music is best known for this out of body experience and altered state of consciousness. However, this song forms a hybridity between the logical and the spiritual. Answering questions between what's real and what's fantasy. The mysteries of reality and the unanswered truths. This embrace of intellectual curiosity heightens the dynamic contrast, personal discovery, and encourages exploration.If the piece strikes as too difficult, you are more than welcome to substitute a slower tempo or divide ensemble sections. For example, the basses may split into two parts: one taking the pair of E naturals and the other taking the G through D natural. This was kept to save space on the page without stretching the parts too far away.Encourage the ensemble to experiment with formant, as the synthesizer's frequencies travel between forward and back.
$4.99 ≈
£3.85
Never Too Far Away by Mariah Carey - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Mariah Carey
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Never Too Far Away
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Musicnotes
Performed by: Mariah Carey: Never Too Far Away Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fil...
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Performed by: Mariah Carey: Never Too Far Away Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Adult Contemporary~~R & B~~Dance-Pop
$5.79 ≈
£4.47
You're Too Far Away from Nymph Errant - Piano/Vocal/Chords
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Piano, Voix
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You're Too Far Away from Nymph
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Musicnotes
Cole Porter - You're Too Far Away Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scori...
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Cole Porter - You're Too Far Away Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 4 pages -- Jazz~~Movie/TV~~Show/Broadway~~Standards
$5.50 ≈
£4.25
Time Out
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Orchestre d'harmonie
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DÉBUTANT
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James Smith
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Time Out
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James Smith
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smit...
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Concert Band - Level 1 - SKU: A0.1402009 Composed by James Smith. Contest,Festival,Instructional. 26 pages. James Smith #985205. Published by James Smith (A0.1402009). Chill out with this selection intended for first-year players, Time Out. Written with the first 4 notes of the A minor blues scale in mind, and using only 6 different notes, younger players will find instant success when learning its catchy bass line and repeated rhythms.Time Out can be performed by a minimal concert ensemble of flutes, clarinets, alto saxophones, trumpets, trombones, and percussion, and uses the A minor blues scale (A, C, D, Eâ™). I am incredibly excited to offer this selection to you in a effort to diversify concert band music repertoire for younger player that avoids using typical key signatures, but does not veer too far away from standard practices. It is suggested that players practice playing the first few notes of the concert Bâ™ scale (Bâ™, C, D, Eâ™), then swapping out concert Bâ™ for concert A. Make sure measures 1-3 are accurately learned by the wind players before learning the rest of the piece. In measure 39, there is a glissando, or “fall†that might be seen in jazz music. (The playback does not support accurate sounds for this effect.) Have players find a random high note, then all descend to the low register of their instruments within 4 beats through fingerings, slides, etc.View more of my catalog here at linktr.ee/jamessmithmusic.
$49.99 ≈
£38.61
One Day
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Chorale SATB
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INTERMÉDIAIRE
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Matisyahu
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Connor Warren Smith
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One Day
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CWS Productions
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1031660 By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Conn...
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Choral Choir (SATB) - Level 3 - SKU: A0.1031660 By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Connor Warren Smith. A Cappella. Octavo. 8 pages. CWS Productions #6362819. Published by CWS Productions (A0.1031660). Written for SATB choir, with some accessible 5-part divisi. A great entry point into contemporary a cappella for a traditional choral program as it combines elements of modern a cappella style and contemporary harmonies without treading too far away from a classic choral sound. Conservative ranges for voice parts make this piece easily achievable by beginning-intermediate groups, while still providing enough ear-candy moments that intermediate-advanced groups will enjoy it.
$79.99 ≈
£61.77
Seek The Lord
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Seek The Lord
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841816 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 5 pages. Andrew Mc Donald (Macka Records) #3478...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841816 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 5 pages. Andrew Mc Donald (Macka Records) #3478137. Published by Andrew Mc Donald (Macka Records) (A0.841816). Seek The Lord is a song about looking for the Lord and His presence. When we seek Him and His Holy Spirit we will find him cause He is not too far away. All we have to do is fast and pray and ask Him to come.He draws near when we draw near to Him.
$4.99 ≈
£3.85
Home Sweet Home • Vocal Solo
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Piano, Voix
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INTERMÉDIAIRE
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Music by Allison Brewster Fran
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Allison Brewster Franzetti
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Home Sweet Home • Vocal S
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Shining Sharon Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1143938 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by Allison...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1143938 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by Allison Brewster Franzetti. Broadway,Contemporary,Musical/Show. Score. 13 pages. Shining Sharon Music #744247. Published by Shining Sharon Music (A0.1143938). Where is home? Many say that Home is where the heart is. But it may be even more simple than that. The Heart may be our home. It is always with us and it is not too far away. It is a place of strength and comfort and joy. (From the musical, “THE TRUE COLORS OF WEEDLEâ€).
$4.50 ≈
£3.48
Extinction Events - Clarinet Quartet - Mvt 3 - Walrus Jump
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Contemporain
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John Gibson
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Extinction Events - Clarinet Q
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.581936 Composed by John Gibson. Contemporary. 19 pages. JB Linear #3457481. Publish...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.581936 Composed by John Gibson. Contemporary. 19 pages. JB Linear #3457481. Published by JB Linear (A0.581936). Extinction Events (3rd movement - Walrus Jump by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players. This is the third movement only...the others may be purchased separately: Buzzy Delights, It Isn't Easy Being a Cuckoo, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.You can watch a You Tube video at https://youtu.be/zdxKbnvD6iI Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Walruses are huge aquatic animals who are powerful and swift in the water, but when they jump onto sea ice to rest, they are anything but graceful. They are a bit comical, really. Subsistence hunters in the Bering Strait of Alaska are having trouble with their Spring hunts due to gradual warming of the arctic waters. Sea ice is getting thinner and the Walruses they rely upon to live are getting too far away. This Walrus Jump music is a pretty happy sounding boogie woogie that shows signs of musical distress as it goes on.
$14.00 ≈
£10.81
César Franck: Sonata that sounds good on the Cello / Arrangement of the piano part by Yuki Hasegawa
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Cesar Auguste Franck
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Yuki Hasegawa
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César Franck: Sonata th
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Edition les bons concerts
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1033841 Composed by Cesar Auguste Franck. Arranged by Yuki Hasegawa. Concert,Romantic Period,Wedding. Score and part. 59...
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Cello,Piano - Level 4 - SKU: A0.1033841 Composed by Cesar Auguste Franck. Arranged by Yuki Hasegawa. Concert,Romantic Period,Wedding. Score and part. 59 pages. Edition les bons concerts #6662399. Published by Edition les bons concerts (A0.1033841). Special piano part for cellist! Arrangement performed at the Cello recital by the 1st soloist of Paris Opéra, Aurélien Sabouret, acclaimed by the Japanese prestigious music magazine Ongaku-no-tomo has been published.Compatible with your own cello part! (Cello part of Yuki's revision is also attached*)- Cello can sing using up to pianissimo. Piano part avoided same range.- Reduced the scenes without soprano. New score realizes natural sound spread.- Avoided the dialogue cello-piano between the ranges too far awayAfter the concert, the arrangement was so natural that no one mentioned it!Also, kind material for pianist:- Piano score’s cello part is written only with G&F clef.- Rehearsal numbers and bar numbers are compatible with the 1st edition by Delsart, Bärenreiter edition and Henle edition.- Page layout is same as 1st edition to facilitate comparison.Arranger Yuki HASEGAWA, biography: Arranger, pianist, conductor and producer. She completed the department of piano at the Kunitachi College of Music, and the departments of chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement. She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado. In recent years she has been the frequent guest conductor and commissioned arranger to the Japan Croatia Music Society, etc. As a chamber musician, she has worked on numerous experimental harmony works of the early 20th century, and made CD recordings including the Violin Sonata by Louis Vierne, César Franck's pupil. She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed by representative organisations in each country. Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan. (As of 20, December 2021) Latest information & inquiries: https://yukihasegawa.com *The cello part is the same as the one distributed free of charge on the official website http://yukihasegawa.com/01 .Piano part (score) has 37 pages. Preface and comments for the score are 2 pages (English / French).
$29.95 ≈
£23.13
The Departure
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Michael Nyman
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Robert Grace
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The Departure
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Robert Grace
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.919007 By Michael Nyman. By Michael Nyman. Arranged by Robert Grace. Contemporary. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.919007 By Michael Nyman. By Michael Nyman. Arranged by Robert Grace. Contemporary. Score and parts. 9 pages. Robert Grace #6366221. Published by Robert Grace (A0.919007). I have adored the work of Michael Nyman since seeing The Piano. Here I have tried to recreate Nyman's The Departure from Gattica for string quartet. Having working with strings in the past I've tried to vary the difficult levels and avoid moving too far away from first/second position. I have avoided adding bowing because at this level it would be a good discussion point.
$12.99 ≈
£10.03
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00 ≈
£3.86
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
£43.24
Song of the Childless
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Contemporain
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00 ≈
£8.49
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Too far away
