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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Non classifié
14
PIANO & CLAVIERS
Piano, Voix
36
Piano Trio: piano, violon, violoncelle
3
GUITARES
VOIX
VENTS
3 Flûtes à bec (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
Ensemble De Flûte à bec
1
3 Clarinettes (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
2 Clarinettes, Basson
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
3 Trompettes (trio)
1
CORDES
Trio à cordes: 3 violins
4
Violon
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: 2 violons, alto
2
Violon, Alto (duo)
1
Violon et Piano
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1
Vibraphone (partie séparée)
1
AUTRES
Vous avez sélectionné:
Trio Op. 21
Partitions à imprimer
84 partitions trouvées
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Filiberto Pierami: TRIO Op.114 (ES-21-088) - Score Only
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.1206977 Composed b…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.1206977 Composed by Filiberto Pierami. Classical,Contemporary. 18 pages. Sconfinarte #805160. Published by Sconfinarte (A0.1206977). TRIO Op.114 (ES-21-088)Organico: due Violini e Viola.
£16.44
$20.00
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Trio à Cordes: violon, alto, violoncelle
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Filiberto Pierami
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Filiberto Pierami: TRIO Op.114
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Sconfinarte
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SheetMusicPlus
Beethoven, L., - Trio Op. 87 (Mvt. 1) for Violin, Viola and Cello
Trio à Cordes: 2 violons, alto
String Ensemble,String Trio Viola,Violin - Level 4 - Digital Download SKU: A0.540438
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String Ensemble,String Trio Viola,Violin - Level 4 - Digital Download SKU: A0.540438 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Baroque. Score and parts. 21 pages. Linda M Scott #4287273. Published by Linda M Scott (A0.540438). Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. He stands as one of the most famous and influential of all composers. This arrangement for violin, viola and cello is based on the first movement of his Trio in C, Op. 87 for Two Oboes and English Horn.
£4.92
$5.99
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Trio à Cordes: 2 violons, alto
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Ludwig van Beethoven
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Linda M
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Beethoven, L., - Trio Op. 87
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Linda M Scott
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SheetMusicPlus
Trio D minor
Flûte, Violoncelle, Piano (trio)
Flute, cello and piano - advanced - Digital Download SKU: S9.Q588130 (arrangemen…
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Flute, cello and piano - advanced - Digital Download SKU: S9.Q588130 (arrangement of the original violin part by the composer). Composed by Felix Bartholdy Mendelssohn. Downloadable, Score and parts. Op. 49. Duration 53' 0. Musikverlag Zimmermann - Digital #Q588130. Published by Musikverlag Zimmermann - Digital (S9.Q588130). Key: D minor. German â?¢ English â?¢ French.This Trio op. 49 for violin, violoncello and piano was composed in 1839. In a letter dated March 21, 1840 to Ignaz Moscheles, Mendelssohn mentioned an inquiry by the publisher Ewer in London to arrange this trio for flute instead of violin. It is assumed that Mendelssohn either arranged the trio accordingly or at least authorised such an arrangement. Transforming the violin part into a flute part is quite astounding and was handled so freely and ingeniously in a variety of aspects that we can only assume that the composer himself could dare to come up with the solutions in question. Interesting information as to the history and development of this edition is given in the preface.
£18.9
$22.99
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Flûte, Violoncelle, Piano (trio)
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Felix Bartholdy Mendelssohn
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Trio D minor
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Beethoven, L. - Trio Op. 87 (Mvt. 1) for Two Violins and Cello
Trio à Cordes: 2 violons, violoncelle
Composed by Ludwig van Beethoven (1770-1827). Arranged by Linda Scott. Classical. Sc…
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Linda Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286549. Published by Linda M Scott
£4.92
$5.99
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Trio à Cordes: 2 violons, violoncelle
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Ludwig van Beethoven
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Linda Scott
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Beethoven, L. - Trio Op. 87
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Linda M Scott
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SheetMusicPlus
Trio Op. 21
2 Fl. Afl. - Intermediate - Digital Download SKU: F2.FM598 Composed by Sergei Taney…
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2 Fl. Afl. - Intermediate - Digital Download SKU: F2.FM598 Composed by Sergei Taneyev. Arranged by Robert Rainford. Arranged for mixed flute trio. Score and parts. 43 pages. Forton Music - Digital #FM598. Published by Forton Music - Digital (F2.FM598). ISBN 9790570484973.This trio, originally for two violins and viola, is cast in the standard four movement form. The first is busy and intricate, the second is the standard minuet and trio, the third is a lyrical slow movement, and the fourth is a lively finale. Taneyev's love of counterpoint is evident throughout the whole piece. The first flute part is complicated and needs nimble fingers, the lower parts are easier but still a challenge.
£13.11
$15.95
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Sergei Taneyev
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Robert Rainford
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Trio Op. 21
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Forton Music - Digital
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SheetMusicPlus
Piano Trio in C minor, Op. 143
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
£30.42
$37.00
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Piano Trio: piano, violon, violoncelle
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Corelli Trio Sonata Op 3 No 2.
Trio à cordes: 3 violins
String Trio Violin - Level 2 - Digital Download SKU: A0.1407125 Composed by A Corel…
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String Trio Violin - Level 2 - Digital Download SKU: A0.1407125 Composed by A Corelli. Arranged by Joe Williams. Baroque,Classical. 21 pages. Joe Williams #989824. Published by Joe Williams (A0.1407125). This trio sonata from Corelli Op 3 set was originally composed for recorders, but works equally well as a violin trio.
£5.75
$6.99
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Trio à cordes: 3 violins
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A Corelli
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Joe Williams
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Corelli Trio Sonata Op 3 No 2.
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Joe Williams
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SheetMusicPlus
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Three Violins
Trio à cordes: 3 violins
String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.540435 Comp…
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String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.540435 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286543. Published by Linda M Scott (A0.540435). Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. He stands as one of the most famous and influential of all composers. This arrangement for three violins is based on the first movement of his Trio in C, Op. 87 for Two Oboes and English Horn.
£4.92
$5.99
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Trio à cordes: 3 violins
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Ludwig van Beethoven
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Linda M
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Beethoven, L. - Op. 87 Trio
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Linda M Scott
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SheetMusicPlus
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Two Violins and Viola
Trio à Cordes: 2 violons, alto
String Ensemble,String Trio Viola,Violin - Level 5 - Digital Download SKU: A0.540437
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String Ensemble,String Trio Viola,Violin - Level 5 - Digital Download SKU: A0.540437 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286553. Published by Linda M Scott (A0.540437). Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. He stands as one of the most famous and influential of all composers. This arrangement for two violins and viola is based on the first movement of his Trio in C, Op. 87 for Two Oboes and English Horn.
£4.92
$5.99
#
Trio à Cordes: 2 violons, alto
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Ludwig van Beethoven
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Linda M
#
Beethoven, L. - Op. 87 Trio
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Linda M Scott
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SheetMusicPlus
Trio Sonata Op 4 No 1
Trio à cordes: 3 violins
String Trio Violin - Digital Download SKU: A0.1407200 Composed by Arcangelo Corelli…
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String Trio Violin - Digital Download SKU: A0.1407200 Composed by Arcangelo Corelli. Arranged by Joe Williams. Baroque,Classical. 21 pages. Joe Williams #989895. Published by Joe Williams (A0.1407200). This trio sonata, originally written for 2 violins and cello, works very well with 3 violins. Ideall for violin students to have something to work with together and improve ensemble playing.
£5.75
$6.99
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Trio à cordes: 3 violins
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Arcangelo Corelli
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Joe Williams
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Trio Sonata Op 4 No 1
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Joe Williams
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SheetMusicPlus
Sonata No.8 Op.3
3 Clarinettes (trio)
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1220…
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Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1220398 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 21 pages. Spencer Bundy #816732. Published by Spencer Bundy (A0.1220398). This lovely piece is from Corelli's third set of twelve sonatas for string trio & continuo, originally published in 1689. Here transcribed for two clarinets & bass, it would be ideal for concerts but could equelly be enjoyed by any group playing together.
£3.7
$4.50
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3 Clarinettes (trio)
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Spence Bundy
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Spence Bundy
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Sonata No.8 Op.3
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Spencer Bundy
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SheetMusicPlus
Sonata No.8 Op.3
Hautbois, Clarinette, Basson (trio d'anches)
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 3 - Digital Download SKU:…
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 3 - Digital Download SKU: A0.1217278 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 21 pages. Spencer Bundy #813819. Published by Spencer Bundy (A0.1217278). This lovely piece is taken from Corelli's third set of twelve sonatas for string trio & and continuo, first published in 1689. They can still be enjoyed by performers and audiences every where. Ideal for concerts but also fun for any group to play.
£3.7
$4.50
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Hautbois, Clarinette, Basson (trio d'anches)
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Spence Bundy
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Spence Bundy
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Sonata No.8 Op.3
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Spencer Bundy
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SheetMusicPlus
Sonata No.8 Op.3
Flûte, Hautbois, Clarinette (trio)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A…
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1221856 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 21 pages. Spencer Bundy #818149. Published by Spencer Bundy (A0.1221856). This lovely piece is from Corelli's third set of twelve sonatas for string trio & continuo, first published in 1689. Ideal for any concert but could also be enjoyed by any group playing together.
£3.7
$4.50
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Flûte, Hautbois, Clarinette (trio)
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Spence Bundy
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Spence Bundy
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Sonata No.8 Op.3
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Spencer Bundy
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SheetMusicPlus
Trio sonata Op.1, no.6 RV 62 (Arrangement for 3 recorders (AAB))
3 Flûtes à bec (trio)
Alto Recorder,Bass Recorder - Digital Download SKU: A0.1311996 By Antonio Vivaldi. …
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Alto Recorder,Bass Recorder - Digital Download SKU: A0.1311996 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Gil Garty. Baroque,Chamber,Early Music. Recorder Ensemble. 21 pages. Gil Garty #900890. Published by Gil Garty (A0.1311996). Originally for 2 violins and continuo. Arranged for 3 recorders (AAB).
£8.22
$10.00
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3 Flûtes à bec (trio)
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Antonio Vivaldi
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Gil Garty
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Trio sonata Op.1, no.6 RV 62
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Gil Garty
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SheetMusicPlus
Etude Op.10 No.3
Piano Trio: piano, violon, violoncelle
Piano trio (Violin, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-6389…
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Piano trio (Violin, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-6389 Composed by Frederic Franois Chopin. Romantic Period. Score and Parts. 21 pages. SheetmusicLAB #CL-ROM-6389. Published by SheetmusicLAB (P5.CL-ROM-6389). 8.3 x 11.7 inches.
£2.74
$3.33
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Piano Trio: piano, violon, violoncelle
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Frederic Franois Chopin
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Etude Op.10 No.3
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SheetmusicLAB
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SheetMusicPlus
Peer Gynt, Suite No.1 Op.46, Morning Mood
Piano Trio: piano, violon, violoncelle
Piano trio (Violin, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-2913…
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Piano trio (Violin, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-2913 Composed by Edvard Grieg. Romantic Period. Score and Parts. 21 pages. SheetmusicLAB #CL-ROM-2913. Published by SheetmusicLAB (P5.CL-ROM-2913). 8.3 x 11.7 inches.
£2.2
$2.67
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Piano Trio: piano, violon, violoncelle
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Edvard Grieg
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Peer Gynt, Suite No.1 Op.46, Morning Mood
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SheetmusicLAB
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SheetMusicPlus
Saint-Saens Mazurka for Recorder Trio
3 Flûtes à bec (trio)
Composed by Camille Saint- Saens (1835-1921). Arranged by James Grush. Romantic Perio…
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Composed by Camille Saint- Saens (1835-1921). Arranged by James Grush. Romantic Period. Score, Set of Parts. 24 pages. Published by JGJG Sheet Music LLC
Camille Saint-Saens composed his Mazurka in G minor (Op. 21) for solo piano. This piece has an engaging melody and rhythm, and includes a waltz section in G major. Arranged for ATB recorders. Clear score and individual parts; play with or without a conductor.
£9.87
$12.00
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3 Flûtes à bec (trio)
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Camille Saint- Saens
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Saint-Saens Mazurka for Recorder Trio
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JGJG Sheet Music LLC
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SheetMusicPlus
Trio in G Minor, Op. 21
Bass Clarinet,Bass Trombone,Bassoon,Euphonium,Flute,Oboe/English Horn,Saxophone,Trumpet - …
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Bass Clarinet,Bass Trombone,Bassoon,Euphonium,Flute,Oboe/English Horn,Saxophone,Trumpet - Level 5 - Digital Download SKU: A0.1336654 Composed by Ian Deterling. 21st Century,Classical. 371 pages. Ian Deterling #922425. Published by Ian Deterling (A0.1336654). Carefully crafted melodies over lively dances showcase all three musicians in this five-movement trio. The mixing of references from various styles create a unique canvas that displays a wide range of emotion. Commissioned by The Oaks Trio: Suzanne Tirk, Richard Tirk, and Benjamin Yates.
£20.55
$25.00
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Ian Deterling
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Trio in G Minor, Op. 21
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Ian Deterling
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SheetMusicPlus
Le Fuseau de ma Grand'mère, Op.21 (arr. for Trumpet Trio)
3 Trompettes (trio)
By Eugène Dardet. By Eugène Dardet. Arranged by Andrew Lamb. 19th Centur…
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By Eugène Dardet. By Eugène Dardet. Arranged by Andrew Lamb. 19th Century, Chamber. 17 pages. Andrew Lamb #888422. Published by Andrew Lamb
£3.29
$4.00
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3 Trompettes (trio)
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Eugène Dardet
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Andrew Lamb
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Le Fuseau de ma Grand'mère, Op.21
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Andrew Lamb
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SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
£2.47
$3.00
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 5: Feuilles qui chuchotez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8492-23E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-23E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
£2.47
$3.00
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 5: Feuilles qui chuchotez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
£2.47
$3.00
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 6: Amour brisé from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-24E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-24E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
£2.47
$3.00
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 6: Amour brisé from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
£2.47
$3.00
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 2: Consolation from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
£2.47
$3.00
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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