?The Twentieth CenturyFox Trademark? fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.

John Williams hassaid that Star Wars?s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman?s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).

Thisarrangement includes an optional drum kit part. It is a great number to open any concert. Here isa recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.

Other searchable terms: 20th CenturyFox, 20th Century Fanfare, 20th Century Fox Fanfare, 20thCentury Fox Trademark, 20th Century Fox Trademark Fanfare, 20Century Fox

?The Twentieth CenturyFox Trademark? fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.

John Williams hassaid that Star Wars?s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman?s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).

This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass, and is a great number to open any concert. Here is a recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.

Other searchable terms: 20th Century Fox, 20thCentury Fanfare, 20th Century Fox Fanfare, 20th CenturyFox Trademark, 20th Century Fox Trademark Fanfare, 20 Century Fox

?The Twentieth CenturyFox Trademark? fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.

John Williams hassaid that Star Wars?s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman?s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).

Thisarrangement includes an optional drum kit part. It is a greatnumber to open any concert. Here is a recording of the original fanfare fromYouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.



Othersearchable terms: 20th Century Fox, 20th Century Fanfare,20th Century Fox Fanfare, 20th Century Fox Trademark, 20thCentury Fox Trademark Fanfare, 20 Century Fox

Transcriptionas recorded by CHICAGO for the album ?O Christmas Three?, released in 2011.

INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, AltoSaxophone (Eb), Trumpet (C), Trombone, Keyboard I (Hammond B-3 Organ), KeyboardII (Fender Rhodes Electric Piano), Electric Guitar I (solo), Electric Guitar II(rhythm), Electric Bass, ChimeTree, Sleigh Bells, Tambourine, Drumset.

ABOUT THE ARRANGER: Patrick Sheehan has served as a professionalmusic arranger, transcriptionist and copyist since 1999, and has over 1,000works in his catalog spanning various genres: wind band, orchestra, chambermusic, along with pop & rock selections. His modus operandi centers around creating arrangements andtranscriptions that are true to the original definitive versions and strives toproduce clean and easy-to-read music. For questions or more information, please contact the arranger atPatrickSheehanMusic@GMail.com.

ISBN 9781513455808. 8.75 x 11.75 inches.

This book constitutes a no-nonsense approach to mastery of the modern drumset. It is written in standard drumset notation for the intermediate to advanced player who wants to emulate today's top drummers. Drumset for the 21st Century includes seven sections. The first six sections detail modem rhythms and patterns: rudimental studies and applications, linear and layered patterns, ostinatos, Latin-style patterns, double bass, and odd time signatures. Each is followed by a drum solo incorporating the patterns studied in the section. Section 7 consists of play along charts to be used with the recording included with the book to give you the opportunity to play many of the new patterns in a simulated studio situation. Includes access to online audio.

French Waltz Musette transcribed for fingerstyle solo guitar with notes and tablature. For intermediate to advanced level players.

Cecile Chaminade was born in Paris in 1857. Her music is accessible and entertaining, but also with a depth to it that remains of musical interest to this day. Probably her flute concerto is the piece best known, but she wrote a great many fine pieces. This piece, the Pastorale Op. 114 was written for piano and published in 1904. This arrangement is set for 3 flutes by John Gibson.

Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs and his two suites for band are especially valued by wind bands around the world. This group of four songs was arranged for voice and piano by Holst and set for woodwind choir by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly. The instrumentation is the standard group of woodwinds found in a band piece: piccolo, flutes. oboes, bassoons, clarinets, bass clarinets, alto and tenor saxes, and baritone sax.

Three complete Flute Duets or Sonatas and six exceptionally rare individual movements by little known or unknown composers last published in 1760s or earlier. Suitable for teaching eager young players of a range of abilities, and for performance. Good introduction to styles, articulations and ornamentation of that period. Brief history of their discovery and performance guide provided. Companion set to The Phoenix Collection: Rare 18th Century Flute Duets (by Gerard, Blanck, Grizel); SMP Press Item No. SO.1026021).

Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes ? Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student?s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student?s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play?a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015".

Set of 6 exceptionally rare Flute Duets or Sonatas by unknown composers last published in 1760s. Suitable for teaching eager young players of a range of abilities and for recitals. Good introduction to styles, articulations and ornamentation in Baroque period. History of their discovery and performance guide provided. .

Jim Hopson has arranged a 16th Century Christmas Carol Medley for Trombone Quartet. The three carols are:

Bring a Torch, Jeanette, Isabella - Lo' How a Rose E'er Blooming - Coventry Carol

There are touches of jazz chording and rhythmic stylings throughout, adding a bit of mystery to the 16th Century flavors.

The medley is about 2 1/2 minutes in length and appropriate for advanced performers.

Amy Marcy Beach (1867 - 1944) was a pioneering woman composer at a time when women were barely considered by music publishers. She has been acclaimed to be the first important American woman composer. As a child Amy was allowed rather than encouraged to further her obvious musical talent. She wrote in a mature and virtuosic style for piano with use of chromaticism, fine melodic lines, and Impressionistic styles. This is her "Fire-Flies" set for flute quartet by John Gibson. (3 flutes and alto flute with an alternate 4th flute part for alto). This piece is also a part of a group of pieces called Buggy Delights also available on Sheet Music Press.

A 19th century set of selected Guitar solos first plublished 1900, transcribed from tablature Guitar to standard notation Guitar.
For Guitar solo.
With Guitar tablature. With finger position suggestions. With downloadable mp3 for audio help.
Valse: Early intermediate, 2 pages, 1:40' min.
Polka: Early intermediate, 3 pages, 2:10' min.
Mazurka: Early intermediate, 2 pages, 1:36' min.
Scottisch: Intermediate, 2 pages, 2' min.
Habanera: Early intermediate, 3 pages, 2:35' min.
Paso Doble: Early intermediate to Intermediate, 2 pages, 2:20' min.
Tango: Early intermediate to Intermediate, 2 pages, 2:20' min.
Balance melodia Portuguesa: Early Intermediate, 2 pages, 1:25' min.
Spanish folklore: Intermediate, 3 pages, 1:40' min.
El Campesino Allegre (Robert Schumann): Intermediate to late intermediate, 1 page, 1 min'.