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--INSTRUMENTS--
ACCORDEON
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All That I Can Do
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163
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53
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23
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11
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1
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1
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11
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9
Basse electrique
5
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3
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2
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2
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1
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1
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58
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9
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9
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5
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5
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4
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3
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14
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10
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6
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4
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3
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3
3 Saxophones (trio)
3
Clarinette
3
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3
Clarinette et Piano
3
Saxophone Alto
3
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2
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2
3 Clarinettes (trio)
2
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2
Hautbois, Guitare (duo)
2
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1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
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1
Flûte, Alto et Piano
1
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1
2 Saxophones (duo)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
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1
Flûte, Violon et Violoncelle
1
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1
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1
Cor anglais, Piano
1
2 Flûtes traversières (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, trombone et piano
1
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1
Flûte et Guitare
1
Saxophone Baryton, Piano
1
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7
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6
Trombone et Piano
6
Trompette, Piano
4
Quatuor de cuivres: 4 trombones
3
Cor et Piano
3
Trombone
3
Trompette, Trombone (duo)
2
Tuba
2
Quatuor de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor
1
2 Trompettes (duo)
1
Trompette, Euphonium (duo)
1
Tuba et Piano
1
Bass Clef Instruments
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Trio de Cuivres
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon
15
Violon et Piano
14
Violoncelle
8
Alto, Piano
6
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
4
Harpe
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Piano
3
Violoncelle , Guitare (duo)
2
Contre Basse
2
Alto (partie séparée)
2
2 Harpes (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Ensemble de Violons
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
Harpe et Piano
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
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Orchestre d'harmonie
31
Ensemble Jazz
22
Orchestre à Cordes
18
Orchestre
14
Orchestre de chambre
5
Fanfare
4
Jazz combo
4
Ensemble de cuivres
3
Batterie
1
Cloches
1
Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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ORGUE
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Crtitères actifs :
All That I Can Do
Trombone et Piano
Partitions à imprimer
6 partitions trouvées
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1
To Rise Again
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Trombone et Piano
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AVANCÉ
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Al...
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Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
In the Bleak Midwinter (Trio for Horn in F, Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE
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Noël
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Gustav Holst
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John A
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Horn,Piano,Trombone - Level 3 - SKU: A0.524203 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,...
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Small Ensemble Horn,Piano,Trombone - Level 3 - SKU: A0.524203 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 16 pages. John A. Dempsey #4996315. Published by John A. Dempsey (A0.524203). A wintry landscape, a miracle, a wondrous season: all of these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant trio for horn in F, trombone and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  12 pages of music (that includes separate two-page parts for French horn and trombone).  Concert Key (Piano): F major.  Horn Key: C major.  Trombone Key: F major.  Horn/Trombone Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
In the Bleak Midwinter (Trio for Clarinet, Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE
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Noël
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Gustav Holst, Christina Rosset
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John A
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Piano,Trombone - Level 3 - SKU: A0.524510 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celt...
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Small Ensemble B-Flat Clarinet,Piano,Trombone - Level 3 - SKU: A0.524510 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 15 pages. John A. Dempsey #5866277. Published by John A. Dempsey (A0.524510). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans. Arranged as a jubilant trio for Bb clarinet, trombone and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs as well as Christmas concerts, holiday recitals, traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  11 pages of music (that includes separate two-page parts for clarinet and trombone).  Concert Key (Piano): F major.  Clarinet Key: G major.  Trombone Key: F major.  Clarinet/Trombone Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
"Crocodile Teeth" for Trombone and Piano
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Trombone et Piano
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DÉBUTANT
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Enfant
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Kazys Daugela
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"Crocodile Teeth" fo
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Kazys Daugela
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.935494 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210077. Published by Kazys Dauge...
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Piano,Trombone - Level 1 - SKU: A0.935494 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210077. Published by Kazys Daugela (A0.935494). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music:1.Always try to play with ease;2.Release any and all tension;3.Your music will flow if your body feels free;4.Think about breathing, and use the least amount of effort to execute a phrase;5.Learning a musical instrument enhances these skills and uses your head, as well as your heart;6.Making music will always enrich everything you do in life.
$1.99
"Cactus Smile" for Trombone and Piano
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Trombone et Piano
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DÉBUTANT
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Enfant
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Kazys Daugela
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"Cactus Smile" for T
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Kazys Daugela
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.935489 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210057. Published by Kazys Dauge...
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Piano,Trombone - Level 1 - SKU: A0.935489 Composed by Kazys Daugela. Children. Score and part. 4 pages. Kazys Daugela #6210057. Published by Kazys Daugela (A0.935489). First Concert Solos for the Young Player. It is easy and more enjoyable to focus on this piece of music that you can play with imagination. What advice would I give young musicians, so they will always love playing music: 1.Always try to play with ease, 2.Release any and all tension, 3.Your music will flow if your body feels free, 4.Think about breathing, and use the least amount of effort to execute a phrase, 5.Learning a musical instrument enhances these skills and uses your head, as well as your heart, 6.Making music will always enrich everything you do in life.
$1.99
Luther: Out of the Depths for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part...
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Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
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