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--INSTRUMENTS--
ACCORDEON
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Doin The Thing
Non classifié
47
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38
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14
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13
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1
2 Pianos, 4 mains
1
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1
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1
Instruments en Do
1
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17
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9
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1
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1
2 Cors Anglais Et Pianoforte
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1
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1
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Trompette
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1
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1
Cor et Piano
1
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1
Tuba et Piano
1
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4
4 Contrebasses
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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Doin The Thing
Chorale SATB
Partitions à imprimer
17 partitions trouvées
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1
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
Mean Green Mother From Outer Space
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Various
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Jeffrey Bowen
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Mean Green Mother From Outer S
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1453187 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Fe...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1453187 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 18 pages. Music Arrangement Services Inc. #1032413. Published by Music Arrangement Services Inc. (A0.1453187). From the Musical Production and Film “Little Shop Of Horrors”. This song is about the plant “Audrey 2” responding to being threatened because he is mean. The song refers to waiting, minding manners, changing tone, doing things their way, not knowing what they are messing with or what they are up against, being bad, being had, being mean and green, saving one’s self, good advice, being fighting mad, King Kong, Frankenstein, the Black Lagoon, The Thing, It, the Creature, can’t beat trouble. This arrangement is shorter than the original, thus avoiding harsh language. There are also cues for shortening this piece. This arrangement is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 3:50.
$3.99
O Praise the Lord
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Andrew Schneider
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O Praise the Lord
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Andrew Schneider
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.930752 Composed by Andrew Schneider. Baroque,Christian,Classical,Contemporary,Sacred. Octavo. 18 pages. Andrew S...
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Choral Choir (SATB) - Level 3 - SKU: A0.930752 Composed by Andrew Schneider. Baroque,Christian,Classical,Contemporary,Sacred. Octavo. 18 pages. Andrew Schneider #3584607. Published by Andrew Schneider (A0.930752). This is a choral anthem setting of Psalm 117 designed for either church or concert use. In its effortless use of various elements of Baroque practice, I have written a piece which will hopefully be useful for high schools and community colleges with smaller choirs to get students to sing works which can prep them for repertoire. Churches will also find this a work appropriate for any festive occasion and also useful in telling people that composers actually exist today who like the bygone way of doing things. And also with a rather exciting piano part! I certainly enjoy raising the bar.To that end, the A section can be sung on its own as a separate piece, as it is deliberately easier than the B section, which has more chromatic and polyphonic passages. This is the perfect piece to convey to high school students the impression that Baroque music can be exciting, spontaneous, and not old-fashioned, and in a matter which will be immediately perceived to be authentic.The ad libitum trumpet parts are available directly from the composer. Though they are not strictly necessary for a successful performance, they do give a special spice and festive aura that can only be beneficial.
$2.99
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Counsel with the Lord in All Thy Doings - SATB
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Betsy Lee Bailey
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Counsel with the Lord in All T
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Betsy Lee Bailey
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.745980 Composed by Betsy Lee Bailey. Contemporary,Praise & Worship,Sacred. Octavo. 7 pages. Betsy Lee Bailey #28...
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Choral Choir (SATB) - Level 3 - SKU: A0.745980 Composed by Betsy Lee Bailey. Contemporary,Praise & Worship,Sacred. Octavo. 7 pages. Betsy Lee Bailey #2832563. Published by Betsy Lee Bailey (A0.745980). Counsel with the Lord in All Thy Doings - SATB is an original sacred song with a text inspired by Alma 37:37. Â It encourages thoughtful prayer and supplication for the Lord's guidance even with small and simple things. Â The parts are accessible for Adult or Youth Choirs as well as small ensembles or even a quartet. Â Great for Church services, firesides, and other gatherings.
$1.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
God Is Doing Something Good
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Chorale SATB
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Musique Sacrée
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Cliff Duren
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God Is Doing Something Good
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano (With Optional Accompaniment MP3, Stem Files, Full Orchestra) - SKU: LX.10-5676MD Arranged by Cliff Duren. Sacred Anthem. Octavo. 16 p...
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SATB choir, Piano (With Optional Accompaniment MP3, Stem Files, Full Orchestra) - SKU: LX.10-5676MD Arranged by Cliff Duren. Sacred Anthem. Octavo. 16 pages. Lorenz Publishing - Digital Sheet Music #e10/5676MD. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5676MD). This item is for .
$2.75
Deck the Hall
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Traditional Carol
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Mark Lehnowsky
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Deck the Hall
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Mark Lehnowsky Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1095123 Composed by Traditional Carol. Arranged by Mark Lehnowsky. Christmas,Classical,Contemporary,Holid...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1095123 Composed by Traditional Carol. Arranged by Mark Lehnowsky. Christmas,Classical,Contemporary,Holiday. Octavo. 9 pages. Mark Lehnowsky Music #699182. Published by Mark Lehnowsky Music (A0.1095123). This SSAATTBB arrangement of Deck the Hall is fast, rhythmic, and splashy. If you're bored of traditional Christmas arrangements and want something that is polychordal, polyrhythmic, quotes other Christmas songs, and ends with a Fa la la explosion, this is for you. It is designed to be performed both with or without independent accompaniment. Please perform this piece. It will be the quirkiest two and a half minutes of Christmas music you sing this year. If I'm wrong, please email me what else you're doing. I want to program it, too.
$2.95
Don't Do Anything (Unless You Know What You're Doing)
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Chorale SATB
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DÉBUTANT
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Judith Rounda
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Don't Do Anything
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Judith Rounda
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.827741 Composed by Judith Rounda. Ragtime,Traditional. Octavo. 3 pages. Judith Rounda #3111513. Published by Jud...
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Choral Choir (SATB) - Level 1 - SKU: A0.827741 Composed by Judith Rounda. Ragtime,Traditional. Octavo. 3 pages. Judith Rounda #3111513. Published by Judith Rounda (A0.827741). 2017 Choral Contest Entry: Secular Original Composition: Advice from a seasoned employee to the new hire inspired this short SATB ragtime piece with its tongue-in-cheek message.
$1.99
Savin' Jeremiah - SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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a chariot of fire, But the pro
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo...
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Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Haliluya Nada! (IGBO)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Allwell O
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Haliluya Nada!
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AXORA
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1086363 By Allwell O. Nwankwo. By Allwell O. Nwankwo. A Cappella,Classical,Contest,Easter,Festival,Sacred. Octav...
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Choral Choir (SATB) - Level 4 - SKU: A0.1086363 By Allwell O. Nwankwo. By Allwell O. Nwankwo. A Cappella,Classical,Contest,Easter,Festival,Sacred. Octavo. 4 pages. AXORA #690560. Published by AXORA (A0.1086363). This beautiful Igbo song celebrates the resurrection, ascension, and sovereignty of our Lord Jesus Christ. Its unique arrangement, with all the parts doing different things, is refreshing. To get a feel of the song, please listen to the instrumental audio preview.
$2.20
I Hear Your Voice
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Words and Music by Marti Lunn
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He is always there with you
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I Hear Your Voice
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1243171 Composed by Words and Music by Marti Lunn Lantz. Celtic,Contemporary,Irish,Praise & Worship,Sacred. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.1243171 Composed by Words and Music by Marti Lunn Lantz. Celtic,Contemporary,Irish,Praise & Worship,Sacred. Octavo. 10 pages. Lantz Choral Publications #838219. Published by Lantz Choral Publications (A0.1243171). Marti Lunn Lantz has written a highly inspirational anthem for SATB voices and piano. The comforting message is that no matter where you are or what you are doing, you can hear the voice of God in all things; He is always there with you. The uplifting Celtic flavored music adds to the positive force of this composition. The chorus drives home the main point: “My Teacher, Savior, and my Guide, we journey onward side by side. My faith is strong, I see Your face. My heart is filled with Your grace!†Very appealing!Full score and parts for for woodwinds, F horns, strings and bodhrán, arranged by David Lantz III - LCP0132Accompaniment track mp3 of the orchestration - LCP0167.
$2.55
Talk Is Cheap
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Jeffrey Richard Carter
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Talk Is Cheap
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Jeffrey Richard Carter
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1023637 Composed by Jeffrey Richard Carter. Contemporary. Octavo. 15 pages. Jeffrey Richard Carter #6209363. Pub...
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Choral Choir (SATB) - Level 3 - SKU: A0.1023637 Composed by Jeffrey Richard Carter. Contemporary. Octavo. 15 pages. Jeffrey Richard Carter #6209363. Published by Jeffrey Richard Carter (A0.1023637). My friend and former student Jeffery Thyer asked me in 2013 to write something for a choir in NYC. They were doing a concert about money. I chose ten little sentences to set, from Carl Sandburg to the Gospels, Benjamin Franklin to Will Rogers. The set would make a fine concert closer for a decent high school choir, a community chorus, or a collegiate choir. Any of the ten little ditties may be omitted without damaging the whole concept too much. Looking for a humorous choral work? This may be it!
$3.00
He Cries (Solo and SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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He Cries
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618027 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 13 pages. Exultet Music #2005703...
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Choral Choir (SATB) - Level 2 - SKU: A0.618027 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 13 pages. Exultet Music #2005703. Published by Exultet Music (A0.618027). Contemporary Christian / Praise and Worship type hymn of self-examination that sings about it's all the little things that we could be doing and how we treat our neighbor, but sometimes we don't. The comments we make that really we shouldn't, etc. and how all of this and more must make God cry. Appropriate and accessible for any church or concert setting. Scored for Solo, SATB, Cello, and Piano. A rehearsal and an accompaniment track are also available.CCLI Song Number: 7119078Video Review: https://www.youtube.com/watch?v=mcyqny0mj0E.
$3.99
Sitting Quietly for SATB, alto flute, and piano
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Chorale SATB
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Contemporain
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Leslie Kleen
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Sitting Quietly for SATB, alto
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Music From Riverside
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1004785 Composed by Leslie Kleen. Contemporary. Octavo. 5 pages. Music From Riverside #4367346. Published by Music From Ri...
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Choral Choir (SATB) - SKU: A0.1004785 Composed by Leslie Kleen. Contemporary. Octavo. 5 pages. Music From Riverside #4367346. Published by Music From Riverside (A0.1004785). A Zen Saying:Sitting quietly, doing nothing,the grass grows, and spring comes by itself.Piano and alto flute accompaniment.Bb Clarinet can be substituted for Alto Flute.Flute/Clarinet part is available separately.See: Sitting Quietly -flute/clarinet part .
$1.99
Sitting Quietly for SATB and piano
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Chorale SATB
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FACILE
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Contemporain
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Leslie Kleen
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Sitting Quietly for SATB and p
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Music From Riverside
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1004784 Composed by Leslie Kleen. 20th Century. Octavo. 3 pages. Music From Riverside #4367340. Published by Mus...
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Choral Choir (SATB) - Level 2 - SKU: A0.1004784 Composed by Leslie Kleen. 20th Century. Octavo. 3 pages. Music From Riverside #4367340. Published by Music From Riverside (A0.1004784). A Zen Saying:Sitting Quietly, doing nothing,the grass grows, and spring comes by itself.(A more extended version is available with Alto Flute or Clarinet:See Sitting Quietly for SATB, alto flute and piano).
$1.99
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Doin The Thing