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They're After Me
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They're After Me
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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He Said She Said
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Chorale SATB
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FACILE
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Iain Cook, Lauren Mayberry, an
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Andrew Montano
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He Said She Said
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Andrew Montano
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1503412 Composed by Iain Cook, Lauren Mayberry, and Martin Doherty. Arranged by Andrew Montan...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1503412 Composed by Iain Cook, Lauren Mayberry, and Martin Doherty. Arranged by Andrew Montano. A Cappella,Pop. 15 pages. Andrew Montano #1078860. Published by Andrew Montano (A0.1503412). He Said She Said was the first song CHVRCHES composed for their fourth album after the COVID-19 pandemic. The meaning behind the track focuses on the pressures of being true to oneself and living up to expectations, especially in the ongoing age of social media.The verses describe a hypocrisy and controlling, manipulative struggle with the singer's physicality and mental state. The quotes tell her to act a certain way or mold into a specific shape, but also mention to not go too far in either category. Not having a clear direction and attempting to please others makes the singer feel like they're losing their mind.Lauren Mayberry, the lead vocalist, said The barebones of thesong were there in about an hour and the opening line of thesong was the first lyric that came out.The song released with a music video following Mayberry trapped inside a transparent revolving door with no way ofescaping. She's seen bashing against the glass attempting to break out with shots of her spinning around.Martin Doherty, the synthesist and producer of the band, said The chords felt like they had this eternal tension in them—they never actually release, even though they get really big. Itfeels to me like a panic attack.The lyrics enhance this tense suffocation with Mayberry's build up in the pre chorus followed by her highest range in the chorus. She switches between a false voice/autotune into her natural voice after breaking free from the silence. Almost as if her falsified persona is begging for release but no one responds to her cry for help.
$4.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
Two Benedictions
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Chorale SATB
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INTERMÉDIAIRE
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Michael W
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Two Benedictions
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Michael W. Hutchinson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.993825 Composed by Michael W. Hutchinson. Christian,Christmas,Contemporary,Sacred. Octavo. 2 pages. Michael W. H...
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Choral Choir (SATB) - Level 3 - SKU: A0.993825 Composed by Michael W. Hutchinson. Christian,Christmas,Contemporary,Sacred. Octavo. 2 pages. Michael W. Hutchinson #4317361. Published by Michael W. Hutchinson (A0.993825). May be used in mainline Protestant churches as either benediction or response after the pastoral words. One is for general service and one for Christmas. Singers and a director new to the pieces have told me they're lovely. Hope you'll order enough for your choir!
$2.00
Saturnalia Song for voices, wind, brass and percussion
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Saturnalia Song for voices, wi
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages....
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Choral Choir (Mixed) - Level 4 - SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].
$10.00
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