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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Perhaps, Perhaps, Perhaps
Non classifié
525
Piano & claviers
Piano seul
218
Piano Facile
44
Piano, Voix et Guitare
41
Piano, Voix
35
Instruments en Do
21
Orgue
13
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
3
Piano grosses notes
2
Accordéon
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Orgue, Piano (duo)
1
+ 10 instrumentations
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Guitares
Guitare notes et tablatures
29
Guitare
23
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
11
Paroles et Accords
7
Guitare (partie séparée)
5
2 Guitares (duo)
5
Banjo
4
Piano, Guitare (duo)
2
2 Mandolines (duo)
2
Mandoline
1
4 Guitares (Quatuor)
1
Basse electrique
1
Guitare Pedal Steel
1
3 Guitares (trio)
1
+ 10 instrumentations
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Voix
Chorale SATB
128
Chorale 3 parties
36
Chorale TTBB
18
Chorale SSAA
15
Chorale 2 parties
14
Voix Alto, Piano
10
Chorale Unison
7
Voix seule
4
Voix moyenne, Piano
2
Voix Soprano, Piano
2
Chorale SSAATTBB
2
Voix duo, Piano
2
Voix duo
2
Chorale
1
Voix Tenor
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
93
Quintette de Saxophone: 5 saxophones
75
Quatuor de Saxophones: 4 saxophones
46
Flûte traversière et Piano
37
2 Saxophones (duo)
36
Quatuor de Clarinettes: 4 clarinettes
28
Saxophone Alto et Piano
28
Flûte, Hautbois, Clarinette, Basson
26
Clarinette et Piano
23
2 Flûtes traversières (duo)
23
Quatuor de Flûtes : 4 flûtes
20
Clarinette
19
2 Clarinettes (duo)
18
Flûte traversière
17
Hautbois, Piano (duo)
17
Saxophone (partie séparée)
17
Saxophone Soprano et Piano
17
Saxophone Alto
15
Ensemble de Clarinettes
14
Ensemble de saxophones
14
Saxophone Tenor et Piano
14
Flûte, Clarinette (duo)
11
Saxophone Tenor
10
Saxophone, Clarinette (duo)
8
Quintette de Flûte : 5 flûtes
7
Clarinette, Violon (duo)
7
Clarinette, Trompette (duo)
6
2 Flûte à bec (duo)
6
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
5
Saxophone Baryton, Piano
5
Cor anglais, Piano
5
Ensemble de Flûtes
5
Hautbois, Basson (duo)
4
Flute (partie séparée)
4
3 Saxophones (trio)
4
Clarinette (partie séparée)
4
3 Clarinettes (trio)
4
Hautbois, Flûte
3
Flûte, Trompette (duo)
3
Clarinette et Alto
3
Flûte et Guitare
3
Quintette de Clarinettes: 5 clarinettes
3
2 Hautbois (duo)
3
2 Saxophones, Piano
3
Hautbois, Clarinette (duo)
3
Flûte, Saxophone (duo)
3
3 Flûtes à bec (trio)
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
5 Flûtes à bec
2
Clarinette Basse, Piano
2
Clarinette, Harpe (duo)
2
Piccolo, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Orgue
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
Flûte, Hautbois, Violon
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto
1
Instruments en Mib
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Violoncelle, Piano (trio)
1
Quatuor de Flûtes à bec
1
Flûte irlandaise
1
+ 63 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
17
Trombone et Piano
13
Trombone (partie séparée)
12
Trompette, Trombone (duo)
12
Trombone
11
Trompette, Piano
11
Cor et Piano
11
Ensemble de Trombones
10
2 Trompettes (duo)
9
2 Trombones (duo)
9
Trompette (partie séparée)
8
Ensemble de Trompettes
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
5
Quatuor de Cuivres
5
Cor anglais, Piano
5
Cor (partie séparée)
4
Tuba
3
Euphonium, Piano (duo)
3
Bass Clef Instruments
3
Ensemble de Cors
3
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Cor
2
2 Cors (duo)
1
Euphonium
1
Trombone, Orgue
1
Tuba et Orgue
1
Trombone, Tuba (duo)
1
3 Trombones (trio)
1
4 Tubas
1
+ 31 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon et Piano
31
Violoncelle, Piano
28
Violon, Violoncelle (duo)
18
Alto, Piano
17
Violoncelle
14
2 Violons (duo)
13
Violon
13
2 Violoncelles (duo)
12
2 Altos (duo)
10
Harpe
10
2 Harpes (duo)
10
Ensemble de Violons
8
Ensemble d'Altos
8
Alto seul
8
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe, Violon (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Contrebasse, Piano (duo)
3
Contre Basse
3
4 Violoncelles
3
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe et Orgue
1
Harpe et Piano
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Violon, Orgue
1
2 Contrebasses (duo)
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
+ 40 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
62
Orchestre à Cordes
52
Orchestre
44
Orchestre de chambre
27
Ensemble de cuivres
19
Ensemble Jazz
16
Cloches
7
Fanfare
4
Batterie (partie séparée)
3
Batterie
3
Marimba
2
Vibraphone
1
2 Marimbas
1
Percussion (partie séparée)
1
2 Xylophones
1
Orchestre, Violon
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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MANDOLINE
MARIMBA
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PIANO
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Perhaps, Perhaps, Perhaps
Euphonium, Piano (duo)
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Dying and Dancing for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Russell Scarbrough
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Dying and Dancing for Euphoniu
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. ...
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Euphonium,Piano - Level 5 - SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.
$27.50
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duo)
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Euphonium &am
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #...
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Euphonium,Piano - Level 1 - SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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Perhaps, Perhaps, Perhaps
