Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ch
Non classifié
290
Piano & claviers
Piano, Voix
333
Piano seul
212
Piano Facile
40
Piano, Voix et Guitare
25
Accordéon
10
Orgue
9
1 Piano, 4 mains
7
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
4
Orgue, Trompette (duo)
2
Accompagnement Piano
1
Clavecin
1
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
32
Guitare notes et tablatures
9
Ukulele
3
3 Guitares (trio)
3
Paroles et Accords
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
2
4 Guitares (Quatuor)
1
Basse electrique
1
2 Guitares (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
112
Voix seule
49
Chorale 3 parties
36
Chorale TTBB
24
Chorale
18
Chorale SSAA
13
Chorale, Orchestre
10
Voix Soprano, Piano
9
Voix Baryton, Piano
9
Chorale 2 parties
5
Voix Alto, Piano
4
Voix Mezzo-Soprano, Piano
4
Voix basse, Piano
4
Chorale SSATTB
3
Voix Tenor, Piano
3
Voix et basse continue
2
Chorale SAATB A Cappella
1
Voix haute
1
Chorale SSAATTBB
1
Voix, Guitare
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière
38
2 Flûtes traversières, Piano
25
Flûte traversière et Piano
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
2 Saxophones (duo)
17
Saxophone
15
Ensemble de Clarinettes
15
Quatuor de Saxophones: 4 saxophones
14
Flûte, Hautbois, Clarinette, Basson
12
Flûte à Bec
12
2 Clarinettes (duo)
11
Clarinette
10
Saxophone, Clarinette (duo)
10
2 Flûtes traversières (duo)
10
Clarinette et Piano
9
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette, Violon (duo)
8
Flûte, Clarinette (duo)
7
Hautbois, Piano (duo)
7
Hautbois, Clarinette (duo)
6
Flûte, Violon
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Trompette (duo)
6
Saxophone Alto et Piano
6
Saxophone (partie séparée)
5
2 Hautbois (duo)
5
Hautbois
5
Saxophone Tenor et Piano
5
Cor anglais, Piano
5
Ensemble de Flûtes
5
Saxophone, Violon (duo)
4
Hautbois, Trompette (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Hautbois (duo)
4
Hautbois, violon (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de saxophones
4
Hautbois, Basson (duo)
3
Flûte à bec Soprano
3
Saxophone Soprano et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Guitare (duo)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Saxophone Alto
2
Ocarina
2
2 Clarinettes, Piano
2
Flûte, Alto (duo)
2
Clarinette et Alto
2
Flûte et Guitare
2
Hautbois (partie séparée)
1
Harmonica
1
Flûte, Violon, Piano
1
Saxophone, Basson (duo)
1
Hautbois, Violoncelle
1
2 Flûte à bec (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette (partie séparée)
1
Flûte à bec Alto
1
Cor anglais et Harpe (duo)
1
2 Clarinettes, Basson
1
3 Clarinettes (trio)
1
Flûte, Clarinette et Basson
1
Flûte à bec Tenor
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec, Guitare (duo)
1
Flûte traversière, Basse continue
1
Cor anglais, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Violoncelle
1
Flute (partie séparée)
1
Flûte, Trombone (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Quintette de Flûte : 5 flûtes
1
Saxophone Baryton, Piano
1
Saxophone Tenor
1
Instruments en Mib
1
Saxophone et violoncelle
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trompette
12
Trompette, Saxophone (duo)
9
Trompette, Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone
6
Trompette (partie séparée)
6
Cor
5
2 Trompettes (duo)
5
Cor anglais, Piano
5
Trombone, violoncelle (duo)
4
2 Trombones (duo)
4
Trompette, Basson (duo)
4
Trompette, violon (duo)
4
Quatuor de cuivres: 4 cors
4
Euphonium
4
Tuba
4
Trombone (partie séparée)
4
Cor et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
3
2 Cors (duo)
3
3 Trompettes (trio)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Trombone et Piano
2
Cor anglais et Harpe (duo)
1
Trio de Cuivres
1
Trombone, Orgue
1
Euphonium, Piano (duo)
1
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
Trombone, Violon (duo)
1
Cor et Basson (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Instruments en Sib
1
Cor (partie séparée)
1
Tuba et Piano
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
19
Violoncelle
18
Violon
18
Violoncelle, Piano
16
Alto seul
10
Harpe
7
Violon, Violoncelle (duo)
7
2 Altos (duo)
6
2 Violons (duo)
6
Alto, Piano
6
2 Violoncelles (duo)
6
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Trio à Cordes: violon, alto, violoncelle
3
Alto, Guitare (duo)
3
Violon, Alto (duo)
3
2 Violons, Piano
2
Violon (partie séparée)
2
Violoncelle , Guitare (duo)
2
Contre Basse
2
Violon, Basson (duo)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Alto et Basson
1
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
2 Violoncelles, Piano
1
Trio à cordes
1
Quatuor à cordes : 4 altos
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre
28
Ensemble de cuivres
22
Orchestre d'harmonie
20
Ensemble Jazz
17
Orchestre à Cordes
11
Orchestre de chambre
9
Quintette à Vent
5
Percussion
4
Percussion (partie séparée)
3
Jazz combo
3
Cloches
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Play-along
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Mylene Farmer
4 - Maurane
5 - Michel Legrand
6 - Eddy Mitchell
7 - Françoise Hardy
8 - Barbara
9 - Francis Cabrel
10 - Jacques Brel
11 - Emma Daumas
12 - Georges Brassens
13 - Céline Dion
14 - Yann Tiersen
15 - William Sheller
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - The Beatles
3 - Astor Piazzolla
4 - Jean Sibelius
5 - Camille Saint-Saens
6 - Dan Coates
7 - George Gershwin
8 - Mark Hayes
9 - Leonard Bernstein
10 - Andrew Lloyd Webber
11 - Bela Bartok
12 - John Rutter
13 - Lloyd Larson
14 - Scott Joplin
15 - Maurice Ravel
16 - Jérôme Naulais
17 - Taylor Swift
18 - Ralph Vaughan Williams
19 - Irving Berlin
20 - Gustav Holst
21 - Erik Satie
22 - Miles Davis
23 - Sergei Rachmaninoff
24 - Dmitri Shostakovich
25 - Benjamin Britten
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
47
Partitions Numériques
5
Librairie Musicale
293
Matériel de Musique
121 605
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Ch
Ensemble de Flûtes
Partitions à imprimer
5 partitions trouvées
<
1
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 ...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Canzon Duodecimi Toni a 10, Ch. 177
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Renaissance
#
Giovanni Gabrieli
#
Adrian Dee
#
Canzon Duodecimi Toni a 10, Ch
#
Adrian Dee
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee....
(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1037658 Composed by Giovanni Gabrieli (c.1554/7 - 1612). Arranged by Adrian Dee. Renaissance. 27 pages. Adrian Dee #642563. Published by Adrian Dee (A0.1037658). Here is one for the big flutes. Arranged for 3 C-flutes, 2 alto flutes, 2 bass flutes, and 2 contrabass flutes. Each voice is unique, so all parts are required, including both contra parts. You may add piccolo players (one on each part) to double the first and second flute parts. This piece is a typical example of Gabrieli’s masterful counterpoint. Keep all notes cleanly separated as though they were marked staccato, especially repeated notes. Bring out the moving notes and drop back on longer notes.
$10.99
Canzona per sonar No 1 Ch.186 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
#
Ensemble de Flûtes
#
Renaissance
#
Giovanni Gabrieli
#
Adrian Wagner
#
Canzona per sonar No 1 Ch.186
#
SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.31...
(+)
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 13 pages. Published by Published by Adrian Wagner (S0.311083). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
<
1
Ch
