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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Is this real...
Non classifié
1 144
Piano & claviers
Piano seul
673
Piano, Voix
267
Piano Facile
158
Piano, Voix et Guitare
119
Instruments en Do
45
Orgue
41
2 Pianos, 4 mains
16
Piano Trio: piano, violon, violoncelle
16
1 Piano, 4 mains
13
Accompagnement Piano
10
Piano (partie séparée)
10
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Ensemble d'Accordéons
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
110
Guitare
89
Ligne De Mélodie, (Paroles) et Accords
87
Basse electrique
26
Guitare (partie séparée)
24
Ukulele
20
2 Guitares (duo)
13
Banjo
9
Mandoline
8
4 Guitares (Quatuor)
7
Dulcimer
5
3 Guitares (trio)
4
Ensemble de guitares
3
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Paroles et Accords
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
409
Chorale 3 parties
150
Chorale TTBB
84
Chorale 2 parties
60
Chorale SSAA
56
Chorale Unison
24
Voix Soprano, Piano
10
Voix duo
10
Voix haute
8
Voix duo, Piano
6
Voix Alto, Piano
5
Chorale SSAATTBB
4
Voix Tenor
4
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Chorale SSAATB
1
Chorale SSATTB
1
Voix seule
1
+ 15 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
112
Flûte, Hautbois, Clarinette, Basson
111
Flûte traversière et Piano
76
Saxophone (partie séparée)
72
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
2 Saxophones (duo)
62
Saxophone Alto et Piano
57
Hautbois, Piano (duo)
49
Quatuor de Clarinettes: 4 clarinettes
46
Clarinette et Piano
46
Clarinette
36
Quatuor de Flûtes : 4 flûtes
35
Saxophone Tenor et Piano
31
2 Flûtes traversières (duo)
30
Flûte traversière
30
Saxophone Alto
27
Ensemble de saxophones
22
Quintette de Saxophone: 5 saxophones
21
Hautbois (partie séparée)
20
Saxophone Soprano et Piano
20
2 Clarinettes (duo)
19
Saxophone Baryton, Piano
18
3 Clarinettes (trio)
17
Flûte, Clarinette (duo)
16
Saxophone Tenor
16
Quintette de Clarinettes: 5 clarinettes
15
Flûte à bec Soprano
14
Flûte et Guitare
14
Clarinette Basse, Piano
13
Cor anglais, Piano
12
3 Saxophones (trio)
12
Clarinette (partie séparée)
11
Ensemble de Flûtes
11
Ensemble de Clarinettes
11
Flute (partie séparée)
11
Trio de Flûtes: 3 flûtes
10
Clarinette, Violon (duo)
9
Hautbois, Basson (duo)
9
Clarinette, Violoncelle (duo)
8
Flûte, Violoncelle
8
Clarinette, Basson (duo)
7
Flûte, Violon, Piano
7
Flûte, Violon
6
Clarinette, Guitare (duo)
6
Quintette de Flûte : 5 flûtes
6
Cor Anglais
6
Flûte, Alto (duo)
6
2 Flûte à bec (duo)
6
Hautbois, Violoncelle
5
Flûte à Bec
4
Flûte, Clarinette et Basson
4
Saxophone, Clarinette (duo)
4
Flûte, Clarinette, Piano (trio)
4
Clarinette, Trompette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette et Alto
3
Hautbois, Guitare (duo)
3
Clarinette, Trombone (duo)
3
Flûte à bec Soprano, Piano
3
Flûte à bec Tenor
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
2
2 Saxophones, Piano
2
Hautbois, Flûte
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois (duo)
2
Ocarina
2
Flûte à bec Alto
2
Flûte, Trompette (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Saxophone (duo)
2
Flûte, Harpe et Violoncelle
2
Quatuor de Flûtes à bec
2
Flute, harpe et violon
2
Clarinette Basse
2
Saxophone
1
3 Hautbois
1
Hautbois et Orchestre
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
Hautbois et alto (duo)
1
Piccolo
1
Flûte, Trombone (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Tuba
1
Flûte, Hautbois, Violon
1
Ensemble De Flûte à bec
1
Clarinette, Harpe (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, trombone (duo)
1
Saxophone et Harpe
1
Cor anglais et Harpe (duo)
1
Ensemble à vent
1
Flûte, Tuba (duo)
1
Saxophone et Orgue
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
83
Trombone (partie séparée)
68
Trompette (partie séparée)
44
Trompette, Piano
34
Cor et Piano
34
Trompette
34
Trombone et Piano
31
Quatuor de Cuivres
26
Ensemble de Trombones
19
Trombone
17
Cor (partie séparée)
15
Tuba et Piano
15
Euphonium, Piano (duo)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Quatuor de cuivres: 4 trombones
13
Cor anglais, Piano
12
Tuba (partie séparée)
12
Trompette, Saxophone (duo)
12
Cor
11
Tuba
10
Quatuor de cuivres: 4 cors
7
3 Trombones (trio)
6
Cor Anglais
6
2 Trombones (duo)
5
2 Trompettes (duo)
5
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
4
Trio de Cuivres
4
4 Tubas
3
Cor, Violoncelle (duo)
3
Trompette, Trombone (duo)
2
Ensemble de Trompettes
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
Cor et Harpe
1
3 Tubas (trio)
1
Trombone, Violon (duo)
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Harpe
1
2 Trombones, Piano
1
Cor anglais et Harpe (duo)
1
2 Tubas (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
327
Violon et Piano
82
Harpe
49
Violon, Violoncelle (duo)
48
Violon
47
Trio à Cordes: violon, alto, violoncelle
43
Alto, Piano
42
Violoncelle, Piano
41
Violoncelle
39
Trio à Cordes: 2 violons, violoncelle
32
2 Violons (duo)
27
Alto seul
21
Contrebasse (partie séparée)
21
2 Violoncelles (duo)
19
Violon (partie séparée)
17
Violon, Alto (duo)
16
Contrebasse, Piano (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violoncelle , Guitare (duo)
10
Alto (partie séparée)
10
2 Altos (duo)
9
Violon, Guitare (duo)
6
Alto, Violoncelle (duo)
5
Harpe, Flûte (duo)
5
Alto, Guitare (duo)
5
Contre Basse
5
4 Violoncelles
5
Violoncelle (partie séparée)
4
Alto et Basson
4
Trio à cordes
4
Trio à Cordes: 2 violons, alto
4
Trio à Cordes: 3 violoncelles
4
2 Harpes (duo)
3
Harpe, Violon (duo)
3
Quatuor à cordes: 4 violons
3
Harpe, Voix
2
Harpe, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
2
Violon, Basson (duo)
2
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Harpe et Piano
1
Alto et Harpe
1
Harpe, Violon, Violoncelle
1
Harpe et mandoline
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Tuba (duo)
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
667
Ensemble Jazz
140
Orchestre
128
Orchestre à Cordes
119
Ensemble de cuivres
91
Fanfare
66
Cloches
51
Jazz combo
29
Orchestre de chambre
21
Batterie (partie séparée)
12
Ensemble de Percussions
11
Percussion (partie séparée)
7
Batterie
4
Xylophone, Piano
2
Marimba
2
2 Marimbas
1
Vibraphone et Marimba
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Is this real...
Saxophone Soprano et Piano
Partitions à imprimer
20 partitions trouvées
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1
Life On Mars
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Rock
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David Bowie
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Dimitris Anousis
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Life On Mars
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Dimitris Anousis
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.784588 By David Bowie. By David Bowie. Arranged by Dimitris Anousis. Pop,Rock. Score and part. 10 pages. Dim...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.784588 By David Bowie. By David Bowie. Arranged by Dimitris Anousis. Pop,Rock. Score and part. 10 pages. Dimitris Anousis #5731699. Published by Dimitris Anousis (A0.784588). Life On Mars - Amazing instrunemtal (Soprano Sax & piano) arrangement of the well known mega hit by David Bowie, made by the professional accompanist and arranger Dimitris Anousis. This is the real deal! It's in Bb Major, a very good tonality for Soprano Sax (it's in Bb). With all the parts of the original song and with the piano part written correctly and enriched. Written in a understandable way to be pianistic but to have an orchestral feeling while playing, not for the piece to sounds poor. Ideal for all kinds of events. Appropriate also for students. This is an all time standard piece which I love very much!
$7.99
Loved By You
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Saxophone Soprano et Piano
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FACILE
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Contemporain
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You
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Jeffrey Gitelman and Kirby Doc
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Dimitris Anousis
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Loved By You
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Dimitris Anousis
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.784627 Composed by Jeffrey Gitelman and Kirby Dockery. Arranged by Dimitris Anousis. Contemporary. Score and...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.784627 Composed by Jeffrey Gitelman and Kirby Dockery. Arranged by Dimitris Anousis. Contemporary. Score and part. 7 pages. Dimitris Anousis #6286237. Published by Dimitris Anousis (A0.784627). Loved By You (Kirby) - Amazing instrunental (Soprano Sax in Bb & piano) arrangement of this beautiful song by Kirby, made by the accompanist and arranger Dimitris Anousis. This is the real deal! It's in F Major (original tonality). With the form of the original song and with the piano part written correctly. Ideal for all kinds of events. Appropriate also for students.
$4.99
Sandcastles
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Pop musique
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Beyonce
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Dimitris Anousis
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Sandcastles
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Dimitris Anousis
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.784593 By Beyonce. By Beyonce Knowles, Malik Jones, Midian Mathers, and Vincent Berry II. Arranged by Dimitr...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.784593 By Beyonce. By Beyonce Knowles, Malik Jones, Midian Mathers, and Vincent Berry II. Arranged by Dimitris Anousis. Pop,R & B,Soul. Score and part. 8 pages. Dimitris Anousis #5740523. Published by Dimitris Anousis (A0.784593). Sandcastles - Amazing instrumental (soprano saxophone & piano) arrangement of this wonderful song by Beyoncé, made by the professional accompanist and arranger Dimitris Anousis. This is the real deal! It's in Bb Major, a very good tonality for soprano saxophone (original key). With all the parts of the original song and with the piano part and the melody written correctly. Written in a understandable way to be pianistic but to have an orchestral feeling while playing, not for the piece to sounds poor. Ideal for all kinds of events. Appropriate also for students. I hope you'll enjoy it!
$7.99
Jolene
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Country
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Dolly Parton
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Dimitris Anousis
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Jolene
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Dimitris Anousis
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.784619 By Dolly Parton. By Dolly Parton. Arranged by Dimitris Anousis. Country. Score and part. 9 pages. Dim...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.784619 By Dolly Parton. By Dolly Parton. Arranged by Dimitris Anousis. Country. Score and part. 9 pages. Dimitris Anousis #6212597. Published by Dimitris Anousis (A0.784619). Jolene - Amazing instrunemtal (Soprano Sax & piano) arrangement of the well known song by Dolly Parton, made by the accompanist and arranger Dimitris Anousis. This is the real deal!
$4.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Handel: Largo from Xerxes for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wed...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Luther: Out of the Depths for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic ...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Après un rêve (Fauré) for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1303417 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1303417 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892991. Published by SCORE EDITIONS (A0.1303417). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.
$5.99
What Was I Made For?
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1313280 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Fi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1313280 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #902067. Published by Glauco Fernandes (A0.1313280). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$6.99
What Was I Made For?
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1313279 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Fi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1313279 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #902066. Published by Glauco Fernandes (A0.1313279). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$6.99
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Clair de Lune (Debussy) for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1469428 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festiva...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1469428 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047450. Published by SCORE EDITIONS (A0.1469428). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.
$5.99
Being Alive
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Saxophone Soprano et Piano
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FACILE
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Stephen Sondheim
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Rodrigo Ramos
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Being Alive
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Rodrigo Ramos
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1367003 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Music...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1367003 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 13 pages. Rodrigo Ramos #951345. Published by Rodrigo Ramos (A0.1367003). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for soprano sax and piano.
$5.99
Three Songs
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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David Osbon
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Three Songs
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Forton Music - Digital
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SheetMusicPlus
Ssax. Pft - Intermediate - SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. ...
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Ssax. Pft - Intermediate - SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. Published by Forton Music - Digital (F2.FM422). ISBN 9790570483211.Writing for Soprano Saxophone and Piano was a revelation - the dialogue between the instruments was as if they were two voices sharing a converstaion on a subject that only they really knew about. So, I suppose, it was inevitable that I began to think of the pieces as a set of 'songs without words'. However, there was something rather elusive about their characters and it wasn't until they were composed that the titles, and the order in which they should be played, became obvious. These songs have been conceived in a non-standard harmonic language; for this reason the saxophone part intentionally has no key signature. Rhythmically, the songs are comparatively straightforward, although the constantly changing time signatures in Song Of Sorrow require careful counting. The range used is not excessive, with more use made of the higher notes than the lower ones.
$9.95
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